Books received.

EDITIONS AND TRANSLATIONS:

Castellion, Sebastien. La Genese (1555). Eds. Jacques Chaurand, Nicole Gueunier, and Carine Skupien-Dekens. (Textes Litteraires Francais, 553.) Geneva: Droz, 2003. 336 pp. index. illus. gloss. bibl. CHF 40. ISBN: 2-600-00829-2.

Crinitus, Petrus. Die Poemata des Petrus Crinitus und ihre Horazimitation. Ed. Anna Mastrogianni. (Einleitung, Text, Ubersetzung und Kommentar, 3.) Hamburg and Munster: LIT Verlag, 2002. x + 338 pp. index, append, bibl. 35.90 [euro]. ISBN: 3-8258-5213-X.

Elizabeth I, Queen. Elizabeth I: Autograph Compositions and Foreign Language Originals. Eds. Janel Mueller and Leah S. Marcus. Chicago and London: University of Chicago Press, 2002. ix + 174 pp. index. illus. $45. ISBN: 0-226-50470-0.

Erasmus. The Correspondence of Erasmus: Letters 1658-1801 (1526-1527). Ed. Charles G. Nauert. Trans. Alexander Dalzell. (Collected Works of Erasmus, 12.) Toronto and Buffalo: University of Toronto Press, 2003. xxx + 744 pp. index. illus. tbls. map. bibl. $175. ISBN: 0-8020-4831-5.

Nebrija, Antonio, de. Aurelii Prudentii Clementis V. C.: Libelli cum commento Antonii Nebrissensis. Ed. Felipe Gonzalez Vega. Salamanca: Ediciones Universidad Salamanca, 2002. 840 pp. index. append. bibl. 48 [euro]. ISBN: 84-7800-763-6.

Pascal, Jacqueline. A Rule for Children and Other Writings. Ed. John J. Conley. (The Other Voice in Early Modern Europe.) Chicago and London: University of Chicago Press, 2003. xxxii + 172 pp. index. bibl. $47.50 (cl), $18 (pbk). ISBN: 0-226-64831-1 (cl), 0-226-64833-8 (pbk).

Pringy, Madame, de. Les differens caracteres des femmes du siecle; avec La description de l'amour propre (edition de 1694). Ed. Constant Venesoen. (Textes de la Renaissance, 58.) Paris: Honore Champion, 2002. 176 pp. index. append. bibl. 37.89 [euro]. ISBN: 2-7453-0687-1.

Sannazar, Jacques. L'Arcadie. Ed. Jean-Claude Ternaux. Trans. Jean Martin. (Memoire des Lettres.) Reims: Presses Universitaires de Reims, 2003. 200 pp. illus. tbls. bibl. 18 [euro]. ISBN: 2-904835-94-6.

Scudery, Madeline, de. The Story of Sapho. Trans. Karen Newman. (The Other Voice in Early Modern Europe.) Chicago and London: University of Chicago Press, 2003. xxxi + 155 pp. illus. bibl. $18. ISBN: 0-226-14399-6.

Shakespeare, William. The Merchant of Venice. Ed. Charles Edelman. (Shakespeare in Production.) Cambridge, UK and New York: Cambridge University Press, 2002. xxii + 294 pp. index. append. illus. bibl. $65 (cl), $23 (pbk). ISBN: 0-521-77338-5 (cl), 0-521-77429-2 (pbk).

--. The Taming of the Shrew. Ed. Elizabeth Schafer. (Shakespeare in Production.) Cambridge, UK and New York: Cambridge University Press, 2003. xxxviii + 258 pp. index. append. illus. bibl. $65 (cl), $23 (pbk). ISBN: 0-521-66137-4 (cl), 0-521-66741-0 (pbk).

Sottili, Agostino and Paolo Rosso, eds. Documenti per la storia dell'Universita di Pavia nella seconda meta del '400. Vol. 2: 1456-1460. (Collana Fonti e Studi dell'Universita di Pavia, 38.) Milan: Istituto Universitario Cisalpino, 2002. lxxiii + 480 pp. + 8 b/w pls. append. illus. 39 [euro]. ISBN: 88-323-4620-6.

Vignali, Antonio. La Cazzaria: The Book of the Prick. Ed. and trans. Ian E Moulton. New York and London: Routledge, 2003. viii + 181 pp. bibl. $18.95. ISBN: 0-415-94067-2.

Vives, Juan Luis. De subventione pauperum sive de humanis necessitatibus. Libri II. Eds. Constant Matheeussen and Charles E. Fantazzi. (Selected Works of Juan Luis Vives, 4.) Leiden: Brill Academic Publishers, 2002. xlii + 178 pp. index. append. $90. ISBN: 90-04-12742-9.

BIBLIOGRAPHY AND REFERENCE:

Attwood, Philip. Italian Medals c. 1530-1600 in British Public Collections. London: British Museum Press, 2003. viii + 536 pp. + 258 b/w pls. index. append. bibl. $450. ISBN: 0-7141-0861-8.

Hochuli-Dubuis, Paule, ed. Registres du conseil de Geneve a l'epoque de Calvin: du [1.sup.er] mai au 31 decembre 1536 (volume 30, f. 1-139). Nouvelle serie, Tome I. (Travaux d'Humanisme et Renaissance.) Geneva: Droz, 2003. xxviii + 468 pp. index. append. illus. bibl. CHF 70. ISBN: 2-600-00675-3.

Karet, Evelyn F. The Drawings of Stefano da Verona and His Circle and the Origins of Collecting in Italy: A Catalogue Raisonne. Philadelphia, PA: American Philosophical Society, 2002. xiv + 210 pp. index. append. illus. tbls. bibl. $65. ISBN: 0-87169-244-9.

Simonsohn, Shlomo. The Jews in Sicily, Vol. 4: 1415-1439. (Studia Post Biblica, 48,3.) Boston and Leiden: Brill Academic Publishers, 2002. xi + 650 pp. index, gloss, bibl. $213. ISBN: 90-04-12643-0.

ANTHOLOGIES AND TEXTS:

Gregory, Brad S., ed. The Forgotten Writings of the Mennonite Martyrs. (Kerk historische Bijdragen, 18: Documenta Anabaptistica Neerlandica, 8.) Leiden: Brill Academic Publishers, 2002. xlvi + 403 pp. index. $142. ISBN: 90-04-12087-4.

Maier, Bernhard. The Celts: A History from Earliest Times to the Present. Trans. Kevin Windle. Notre Dame, IN: University of Notre Dame Press, 2003. 288 pp. index. map. bibl. $50 (cl), $23 (pbk). ISBN: 0-268-02360-3 (cl), 0-268-02361-1 (pbk).

Wiesner-Hanks, Merry E. and Susan C. Karant-Nunn, eds. and trans. Luther on Women: A Sourcebook. Cambridge, UK and New York: Cambridge University Press, 2003. 254 pp. index. bibl. $58 (cl), $21 (pbk). ISBN: 0-521-65091-7 (cl), 0-521-65884-5 (pbk).

Winks, Robin W. and Lee Palmer Wandel. Europe in a Wider World, 1350-1650. New York and Oxford: Oxford University Press, 2003. xv + 256 pp. index. illus. map. chron. bibl. $49.95 (cl), $27.95 (pbk). ISBN: 0-19-515447-9 (cl), 0-19-515448-7 (pbk).

Wynne-Davis, Marion. Sidney to Milton, 1580-1660. (Transitions.) Basingstoke, UK and New York: Palgrave/St. Martin's Press, 2003. xvi + 212 pp. index. illus. map. chron. bibl. $55. ISBN: 0-333-69618-2.

COLLECTIONS AND STUDIES:

Aasand, Hardin L., ed. Stage Directions in Hamlet. New Essays and New Directions. Madison, NJ: Fairleigh Dickinson University Press/AUP, 2003. 234 pp. index. illus. $42.50. ISBN: 0-8386-3946-1.

Contents: Hardin L. Aasand, "Introduction"; Ann Thompson and Neil Taylor, "Variable Texts: Stage Directions in Arden 3 Hamlet"; June Schlueter and James P. Lusardi, "Offstage Noise and Onstage Action: Entrances in the Ophelia Sequence of Hamlet"; George Walton Williams, "Exit by Indirection, Finding Directions Out"; James Hirsh, "Hamlet's Stage Directions to the Players"; Bernice W. Kliman, "Explicit Stage Directions (Especially Graphics) in Hamlet"; Pamela Mason, "'... and Laertes': The Case Against Tidiness"; David G. Brailow, "''Tis heere. 'Tis gone.' The Ghost in the Text"; Edna Zwick Boris, "To Soliloquize or Not to Soliloquize--Hamlet's 'To be' Speech in Q1 and Q2/F'; Steven Urkowitz, "'I there's the point' in Context: Theatricality and Authorship"; John C. Meagher, "The Stage Directions, Overt and Covert, of Hamlet 5.1"; Iska Alter, "'To See or Not To See': Interpolations, Extended Scenes, and Musical Accompaniment in Kenneth Branagh's Hamlet"; Frank Nicholas Clary, "Pictures in the Closet: Properties and Stage Business in Hamlet 3.4"; Alan R. Young, "Eighteenth- and Nineteenth-Century Visual Representations of the Graveyard Scene in Hamlet"; Hardin L. Aasand, "'Pah! Puh!': Hamlet, Yorick, and the Chopless Stage Direction"; and Eric Rasmussen, "Afterword."

Abate, Corinne S., ed. Privacy, Domesticity and Women in Early Modern England. Aldershot, UK and Burlington, VT: Ashgate, 2003. ix + 204 pp. index. $69.95. ISBN: 0-7546-3043-9.

Contents: Elizabeth Mazzola and Corinne S. Abate, "Introduction: 'indistinguished Space'"; Lisa Hopkins, "With the Skin Side Inside: The Interiors of The Duchess of Malfi"; Corinne S. Abate, "Neither a Tamer Nor a Shrew Be: A Defense of Petruchio and Katherine"; Kathryn Pratt, "'Wounds still curelesse': Estates of Loss in Mary Wroth's Urania"; Nancy A. Gutierrez, "Trafficking in John Ford's The Broken Heart"; Theodora A. Jankowski, "Good Enough to Eat: The Domestic Economy of Woman-Woman Eroticism in Margaret Cavendish and Andrew Marvell"; Catherine G. Canino, "'Thy weaker Novice to perform thy will': Female Dominion over Male Identity in The Faerie Queene"; Elizabeth Mazzola, "'Natural' Boys and 'Hard' Stepmothers: Sidney and Elizabeth"; Sheila T. Cavanagh, "Mystical Sororities: The Power of Supernatural Female Narratives in Lady Mary Wroth's Urania"; and Christina Leon Alfar, "Looking for Goneril and Regan."

