Casey Clabough. George Garrett. A Critical Biography.
George Garrett was a Southern writer, a historical novelist, but also, importantly, an experimentalist, and Casey Clabough's elegantly written biography pays particular attention to this last element. Clabough points out that Garrett's John Towne academic satires "suggest the approach ... of novelists such as B. S. Johnson." Though on one level consummately successful in the literary world (a tenured teaching position at University of Virginia, Poet Laureate of that state, friend and mentor to writers such as James Dickey, R. H. W. Dillard Richard H. W. Dillard (born 11 October 1937) is an American poet, author, critic, and translator.
Perhaps most famous as a poet, he is also a highly-regarded writer of fiction and critical essays, as well as one of the screenwriters for the cult classic Frankenstein Meets , and Madison Smartt Bell Madison Smartt Bell (born August 1, 1957) is an American novelist. Born and raised in Tennessee, Bell lived in New York and London before settling in Baltimore, Maryland. A graduate of Princeton University, where he won the Ward Mathis Prize and the Francis Leymoyne Page award, and ), Garrett was also a born outsider who was skeptical of the New York New York, state, United States
New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of publishing establishment. His annual essays for the Dictionary of Literary Biography The Dictionary of Literary Biography (abbreviated DLB) is a monumental 338-volume encyclopedia published by Thomson-Gale. It is available both in print and online. The biographical material covered extends beyond novelists to include screenwriters, poets, and playwrights. , accompanied by those of David Slavitt, adamantly resisted the consensus. Just as The Sorrows of Fat City broke down barriers between literature and criticism, so did Double Vision engage in a metaficitve interrogation of Garrett's complicated friendship with Peter Taylor. Clabough, as the subtitle indicates, writes a critical biography, concentrating on work as well as life, and introduces the reader to these little-known later works while also honoring the works that gave Garrett fame. There are The Finished Man, his first novel, inspired by the politics of Garrett's native Florida, and the Elizabethan trilogy, Death of the Fox, The Succession, and Entered from the Sun, which gives us the past less as adventure or research subject than tone-poem. Garrett's language originated in the Elizabethan era, so to write these books was a solicitation of language itself. Clabough ingeniously portrays how this "unpostured and unorthodox" writer was also the most charming of men, encouraging even to unknowns who dropped their manuscripts into his mailbox. Garrett was brave and courteous as a person, but he was fearless and inventive as a writer. Clabough's biography excels in giving us both these dimensions. [Nicholas Birns]
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|Publication:||The Review of Contemporary Fiction|
|Article Type:||Book review|
|Date:||Jun 22, 2013|
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