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Changing the Direction of the Wind.


The mystical yet sensuous underpinnings of Angela Caponigro's work was very much in evidence throughout the fifty minutes of her solo Changing the Direction of the Wind. This suite of eight small dances, planed to coincide with the autumn equinox equinox (ē`kwĭnŏks), either of two points on the celestial sphere where the ecliptic and the celestial equator intersect. The vernal equinox, also known as "the first point of Aries," is the point at which the sun appears to cross the , is a progressive study of eclectic movement, movement qualities, and emotional states.

Caponigro keeps her back to the audience in the beginning, lingering over her steps, displaying balletic feet and legs Feet and Legs
See also anatomy; body, human; walking.

arthropod

any invertebrate of the phylum that includes insects, arachnids, crustaceans, and myriapods with jointed legs.
. Her arms are from Indian dance, the music Japanese. One section is angular and asymmetrical; the shapes are out of kilter kil·ter  
n.
Good condition; proper form: "policy 'adjustments' designed to bring the . . . country's economy back into kilter with the Western economic system" Edward Zuckerman.
, yet Caponigro remains centered throughout.

Caponigro's work is simple but marked by a fine sense of the dramatic occasionally surfacing in her by now signature use of fanciful headdresses to top basic leotards. Caponigro folds herself into a black cloth, revealing its bright orange underside and successfully distracting us as she metamorphoses This article is about the poem. For other uses, see Metamorphoses (disambiguation).

The Metamorphoses by the Roman poet Ovid is a narrative poem in fifteen books that describes the creation and history of the world, drawing from Greek and Roman mythological
 from black tights to festive red ones.

Comparisons with butterflies, birds, and other aspects of nature are inevitable, yet with sudden swiftness, this scene of regeneration gives way to a solemn retreat. Caponigro, walking backwards, back arched, arms up, disappears into a long shah of light. After a pause, she emerges dressed in green, her face masked, long sticks splayed from the four fingers of each hand like exaggerated nails. In an updated version of the 1990 solo Ceremonial Renewal, Caponigro again evokes images of all things beautiful, delicate, and precious.

Following a final pause, Caponigro reemerges dressed in black, her own waist-length hair covered by a short, flirtatious flir·ta·tious  
adj.
1. Given to flirting.

2. Full of playful allure: a flirtatious glance.



flir·ta
 wig. Her hips swiveling, she travels backward in circles, belly dancing to the center, accompanied by the primal sounds of the rain forest, birds, and drums. Her sheer-gloved hands closed protectively about some hidden object, she runs, finally releasing a fine spray Noun 1. fine spray - precipitation in very small drops
downfall, precipitation - the falling to earth of any form of water (rain or snow or hail or sleet or mist)
 of silvery tinsel tin·sel  
n.
1. Very thin sheets, strips, or threads of a glittering material used as a decoration.

2. Something sparkling or showy but basically valueless: the tinsel of parties and promotional events.
. The dance's secrets are revealed in a spoken excerpt from the book Women Who Run with the Wolves by Clarissa Pinkola Estes: "She is the life, death, life force. She is what we leave home to look for. . . . She walks backward in time to find us."
COPYRIGHT 1996 Dance Magazine, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1996, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Title Annotation:Merce Cunningham Studio, New York, New York
Author:Lewis, Julinda
Publication:Dance Magazine
Article Type:Dance Review
Date:Jan 1, 1996
Words:344
Previous Article:Tango X 2.
Next Article:Murray Louis Dance Company.
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