Argod-Dutard, Franqoise, ed. Des signes au sens: Lectures du livre III des Essais. Journees d' Etudes du Centre Montaigne de Bordeaux, 14-15 novembre 2002. (Colloques, congres et conferences sur la Renaissance, 40.) Paris: Honore Champion, 2003. 264 pp. index. 28 [euro]. ISBN: 2-7453-0888-2.

Contents: Anne-Marie Cocula, "L'engagement de Montaigne durant une decennie de perils majeurs pour le royaume de France: 1580-1590"; Dennis Bjai, "'De l'utile et de l'honneste' au seuil des Essais de 1588"; Jose Alexandrino de Souza Filho, "'Des Coches' sur fond d'histoire"; Catherine Magnien, "Encore Des Boyteux: Quelques remarques sur l'ecriture de Montaigne"; Franqoise Argot-Dutard, "La part du lecteur: ecriture et implicite"; Gilles Magniont, "Montaigne et Pascal: d'une ecriture l'autre"; Massimo Ciavolella, Andre Tournon, "Des ajustements enigmatiques"; Marie-Luce Demonet, "Le signe physionomique dans le livre III des Essais'; Claude-Gilbert Dubois, "La place de Montaigne (Essais III,11) dans le debat sur la sorcellerie au XVI (e) siecle"; Yvonne Bellenger, "Le theme de la vieillesse dans le livre III des Essais"; Jean-Yves Pouilloux, "De la vertu morale"; Gisele Mathieu-Castellani, "'Certaine image trouble,' 'une vaine image': Montaigne et l'inconscient createur'; and Claude-Gilbert Dubois, "Fin de parcours, fin de partie."

Beecher, Donald Allen, Massimo Ciavolella, and Roberto Fedi, eds. Ariosto Today: Contemporary Perspectives. Toronto and Buffalo: University of Toronto Press, 2003. xi + 237 pp. $60. ISBN: 0-8020-2967-1.

Contents: Donald A. Beecher, Massimo Ciavolella, and Roberto Fedi, "Introduction"; Dennis Looney, "Ariosto and the Classics in Ferrara"; Antonio Franceschetti, "The Orlando innamorato and the Genesis of the Furioso"; Alberto Casadei, "The History of the Furioso"; Giorgio Masi, "'The Nightingale in a Cage': Ariosto and the Este Court"; Monica Farnetti, "Ariosto: Landscape Artist"; Daniel Javitch, "The Advertising of Fictionality in Orlando furioso"; Elissa B. Weaver, "A Reading of the Interlaced Plot of the Orlando furioso: The Three Cases of Love Madness"; Roberto Fedi, "The Lyric Poetry of Ariosto"; Stefano Bianchi, "The Theatre of Ariosto"; Sandro Bernardi, "From Poem to Theatre to Cinema: Luca Ronconi's Orlando furioso"; and Lucia Re, "Ariosto and Calvino: The Adventures of a Reader."

Brady, Thomas A., Katherine G. Brady, Susan C. Karant-Nunn, and James D. Tracy, eds. The Work ofHeiko A. Oberman: Papers from the Symposium on his Seventieth Birthday. Boston and Leiden: Brill Academic Publishers, 2003. xii + 208 pp. + 6 b/w pls. index, illus. $126. ISBN: 90-04-12569-8.

Contents: Scott Hendrix, "'More Than a Prophet': Martin Luther in the Work of Heiko Oberman"; Berndt Hamm, "An Opponent of the Devil and the Modern Age: Heiko Oberman's View of Luther"; Jane Dempsey Douglass, "Pastor and Teacher of the Refugees: Calvin in the Work of Heiko A. Oberman"; Christopher Ocker, "Religious Reform and Social Cohesion in Late Medieval Germany"; Peter Blickle, "Tumultus rusticorum: A Nightmare of Art"; Andrew Pettegree, "Protestant Printing during the French Wars of Religion: The Lyon Press of Jean Saugrain"; William J. Courtenay, "Fruits of the Harvest"; Nicolette Mout, "Pia curiositas: Desiderius Erasmus and Heiko Augustinus Oberman Between Late Middle Ages and Reformation"; Francis Oakley, "Christian virtuoso and Scholastic Tradition: Robert Boyle and the Potentia dei absoluta et ordinata"; and G.H.M. Posthumus Meyjes, "The Life of Heiko Augustinus Oberman, 15 October 1930-22 April 2001 ."

Brown, Virginia, James Hankins, and Robert A. Kaster, eds. Catalogus translationum et commentariorum. (Mediaeval and Renaissance Latin Translations and Commentaries, 8). Washington, DC: Catholic University of America Press, 2003. xxiv + 366 pp. index. append, bibl. $66.95. ISBN: 0-8132-1300-2.

Contents: Robert B. Todd, "Damianus (Heliodorus Larissaeus)"; "Geminus Rhodius/Ps. Proclus'; Monique Mund-Dopchie, "Hanno"; Robert B. Todd, "Themistius"; Marianne Pade, "Thucydides"; Robert W. Ulery, Jr. and Patricia J. Osmond, "Sallustius"; Jose-Ignatio Garcia Armendariz, "Columella"; Robert W. Ulery, Jr., "Tacitus"; Michael Idomir Allen, "Vegetius"; and David Marsh, "Xenophon."

Brydon, Diana and Irena R. Makaryk, eds. Shakespeare in Canada: A World Elsewhere? Toronto and Buffalo: University of Toronto Press, 2002. xii + 490 pp. index, append, illus. $70. ISBN: 0-8020-3655-4.

Contents: Diana Brydon and Irena R. Makaryk, "Preface"; Irena R. Makaryk, "Introduction: Shakespeare in Canada: 'a world elsewhere'?"; Heather Murray, "Pioneer Shakespeare Culture: Reverend Henry Scadding and His Shakespeare Display at the 1892 Toronto Industrial Exhibition"; Karen Bamford, "The Imperial Theme: The Shakespeare Society of Toronto, 1928-1969"; Marta Straznicky, "'A Stage for the Word': Shakespeare on CBC Radio, 1947-1955"; Margaret Groome, "Stratford and the Aspirations for a Canadian National Theatre"; C.E. McGee, "Shakespeare Canadiens at the Stratford Festival"; Jessica Schagerl, "A National Hamlet? Stratford's Legacy of Twentieth-Century Productions"; Leanore Lieblein, "'Le Re-making' of le Grand Will: Shakespeare in Francophone Quebec"; Peter Ayers, "Learning to Curse in Accurate Iambics: Shakespeare in Newfoundland"; Michael McKinnie, "Liberal Shakespeare and Illiberal Critiques: Necessary Angel's King Lear"; Anthony B. Dawson, "Continuity and Contradiction: University Actors Meet the Universal Bard"; Paul Yachnin and Brent E. Whitted, "Canadian Bacon"; Alexander Leggatt, "Canada, Negative Capability, and Cymbeline"; L.M. Findlay, "Frye's Shakespeare, Frye's Canada"; Daniel Fischlin, "Nation and/as Adaptation: Shakespeare, Canada, and Authenticity"; Mark Fortier, "Undead and Unsafe: Adapting Shakespeare (in Canada)"; Lois Sherlow, "Normand Chaurette's Les Reines: Shakespeare and the Modern in the Alchemical Oven"; Ric Knowles, "Othello in Three Times"; Diana Brydon, "Afterword: Relocating Shakespeare, Redefining Canada"; and Jessica Schagerl, "Appendix: Research Opportunities in Canadian Shakespeare."

Buvelot, Quentin and Hans Buijs. A Choice Collection: Seventeenth-Century Dutch Paintings from the Frits Lugt Collection. Zwolle: Waanders, 2002. 244 pp. illus. bibl. 34.90 [euro]. ISBN: 90-400-9674-0.

Contents: FrederikJ. Duparc, "Foreword"; Ella Reitsma, "Frits Lugt, a collector with a mission"; and Quentin Buvelot and Hans Buijs, "Catalogue."

Cammarata, Joan E, ed. Women in the Discourse of Early Modern Spain. Gainesville, FL: University Press of Florida, 2003. viii + 304 pp. index. $59.95. ISBN: 0-8130-2578-8.

Contents: Joan E Cammarata, "Introduction"; Carolyn Nadeau, "Authorizing the Wife/Mother in Sixteenth-Century Advice Manuals"; John C. Parrack, "Identity, Illusion, and the Emergence of the Feminine Subject in La Lozana andaluza"; Barbara Mujica, "Skepticism and Mysticism in Early Modern Spain: The Combative Stance of Teresa de Avila"; William H. Clamurro, "The Price of Love: The Conflictive Economies ofLa gitanilla'; Rainer H. Goetz, "The Problematics of Gender/Genre in Vida i sucesos de la monja alferez"; Sharon D. Voros, "Relaciones de fiestas: Ana Caro's Accounts of Public Spectacles"; Anita K. Stoll, "Masquerade and the Commedia"; Frederick A. de Armas, "Dreams, Voices, Signatures: Deciphering Woman's Desires in Angela de Azevedo's Dicha y desdicha deljuego"; Joseph V. Ricapito, "Galatea's Fall and the Inner Dynamics of Gongora's Fabula de Polifemo y Galatea"; Sara A. Taddeo, "De voz extremada: Cervantes's Women Characters Speak for Themselves"; Monica Leoni, "Silence Is/As Golden ... Age Device: Ana Caro's Eloquent Reticence in Valor, agravio y mujer"; Louis Imperiale, "Woman of the World and World of the Woman in the Narrative of Mariana de Caravajal"; Deborah Compte, "A Cry in the Wilderness: Pastoral Female Discourse in Maria de Zayas"; Susan Paun de Garcia, "Zayas's Ideal of the Masculine: Clothes Make the Man"; and Lisa Vollendorf, "Desire Unbound: Women's Theater of Spain's Golden Age."

Cheney, Patrick G. and Frederick A. de Armas, eds. European Literary Careers: The Author from Antiquity to the Renaissance. Toronto and Buffalo: University of Toronto Press, 2002. x + 366 pp. tbls. bibl. $65.00. ISBN: 0-8020-4779-3.

