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Book Burning.


Book Burning

Fire loves paper
but adores people.
Fire eats our words,
hurling them off
like flaming birds
on bright black wings.
Smoke must cough
but fire sings,
breathing deeper,
sucking down
our oxygen.
Fire is not
our brother's keeper.
It isn't a question
of good and evil;
it guzzles the broth,
consumes the table.
Heine guessed
a modern truth:
they burn books first.

The night of the fire
on Unter den Linden
what rang up the curtain
next door at the Staatsoper?
Die Zauberflote,
its gorgeous noise
lit with love,
a book of seduction,
light, and learning.
We walk through flame,
daring hell and high water,
dancing and burning,
our fancy fired up
till real tears drop;
or Tristan and Isolde,
romantic hell
on a Celtic ship,
love mating death
till both look the same.
Fire crests the wave
of the blood-dark ocean,
extinguished breath
blood-wet with kisses:
lovers, poison,
and none left to blame.

On the Opernplatz
the students wave
a sea of dark arms
engaged by armbands
and oozing the spume
of cream-pale hands
awash in the air.
Goebbels commends
their courage to break
the intellectual
reich of the Jew
and homosexual;
and face the blaze,
courage to erect
in this vast empty platz,
banal and funereal,
a tower of books
and feed them to fire
like so many faggots.
The boys pledge death
divinest respect
with courage to burn,
courage to burn
Freud and all joy,
such men as Mann,
heretic Einstein,
and Heine the Jew.

The opera disgorges
its lovers, their eyes
still moist, songs still
in their teeth. They view
the night turned day,
the spring turned hell
this early May night.
The spines crack.
The burning covers
issue a smell
like living leather,
rank with authors.
Kerchiefs mask noses
and hands shield eyes
raised to the skies.

Another decade
and they'll take burning
to the very Beginning,
the primal Word,
spinning the world
back down the commode,
back into its Chaos
of mud and scheiss.
For now, bringing brightness,
words of all people
soar in a tower,
the babble of languages
melting together,
the fire-breathing steeple
drunk on air
and publishing ash,
singing like mad
a single song
in a single tongue.


Jay Rogoff is the author of "How We Came to Stand on That Shore" and "The Cutoff." He lives in Saratoga Springs, New York "Saratoga Springs" redirects here. For the unrelated Utah city, see Saratoga Springs, Utah. For the resort inspired by this city, see Disney's Saratoga Springs Resort & Spa.

Saratoga Springs is a city in Saratoga County, New York, USA.
, where he teaches at Skidmore College Skidmore College, at Saratoga Springs, N.Y.; chartered and opened 1911 as Skidmore School of Arts (for women) through a gift from Lucy Skidmore Scribner; chartered as a college 1922. In 1972 the school was opened to male students. .
COPYRIGHT 2004 The Progressive, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2004, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Author:Rogoff, Jay
Publication:The Progressive
Article Type:Poem
Date:Jan 1, 2004
Words:399
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