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CTRL [SPACE]: Rhetorics of Surveillance from Bentham to Big Brother.


ZENTRUM FUR KUNST UND MEDIENTECHNOLOGIE

The twofold destiny of the spectator: A viewing subject, this modern figure who was constituted parallel to the autonomous work of art, is also always the object of the other's gaze. This is the theme explored by Thomas Y. Levin through an itinerary whose theoretical and chronological point of departure is Jeremy Bentham's vision of a panoptical prison project. Examining the consequences of this model of total control for visual culture, Levin has gathered around fifty names, among them artists, photographers, architects, and filmmakers. "CTRL See control key. [SPACE]": an exhibition that should see you.

Oct. 12-Feb. 24.

Translated from French by Jeanine Herman.
COPYRIGHT 2001 Artforum International Magazine, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2001, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Author:Criqui, Jean-Pierre
Publication:Artforum International
Date:Sep 1, 2001
Words:106
Previous Article:Hans Haacke.
Next Article:The Other Modernism: De Chirico and Savinio.



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