Contents: Patrick Cheney, "Introduction: 'Jog on, jog on': European Career Paths"; Joseph Farrell, "Greek Lives and Roman Careers in the Classical I, qta Tradition"; Mark Vessey, "From Cursus to Ductus: Figures of Writing in Western Late Antiquity (Augustine, Jerome, Cassiodorus, Bede)"; Robert R. Edwards, "Medieval Literary Careers: The Theban Track"; James F. Burke, "Authority and Influence--Vocation and Anxiety: The Sense of a Literary Career in the Sentimental Novel and Celestina"; William J. Kennedy, "Versions of a Career: Petrarch and His Renaissance Commentators"; Kathleen Bollard de Broce, "Judging a Literary Career: The Case of Antonio de Guevara (1480?-1545)"; Anne J. Cruz, "Arms versus Letters: The Poetics of War and the Career of the Poet in Early Modern Spain"; Anne Lake Prescott, "Divine Poetry as a Career Move: The Complexities and Consolations of Following David"; Patrick Cheney, "'Novells of his devise': Chaucerian and Virgilian Career Paths in Spenser's Februarie Eclogue"; Frederick A. de Armas, "Cervantes and the Virgilian Wheel: The Portrayal of a Literary Career"; Alvaro Molina, "Epic Violence: Captives, Moriscos, and Empire in Cervantes"; and Susanne Woods and Margaret P. Hannay, with Elaine Beilin and Anne Shaver, "Renaissance Englishwomen and the Literary Career."

Crescenzo, Richard, ed. Espaces de l'image. (Co-published by the Groupe de recherche XVI et XVII siecles en Europe de l'Universite de Nancy 2 et le Centre de recherches Michel Baude de l'Universite de Metz.) Nancy: Presses universitaires de Nancy, 2002. iv + 274 pp. index, illus. 12 [euro]. ISBN: 2-9515883-2-1.

Contents: Miha Pintaric, "Ironie et image de soi dans les Regrets"; Silvia Fabrizio-Costa, "La premiere traduction francaise de la lettre Posteritati (1644) par F. de Grenaille: image(s) de l'auteur?"; Charlotte Simonin, "Les portraits de femmes auteurs ou l'impossible representation"; Christian Bouzy, "Emblemes et Entree: Jean-Jacques Boissard ou l'image emblematique entre tradition et historiographie"; Martin Germ, "Theatrum morris humanae tripartitum: Iconographie de la Mort dans le livre de Janez Vajkard Valvasor"; Angelo Colombo, "Sur le traces d'un langage europeen: l'Iconologie de C. Ripa et les vertus du prince (Milan, fin [XVIII.sup.e]-debut [XIX.sup.e] siecles)"; Sylvie Ballestra-Puech, "L'image de l'araignee chez Erasme: de l'usage didactique au module poetique"; Igor Skamperle, "La representation des talismans et la geometrie figuraIe"; Claude-Gilbert Dubois, "Europe et l'Europe. Deux representations imagees de l'Europe (1544-1624)"; Yves Pauwels, "A propos de la 'Joyeuse Entree' de Gand en 1549: une rhetorique de l'ephemere"; Michele Guiraud-Rojtman, "Arcs de triomphe eriges en la ville de Lisbonne (1666); extrait d'un poeme inedit d'Antonio Serrao de Castro"; David Krasovec, "L'Antique en Autriche interieure au [XVIY.sup.e] siecle"; Gabriella Repaci-Courtois, "Iconographie et peinture en France au [XVI.sup.e] siecle: causes et effets d'un conflit epistemologique"; and Patricia Eichel-Lojkine, "La lecture troublee: les reactions de la critique d'art face aux "bizarries" (de Vasari a Le Brun)."

Egmond, Florike and Robert Zwijnenberg, eds. Bodily Extremities: Preoccupations with the Human Body in Early Modern European Culture. Aldershot, UK and Burlington, VT: Ashgate, 2003. ix + 235 pp. index, illus. $79.95. ISBN: 0-7546-0726-7.

Contents: Florike Egmond and Robert Zwijnenberg, "Introduction"; Daniela Bohde, "Skin and the Search for the Interior: The Representation of Flaying in the Art and Anatomy of the Cinquecento"; Robert Zwijnenberg, "'Ogni pittore dipinge se: On Leonardo da Vinci's Saint John the Baptist"; Harald Hendrix, "The Repulsive Body: Images of Torture in Seventeenth-Century Naples"; Florike Egmond, "Execution, Dissection, Pain and Infamy--A Morphological Investigation"; Paul J. Smith, "Dissecting Quaresmeprenant--Rabelais' Representation of the Human Body: A Rhetorical Approach"; Peter Mason, "Reading New World Bodies"; Jose Pardo Tomas, "Physicians' and Inquisitors' Stories? ... Circumcision and Crypto-Judaism in Sixteenth-Eighteenth-Century Spain"; and Esther Cohen, "The Expression of Pain in the Later MiddleAges: Deliverance, Acceptance and Infamy."

Faltenbacher, Karl Friedrich, ed. Magie, Religion und Wissenschaften im Colloquium heptaplomeres. (Beitrage zur Romanistik, 6.) Darmstadt: Wissenchaftliche Buchgesellschaft, 2002. x + 268 pp. index, append, illus, this. 34.90 [euro]. ISBN: 3-534-16024-X.

Contents: Karl F. Faltenbacher, "Uberlegungen zur Rezeptionsgesichte des Colloquium heptaplomeres"; "Stand der Forschung"; Jean Ceard, "Du Theatre de la nature universelle a l'Heptaplomeres"; Agnes Bresson, "Le Colloquium Heptaplomeres ou l'anti-Peiresc"; Andreas Kleinert, "Les sciences dans le Colloquium Heptaplomeres"; Daria Perocco, "La presenza di Venezia nel Colloquium Heptaplomeres'; Uta Lindgren, "Damonen als Antriebskrafte in der Geographie: Frivole Thesen im Colloquium Heptaplomeres (um 1600)"; Eberhard Knobloch, "Cosmologie et mathematiques dans le Colloquium Heptaplomeres"; Ursula Lange, "Studie zur Epochenscheidung: Demonomanie und Heptaplomeres. Questions sur l'identite d'un auteur"; Jean-Pierre Brach, "Sur quelques notations arithmologiques dans le Colloquiuim Heptaplomeres"; Isabelle Pantin, "L'ordre du monde naturel dans le Colloquium Heptaplomeres", and David Wootton, "Pseudo-Bodin's Colloquium heptaplomeres and Bodin's Demonomanie."

Farrell, Kirby and Kathleen Swaim, eds. The Mysteries of Elizabeth I: Selections from English Literary Renaissance. Amherst, MA and Boston: University of Massachusetts Press, 2003. xix + 307 pp. index, illus, bibl. $19.95. ISBN: 1-55849-231-3.

Contents: Kirby Farrell, "Preface: The Mysteries of Elizabeth I"; EW. Brownlow, "Performance and Reality at the Court of Elizabeth I"; David M. Bergeron, "Elizabeth's Coronation Entry (1559): New Manuscript Evidence"; John R. Elliott, Jr., "Queen Elizabeth at Oxford: New Light on the Royal Plays of 1566"; Caroline McManus, "Queen Elizabeth, Dol Common, and the Performance of the Royal Maundy"; Jennifer Summit, "'The Arte of a Ladies Penne': Elizabeth I and the Poetics of Queenship"; Steven W. May and Anne Lake Prescott, "The French Verses of Elizabeth I (Text)"; Christine Coch, "'Mother of my Countreye': Elizabeth I and Tudor Constructions of Motherhood"; Louis Adrian Montrose, "'Eliza, Queene of shepheardes,' and the Pastoral of Power"; Barbara Freedman, "Returning to Elizabethan Protest, Plague, and Plays: Rereading the 'Documents of Control'"; Catherine Loomis, "Elizabeth Southwell's Manuscript Account of the Death of Queen Elizabeth [with Text]"; John Watkins, "'Old Bess in the Ruff': Remembering Elizabeth I, 1625-1660"; Richard Burt, "Doing the Queen: Gender, Sexuality, and the Censorship of Elizabeth I's Royal Image in Twentieth-Century Mass Media"; and Steven W. May, "Recent Studies in Elizabeth I."

Goldberg, Jonathan. Shakespeare's Hand. Minneapolis and London: University of Minnesota Press, 2002. xx + 372 pp. index, illus. $63.95 (cl), $22.95 (pbk). ISBN: 0-8166-4148-X (cl), 0-8166-4149-8 (pbk).

Contents: Jonathan Goldberg, "Introduction"; "Textual Properties"; "Shakespearean Characters: The Generation of Silvia"; "Making Sense"; "Shakespearean Inscriptions: The Voicing of Power"; "Calling Out the Law"; "Hamlet's Hand"; "Perspectives: Dover Cliff and Conditions of Representation"; "Shakespeare Writing Matter Again: Objects and their Detachments"; "Speculations: Macbeth and Source"; "The Anus in Coriolanus"; "Rebel Letters: Postal Effects from Richard lI to Henry IV"; "The Commodity of Names: 'Falstaff' and 'Oldcastle' in 1 Henry IV"; "Hal's Desire, Shakespeare's Idaho"; "'What? in a names that which we call a Rose': The Desired Texts of Romeo and Juliet"; "Romeo and Juliets Open Rs"; and "Under the Covers with Caliban."

Greer, Allan and Jodi Bilinkoff, eds. Colonial Saints: Discovering the Holy in the Americas, 1500-1800. London and New York: Routledge, 2003. xxii + 318 pp. index, illus, bibl. $24.95. ISBN: 0-415-93496-6.

Contents: Allan Greet, "Preface"; Jodi Bilinkoff, "Introduction"; Charlene Villasenior Black, "St. Anne Imagery and Material Archetypes in Spain and Mexico"; Joan Dayan, "Querying the Spirit: The Rules of the Haitian Lwa"; Kenneth Mills, "Diego de Ocana's Hagiography of New and Renewed Devotion in Colonial Peru"; Dot Tuer, "Old Bones and Beautiful Words: The Spiritual Contestation between Shaman and Jesuit in the Guarani Missions"; Ronaldo Vainfas, "St. Anthony in Portuguese America: Saint of the Restoration"; Jodi Bilinkoff, "Francisco Losa and Gregorio Lopez: Spiritual Friendship and Identity Formation on the New Spain Frontier"; Dominique Deslandres, "In the Shadow of the Cloister: Representation of Female Holiness in New France"; Paul Perron, "Isaac Jogues: From Martyrdom to Sainthood"; Carla Gardina Pestana, "Martyred by the Saints: Quaker Executions in Seventeenth-Century Massachusetts"; Antonio Rubial Garcia, "St. Palafox: Metaphorical Images of Disputed Sainthood"; Julia Boss, "Writing a Relic: The Uses of Hagiography in New France"; Allan Greet, "Iroquois Virgin: The Story of Catherine Tekakwitha in New France and New Spain"; Kathleen Ann Myers, "'Redeemer of America': Rosa de Lima (1586-1617), the Dynamics of Identity, and Canonization"; and William B. Taylor, "Mexico's Virgin of Guadalupe in the Seventeenth Century: Hagiography and Beyond."

