CONFESSIONS of a jewellery designer.Q How long have you had your job? AI graduated in 1993 and set up my business in 1994, so about 15 years.
Q What's your employment history? A To help pay for my first workshop in London and early collections, I did outwork for other jewellers such as Sian Evans, Jenifer Corker cork·er
1. One that corks bottles, for example.
2. Slang A remarkable or astounding person or thing.
Old-fashioned slang and Alex Monroe. They introduced me to some great buyers from Japan and the US and business took off. I spent a few years showing at London Fashion Week, which gave me a great platform to sell internationally and gain press recognition. As well as running my label I then freelanced as a designer to Freedom @ Topshop and Next. This job took me out of London and while there I decided I wanted to move back to Wales Wales, Welsh Cymru, western peninsula and political division (principality) of Great Britain (1991 pop. 2,798,200), 8,016 sq mi (20,761 sq km), west of England; politically united with England since 1536. The capital is Cardiff. . Since 2005 I have been freelance designer and trend consultant to Clogau Gold, also taught a jewellery making Jewellery making, or jewelry making, is the art of creating jewelry (see jewellery). The techniques of jewelry making are as varied as the types of jewelry and materials used. Popular techniques used by hobbyists are beadwork, wire wrapped jewelry or macrame as is used in making course for the Vale and this year launched my first website selling my own pieces.
Q How did you become involved in the field? What inspired you to choose it as a career? AI always wore loads of jewellery as a teenager out clubbing in Cardiff - it was the 80s after all. During my A-levels I met a local jeweller who worked in silver - she taught me soldering and other techniques and I was hooked from then.
Q Is there a lot of training involved? AI did a four-year degree in Jewellery and Silversmithing at London Guildhall University London Guildhall University was previously called the City of London Polytechnic before the Further and Higher Education Act, 1992 changed its status to a university. . We had two terms out on industrial placements which were fantastic opportunities to learn how businesses work. I did metalwork, including welding for Tom Dixon Tom Dixon may refer to:
Q What are the best and worst things about it, the most challenging and rewarding aspects of the job? AI've made pieces that people are still wearing years later. It's rewarding making treasure for someone. Having your work in Vogue for the first time or seeing Kylie wear your jewellery is good too. The other side of self-employment is sometimes having to be maker, PR, accountant - all roles in one, and income can be erratic. Also competition is fierce nowadays.
Q What's so special about your job? AI get to work with beautiful materials - beads and semi-precious stones. Thinking that my silver pieces will last for ages and people like to wear them gives great satisfaction.
Q What's the most unusual or complicated piece you've been commissioned to make? AI've made a silver face mask Face mask
The simplest way of delivering a high level of oxygen to patients with ARDS or other low-oxygen conditions.
Mentioned in: Adult Respiratory Distress Syndrome for a catwalk show. The poor model had to hold it in place with her teeth.
Q What qualities do you need to do your job, why does it suit you so well? A Determination, devotion and a thick skin, quite literally, because it can hurt your fingers cleaning up metal castings.
Metaphorically, because jewellery making and being creative is so personal. But it's all I've ever wanted to do.
Q What advice do you have for anyone who wants to follow in your footsteps? A Try it even if you don't think you can do it.
Some of the students I taught at first didn't feel confident but once they were shown a few techniques they were unstoppable.