Brian Lock, RêveRêve features three substantial works by Brian Lock, best known as a film composer, with Land Girls and The Gambler to his credit. The opening Concerto concerto (kənchâr`tō), musical composition usually for an orchestra and a soloist or a group of soloists. In the 16th cent. concertare and concertato implied an ensemble, either vocal or instrumental. for Clarinet, Percussion percussion /per·cus·sion/ (per-kush´un) the act of striking a part with short, sharp blows as an aid in diagnosing the condition of the underlying parts by the sound obtained. , Birds & Computers features soloist Neyire Ashworth, while Concerto for the Sound of a Harp harp, stringed musical instrument of ancient origin, the strings of which are plucked with the fingers. Harps were found in paintings from the 13th cent. B.C. at Thebes. In different forms it was played by peoples of nearly all lands throughout the ages. & Other Sounds has Hugh Webb on harp. There are similarities to Graham Fitkin's electro-collaborations with Ruth Wall, though Lock favours sweeter harmonies: the second movement of the clarinet "concerto" veers towards chill-out jazz. The third movement is tougher, with a hint of Louis Andriessen's brutality Brutality See also Cruelty, Mutilation. Black Prince angered by Limoges’ resistance, massacred three hundred inhabitants (1370). [Eur. Hist.: Bishop, 75] Caracalla Roman emperor (211–217) massacred many thousands [Rom. and a more explicitly "classical" part for Ashworth.One challenge faced by composers who work in this way is deciding whether each piece is a duet for soloist and multi-instrumentalist or an ersatz er·satz adj. Being an imitation or a substitute, usually an inferior one; artificial: ersatz coffee made mostly of chicory. See Synonyms at artificial. orchestra. To be small - or spacious? Though Lock manages his low-budget resources well, he writes like someone who would rather think big.
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