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Carnal art; Orlan's refacing.


NX549

2004-024173

0-8166-4323-7

Carnal carnal adjective Referring to the flesh, to baser instincts, often referring to sexual “knowledge”  art; Orlan's refacing.

O'Bryan, C. Jill.

U. of Minnesota Press, [c]2005

199 p.

$24.95 (pa)

The French artist Orlan is known for performances during which her body is surgically altered; in nine such performances, features from Greek goddesses painted by Botticelli, Gerard, Moreau, and an anonymous School of Fontainebleau The Ecole de Fontainebleau refers to two periods of artistic production in France during the late Renaissance centered around the royal Château of Fontainebleau.

First School of Fontainebleau (from 1531)
 artist as well as from DaVinci's Mona Lisa were implanted into Orlan's face. O'Bryan, an independent scholar and artist, places Orlan's operations within the history of public dissections and surgeries and considers how her reconstructions comment on idealized i·de·al·ize  
v. i·de·al·ized, i·de·al·iz·ing, i·de·al·iz·es

v.tr.
1. To regard as ideal.

2. To make or envision as ideal.

v.intr.
1.
 beauty and female identity. They also, she argues, simultaneously reinforce and break apart corporeal Possessing a physical nature; having an objective, tangible existence; being capable of perception by touch and sight.

Under Common Law, corporeal hereditaments are physical objects encompassed in land, including the land itself and any tangible object on it, that can be
 subjectivity and representation. Illustrated in b & w and color with images from Orlan's performances and from other artists' work.
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Title Annotation:ART, ARCHITECTURE, DESIGN
Publication:Reference & Research Book News
Article Type:Book Review
Date:Aug 1, 2005
Words:126
Previous Article:Wyndham Lewis and the philosophy of art in early modernist Britain; creating a political aesthetic.
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