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CORNERSTONE MULTICULTURAL `YOU CAN TAKE IT' INTRIGUES.


Byline: Evan Henerson Theater Critic

THE STRENGTH of any Cornerstone Theater Company Cornerstone Theater Company is a theater company based in the United States that specializes in community-based collaboration. According to the mission statement published on the company's website,
 adapted classic - be it ``Twelfth Night Twelfth Night, Jan. 5, the vigil or eve of Epiphany, so called because it is the 12th night from Christmas, counting Christmas as the first. In England, Twelfth Night has been a great festival marking the end of the Christmas season, and popular masquerading parties , ``The Seagull'' or ``The Knight of the Burning Pestle'' - is whether the newly applied cultural overlay (1) A preprinted, precut form placed over a screen, key or tablet for identification purposes. See keyboard template.

(2) A program segment called into memory when required.
 helps shed new light on the work or the community performing it. So an adaptation of George Kaufman and Moss Hart's ``You Can't Take It With You,'' set in the present day among L.A. Muslim families is, to say the least, an intriguing idea.

The Hart estate may have authorized Peter Howard's adaptation. After seeing how director Mark Valdez and his large cast have worked the ``American Muslim Remix re·mix  
tr.v. re·mixed, re·mix·ing, re·mix·es
To recombine (audio tracks or channels from a recording) to produce a new or modified audio recording:
,'' you wish Howard had taken the idea further. Or chucked the book and spun off into a different direction. And although Cornerstone typically mixes professional actors and enthusiastic community members to strong effect, in ``You Can't Take It With You,'' the gap between the strong actors and the amateurs is significant.

Truth be told, the differences between the eccentric Abd-ul Rahman family and the more traditional Khans - whose children are hoping to marry - don't seem all that unbridgable. OK, so Grandpa Khan (Avner Garbi) keeps snakes and attends college graduations. So the older sister hangs with a spiritual rapper. So people come to the Abd-ul Rahman house and just sort of stay for years. Is this really brouhaha worthy?

Mr. Khan (played by Shishir Kurup Shishir Kurup is an Indian American actor, of malayali background, most notably seen on the television sci fi series Surface as Dr. Singh. Most recently he was on seen on episodes of top TV shows, Heroes and Lost. ) thinks it is. And since his son Ajmal (Omi Vaidya vaidya /vai·dya/ (vi´dyah) [Sanskrit "one who knows"] in ayurveda, a physician. ) is sweet on uneccentric Abd-ul Rahman daughter Salmah (Sondos Kholoki-Kahf), there is trouble in paradise.

Kurup's Khan is a riot. Yeah, the guy's a little too stiff, but there's a wicked glimmer in the actor's eye that suggests that uptight Mr. Khan might not be far away from an important transformation. K.T. Thangavelu as Khan's subdued sub·due  
tr.v. sub·dued, sub·du·ing, sub·dues
1. To conquer and subjugate; vanquish. See Synonyms at defeat.

2. To quiet or bring under control by physical force or persuasion; make tractable.

3.
 wife handles her one scene expertly as well. Within the loony Abd-ul Rahman family, Albena Dodeva shines as matriarch Sameerah, who is working on a ``Middle East meets 'The West Wing' '' pilot because eight years ago, someone sent a laptop to the home by mistake.

We've seen the prototype of these characters many times before. The Carmichaels and Sycamores that Kaufman and Hart created may be a little different, but we're supposed to know that they make up a loving, caring family. That same sense of identity and purpose trickles into Cornerstone's ``American Muslim Remix.'' The Abd-ul Rahmans and the Khans just have to realize that there are far more important things to worry about than whether a collector of antique cricket bats is less worthy of censure A formal, public reprimand for an infraction or violation.

From time to time deliberative bodies are forced to take action against members whose actions or behavior runs counter to the group's acceptable standards for individual behavior. In the U.S.
 than a guy who poses for portraits.

Incidentally, some references simply don't update. Here's betting that the number of people in L.A. who would find a hopeful screenwriter the least bit unusual is roughly 0. That's also about how much time the FBI would wait before investigating a Muslim family in L.A. that was working with explosives in a treehouse.

Evan Henerson, (818) 713-3651

evan.henerson(at)dailynews.com

YOU CAN'T TAKE IT WITH YOU: AN AMERICAN MUSLIM REMIX - Three stars

Where: Los Angeles Los Angeles (lôs ăn`jələs, lŏs, ăn`jəlēz'), city (1990 pop. 3,485,398), seat of Los Angeles co., S Calif.; inc. 1850.  Theatre Center, 514 S. Spring St., downtown.

When: 8 p.m. Fridays and Saturdays, 3 p.m. Saturdays and Sundays; through Oct. 26.

Tickets: $20. Call (213) 613-1700.

In a nutshell nut·shell  
n.
The shell enclosing the meat of a nut.

Idiom:
in a nutshell
In a few words; concisely: Just give me the facts in a nutshell.

Adv. 1.
: A surprisingly tame and none-too-insightful re-examination of the Kaufman and Hart classic.

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Photo:

Omi Vaidya and Sondos Kholoki-Kahf star is Cornerstone Theater's reworking of the Kaufman and Hart classic ``You Can't Take It With You.''
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Title Annotation:Review; U
Publication:Daily News (Los Angeles, CA)
Date:Oct 18, 2003
Words:579
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