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Chopin: Ballade No 2; Mazurkas Op33; etc: Maurizio Pollini


As his last couple of London recitals have demonstrated, Maurizio Pollini is on magisterial mag·is·te·ri·al  
adj.
1.
a. Of, relating to, or characteristic of a master or teacher; authoritative: a magisterial account of the history of the English language.

b.
 form at the moment, and this carefully planned Chopin sequence, grouping together the works of Opp 34 to 36 with Op 38, provides a document of this golden period in his playing career. He has recorded the two major works here, the second Ballade ballade (bəläd`), in literature, verse form developed in France in the 14th and 15th cent. The ballade usually contains three stanzas of eight lines with three rhymes and a four-line envoy (a short, concluding stanza).  and the B flat minor Sonata before, but both of these are titanic performances, full of perfectly focused power and high-tensile lyricism. He is arguably more effective on these larger canvases than in the miniatures, where his approach can seem like taking a sledgehammer See Opteron.  to crack a nut, and some pianists would certainly bring more intimacy to the four mazurkas of Op 33, and a bit more ingratiating in·gra·ti·at·ing  
adj.
1. Pleasing; agreeable: "Reading requires an effort.... Print is not as ingratiating as television" Robert MacNeil.

2.
 charm to the set of waltzes Op 34. But in the end the sheer aristocratic authority of the playing sweeps all before it. On this kind of form, Pollini has few pianistic pi·a·nis·tic  
adj.
1. Of or relating to the piano.

2. Well adapted to the piano.



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Author:guardian.co.uk
Publication:guardian.co.uk
Date:Oct 17, 2008
Words:163
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