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Bibliography of Italian studies in North America.


The "Bibliography of Italian Studies in North America North America, third largest continent (1990 est. pop. 365,000,000), c.9,400,000 sq mi (24,346,000 sq km), the northern of the two continents of the Western Hemisphere. " includes books, articles, bibliographies, and reviews published here or abroad by scholars residing in the United States United States, officially United States of America, republic (2005 est. pop. 295,734,000), 3,539,227 sq mi (9,166,598 sq km), North America. The United States is the world's third largest country in population and the fourth largest country in area.  or Canada, as well as reviews of their writings. It also includes articles and books of foreign scholars published in North America. Italica tries to provide extensive coverage, selecting the contributions most useful to Italianists. Coverage encompasses comparative literature studies, translations, publications on art, music, philosophy, history, cinema, sociology, where these are closely related to language and literature. Also covered are studies pertinent to the Italian-American/Canadian experience.

It would be appreciated if scholars would send offprints of articles or complete (as described below) bibliographical information to:

Paolo A. Giordano, Associate Editor

ITALICA

Department of Modern Languages & Literatures

Loyola University Chicago Beginnings and expansions
Founded in 1870 as the St Ignatius College on Chicago's West Side. In 1908 the School of Law was established as the first of the professional programs.
 

6525 N. Sheridan Road Sheridan Road is a major north-south thoroughfare that leads from Diversey Parkway[1] in Chicago, Illinois, north to the Illinois-Wisconsin border and beyond. Throughout most of its run, it is the easternmost north-south through street, closest to Lake Michigan.  Chicago, IL 60626

This information is especially crucial for items that appear in lesser known or generally inaccessible periodicals.

The format follows the general pattern of the annual MLA MLA
abbr.
Modern Language Association

MLA n abbr (BRIT POL) (= Member of the Legislative Assembly) → miembro de la asamblea legislativa

MLA (Brit
 International Bibliography. In the style of entry, Arabic numerals Arabic numerals
Noun, pl

the symbols 1, 2, 3, 4, 5, 6, 7, 8, 9, 0, used to represent numbers

Arabic numerals nplchiffres mpl arabes

Arabic numerals 
 replace Roman to designate the volume of a journal. Studies that cross the chronological lines of bibliographical divisions are placed in the "General" category.
KEY TO ABBREVIATIONS

AdI       Annali d'italianisticac
CJIS      Canadian Journal of Italian Studies
CLS       Comparative Literature Studies
CMLR      Canadian Modern Language Review
CrL       Critica letteraria
DS        Dante Studies
EL        Esperienze letterarie
FI        Forum Italicum
Ital Am   Italian Americana
IC        Italian Canadiana
ItC       Italian Culture
IJ        Italian Journal
IQ        Italian Quarterly
IRLI      Italianistica/Rivista di letteratura italiana
ITAL      Italica
LD        Lectura Dantis
LI        Lettere italiane
MLJ       Modern Language Journal
MLN       Modern Language Notes
MLQ       Modern Language Quarterly
MLR       Modern Language Review
MLS       Modern Language Studies
MP        Modern Philology
MRTS      Medieval and Renaissance Texts and Studies
NEMLA     NEMLA Italian Studies
NVS       New Vico Studies
PS        Pirandello Studies
PMLA      Publications of the Modern Language Association of America
QI        Quaderni d'italianistica
RenQ      Renaissance Quarterly
Ren & R   Renaissance and Reformation
RenS      Renaissance Studies
RILA      Rassegna italiana di linguistica applicata
RLA       Romance Languages Annual
RomN      Romance Notes
RomQ      Romance Quarterly
RP        Romance Philology
RStI      Rivista di studi italiani
SCJ       Sixteenth Century Journal
StD       Studi danteschi
VIA       Voices in Italian Americana


GENERAL

Books

Bondanella, Peter, and Andrea Ciccarelli, eds. The Cambridge Companion to the Italian Novel. Cambridge, UK: Cambridge UP, 2003.

