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Charles Lloyd: Voice in the Night (ECM 1674 78118-21674-2).


Charles Lloyd Charles Lloyd (March 15 1938-) is an American jazz musician. Though he primarily plays tenor saxophone and flute, he has also occasionally recorded on alto saxophone and more exotic reed instruments. : Voice in the Night (ECM (1) (Enterprise Change Management) See version control and configuration management.

(2) (Error Correcting Mode) A Group 3 fax capability that can test for errors within a row of pixels and request retransmission.
 1674 78118-21674-2)

Long-time readers will remember that saxophonist Charles Lloyd has had many recordings recommended in this column over the years; indeed, Lloyd's recordings on ECM have been truly remarkable, some of the finest jazz recordings ever made, the kinds of things one would definitely want to take to that proverbial desert island (the island with the stereo setup -- and, oh yeah, electricity). Most of those recordings have been made with Scandinavian sidemen, notably Swedish pianist Bobo Stenson Bo Gustav Stenson (mostly known as Bobo Stenson, born in 1944) is a Swedish piano player and jazz musician. Stenson was noted as early as 1963, when he stepped up from the local scene in Västerås to start playing frequently in Stockholm, where he accompanied a long line of , but Voice in the Night finds Lloyd in the company of a whole new crew: John Abercrombie John Abercrombie or Abercromby may be:
  • John Abercromby (monk), 16th century Roman Catholic martyr, maybe fictitious
  • John Abercrombie (horticulturalist) (1726–1806), Scottish horticulturalist and writer
 on guitar, Dave Holland on bass, and Billy Higgins on drums. My goodness, what a dream lineup! For this outing, Lloyd plays tenor exclusively -- no flute or oboe oboe (ō`bō, ō`boi) [Ital., from Fr. hautbois] or hautboy (ō`boi, hō`–), woodwind instrument of conical bore, its mouthpiece having a double reed.  this time around -- and he and Abercrombie trade some nice melodic ideas as they weave their way through the cuts. Higgins plays with energy and imagination, with his work on the cymbals cymbals (sĭm`bəlz), percussion instruments of ancient Asian origin. They consist of a pair of slightly concave metal plates which produce a vibrant sound of indeterminate pitch.  being especially fascinating to follow. Holland is his usual self -- very solid, but never seeming to play any cliches. The music ranges over ballads and blues, and then with the final two cuts we get Lloyd's most famous tune, "Forest Flower," and a cover of Billy Strayhorn's "A Flower is a Lovesome Thing." Voice in the Night is a simply wonderful recording, one that anyone who appreciates jazz should hear; furthermore, it is the kind of recording that would be the perfect introduction to jazz for someone who likes music but has not yet ventured into the jazz realm. Buy a copy for yourself and a couple of extra copies to give to your niece and nephew.
COPYRIGHT 1999 Sensible Sound
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1999, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:Review
Publication:Sensible Sound
Article Type:Sound Recording Review
Date:Jun 1, 1999
Words:279
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