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Buxtehude: Complete Works VII; Amsterdam Baroque Orch & Choir/Koopman


As if completing their recordings of all of Bach's cantatas were not achievement enough, Ton Koopman Ton Koopman (born October 12, 1944 in Zwolle, Netherlands) is a conductor, organist and harpsichordist.

Koopman had a "classical education" and then studied the organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt) and musicology in Amsterdam.
 and his outstanding period band have turned their attention to issuing a complete edition of the works of Bach's idol, Buxtehude. Koopman has already recorded all the keyboard works, for organ and harpsichord harpsichord, stringed musical instrument played from a keyboard. Its strings, two or more to a note, are plucked by quills or jacks. The harpsichord originated in the 14th cent. and by the 16th cent. Venice was the center of its manufacture. , and is now working through the vocal music. This latest collection is mostly sacred pieces. The set begins with a selection of Buxtehude's strophic stro·phic  
adj.
1. Relating to or consisting of strophes.

2. Music Having the same melody used for each strophe.
 arias, composed for a variety of purposes and a considerable range of instrumental and vocal force. The sequence is interleaved with two sacred concertos on biblical texts, while the second disc is dominated by three cantatas, one of them secular, based upon Lutheran chorales. If generally lacking the range and expressive depth that Bach brought to such works, Buxtehude's deft deft  
adj. deft·er, deft·est
Quick and skillful; adroit. See Synonyms at dexterous.



[Middle English, gentle, humble, variant of dafte, foolish; see daft.
 contrapuntal con·tra·pun·tal  
adj. Music
Of, relating to, or incorporating counterpoint.



[From obsolete Italian contrapunto, counterpoint : Italian contra-, against (from Latin
 textures are beautifully wrought, especially in some of the duet arias, where the carefully matched singers from Koopman's choir intertwine to magical effect.
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Author:guardian.co.uk
Publication:guardian.co.uk
Date:Jul 4, 2008
Words:157
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