Monga, Luigi, ed. Annali d'italianistica. Hodoeporics Revisited--Retorno all 'odeporica 21 (2003).

Verene, Donald Philip. Knowledge of Things Human and Divine: Vico's New Science and Finnegans Wake For the street ballad which the novel is named after, see .

Finnegans Wake, published in 1939, is James Joyce's final novel. Following the publication of Ulysses in 1922, Joyce began working on Wake
. New Haven New Haven, city (1990 pop. 130,474), New Haven co., S Conn., a port of entry where the Quinnipiac and other small rivers enter Long Island Sound; inc. 1784. Firearms and ammunition, clocks and watches, tools, rubber and paper products, and textiles are among the many : Yale UP, 2003.

Articles

Campa, Annunziata O. "Il memoriale: la parabola testimoniale e i confini della memoria." AdI 21 (2003): 161-82.

Kanceff, Emanuele. "Odeporica e letteratura: contro la dislessea." AdI 21 (2003): 47-56.

Mancini, Albert. "The Forms of Long Prose Fiction in Late Medieval and Early Modern Italian Literature Italian literature, writings in the Italian language, as distinct from earlier works in Latin and French. The Thirteenth Century


The first Italian vernacular literature began to take shape in the 13th cent.
." The Cambridge Companion to the Italian Novel (2003): 20-41.

Monga, Luigi. "The Unavoidable 'Snare of Narrative': Fiction and Creativity in Hodoeporics." AdI 21 (2003): 7-45.

Papotti, Davide. "Attivita odeporica ed impulso scrittorio: la prospettiva geografica sulla relazione di viaggio." AdI 21 (2003): 393-408.

Zamora, Andres. "Odiseas excrementales." AdI 21 (2003): 269-86.

Reviews

Bourchard, Norma. In AdI 21 (2003): 534-36. Jennifer Margaret Fraser: Rite of Passage rite of passage
n.
A ritual or ceremony signifying an event in a person's life indicative of a transition from one stage to another, as from adolescence to adulthood.
 in the Narratives of Dante and Joyce (2002).

Bourchard, Norma. In AdI 21 (2003): 569-71. Maria Sechi, Giovanna Santoro, and Maria Antonietta Santoro, eds.: L'ombra lunga dell'esilio. Ebraismo e memoria (2002).

Brownstein, Daniel. In SCJ SCJ S C Johnson & Son, Inc.
SCJ Super Cobra Jet (engine)
SCJ Supreme Court Justice
SCJ Squamocolumnar Junction
SCJ Sixteenth Century Journal
SCJ Congregation of the Priests of the Sacred Heart (religious order) 
 34.3 (2003): 884-85. Giuseppe Olmi, Lucia Tongiorgi Tomasi, and Attilio Zanca, eds.: Natura-Cultura: l'interpretazione del mondo mon·do   Slang
adj.
Enormous; huge: a mondo list of pizza toppings.

adv.
Extremely; very: a mondo big mistake.
 fisico nei testi e nelle imagini (2000).

Chiesa, Mario. In Giornale storico della letteratura italiana 179.588: 589-93. Hermann W. Hailer hail·er  
n.
1. One that greets, acclaims, or catches someone's attention.

2. A bullhorn.
: La festa delle lingue. La letteratura dialettale in Italia (2003).

Di Gesu, Matteo. In AdI 21 (2003): 597-99. Alfonso Berardinelli: La forma del saggio. Definizione e attualita di un genere letterario (2002).

Fama, Antonio. In FI 37.1 (2003): 291-92. Pasquale Hamel Ham´el   

v. t. 1. Same as Hamble.
: La congiura delia liberta (2002).

Fasolini, Diego. In FI 37.1 (2003): 252-54. Sherry Roush: Hermes' Lyre lyre, generic term for stringed musical instruments having a sound box from which project curved arms joined by a crossbar. The strings are stretched between the crossbar and the sound box and are plucked with the fingers or with a plectrum. : Italian Poetic Self-Commentary from Dante to Tommaso Campanella Tommaso Campanella (September 5, 1568–May 21, 1639), baptized Giovanni Domenico Campanella, was an Italian philosopher, theologian, astrologer, and poet. Biography  (2002).