Harris, Jonathan Gil and Natasha Korda, eds. Staged Properties in Early Modern English Drama. Cambridge, UK and New York: Cambridge UP, 2002. x + 348 pp. index, append, illus. $60. ISBN: 0-521-81322-0.

Contents: Jonathan Gil Harris and Natasha Korda, "Introduction: towards a materialist account of stage properties"; Jonathan Gil Harris, "Properties of skill: product placement in early English artisanal drama"; Douglas Bruster, "The dramatic life of objects in the early modern theatre"; Lena Cowen Orlin, "Things with little social life (Henslowe's theatrical properties and Elizabethan household fittings)"; Catherine Richardson, "Properties of domestic life: the table in Heywood's A Woman Killed with Kindness"; Sasha Roberts, "'Let me the curtains draw': the dramatic and symbolic properties of the bed in Shakespearean tragedy"; Peter Stallybrass, "Properties in clothes: the materials of the Renaissance theatre"; Natasha Korda, "Women's theatrical properties"; Will Fisher, "Staging the beard: masculinity in early modern English culture"; Juana Green, "Properties of marriage: proprietary conflict and the calculus of gender in Epicoene"; Valerie Wayne, "The woman's parts of Cymbeline"; and Paul Yachnin, "Wonder-effects: Othello's handkerchief."

Hattaway, Michael, ed. The Cambridge Companion to Shakespeare's History Plays. (Cambridge Companions to Literature.) Cambridge, UK and New York: Cambridge University Press, 2002. xvii + 283 pp. index, illus, tbls. chron, bibl. $60 (cl), $22 (pbk). ISBN: 0-521-77277-X (cl), 0-521-77539-6 (pbk).

Contents: Michael Hattaway, "The Shakespearean history play"; A.J. Hoenselaars, "Shakespeare and the early modern history play"; David M. Bergeron, "Pageants, masques, and history"; Dominique Goy-Blanquet, "Elizabethan historiography and Shakespeare's sources"; Phyllis Rackin, "Women's roles in the Elizabethan history plays"; Janis Lull, "Plantagenets, Lancastrians, Yorkists, and Tudors: 1-3 Henry VI, RichardlIL Edward III"; Marie-Helene Besnault and Michel Bitot, "Historical legacy and fiction: the poetical reinvention of King Richard IIl"; A. J. Hesse, "King John: changing perspectives"; Robyn Bolam, "Richard II: Shakespeare and the languages of the stage"; James C. Bulman, "Henry IV,, Parts 1 and 2"; Pamela Mason, "Henry V: 'the quick forge and working house of thought'"; Robert S. Miola, "Shakespeare's ancient Rome: difference and identity"; R.A. Foakes, "Shakespeare's other historical plays"; and Stuart Hampton-Reeves, "Theatrical afterlives"; "The Early Plantagenets"; "The House of Lancaster"; and "The House of York."

Hope, Charles, Nicholas Penny, Caroline Campbell, et al., eds. Titian. (Exhibition catalogue, National Gallery London, 2003.) London and New Haven, CT: National Gallery Company/Yale University Press, 2003. 192 pp. + 150 color pls. index, bibl. $39.95. ISBN: 1-85709-904-4.

Contents: Matthew W. Barret, "Sponsor's Foreword"; Miguel Suzaga, "Director's Foreword"; Charles Saumarez Smith, "Director's Foreword"; David Jaffa, "Curator's Forward"; Charles Hope, "Titian's Life and Times"; Jennifer Fletcher, "Titian as a Painter of Portraits"; Jill Dunkerton, "Titian at Work"; "Titian's Painting Technique"; Miguel Falomir, "Titian's Replicas and Variants"; and David Jaffe, Nicholas Penny, Caroline Campbell, and Amanda Bradley, "Catalogue."

Jansen, Guido and Peter C. Sutton. Michael Sweerts (1618-1664). Ed. Duncan Bull. (Exhibition catalogue: The Curious World of Michael Sweerts [1618-1664].) Zwolle: Waanders, 2002. 192 pp. illus, bibl. $70. ISBN: 90-400-8676-1.

Contents: Peter C. Sutton, "Introduction"; Jonathan Bikker, "Sweert's Life and Career--A Documentary View"; Arie Wallert and Wilhelm de Ridder, "The Materials and Methods of Sweert's Paintings"; Lynn Federle Orr, "The Roman Environment during the Reign of Innocent X (1644-55)"; Eric M. Zafran, "Michael Sweerts in America: Collecting, Commerce and Scholarship"; and Ger Luijten, "'For the Young and Others': The Prints of Michael Sweerts."

Jones-Davies, Marie-Therese, ed. Memoire et oubli au temps de la Renaissance: Actes du colloque de Paris, 8-9 decembre 2000 et 9-10 mars 2001. (Colloques, congres et conferences sur la literature comparee, 26.) Paris: Honore Champion, 2002. 203 pp. index, append. 38 [euro]. ISBN: 2-7453-0743-6.

Contents: A. Solignac, "L'idee de la memoire chez Augustin et sa survie au Moyen Age"; M.M. Martinet, "Les Paysages de memoire"; W. Riheyrol, "La memoire de l'histoire: les triumphes de la Cite de Londres"; G. Kilroy, "'Paper, inke and penne': The literary memoria of the recusant community"; P. Berry, "Forgetting Egypt: oblivion and anamnesis in Antony and Cleopatra"; M.T. Jones-Davies, "La besace du temps"; D. Menager, "Le mythe du Luthe dans quelques oeuvres de la Renaissance"; M. Marrache-Gouraud, "Au sujet de quelques 'malignes bestes': Rabelais, l'&riture et l'oubli"; E. Paganelli, "The Broken Heart by John Ford: between memory and oblivion"; L. Bolzoni, "L'Art de la mdmoire et le travail de l'oubli a la Renaissance"; J. Ceard, "La physiologie de la memoire selon le medecin Jean Fernel"; T. Hoenselaars, "Forget about Henry the Fifth?"; and G. Madec, "La Drachme perdue: meditation augustinienne sur la memoire et l'oubli (Confessions, livre X)."

Justice, George L. and Nathan Tinker, eds. Women's Writing and the Circulation of Ideas: Manuscript Publication in England, 1550-1800. Cambridge, UK and New York: Cambridge University Press, 2002. x + 245 pp. index, illus, bibl. $60. ISBN: 0-521-80856-1.

Contents: George L. Justice, "Introduction"; Margaret P. Hannay, "The Countess of Pembroke's agency in print and scribal culture"; Debra Rienstra and Noel Kinnamon, "Circulating the Sidney-Pembroke Psalter"; Michael G. Brennan, "Creating female authorship in the early seventeenth century: Ben Jonson and Lady Mary Wroth"; Victoria E. Burke, "Medium and meaning in the manuscripts of Anne, Lady Southwell"; Margaret J. M. Ezell, "The posthumous publication of women's manuscripts and the history of authorship"; Leigh A. Eicke, "Jane Barker's Jacobite writings"; Kathryn R. King, "Elizabeth Singer Rowe's tactical use of print and manuscript"; Isobel Grundy, "Lady Mary Wortley Montagu and her daughter: the changing use of manuscripts"; and George L. Justice, "Suppression and censorship in late manuscript culture: Frances Burney's unperformed The Witlings."

Ladis, Andrew and Shelley E. Zuraw, eds. Visions of Holiness: Art and Devotion in Renaissance Italy. Athens, GA: Georgia Museum of Art, 2001. 253 pp. illus. $35. ISBN: 0-915977-40-0.

Contents: William U. Eiland, "Acknowledgments"; Andrew Ladls and Shelley E. Zuraw, "Foreword"; Henk van Os, "Introduction"; Hayden B.J. Maginnis, "Images, Devotion, and the Beata Umiliana de' Cerchi"; Victor M. Schmidt, "Painting and Individual Devotion in Late Medieval Italy: The Case of Saint Catherine of Alexandria"; Janet G. Smith, "Santa Umilta of Faenza: Her Florentine Convent and Its Art"; Fabio Bisogni, "Ex Voto e la Scuhura in cera nel Tardo Medioevo"; James G. Czarnecki, "Giovanni deI Biondo's Standing Madonna and Child: An Image of Mercy in the Late Trecento"; Shelley E. Zuraw, "The Efficacious Madonna in Quattrocento Rome: Spirituality in the Service of Papal Power"; Gail E. Solberg, "The Madonna Avvocata Icon at Orte and Geography"; Robert W. Gaston, "Attention in Court: Visual Decorum in Medieval Prayer Theory and Early Italian Art"; Andrew Ladis, "The Music of Devotion: Image, Voice, and the Imagination in Domenico di Bartolo's Madonna of Humility"; Roll Bagemihl, "Reflections on Nicolas Froment's Uffizi Mtarpiece"; Paul Barolsky, "Verrochio's Vision in Bronze"; Jeryldene M. Wood, "Vittoria Colonna's Mary Magdalen"; Raffaele Argenziano, "San Napoleone: la santita del potere ossia il potere della santita"; and Victoria Markova, "Simone dei Crocefissi: A Little-Known Triptych in the Samuel H. Kress Study Collection."

Loewenstein, David and Janel Mueller, eds. The Cambridge History of Early Modern English Literature. (New Cambridge History of English Literature.) Cambridge, UK and New York: Cambridge University Press, 2003. xii + 1038 pp. index. chron, bibl. $140. ISBN: 0-521-63156-4.

