Articles from Black Music Research Journal (March 22, 2002)

Title	Author	Type	Words
"New music" and the "New Negro": the background of William Grant Still's Afro-American Symphony.	Oja, Carol J.		9834
"Nou Kwe nan Sentespri" (we believe in the Holy Spirit): music, ecstasy, and identity in Haitian Pentecostal worship.	Butler, Melvin L.		16547
"Tell Tchaikovsky the news": postmodernism, popular culture, and the emergence of rock 'n' roll.	Tucker, Bruce		10941
Bridging South America and the United States in black music research.	Behague, Gerard		4686
Cultural dialogics and jazz: a white historian signifies.	Tomlinson, Gary		15483
Editor's introduction.	Epstein, Dena J.		1350
Improvised music after 1950: Afrological and Eurological perspectives.	Lewis, George E.		13330
Musical thoughts on unresolved questions and recent findings in big drum research.	McDaniel, Lorna		3821
Nationalism and the soul: gospelypso as independence.	Rommen, Timothy		8082
New Orleans--area musicians on the West Coast, 1908-1925.	Gushee, Lawrence		6885
Popular music and Martinican-Creole identity.	Cyrille, Dominique		7661
Powers of blackness: Africanist discourse in modern concert music.	Kramer, Lawrence		7180
Ring shout! Literary studies, historical studies, and black music inquiry.	Floyd, Samuel A., Jr.		9484
The genesis of Black, Brown and Beige.	Tucker, Mark		8809
The influences of Hispanic music cultures on African-American blues musicians.	Narvaez, Peter		9270
The nineteenth-century origins of jazz.	Gushee, Lawrence		11117
The steelband "own tune": nationalism, festivity, and musical strategies in Trinidad's Panorama competition.	Dudley, Shannon		10062