Milano-Appel, Anne. In FI 37.1 (2003): 284-87. Peter Carravetta: Dei parlanti, studi e ipotesi su metodo e retorica dell'interpretare (2002).

Pietralunga, Mark. In Symposium 57.1 (2003): 51-54. Paolo Giordano and Anthony Julian Tamburri, eds.: Pluralism and Critical Practice. Essays in Honor of Albert N. Mancini (1999).

Ruggiero, Guido. In RenQ 56.3 (2003): 843-46. Valeria Finucci and Kevin Brownlee, eds.: Generation and Degeneration: Tropes of Reproduction in Literature and History from Antiquity through Early Modern Europe The early modern period is a term used by historians to refer to the period in Western Europe and its first colonies which spans the two centuries between the Middle Ages and the Industrial Revolution.  (2001).

Smith, Jonathan. AdI 21 (2003): 575-78. Graziella Parati and Ben Lawton, eds.: Italian Cultural Studies (2001).

Tordi, Anne. In AdI 21 (2003): 603-04. Marco Santoro, ed.: Le riviste di italianistica nel mondo. Atti del convegno intemazionale, Napoli, 23-25 novembre 2000. "Quaderni di Esperienze letterarie" 3 (2002).

Torello, Georgina. In AdI 21 (2003): 601-03. Anita Piemonti and Marina Polacco, eds.: Sogni di carta. Dieci studi sul sogno raccontato in letteratura (2001).

Vizmuller-Zocco, Jana. In AdI 21 (2003): 520-22. Francesco Bruni: L'italiano letterario nella storia (2002).

DANTE

Books

Cestaro, Gary P. Dante and the Grammar of the Nursing Body. Notre Dame Notre Dame IPA: [nɔtʁ dam] is French for Our Lady, referring to the Virgin Mary. In the United States of America, Notre Dame : U of Notre Dame P, 2003.

Crisafldli, Edoardo. The Vision of Dante. Cary 's Translation of The Divine Comedy Divine Comedy: see Dante Alighieri.

Divine Comedy

Dante’s epic poem in three sections: Inferno, Purgatorio, and Paradiso. [Ital. Lit.: Divine Comedy]

See : Epic
. Leicester: Troubadour troubadour

One of a class of lyric poets and poet-musicians, often of knightly rank, that flourished from the 11th through the 13th century, chiefly in Provence and other regions of southern France, northern Spain, and northern Italy.
, 2003.

Articles

Costa, Gustavo. "Il canto XV del Purgatorio." Filologia e critica 26.1 (2001): 36-59.

Stark, John Stark, John, 1728–1822, American Revolutionary soldier, b. Londonderry, N.H. He fought in the French and Indian Wars. At the start of the Revolution he distinguished himself at Bunker Hill, and he served in the Quebec campaign and with George Washington at . "The Old Man of Crete." FI 37.1 (2003): 5-19.

Reviews

Audeh, Aida. In AdI 21 (2003): 526-28. Graham Smith Graham Smith may refer to:
  • Graham Smith (footballer) former West Bromwich Albion player and Tamworth manager.
  • Graham Smith (geographer)
  • Graham Smith (musician) front man of Kleenex Girl Wonder
  • Graham Smith (photographer) Music Photographer
: The Stone of Dante and Later Florentine Celebrations of the Poet (2000).

Di Scipio, Giuseppe. In RenQ 56.2 (2003): 459-60. Guy P. Raffa: D&ine Dialectic: Dante's Incarnational Poetry (2001).

Fasolini, Diego. In Adl 21 (2003): 529-30. Giuseppe Ledda: La guerra della lingua lingua /lin·gua/ (ling´gwah) pl. lin´guae   [L.] tongue.lin´gual

lingua geogra´phica  benign migratory glossitis.

lingua ni´gra  black tongue.
. Ineffabilita, retorica e narrativa nella Commedia di Dante (2002).

