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Coaching the Artist Within.


Coaching the Artist Within

Eric Maisel

New World Library

ISBN ISBN
abbr.
International Standard Book Number


ISBN International Standard Book Number

ISBN n abbr (= International Standard Book Number) → ISBN m 
: 1577314646 $14.95 256 pages

What's a creativity coach? Although perhaps the concept is as old as creativity itself, as a field of practice, Eric Maisel may have been the originator. A creativity coach is someone who helps those who are creatively challenged in some way. The scope of this challenge is broad indeed, since it is the very nature of creative challenges which spur creative responses. In other words Adv. 1. in other words - otherwise stated; "in other words, we are broke"
put differently
, all artists are creatively challenged at the start and throughout each of their projects. It's when the challenge becomes so great that the work stops or an emotional crisis ensures that the work of a creativity coach becomes valuable. Eric Maisel is more than a creativity coach, although he has written a number of books and countless articles on the topic, and does expensive coaching sessions for some rather famous artists. His latest book, Coaching the Artist Within is more like Anthony Robbins without the overt hype, and targeted directly towards people who need to be creative. It is motivational, inspirational, and touches on more than an artist's output.

The book is written in simple, accessible prose and is full of real life stories from Maisel's practice--tales of rock stars who are feeling dissatisfied with their music, singers who have too much anxiety to perform their best, painters who no longer want to paint in the style their customers expect, and writers who can't finish their writing. Coaching the Artist Within is designed to turn the reader into his or her own self-creativity coach, and is set out in twelve lessons and a number of related exercises. These skills include such things as how to become an effective self-couch, passionately making meaning, getting a grip on your mind, eliminating dualistic du·al·ism  
n.
1. The condition of being double; duality.

2. Philosophy The view that the world consists of or is explicable as two fundamental entities, such as mind and matter.

3.
 thinking, generating mental energy, creating in the middle of thing, achieving a centred presence, committing to goal-oriented process, dealing with anxiety, planning, upholding dreams in the face of reality, and maintaining a creative life.

It's a misnomer misnomer n. the wrong name.


MISNOMER. The act of using a wrong name.
     2. Misnomers, may be considered with regard to contracts, to devises and bequests, and to suits or actions.
     3.-1.
 however, to think of these "skills" in the same way as one might think of learning to use a carpenter's saw or learning to speak another language, though Maisel suggests that even things like emotions and beliefs can be dealt with through creating positive habits, mental exercises, and repetition. The second skill, passionately making meaning is the key which underlies the entire book--that just getting through a day, finishing a project, or even making good money really isn't enough. Life is all about deciding that our lives have meaning. Maisel presents this as a deliberate choice, and a learnt skill through a series of exercises like creating a life purpose statement, and holding, always, the intention to fulfil that life purpose. This is not subtle, nor is it difficult to grasp, but it also as powerful as religion in providing a sense of purpose to life. There is much of Walter Pater's classic conclusion to The Renaissance here: "To burn always with this hard, gem-like flame, to maintain this ecstasy, is success in life."

This is true life coaching This article needs copy editing for grammar, style, cohesion, tone and/or spelling.
You can assist by [ editing it] now.
, but Maisel is never corny corn·y  
adj. corn·i·er, corn·i·est
Trite, dated, melodramatic, or mawkishly sentimental.



[From corn1.
, nor does he preach preach  
v. preached, preach·ing, preach·es

v.tr.
1. To proclaim or put forth in a sermon: preached the gospel.

2.
 or ever come near to didacticism di·dac·tic   also di·dac·ti·cal
adj.
1. Intended to instruct.

2. Morally instructive.

3. Inclined to teach or moralize excessively.
 in his writing. In most instances, he shows us what others have had to deal with and we are able to recognise ourselves in the many examples (which are fun and even hedge on the gossipy) scattered Scattered

Used for listed equity securities. Unconcentrated buy or sell interest.
 throughout the book. At the same time, the book doesn't oversimplify o·ver·sim·pli·fy  
v. o·ver·sim·pli·fied, o·ver·sim·pli·fy·ing, o·ver·sim·pli·fies

v.tr.
To simplify to the point of causing misrepresentation, misconception, or error.

v.intr.
, or pretend that the road to self-actualisation is an easy one. This isn't about cheerleading The examples and perspective in this article or section may not represent a worldwide view of the subject.
Please [ improve this article] or discuss the issue on the talk page.
, and there is most definitely no chapter on food combining food combining nTrennkost f  or how to lose weight. The exercises, though powerful, are surprisingly simple, and include such things as keeping a journal devoted to dream upholding, a life plan, a series of pre-performance questions designed to get at the roots of anxiety, dropping everything and making creativity a priority, centring yourself through a series of breathing and speaking exercises, or using affirmations as substitutes for negative thoughts. If you've read many self-help or motivational books, you'll probably recognise some of these, however, what make this book so powerful is the way in which Maisel puts it all into the broader context of creativity being at the heart of a positive and fulfilled life. Those working in a creative arena will understand and feel deeply the importance with which Maisel views their work, and the intimacy of his understanding of the problems which can occur. As Maisel himself is not only a coach, but also a novelist who understands how to use language, this is a book which reads well, handling large and difficult notions with ease:

We must dream large, and we must also reality-test well. It is imperative that we do both. A person who dreams large but doesn't effectively test reality ends up in a fantasy world. A person who tests reality well but doesn't nurture large dreams lives paralyzed par·a·lyze  
tr.v. par·a·lyzed, par·a·lyz·ing, par·a·lyz·es
1. To affect with paralysis; cause to be paralytic.

2. To make unable to move or act: paralyzed by fear.
 in the ordinary world. A peson who manages to do both occupies the only heaven heavenly enough to suit our creative soul, a heaven where creative projects are incubated and made manifest in the crucible crucible, vessel in which a substance is heated to a high temperature, as for fusing or calcining. The necessary properties of a crucible are that it maintain its mechanical strength and rigidity at high temperatures and that it not react in an undesirable way with  or reality. (175)

What Maisel presents here is a primer on how to live a life worth living. If you're a blocked artist, Coaching the Artist Within will certainly help you get to the root of what is troubling you, while always spurring you forward to do more, more deeply, and more meaningfully. Even if you aren't blocked, this book is an excellent resource to help you get the most out of life, to work to your best, and to create a broader vision to encompass your creativity. It always comes back to the reader, and ultimately this book will have you answering your own questions. This is one for every artist's bookshelf, and perhaps also for the broader community as well.
COPYRIGHT 2005 Midwest Book Review
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2005, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Publication:Reviewer's Bookwatch
Article Type:Book Review
Date:Apr 1, 2005
Words:981
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