Contents: David Loewenstein and Janet Mueller, "Introduction"; Kenneth Charlton and Margaret Spufford, "Literacy, society and education"; Harold Love and Arthur F. Marotti, "Manuscript transmission and circulation"; David Scott Kastan, "Print, literary culture and the book trade"; Graham Parry, "Literary patronage"; Paula Blank, "Languages of early modern literature"; Steven N. Zwicker, "Habits of reading and early modern literary culture"; David Loades, "Literature and national identity"; William A. Sessions, "Literature and the court"; Janel Mueller, "Literature and the church"; Claire McEachern, "Literature and national identity"; Catherine Bates, "Literature and the court"; Patrick Collinson, "Literature and the church"; Lawrence Manley, "Literature and London"; David Bevington, "Literature and the theatre"; Johann P. Sommerville, "Literature and national identity"; Leah S. Marcus, "Literature and the court"; Deborah Shuger, "Literature and the church"; Thomas N. Corns, "Literature and London"; Martin Butler, "Literature and the theatre to 1660"; Barbara K. Lewalski, "Literature and the household"; Derek Hirst, "Literature and national identity"; David Loewenstein and John Morrill, "Literature and religion"; Nigel Smith, "Literature and London"; Helen Wilcox, "Literature and the household"; Joshua Scodel, "Alternative sites for literature"; James Grantham Turner, "From revolution to restoration in English literary culture"; and Rebecca Lemon, "Chronological outline of historical events and texts in Britain, 1528-1674, with list of selected manuscripts."

McEachern, Claire, ed. The Cambridge Companion to Shakespearean Tragedy. (Cambridge Companions to Literature.) Cambridge, UK and New York: Cambridge University Press, 2002. xiii + 274 pp. index, illus, chron, bibl. $60 (cl), $22 (pbk). ISBN: 0-521-79009-3 (cl), 0-521-79359-9 (pbk).

Contents: Tom McAlindon, "What is a Shakespearean tragedy?"; Russ McDonald, "The language of tragedy"; David Bevington, "Tragedy in Shakespeare's career"; Michael Warren, "Shakespearean tragedy printed and performed"; Huston Diehl, "Religion and Shakespearean tragedy"; Michael Hattaway, "Tragedy and political authority"; Catherine Belsey, "Gender and family"; Gail Kern Paster, "The tragic subject and its passions"; Robert N. Watson, "Tragedies of revenge and ambition"; Catherine Bates, "Shakespeare's tragedies of love"; Coppelia Kahn, "Shakespeare's classical tragedies"; R.A. Foakes, "The critical reception of Shakespeare's tragedies"; and Barbara Hodgdon, "Antony and Cleopatra in the theatre."

McGee, Timothy J., ed. Improvisation in the Arts of the Middle Ages and Renaissance. (Early Drama, Art, and Music Series, 30.) Kalamazoo, MI: Medieval Institute Publications, 2003. xvii + 331 pp. index, illus. $35 (cl), $17.50 (pbk). ISBN: 1-58044-044-4 (cl), 1-58044-045-2 (pbk).

Contents: Timothy J. McGee, "Foreword"; Domenicao Pietropaolo, "Improvisation in the Arts"; Timothy J. McGee, "Cantare all'improvviso: Improvising to Poetry in Late Medieval Italy"; Randall A. Rosenfeld, "Performance Practice, Experimental Archaeology, and the Problem of the Respectability of Results"; Keith Polk, "Instrumentalists and Performance Practices in Dance Music, c. 1500"; Barbara Sparti, "Improvisation and Embellishment in Popular and Art Dances in Fifteenth- and Sixteenth-Century Italy"; Jennifer Nevile, "Disorder in Order: Improvisation in Italian Choreographed Dances of the Fifteenth and Sixteenth Centuries"; G. Yvonne Kendall, "Ornamentation and Improvisation in Sixteenth-Century Dance"; Clifford Davidson, "Improvisation in Medieval Drama"; Linda Marie Zaerr, "Medieval and Modern Deletions of Repellent Passages"; Jane Freeman, "Shakespeare's Rhetorical Riffs"; David N. Klausner, "The Improvising Vice in Renaissance England"; and Leslie Korrick, "Improvisation and the Visual Arts: The View from Sixteenth-Century Italy."

McIver, Katherine A., ed. Art and Music in the Early Modern Period: Essays in Honor of Franca Trinchieri Camiz. Aldershot, UK and Burlington, VT: Ashgate, 2003. xxv + 432 pp. index, illus, bibl. $84.95. ISBN: 0-7546-0689-9.

Contents: Andrew Ladis, "The Music of Devotion: Image, Voice and the Imagination in a Madonna of Humility by Domenico di Bartolo"; Katherine Powers, "Musical Images for Devotions: Benedetto Coda's Altarpiece for the Rosary"; Katherine A. Mclver, "Music, Patrons and Politics: A Re-assessment of Zaganelli's Altarpiece for Rolando Pallavicino and Domitilla Gambara'; Eunice D. Howe, "Architecture for 'Divine Hymns': The Organ of Antonio da Sangallo the Younger for the Church of Santo Spirito in Sassia"; Mariagrazia Carlone, "Portrait of a Lutenist at the Museo Civico of Como: An Inquiry"; Rebecca Edwards, "Portraying Claudio Merulo, 'That Great Fountain whose Value Deserved no other Prize than Heaven Itself'"; Laurie Stras, "Musical Portraits of Female Musicians at the Northern Italian Courts in the 1570s"; Barbara Sparti, "Humanism and the Arts: Parallels between Alberti's On Painting and Guglielmo Ebreo's On ... Dancing "; Leslie Korrick, "Lomazzo's Trattato ... della pittura and Galilei's Fronimo: Picturing Music and Sounding Images in 1584"; Ann Buckley, "Representations of Musicians in Medieval Christian Iconography of Ireland and Scotland as Local Cultural Expression"; Herbert Turrentine, "The Stall of Jubal: A Flemish Reflection of Italian Humanism"; Zdravko Blazekovic, "Variations on the Theme of the Planets' Children, or Medieval Musical Life According to the Housebook's Astrological Imagery"; Linda Phyllis Austern, "'All Things in this World is but the Musick of Inconstancie': Music, Sensuality and the Sublime in Seventeenth-Century Vanitas Imagery"; Roy Sonnema, "Musical Indulgence and Pleasurable Sound in Seventeenth-Century Dutch Art"; and Franca Trinchieri Camiz, "Music Performance and Healing in Renaissance Rome Revealed by Text and Images"; "Biblical Music and Dance through Renaissance Eyes"; "Music Settings to Poems by Michelangelo and Vittoria Colonna"; and "Publications in Art and Music."

Occhiogrosso, Frank, ed. Shakespeare in Poformance: A Collection of Essays. Newark, DE: University of Delaware Press/AUP, 2002. 147 pp. index, bibl. $37.50. ISBN: 0-87413-776-4.

Contents: Frank Occhiogrosso, "Introduction"; John Russell Brown, "Shakespeare in Performance, Study, and Criticism"; James C. Bulman, "Shylock, Antonio, and the Politics of Performance"; Ralph Berry, "The Merchant of Venice"; Jay L. Halio, "Romeo and Juliet in Performance"; James P. Lusardi and June Schlueter, "I have done the deed': Macbeth 2.2"; H. R. Coursen, "Disguise in Trevor Nunn's Twelfth Night"; Harry Keyishian, "Storm, Fire, and Blood: Patterns of Imagery in Stuart Burge's Julius Caesar"; Alan C. Dessen, "Teaching What's Not There"; Pauline Kiernan, "The New Globe"; and Marvin Rosenberg, "Tracking Performance Criticism of Shakespeare."

Prescott, Anne Lake, William A. Oram, and Thomas P. Roche, eds. Spenser Studies: A Renaissance Poetry Annual, Vol. 17. New York: AMS Press, 2003. vi + 306 pp. index, illus. $79.50. ISBN: 0-404-19217-3.

Contents: M.L. Donneily, "The Life of Virgil and the Aspiration of the 'New Poet'"; Benedict S. Robinson, "The 'Secret Faith' of Spenser's Saracens'; Andrew Escobedo, "Despair and the Proportion of the Self"; Beth Quitslund, "Despair and the Composition of the Self"; Ty Buckman, "'Just Time Expired': Succession Anxieties and the Wandering Suitor in Spenser's Faerie Queene"; Judith H. Anderson, "Busirane's Place: The House of Rhetoric"; Mary R. Bowman, "Distressing Irena: Gender, Conquest, and Justice in Book V of The Faerie Queene"; Lin Kelsey, "Spenser, Ralegh, and the Language of Allegory"; Alan Stewart and Garrett A. Sullivan, Jr., "'Worme-eaten and full of canker holes': Materializing Memory in The Faerie Queene and in Lingua"; Claire R. Kinney, "'Beeleve this butt a fiction': Female Authorship, Narrative Undoing, and the Limits of Romance in the Second Part of the Countess of Montgomery's Urania"; David Scott Wilson-Okamura, "Republicanism, Nostalgia, and the Crowd"; Andrew Hadfield, "Was Spenser Really a Republican after All? A Reply to David Scott Wilson-Okamura"; Richard McNamara, "Spenser's Dedicatory Sonnets to the 1590 Faerie Queene: An Interpretation of the Blank Sonnet"; and Andrew Hadfield, "Robert Parsons/ Richard Verstegen and the Calling-in of Mother Hubberds Tale."

Schabert, Ina and Michaela Boenke, eds. lmaginationen des Anderen im 16. und 17. Jahrhundert. (Wolfenbiitteler Forschungen, 97.) Wiesbaden: Harrassowitz Verlag, 2002. 288 pp. index, illus, map. 69 [euro]. ISBN: 3-447-04631-7.

Contents: Ina Haberman and Ina Schabert, "Einleitung"; Victoria yon Flemming, "Das Andere der Vernunft? Giovanpietro Bellori und die Ambivalenz des Phantasiebegriffs in der italienischen Kunsttheorie der friiheu Neuzeit"; Michaela Boeoke, "Der Teufel der Philosophen"; Gyorgy E. Szonyi, "The Language of the Other: John Dee's Experiments with Angelic Conversations"; Gunter Butzer, "Mirabilia und Phantasmata: Die Poetische Imagination des Anderen"; Gerhild Scholz Williams, "Confronting the Early modern Other: Johannes Praetorius (1630-1680) on Wonders and Violence"; Ina Schabert, "Wombscapes. Abjektion in King Lear und Paradise Lost"; Bettina Bannasch and Gunter Butzer, "Das Verschwinden des Anderen im Ich: Affektregulierung und Gedachtnispragung in Meditation und Emblematik'; Bernhard Klein, "Randfiguren. Othello, Oroonoko und die kartographische Representation Afrikas'; Janett Reinstadler, "Von der Apotheose des Eigenen, der Abspaltung des Anderen und der Krise des Sich-Selbst-Identischen: La Cisma de Inglaterra von Calderon de la Barca"; Ursula Jung, "Weibliche Autorschaft im spanischen Barock: Selbstinszenierung als das Andere bei Maria de Zayas und Feliciana Enriquez de Guzman"; and Sabine Schulting, "Wa(h)re Liebe. Geldgeschafte und Liebesgaben in der Fruhen Neuzeit."

