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Civic subtlety: a run-down corner of a little Italian city has apparently effortlessly been brought into urban conversation.


Cesano Maderno is a small city some 25km north-west of Milan, where the country starts to rise from the plain of Lombardy towards the Alps. Its centre is still a magical network of picturesque events and spaces, and now they have been added to by Marco Castelletti's urban intervention made possible by demolition of ill-advised twentieth-century intrusions.

West of the main square is the baroque Palazzo pa·laz·zo  
n. pl. pa·laz·zi or pa·laz·zos
A large splendid residence or public building, such as a palace or museum.



[Italian, from Latin Pal
 Arese, the courtyard of which has been revealed through its railings by the demolitions. To the south is the park of the palazzo, verdant ver·dant  
adj.
1. Green with vegetation; covered with green growth.

2. Green.

3. Lacking experience or sophistication; naive.
 and well grown with fine trees; it is open to the citizens as their main green urban space.

Castelletti's main move was to insert a fountain (what he calls a 'waterblade') east of the northern wing of the palazzo. Its sheet of water falls smoothly into a shallow canal that continues the lines of the building, and reflects both it and the rich vegetation of the park. Along the north side of the pool runs a pedestrian street that is the continuation of an existing medieval alley. To the south are gates in the railings of the park's northern edge.

Marco Castelletti's design pulls together the main given spatial elements: palazzo court, alley and park in a quiet, unobtrusive yet strong way, and at the same time creates an urban space that is a contribution to the rich matrix in its own right. The place derives much of its presence from the details themselves. For instance, the bottom of the flowing pool is in dark beola (a kind of blackish gneiss gneiss (nīs), coarse-grained, imperfectly foliated, or layered, metamorphic rock. Gneiss is characterized by alternating light and dark bands differing in mineral composition and having coarser grains than those of schist. ). It is striped with strips of pale granite that are projected over the lawn and help to turn the corner between park and pedestrian street. At night, the strips are illuminated to reinforce their geometrical function. Lighting is a key element of the composition, which changes in expression from day to night. The pedestrian street is emphasized by a new lighting system (designed by the architect) that carries its line past the palazzo east towards the termination of the new composition on the via Milano. Where the buildings step northwards north·ward  
adv. & adj.
Toward, to, or in the north.

n.
A northern direction, point, or region.



north
 beyond the line, a small timber clad seasonal refreshments re·fresh·ment  
n.
1. The act of refreshing or the state of being refreshed.

2. Something, such as food or drink, that refreshes.

3. refreshments A snack or light meal and drinks.
 kiosk has been inserted. It is shaded by a pergola pergola

Garden walk or terrace typically formed by two rows of columns or posts roofed with an open framework of beams and cross rafters over which plants are trained. Its purpose is to provide a foundation on which climbing plants can be viewed and to give shade.
, and a pale limestone wall

[ILLUSTRATION OMITTED]

[ILLUSTRATION OMITTED]

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.
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Title Annotation:Palazzo Arese
Publication:The Architectural Review
Geographic Code:4EUIT
Date:Dec 1, 2004
Words:409
Previous Article:Concrete intervention: radical treatment of a nineteenth-century building creates dramatic new spaces.
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