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City of angels: while you're in town on business, find time to work on L.A.'s after-work life.


Angels, maybe, but one thing L.A. does have is stars. From Hollywood to Watts, from Magic Johnson's theater complex to Fred Price's Crenshaw cren·shaw   also cran·shaw
n.
A variety of winter melon (Cucumis melo var. inodorus) having a greenish-yellow rind and sweet, usually salmon-pink flesh.



[Origin unknown.]
 Christian Center, African Americans have hugged the limelight since the first pioneers settled here in 1790. More than half of those settlers--26 of 46--were of African descent, and Hollywood's been swinging ever since. Even the hills that the rich and famous now call home was land once owned by Maria Rita Valdez, whose black grandparents grandparents nplabuelos mpl

grandparents grand nplgrands-parents mpl

grandparents grand npl
 were among those founding folk.

You won't find a central African American hub in L.A., however. The city covers a lot of turf, including Hollywood, Inglewood, Century City, Universal City, South Central, Watts and dozens of other neighborhoods such as the lively and largely African American Leimert Park. This district offers a generous mix of culture and entertainment (see "Inside Leimert Park," Verve, June 1997).

L.A. has much to offer museum-goers. In the Crenshaw district, Black Gallery (107 Santa Barbara Plaza; 213-294-9024) is the premier museum celebrating African American photographers. Other fine art can be viewed at the Museum of African American Art African American art is a broad term describing the visual arts of the American black community. Influenced by various cultural traditions, including those of Africa, Europe and the Americas, traditional African American art forms include the range of plastic arts, from  (4005 S. Crenshaw Blvd.; 213-294-7071) and the California African-American Museum (600 State Dr., Exposition Park; 213-744-7432). Want to put a face to the name? Visit the Hollywood Wax Museum The Hollywood Wax Museum is located in the heart of the tourist district of Hollywood, California, USA, at 6767 Hollywood Blvd.

The museum, the brainchild of entrepreneur Spoony Singh, was opened in 1965,[1]
 (6767 Hollywood Blvd.; 213-462-5991) with its lifelike figures of Tiger Woods, Diana Ross and others. To visit homes of some of Hollywood's brightest stars, contact Gloria Vinson Tours (5286 Village Green; 213-295-0888) or Black L.A. Tours (3450 W. 43rd St.; 213-750-9267).

On the restaurant scene, try Elephant Walk (4336 Degnan Blvd.; 213-299- 1765), patronized pa·tron·ize  
tr.v. pa·tron·ized, pa·tron·iz·ing, pa·tron·iz·es
1. To act as a patron to; support or sponsor.

2. To go to as a customer, especially on a regular basis.

3.
 for its California-French cuisine and 1930s jazz motif. To satisfy a Cajun hunger, head to Gagnier's (1315 Third St.; 310-319-9981). In Hollywood, Georgia (7250 Melrose Ave.; 213-933-8420), co-owned by Denzel Washington, Debbie Allen and Norm Nixon, is where celebrity-watchers go for soul food. For light fare and fun, 5th Street Dick's (3347 W. 43rd Pl.; 213-296-3970), a jazz coffeehouse, is a late-night favorite for chili, cobblers, cakes and live music. After dinner, get a few laughs at the smoke- and alcohol-free Comedy, Comedy (625 S. Fairfax; 213-673-3521), featuring comedy shows and open-mike nights for poets, singers and comics.

Pay tribute to the nearly 100 African American entertainers remembered along the Walk of Fame on Hollywood Blvd. (between La Brea and Gower streets and along Vine St. from Sunset to Yucca). African American heroes are also honored at the Promenade of Prominence (Ted Watkins Park, 1335 E. 103rd St.; 213-357-3032).

As the entertainment capital of the world, the city is loaded with media outlets. Over the air waves, tune into KJLH (102.3 FM), an urban contemporary radio station owned by Stevie Wonder; 24-hour jazz station KLON (88.1 FM); KACE KACE Kenya Agricultural Commodity Exchange Ltd. (Nairobi, Kenya)
KACE Ka-Band Communication Experiment
 (103.9 FM) for adult R&B; gospel station KMAX KMAX Kevin Max (musician)  (107.1 FM); and KGFJ (1230 AM) for an R&B oldies Oldies is a generic term commonly used to describe a radio format that usually concentrates on Top 40 music from the '50s, '60s and '70s.

Oldies are typically from R&B, pop and rock music genres.
 format.

Most publications targeting the African American community are free weeklies distributed on Thursdays. The Los Angeles Sentinel The Los Angeles Sentinel is a weekly African American-owned newspaper published in Los Angeles, California. The paper boasts of reaching 125,000 readers as of 2004, making it the oldest, largest and most influential African-American newspaper in the Western United States.  is the largest African American newspaper in California. Other papers include the Los Angeles Scoop and Wave Community. Higher Ground Cafe (www.hgcafe.com) publishes a monthly calendar of entertainment events, While You're In L.A...., focusing on gospel, jazz and contemporary adult artists. Pick up a copy at Eso Won (3655 S. LaBrea Ave.; 213-294-0324), a popular black bookstore in L.A.

The Los Angeles Convention and Visitors Bureau publishes a comprehensive African American Guide to L.A., free by calling 213-689-8822; or access the bureau online at the Los Angeles Times Los Angeles Times

Morning daily newspaper. Established in 1881, it was purchased and incorporated in 1884 by Harrison Gray Otis (1837–1917) under The Times-Mirror Co. (the hyphen was later dropped from the name).
 site, www.latimes.com/home/destla/. For up-to-date happenings around town, call the city's events hotline at the same number.
COPYRIGHT 1998 Earl G. Graves Publishing Co., Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1998, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:Business on Tour: brief descriptions of places and activities of special interest to American Africans in Los Angeles
Author:Giles, Dari
Publication:Black Enterprise
Article Type:Brief Article
Date:Jan 1, 1998
Words:611
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