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Clarity and light: a delicate crystal casket for a major collection of glassware.


Rarely has a building fused form and purpose as seamlessly as the Glass Pavilion of the Toledo Museum of Art The Toledo Museum of Art is an internationally known art museum located in the Old West End neighborhood of Toledo, Ohio, United States. The museum was founded by Toledo glassmaker Edward Drummond Libbey in 1901, and moved to its present location, a Greek revival building designed . Selections from one of the world's finest World's Finest may refer to:
  • A number of DC Comics- related media, typically involving the teaming up of iconic superheroes Superman and Batman.
  • World's Finest Comics
 collections of historic and contemporary glassware are displayed in solid- and glass-walled galleries alongside public spaces and two glass-blowing studios. This transparent complex of rooms and courtyards is enclosed within a round-cornered membrane that seems as ethereal as a soap bubble soap bubble An adjective referring to a dilated, smooth-contoured cyst-like or ballooned, occasionally loculated space(s). See Physaliferous Bone radiology An expansile, often eccentric, vaguely trabeculated space with a thin, sclerotic, sharply defined margin, , but is engineered to withstand the climatic extremes of the Mid-West. By day, it is a glittering bauble that reflects the surrounding trees and reveals shimmering shim·mer  
intr.v. shim·mered, shim·mer·ing, shim·mers
1. To shine with a subdued flickering light. See Synonyms at flash.

2.
 layers wrapping spaces, objects and people. At night, the glass disappears and one sees only the silhouettes of students and artisans, working their magic around the glowing glory holes of the furnaces.

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Toledo was once the glass capital of America, and its prestigious art museum was founded in 1901 by the president of the Libbey Glass Company. Now the city has lost its industrial base, like so much of the Mid-West, and the laminated glass panels of the pavilion were fabricated in China. Daring architecture is Ohio's way of reinvigorating its urban hubs, stimulating tourism, and restoring civic pride. The Toledo Museum set a lead in 1989 when it commissioned Frank Gehry to design the Center for Visual Arts (AR August 1993), a Cubist composition of metal-clad studios that erupts from one side of the classical building. Peter Eisenman's Wexner Center in Columbus, Zaha Hadid's Rosenthal Center for Contemporary Art The Contemporary Arts Center (CAC) in Cincinnati, Ohio chose to honor two of its major donors by naming its new home, designed by Zaha Hadid, the Lois and Richard Rosenthal Center for Contemporary Art. The Rosenthal Center was Zaha Hadid's first American project.  in Cincinnati (AR July 2003), and Coop Himmelb(I)au's extension to the Akron Art Museum Akron Art Museum is an art museum in Akron, Ohio, USA.

The museum started in the basement of the public library in 1922. A 65,000 square foot new building has been designed by the architecture firm Coop Himmelb(l)au, located next to the existing museum, a former post office
, which opens next summer, may yet have a Bilbao effect.

The Glass Pavilion is an auspicious American debut for SANAA, the partnership of Kazuyo Sejima and Ryue Nishizawa, which is now constructing the New Museum of Contemporary Art This article is about New Museum of Contemporary Art. For other Museums named Museum of Contemporary Art, see Museum of Contemporary Art.

The New Museum of Contemporary Art
 in lower Manhattan. It's a great surprise to find it in this leafy location, at the edge of a large protected enclave of Victorian and Edwardian houses. Historicism his·tor·i·cism  
n.
1. A theory that events are determined or influenced by conditions and inherent processes beyond the control of humans.

2. A theory that stresses the significant influence of history as a criterion of value.
 has become pandemic pandemic /pan·dem·ic/ (pan-dem´ik)
1. a widespread epidemic of a disease.

2. widely epidemic.


pan·dem·ic
adj.
Epidemic over a wide geographic area.

n.
 in America, and most residential neighbourhoods reject anything that does not mimic the old. Surprisingly few objections were raised to the pavilion, which flatters its surroundings by mirroring them. To ensure that the building remains uncluttered, a ramp leads down to basement storage and services; and the floor vents channel cool air that is pumped underground from a detached plant. Shallow roof pyramids feed rain and melted snow into interior drainpipes and are concealed behind the cornice cornice (kôr`nĭs), molded or decorated projection that forms the crowning feature at the top of a building wall or other architectural element; specifically, the uppermost of the three principal members of the classic entablature, hence by . The structure is supported on 36 slender steel columns, some concealed within the few solid walls.

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The building is also designed to conserve energy. Panels comprising two laminated sheets of optiwhite UV-treated glass are set into floor and ceiling tracks and joined to form the exterior wall. The void between this and the interior walls serves as a thermal barrier. Heat from the furnaces is recycled to warm water and supplement radiant heating in the grey terrazzo terrazzo

Type of flooring consisting of marble chips set in cement or epoxy resin that is poured and ground smooth when dry. Terrazzo was ubiquitous in the 20th century in commercial and institutional buildings.
 floors, and air exhausted from the galleries cools the workshops. Curtains of grey Verasol fabric are suspended from peripheral ceiling tracks and can be moved to block the glare and heat of the sun. In the spacious reception hall, they circle in on a spiral track, allowing the room to be used for large receptions or reduced in size for intimate dinners.

When Sejima left Toyo Ito's office in Tokyo, she made her reputation with transparent facades, and now she and her partner have fleshed out those dazzling surfaces. Within the pavilion, each space flows freely into the next and you rarely need to consult the directional plans that are ingeniously set into the terrazzo. The harmony of proportion is matched by the refinement of finish and detail. Light is diffused and reflected in flat and curved planes that complement the blown, cut, or modelled vessels on display. The pavilion realises Bruno Taut's dream of a crystalline architecture that would break down physical barriers and bathe its users in light. For Toledo, it is a poetic memorial to its industrious past.

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COPYRIGHT 2006 EMAP Architecture
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2006, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Author:Webb, Michael
Publication:The Architectural Review
Date:Nov 1, 2006
Words:680
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