Schatborn, Peter. Drawn to Warmth: Seventeenth-Century Dutch Artists in Italy. Zwolle: Waanders, 2003. 223 pp. illus. bibl. $80. ISBN: 90-400-9535-3.

Contents: Peter Schatborn, "Dutch Artists in Italy" and "The Journey to the South"; and Judith Verberne, "The Bentvueghels (1620/21-1720) in Rome."

Signore, Mario, ed. Idee: Rivista di Filosofia. Lecce: Milella di Lecce Spazio Vivo, 2002. 255 pp. n.p. ISBN: n/a.

Contents: Mario Signore, "Premessa"; Wolfhart Henckmann, "La filosofia come scienza rigorosa'; Antonio Ponsetto, "Metafisica, etica e questioni delli prassi storica"; Mario Signore, "Etica della responsabilita del pensare. Una sfida per la cultura contemporanea"; Francesco Viola, "Ragione pubblica e diritti umani"; Tommaso La Rocca, "Liberta, politica e religione"; Laura Tundo, "Liberta e agire politico. A partire da Kant"; Virgilio Cesarone, "La potenza dell'uomo nella filosofia di Eugen Fink"; Giuliana Di Biase, "Razionalita pratica e utilitarismo: Il kantismo nell'etica prescrittiva di R.M. Hare"; Elena Fabrizio, "La prospettiva comunicativa tra ragione, etica e prassi storica"; Giorgio Rizzo, "Pratica del pensare e pensiero preterintenzionale delle prassi'; Giovanni Scarafile, "Il; rapporto male-individuo nella teodicea di G.W. Leibniz"; and Maria Rita Scarcella, "La decisione per la verita nella filosofia dell'interpretazione di Luigi Pareyson."

Strehlke, Carl Brandon and Cecilia Frosinini, eds. The Panel Paintings of Masolino and Masaccio: The Role of Technique. Milan: 5 Continents, 2002. 267 pp. append, illus. gloss. $75. ISBN: 88-7439-000-9.

Contents: Carl Brandon Strehlke, "The Case for Studying Masolino's and Masaccio's Panel Paintings in the Laboratory"; Roberto Bellucci and Cecilia Frosinini, "Working Together: Technique and Innovation in Masolino's and Masaccio's Panel Paintings"; "The San Giovenale Altarpiece"; and "The Carnesecchi Altarpiece"; Jill Dunkerton and Dillian Gordon, "The Pisa Altarpiece"; Carl Brandon Strehlke and Mark Tucker, "The Santa Maria Maggiore Altarpiece"; and Roberto Bellucci, Cecilia Frosinini, and Mauro Parri, "Technical Catalogue."

Wandel, Lee Palmer, ed. History Has Many Voices. (Sixteenth Century Essays and Studies, 63.) Kirksville, MO: Truman State University Press, 2003. viii + 167 pp. index, append, illus, this. $42.95. ISBN: 1-931112-17-7.

Contents: Lee Palmer Wandel, "Introduction: The Past Has Many Voices"; Maryanne Cline Horowitz, "Doubts about 'Witches' and 'Magicians' in Reginald Scot and Gabriel Naude"; A. Lynn Martin, "Alcohol and the Clergy in Traditional Europe"; Frederic J. Baumgarmer, "Popes, Astrologers, and Early Modern Calendar Reform"; John Patrick Donnelly, S.J., "Planning Jesuit Education from Loyola to the 1599 Ratio Studiorum"; Raymond A. Mentzer, "Laity and Liturgy in the French Reformed Tradition"; Merry Wiesner-Hanks, "Reflections on a Quarter Century of Research on Women and the Reformation"; Thomas Max Safley, "Rethinking the Social History of the Poor"; and Amy Nelson Burnett, "Preparing the Pastors: Theological Education and Pastoral Training in Basel."

Williams, Gerhild Scholz and Charles D. Gunnoe, Jr., eds. Paracelsian Moments: Science, Medicine, and Astrology in Early Modern Europe. (Sixteenth Century Essays & Studies, 64.) Kirksville, MO: Truman State University Press, 2002. xxii + 274 pp. index, illus, bibl. $44.95 (cl), $34.95 (pbk). ISBN: 1-931112-12-6 (cl), 1-931112-11-8 (pbk).

Contents: Charles D. Gunnoe, Jr., "Paracelsus's Biography among his Detractors"; Mitchell Hammond, "Paracelsus and the Boundaries of Medicine in Early Modern Augsburg"; Jole Shackelford, "To Be or Not To Be a Paracelsian: Something Spagyric in the State of Denmark"; Lynda Payne, "'A Spedie Reformation': Barber-Surgeons, Anatomization, and the Reformation of Medicine in Tudor London"; Hildegard Elisabeth Keller, "Seeing 'Microcosma': Paracelsus's Gendered Epistemology"; Dane Thor Daniel, "Paracelsus on Baptism and the Acquiring of the Eternal Body"; Heinz Schott, "Paracelsus and van Helmont on Imagination: Magnetism and Medicine before Mesmer"; Sheila Rabin, "Unholy Astrology: Did Pico Always View It That Way?"; Dend Scoggins, "Wine and Obscenities: Astrology's Degradation in the Five Books of Rabelais"; Michael T. Walton, "Robert Boyle, 'The Sceptical Chymist,' and Hebrew"; Gerhild Scholz Williams, "Johannes Praetorius: Early Modern Topography and the Giant Rubezahl"; and Stuart Clark, "Demons. Natural Magic, and the Virtually Real: Visual Paradox in Early Modern Europe."

MONOGRAPHS:

Backus, Irena. Historical Method and Confessional Identity in the Era of the Reformation (1378-1615). (Studies in Medieval and Reformation Thought, 94.) Boston and Leiden: Brill Academic Publishers, 2003. xi + 416 pp. index, bibl. $135. ISBN: 90-04-12928-6.

Baldriga, Irene. L'occhio della lince: I primi lincei tra arte, scienza e collezionismo (1603-1630). Rome: Accademia Nazionale dei Lincei, 2002. x + 340 pp. index. append, illus, bibl. n.p. ISBN: 88-218-0867-X.

Banker, James R. The Culture of San Sepolcro during the Youth of Piero della Francesca. (Studies in Medieval and Early Modern Civilization.) Ann Arbor, MI: University of Michigan Press, 2003. x + 278 pp. index, append, illus, map. bibl. $62.50. ISBN: 0-472-11301-1.

Barbuto, Gennaro Maria. La politica dopo la tempesta: Ordine e crisi nel pensiero di Francesco Guicciardini. Naples: Liguori, 2002. 129 pp. index, append. 12.50 [euro]. ISBN: 88-207-3308-0.

Belozerskaya, Marina G. Rethinking the Renaissance: Burgundian Arts across Europe. Cambridge, UK and New York: Cambridge University Press, 2002. xvi + 382 pp. + 25 color pls. index, illus, map. bibl. $75. ISBN: 0-521-80850-2.

Bideau, Alain. Paul Gerhardt (1607-1676): Pasteur et poete. Bern and New York: Peter Lang, 2003. viii + 382 pp. index, append, illus, tbls. bibl. $54.95. ISBN: 3-906768-60-0.

Bohde, Daniela. Haut, Fleisch und Farbe: Korperlichkeit und Materialitat in den Gemalden Tizians. Berlin: Gebr. Mann Verlag, 2002. 547 pp. + 17 color and 45 b/w pls. index, illus, bibl. 39 [euro]. ISBN: 3-9805644-9-5.

Bolliger, Daniel. Infiniti contemplatio: Grundzuge der Scotus- und Scotismusrezeption im Werk Huldrych Zwinglis. (Studies in the History of Christian Thought, 107.) Boston and Leiden: Brill Academic Publishers, 2003. xx + 844 pp. index. append, illus, bibl. $185. ISBN: 90-04-12559-0.

Bombassaro, Luiz Carlos. Im Schatten der Diana." Die Jagdmetapher im Werk von Giordano Bruno. Berlin and Frankfurt-am-Main: Peter Lang, 2002. 464 pp. + 22 b/w pls. bibl. $61.95. ISBN: 3-631-39544-2.

Borodowski, Alfredo Fabio. Isaac Abravanel on Miracles, Creation, Prophecy, and Evil: The Tension between Medieval Jewish Philosophy and Biblical Commentary. Bern and New York: Peter Lang, 2003. xvi + 241 pp. index, bibl. $65.95. ISBN: 0-8204-6236-5.

Bos, A.P. The Soul and its Instrumental Body: A Reinterpretation of Aristotle's Philosophy of Living Nature. Boston and Leiden: Brill Academic Publishers, 2003. x + 429 pp. index, bibl. $108. ISBN: 90-04-13016-0.

Braider, Christopher. Indiscernible Counterparts: The Invention of the Text in French Classical Drama. Chapel Hill: University of North Carolina Press, 2002. 387 pp. index, illus, bibl. $34.95. ISBN: 0-8078-9279-3.

Brown, Pamela Allen. Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England. Ithaca, NY and London: Cornell University Press, 2003. xi + 263 pp. index, illus, bibl. $49.95 (cl), $19.95 (pbk). ISBN: 0-8014-4024-6 (cl), 0-8014-8836-2 (pbk).

Bruster, Douglas. Shakespeare and the Question of Culture: Early Modern Literature and the Cultural Turn. Basingstoke, UK and New York: Palgrave/St. Martin's Press, 2003. xxi + 279 pp. index, append, bibl. $19.95. ISBN: 0-312-29439.

Carroll, Clare L. Circe's Cup: Cultural Transformations in Early Modern Ireland. Notre Dame, IN: University of Notre Dame Press, 2002. x + 206 pp. index, illus, bibl. $28. ISBN: 0-268-02274-7.

Casoni, Guido. Della magia d'amore. Ed. Armando Maggi. (L'Italia, 26.) Palermo: Sellerio, 2003. 224 pp. bibl. $12. ISBN: 88-389-1834-1.

Ciampolini, Marco. Drawing in Renaissance and Baroque Siena: Sixteenth- and Seventeenth-Century Drawings from Sienese Collections. Trans. Hugh Ward-Perkins. Athens, GA and Siena, Italy: Georgia Museum of Art, 2002. 360 pp. index, append, illus, bibl. $50. ISBN: 0-915977-45-1.

