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Chopin: Waltzes; Impromptus.


Chopin: Waltzes; Impromptus. Arthur Rubinstein Noun 1. Arthur Rubinstein - United States pianist (born in Poland) known for his interpretations of the music of Chopin (1886-1982)
Artur Rubinstein, Rubinstein
. RCA See RCA connector and video/TV history.  82876-59422-2.

When discussing the great pianists Great Pianists of the 20th Century - Géza Anda is volume one of the Great Pianists of the 20th Century box set, and it features music by the composers Béla Bartók, Frédéric Chopin, and Wolfgang Amadeus Mozart. Featured Composers
Béla Bartók
Piano Concerto No.
 of the twentieth century, no one could fail to mention the name of Arthur Rubinstein. Indeed, for many piano enthusiasts, Rubinstein might be the only name cited. Born in 1887, the Polish-American virtuoso made his piano debut at the age of seven, continuing to play and record almost continuously through his eighties, dying in 1985 at the age of ninety-five. Of the man's many musical specialities in the course of this amazing a·maze  
v. a·mazed, a·maz·ing, a·maz·es

v.tr.
1. To affect with great wonder; astonish. See Synonyms at surprise.

2. Obsolete To bewilder; perplex.

v.intr.
 career was Chopin, an interpreter of whom there was none greater. He recorded the Chopin Waltzes several times, this one his stereo collection from June, 1963.

Rubinstein recorded the most common fourteen of Chopin's Waltzes because those were the ones directly attributable to the composer, as opposed to the five or six more that were discovered after the composer's death. Rubinstein played them like few others: cleanly clean·ly  
adj. clean·li·er, clean·li·est
Habitually and carefully neat and clean. See Synonyms at clean.

adv.
In a clean manner.



clean
, with vigor but without fuss, with energy but without eccentricity eccentricity, in astronomy: see orbit.
Eccentricity
Addams Family

weird family, presented in grotesque domesticity. [TV: Terrace, I, 29]

Boynton, Nanny

travels with set of Encyclopaedia Britannica
. Every note seems right, every passage a work of considered excellence and maturity. Technically, one might hear the Waltzes played in a more letter-perfect manner, but one cannot doubt the intent of the composer or the pianist in Rubinstein's performances.

So, why should you buy this disc? First, obviously, because there are no better recordings of the Waltzes. Second, because the album has been remastered and sounds better than ever, clearer and more precise than in its first CD incarnation from 1984. Third, because the album now includes as a bonus Chopin's four Impromptus, recorded by Rubinstein in 1964, and themselves as good as or better than any other recording of the pieces on disc. The Opus opus (ō`pəs) [Lat.,=work], in music, term used in cataloging a composer's works, designating either a single composition or a group published together or considered a unit.  66, "Fantasie-Impromptu," will break your heart. And fourth, because the disc is offered at mid price, which is a bargain no music lover should overlook.

It's good to see RCA back in action with a new line of mid-priced, Red Seal classics, each a bargain in itself. Of two other discs I sampled, the Rachmaninoff Piano Concerto No. 3 (82876-594112) with Horowitz and the Brahms Violin and Double Concertos with Heifetz and Piatigorsky (82876-59410) stood out. Although both of the latter recordings have been available for a few years in their present remasterings on CD, their current availability at mid price is commendable. Also of interest are the Mahler Fourth with Levine (82876-59413-2), Debussy's La Mer with Munch munch - To transform information in a serial fashion, often requiring large amounts of computation. To trace down a data structure. Related to crunch and nearly synonymous with grovel, but connotes less pain.

Often confused with mung.
 (82876-59416-2), Beethoven's Piano Concerto No. 1 with Richter (82876-59421-2), and Schubert's Symphony 9 with Wand (82876-59425-2). In all, there are twenty titles in RCA's initial Red Seal Classic Library release, each title as intriguing as the next.
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Author:Puccio, John
Publication:Sensible Sound
Article Type:Sound Recording Review
Date:Sep 1, 2004
Words:433
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