Clark, Ira. Comedy, Youth, Manhood in Early Modern England. Newark, DE and London: University of Delaware Press/AUP, 2003. 170 pp. index, bibl. $39.50. ISBN: 0-87413-828-0.

Conley, John J. The Suspicion of Virtue: Women Philosophers in Neoclassical France. Ithaca, NY and London: Cornell University Press, 2002. xi + 222 pp. index. bibl. $39.95. ISBN: 0-8014-4020-3.

Coppa, Alessandra. Francesco Paciotto: Architetto militare. Milan: Edizioni Unicopli, 2002. 229 pp. append, illus, bibl. $14.50. ISBN: 88-400-0728-8.

Crisciani, Chiara. Il papa e l'alchimia: Felice V,, Guglielmo Fabri e relixir. Rome: Viella, 2002. 218 pp. index, bibl. 19 [euro]. ISBN: 88-8334-079-5.

De Pace, Anna. La Scepsi, il Sapere e l'Anima: Dissonanze nella cerchia laurenziana. (Il Filarete. Pubblicazioni della Facolta di Lettere e Filosofia dell'Universita degli Studi di Milano, 208.) Milan: Edizioni Universitarie di Lettere Economia Diritto, 2002. 314 pp. index, bibl. 27 [euro]. ISBN: 88-7916-187-3.

Elm, Eva. Die Macht der Weisheit: Das Bild des Bischofs in der Vita Augustini des Possidius und anderen spatantiken und fruhmittelalterlichen Bischofsviten. (Studies in the History of Christian Thought, 109.) Boston and Leiden: Brill Academic Publishers, 2003. x + 304 pp. index, bibl. $92. ISBN: 90-04-12881-6.

Engel, William E. Death and Drama in Renaissance England: Shades of Memory. New York and Oxford: Oxford University Press, 2002. xiv + 200 pp. index, append. illus, bibl. $65. ISBN: 0-19-925762-0.

Fenlon, lain. Music and Culture in Late Renaissance Italy. New York and Oxford: Oxford University Press, 2002. ix + 265 pp. index, illus, bibl. $85. ISBN: 0-19-816444-0.

Finucci, Valeria. The Manly Masquerade: Masculinity, Paternity, and Castration in the Italian Renaissance. Durham, NC and London: Duke University Press, 2003. x + 316 pp. index, bibl. $74.95 (cl), $24.95 (pbk). ISBN: 0-8223-3054-7 (cl), 0-8223-3065-2 (pbk).

Fitzmaurice, Andrew. Humanism and America: An Intellectual History of English Colonisation, 1500-1625. Cambridge, UK and New York: Cambridge University Press, 2003. x + 216 pp. index, bibl. $55. ISBN: 0-521-82225-4.

Floyd-Wilson, Mary. English Ethnicity and Race in Early Modern Drama. Cambridge, UK and New York: Cambridge University Press, 2003. xii + 256 pp. index, illus. $65. ISBN: 0-521-81056-6.

Foakes, Reginald A. Shakespeare and Violence. Cambridge, UK and New York: Cambridge University Press, 2003. xiv + 224 pp. index, illus. $65 (cl), $23 (pbk). ISBN: 0-521-82043-X (cl), 0-521-52743-0 (pbk).

Frank, Marcie. Gender, Theatre, and the Origins of Criticism From Dryden to Manley. Cambridge, UK and New York: Cambridge University Press, 2003. ix + 175 pp. index, bibl. $55. ISBN: 0-521-81810-9.

Freedberg, David. The Eye of the Lynx: Galileo, His Friends, and the Beginnings of Modern Natural History. Chicago: University of Chicago Press, 2003. xii + 513 pp. + 83 color and 89 b/w pls. index, illus, bibl. $50. ISBN: 0-226-26147-6.

Frick, Carole Collier. Dressing Renaissance Florence: Families, Fortunes, and Fine Clothing. Baltimore: Johns Hopkins University Press, 2002. xiv + 347 pp. index. append, illus, tbls. gloss, bibl. $45. ISBN: 0-8018-6939-0.

Frugoni, Chiara. Books, Banks, Buttons and Other Inventions from the Middle Ages. Trans. William McCuaig. New York: Columbia University Press, 2003. xvi + 178 pp. index, illus, tbls. chron. $27.95. ISBN: 0-231-12812-6.

Fuchs, Barbara. Passing for Spain: Cervantes and the Fictions of Identity. Chicago and Urbana: University of Illinois Press, 2003. xiv + 142 pp. index. $32.50. ISBN: 0-252-02781-7.

Glixon, Jonathan E. Honoring God and the City: Music at the Venetian Confraternities, 1260-1807. New York and Oxford: Oxford University Press, 2003. xvi + 372 pp. index, append, tbls. gloss, bibl. $65. ISBN: 0-19-513489-3.

Grady, Hugh. Shakespeare, Machiavelli, and Montaigne: Power and Subjectivity from Richard II to Hamlet. New York and Oxford: Oxford University Press, 2002. x + 286 pp. index, bibl. $65. ISBN: 0-19-925760-4.

Granada, Miguel A. Giordano Bruno: Universo infinito, union con Dios, perfeccidn del hombre. Barcelona: Editorial Herder, 2002. 382 pp. + 17 b/w pls. index, illus. 20.77 [euro]. ISBN: 84-254-2224-8.

Harline, Craig E. Miracles at the Jesus Oak: Histories of the Supernatural in Reformation Europe. New York and London: Random House, 2003. 324 pp. index, illus, map. bibl. $22.95. ISBN: 0-385-50820-4.

Harper, Anthony J. German Secular Song-Books of the Mid-Seventeenth Century: An Examination of the Texts in Collections of Songs Published in the German-Language Area between 1624 and 1660. Aldershot, UK and Burlington, VT: Ashgate, 2003. viii + 345 pp. index, tbls. bibl. $84.95. ISBN: 0-7546-0642-2.

Heale, Elizabeth. Autobiography and Authorship in Renaissance Verse: Chronicles of the Self. Basingstoke, UK and New York: Palgrave/St. Martin's Press, 2003. viii + 206 pp. index, bibl. $65. ISBN: 0-333-77397-7.

Heller, Henry. Anti-Italianism in Sixteenth-Century France. Toronto and Buffalo, NY: University of Toronto Press, 2003. xii + 308 pp. index, bibl. $60. ISBN: 0-8020-3689-9.

Henke, Robert. Performance and Literature in the Commedia dell'Arte. Cambridge, UK and New York: Cambridge University Press, 2003. xiv + 264 pp. index. illus, bibl. $60. ISBN: 0-521-64324-4.

Joannides, Paul. Raphael and His Age: Drawings from the Palais des Beaux-Arts, Lille. (Exposition catalogue, the Cleveland Museum of Art, 25 August-27 October 2002/Palais des Beaux-Arts, Lille, Winter 2002.) Paris: Reunion des Musees nationaux, 2002. 206 pp. illus, bibl. $40. ISBN: 2-7118-4552-4.

Kelley, Donald R. Fortunes of History: Historical Inquiry from Herder to Huizinga. New Haven, CT and London: Yale University Press, 2003. xiii + 426 pp. index. $50. ISBN: 0-300-09578-3.

Kelly, Samantha. The New Solomon: Robert of Naples (1309-1343) and Fourteenth-Century Kingship. Boston and Leiden: Brill Academic Publishers, 2003. xviii + 339 pp. + 180 b/w pls. index, append, tbls. map. bibl. $104. ISBN: 90-0412945-6.

Kennedy, Kevin Dixon. Union with Christ and the Extent of the Atonement in Calvin. (Studies in Biblical Literature, 48.) Bern and New York: Peter Lang, 2002. x + 177 pp. index, bibl. $51.95. ISBN: 0-8204-5780-9.

Kern, Margit. Tugend versus Gnade: Protestantische Bildprogramme in Nurnberg, Pirna, Regensburg und Ulm. Berlin: Gebr. Mann Vetlag, 2002. 493 pp. index. append, illus, bibl. n.p. ISBN: 3-7861-2391-8.

Koenigsberger, H.G. Monarchies, States Generals and Parliaments: The Netherlands in the Fifteenth and Sixteenth Centuries. Cambridge, UK and New York: Cambridge University Press, 2001. xx + 382 pp. index, illus, map. gloss, bibl. $75. ISBN: 0-521-80330-6.

Laabs, Annegret. The Leiden Fijnschildersfrom Dresden. (English translation of catalogue: Von der lustvollen Betrachtunde der Bilder. Leidener Feinmaler in der Dresdener Gemaldegalerie.) Zwolle: Waanders, 2003. 131 pp. illus, bibl. $45. ISBN: 90-400-9550-7.

Langholm, Odd. The Merchant in the Confessional." Trade and Price in the Pre-Reformation Penitential Handbooks. Boston and Leiden: Brill Academic Publishers, 2003. vii + 290 pp. index, tbls. bibl. $104. ISBN: 90-04-12904-9.

Low, Jennifer A. Manhood and the Duel: Masculinity in Early Modern Drama and Culture. Basingstoke, UK and New York: Palgrave/St. Martin's Press, 2003. xviii + 238 pp. index, illus, bibl. $59.95. ISBN: 1-4039-6130-I.

Lowe, J. Andreas. Richard Smyth and the Language of Orthodoxy: Re-Imagining Tudor Catholic Polemicism. Boston and Leiden: Brill Academic Publishers, 2003. xii + 274 pp. index, illus, bibl. $91. ISBN: 90-04-12927-8.

Mack, Peter. Elizabethan Rhetoric: Theory and Practice. Cambridge, UK and New York: Cambridge University Press, 2002. xii + 326 pp. index, gloss, bibl. $65. ISBN: 0-521-81292-5.

MacNeil, Anne. Music and Women of the Commedia dell'Arte in the Late Sixteenth Century. (Oxford Monographs on Music.) New York and Oxford: Oxford University Press, 2003. viii + 360 pp. index, illus, chron, bibl. $85. ISBN: 0-91-816689-3.

Maiorino, Giancarlo. At the Margins of the Renaissance: Lazarillo de Tormes and the Picaresque Art of Survival. University Park, PA: Pennsylvania State University Press, 2003. xi + 184 pp. index, illus, bibl. $39.95. ISBN: 0-271-02279-5.

Maley, Willy. Nation, State and Empire in English Renaissance Literature: Shakespeare to Milton. Basingstoke, UK and New York: Palgrave/St. Martin's Press, 2003. xvii + 185 pp. index. $62. ISBN: 0-333-64077-2.

Mansfield, Bruce E. Erasmus in the Twentieth Century: Interpretations, 1920-2000. Toronto and Buffalo, NY: University of Toronto Press, 2003. xiv + 324 pp. index, bibl. $70. ISBN: 0-8020-3767-4.

Marcigliano, Alessandro. Chivalric Festivals at the Ferrarese Court of Alfonso II d'Este. (Stage and Screen Studies, 2.) Bern: Peter Lang, 2003. 182 pp. illus, bibl. $31.95. ISBN: 0-8204-5902-X.

Martines, Lauro. April Blood: Florence and the Plot against the Medici. New York and Oxford: Oxford University Press, 2003. xviii + 302 pp. index, illus, map. chron. bibl. $26. ISBN: 0-19-515295-6.

Mattox, Mickey Leland. "Defender of the Most Holy Matriarchs": Martin Luther's Interpretation of the Women of Genesis in the Enarrationes in Genesin, 1535-1545. (Studies in Medieval and Reformation Thought, 92.) Leiden and New York: Brill Academic Publishers, 2003. xvi + 318 pp. index, append, tbls. bibl. $101. ISBN: 90-04-12894-8.

Miller, Clyde Lee. Reading Cusanus: Metaphor and Dialectic in a Conjectural Universe. Washington, DC: Catholic University of America Press, 2003. viii + 276 pp. index, illus, tbls. bibl. $64.95. ISBN: 0-8132-1098-4.

Miller, David Lee. Dreams of the Burning Child: Sacrificial Sons and the Father's Witness. Ithaca, NY and London: Cornell University Press, 2002. xii + 239 pp. index, illus, bibl. $35. ISBN: 0-8014-4057-2.

Milnes, Tim. Knowledge and Indifference in English Romantic Prose. (Cambridge Studies in Romanticism, 55.) Cambridge, UK and New York: Cambridge University Press, 2003. viii + 278 pp. index, bibl. $60. ISBN: 0-521-81098-1.

Morrissey, Robert. Charlemagne and France: A Thousand Years of Mythology. Trans. Catherine Tihanyi. Notre Dame, IN: University of Notre Dame Press, 2003. xxii + 392 pp. + 13 color and 12 b/w pls. index, illus. $40. ISBN: 0-268-02277-1.

Murphy, Caroline P. Lavinia Fontana: A Painter and Her Patrons in Sixteenth-Century Bologna. New Haven, CT and London: Yale University Press, 2003. vii + 236 pp. + 60 color and 170 b/w pls. index, append, illus, bibl. $60. ISBN: 0-300-09913-4.

Nevitt, H. Rodney. Art and the Culture of Love in Seventeenth-Century Holland. (Cambridge Studies in Netherlandish Visual Culture.) Cambridge, UK and New York: Cambridge University Press, 2002. xviii + 302 pp. index, illus, bibl. $80. ISBN: 0-521-64329-5.

North, Marcy L. The Anonymous Renaissance: Cultures of Direction in Tudor-Stuart England. Chicago and London: University of Chicago Press, 2003. xi + 309 pp. index, illus. $37.50. ISBN: 0-226-59437-8.

O'Hara, Diana. Courtship and Constraint: Rethinking the Making of Marriage in Tudor England Manchester, UK and New York: Manchester University Press/ St. Martin's Press, 2002. xii + 276 pp. index, illus, tbls. map. bibl. $74.95 (cl), $24.95 (pbk). ISBN: 0-7190-5074-X (cl), 0-7190-6251-9 (pbk).

Ormrod, David. The Rise of Commercial Empires: England and the Netherlands in the Age of Mercantilism, 1650-1770. Cambridge, UK and New York: Cambridge University Press, 2003. xviii + 400 pp. index, append, illus, tbls. map. bibl. $75. ISBN: 0-521-81926-1.

Ott, Martin. Die Entdeckung des Altertums: Der Umgang mit der romischen Vergangenheit Suddeutschlands im 16. Jahrhundert. Kallmunz, Germany: Verlag Michael Lassgleben, 2002. xii + 309 pp. + 4 color and 4 b/w pls. index, illus, bibl. 31.78 [euro]. ISBN: 3-7847-30175.

Peltonen, Markku A. O. The Duel in Early Modern England. Civility, Politeness and Honour. Cambridge, UK and New York: Cambridge University Press, 2003. x + 355 pp. index, bibL $60. ISBN: 0-521-82062-6.

Pesic, Peter. Abel's Proof." An Essay on the Sources and Meaning of Mathematical Unsolvability. Cambridge, MA and London: MIT Press, 2003. viii + 213 pp. index, append, illus. $24.95. ISBN: 0-262-16216-4.

Pocock, J.G.A. The Machiavellian Moment: Florentine Political Thought and the Atlantic Republican Tradition. Reprint. Princeton, NJ and Oxford: Princeton University Press, 2003. x + 634 pp. index, bibl. $19.95. ISBN: 0-691-11472-2.

Puff, Helmut. Sodomy in Reformation Germany and Switzerland, 1400-1600. (Chicago Series on Sexuality, History and Society.) Chicago and London: University of Chicago Press, 2003. ix + 311 pp. index, append, bibL $60 (cl), $24 (pbk). ISBN: 0-226-68505-5 (cl), 0-226-68506-3 (pbk).

Rebecchini, Guido. Private Collectors in Mantua: 1500-1630. Rome: Edizioni di Storia e Letteratura, 2000. 490 pp. + 43 b/w pls. index. $60.50. ISBN: 88-8498-049-6.

Relano, Francesc. The Shaping of Africa: Cosmographic Discourse and Cartographic Science in Late Medieval and Early Modern Europe. Aldershot, UK and Burlington, VT: Ashgate, 2002. x + 272 pp. + 28 color pls. index, map. bibl. $89.95. ISBN: 0-7546-0239-7.

Rowe, Colin and Leon Satkowski. Italian Architecture of the Sixteenth Century. New York: Princeton Architectural Press, 2002. xx + 332 pp. index, illus, map. chron. bibl. $35. ISBN: 1-56898-331-X.

Schmid, Wolfgang. Durer als Unternehmer: Kunst, Humanismus und Okonomie in Nurnberg um 1500. Trier, Germany: Porta Alba Verlag, 2003. xii + 638 pp. index, illus, bibl. 92 [euro]. ISBN: 3-933701-05-8.

Sohm, Philip. Style in the Art Theory of Early Modern Italy. Cambridge, UK and New York: Cambridge University Press, 2003. xii + 316 pp. + 21 b/w pls. index. append, illus, bibl. $80. ISBN: 0-521-78069-1.

Spang, Michael. Omnia homini similia sunt: Eine Interpretation von Giordano Brunos Artificium perorandi. Munich: Fink, 2002.281 pp. append, illus, tbls. bibl. n.p. ISBN: 3-7705-3680-0.

Stewart, Dana E. The Arrow of Love: Optics, Gender, and Subjectivity in Medieval Love Poetry. Lewisburg, PA and London: Bucknell University Press, 2003. 186 pp. index, bibl. $38.50. ISBN: 0-8387-5480-5.

Sutter, Pascale. Von guten und bosen Nachbarn: Nachbarschaft als Beziehungsform in spatmittelalterlichen Zurich. Zurich: Chronos Verlag, 2002. 474 pp. append. illus, tbls. bibl. 46.90 [euro]. ISBN: 3-0340-0557-1.

Turner, James Grantham. Schooling Sex: Libertine Literature and Erotic Education in Italy, France, and England, 1534-1685. Oxford and New York: Oxford University Press, 2003. xxviii + 532 pp. index, illus, tbls. $80. ISBN: 0-19-925426-5.

van Eijnatten, Joris. Liberty and Concord in the United Provinces: Religious Toleration and the Public in the Eighteenth-Century Netherlands. (Brill's Studies in Intellectual History, 111.) Leiden: Brill Academic Publishers, 2003. x + 566 pp. index, bibl. $150. ISBN: 90-04-12843-3.

Venturelli, Roberto. Pordenone a Cremona: Iconografie contesti significati. (Venezia Cinquecento: Studi di storia dell'arte e della cultura, 23.) Rome: Bulzoni, 2002. 208 pp. illus, bibl. 30.99 [euro]. ISSN: 1225-1735.

Walker, Claire. Gender and Politics in Early Modern Europe: English Convents in France and the Low Countries. Basingstoke, UK and New York: Palgrave/St. Martin's Press, 2003. xii + 247 pp. index, tbls. bibl. $72. ISBN: 0-333-75370-4.

Warner, Marina. Fantastic Metamorphoses, Other Worlds: Ways of Telling the Self. New York and Oxford: Oxford University Press, 2002. xvi + 264 pp. index, illus. $29.95. ISBN: 0-19-818726-2.

Whalen, Robert. The Poetry of Immanence: Sacrament in Donne and Herbert. Toronto and Buffalo, NY: University of Toronto Press, 2002. xxii + 216 pp. index, bibl. $45. ISBN: 0-8020-3659-7.

Witte, John. Law and Protestantism: The Legal Teachings of the Lutheran Reformation. Cambridge, UK and New York: Cambridge University Press, 2002. xx + 338 pp. index, illus, bibl. $23. ISBN: 0-521-01299-6.

Wittneben, Eva Luise. Bonagratia von Bergamo: Franziskanerjurist und Wortfuhrer seines Ordens im Streit mit Papst Johannes XXII. (Studies in Medieval and Reformation Thought, 90.) Boston and Leiden: Brill Academic Publishers, 2003. x + 428 pp. index, bibl. $105. ISBN: 90-04-12817-4.

Wolkenhauer, Anja. Zu schwer fur Apoll: Die Antike in humanistischen Druckerzeichen des 16. Jahrhunderts. Wiesbaden, Germany: Harrassowitz Verlag, 2002. 451 pp. index, illus, bibl. 99 [euro]. ISBN: 3-447-04717-8.

Worthen, W.B. Shakespeare and the Force of Modern Performance. Cambridge, UK and New York: Cambridge University Press, 2003. viii + 274 pp. index, bibl. $58 (cl), $21 (pbk). ISBN: 0-521-81030-2 (cl), 0-521-00800-X (pbk).

Zika, Charles Francis. Exorcising our Demons: Magic, Witchcraft and Visual Culture in Early Modern Europe. (Studies in Medieval and Reformation Thought, 91). Boston and Leiden: Brill Academic Publishers, 2003. xx + 608 pp. index, illus. tbls. $115. ISBN: 90-04-12560-4.