Klopp, Charles. In ITAL 80.4 (2003): Dante Alighieri Dante Alighieri (dăn`tē, Ital. dän`tā älēgyĕ`rē), 1265–1321, Italian poet, b. Florence. Dante was the author of the Divine Comedy, one of the greatest of literary classics. : Inferno, trans. Robert and Jean Hollander (2000); Purgatorio, trans. Robert and Jean Hollander (2003).

Munoz, Julio Picasso. In AdI 21 (2003): 532-34. Claire E. Honess, ed. Reading Medieval Studies 27. Special Issue. Dante. Current Trend in Dante Studies (2001).

Parmeggiani, Francesca. In ITAL 80.2 (2003): 243-45. Peter S. Hawkins: Dante's Testaments: Essays in Scriptural Imagination (1999).

THIRTEENTH AND FOURTEENTH CENTURIES

Books

Kennedy, William Kennedy, William, 1928–, American novelist, b. Albany, N.Y., grad. Siena College, 1949. Brought up in Albany, he worked as a journalist from 1949 to 1970, and began to concentrate on writing fiction in the early 1960s.  J. The Site of Petrarchism: Early Modern National Sentiment in Italy, France, and England. Baltimore: Johns Hopkins Noun 1. Johns Hopkins - United States financier and philanthropist who left money to found the university and hospital that bear his name in Baltimore (1795-1873)
Hopkins

2.
 UP, 2003.

Stewart, Dana E. The Arrow of Love. Optics, Gender, atut Subjectivity in Medieval Love Poetry. Cranbury, NJ: Associated University Presses, 2003.

Weaver, Elissa. The Decameron: First Day in Perspective. Toronto: U of Toronto P, 2003.

Articles

Braccini, Gaetano, and Simone Marchesi The nobile family Marchesi comes from the city Lugo, Italy in region Emilia-Romanga, Italy.

After being forced to escape from italy and the landhelds (sicsic), the Marchesi
. "Livio XXV, 26 e l' 'Introduzione' alla Prima giornata. Di una possibile tessera tessera: see mosaic.  classica per il 'cominicamento' del Decameron." ITAL 80.2 (2003): 139-46.

Del Puppo, Dario, and H. Wayne Storey. "Wilkins nella formazione del canzoniere di Petrarca." ITAL 80.3 (2003): 295-312.

Masciandaro, Franco. "Melchiesedech's Novelletta of the Three Rings For the video game developer see Three Rings Design.

In J. R. R. Tolkien's legendarium, the Three Rings of the Elves of Eregion are fictional magical artifacts. They are three of twenty Rings of Power.
 as Irenic i·ren·ic   also i·ren·i·cal
adj.
Promoting peace; conciliatory.



[Greek eir
 Play (Decameron I.3)." FI 37.1 (2003): 20-39.

Sberlati, Francesco. '"Eroi verso ver·so  
n. pl. ver·sos
1. A left-hand page of a book or the reverse side of a leaf, as opposed to the recto.

2. The back of a coin or medal.
 Ofiente': l'esotismo nella letteratura medievale." AdI 21 (2003): 427-46.

Reviews

Alfie, Fabian. In ITAL 80.3 (2003): 433-34. Maria Luisa Maria Luisa may refer to:
  • Anna Maria Luisa de' Medici (1667-1743), last of the Medici to live in the Pitti Palace
  • Archduchess Maria Luisa of Austria (1791-1847), second wife of Napoléon Bonaparte
  • Maria Luisa Ambrosini (20th century), non-fiction author
 Ardizzone: Guido Cavalcanti Guido Cavalcanti (c. 1255 – 1300) was an Italian poet who was a role model for and a friend of Dante. He was born in Florence and was the son of the Guelph Cavalcante de' Cavalcanti, whom Dante condemns to torment in the sixth circle of The Inferno, where the heretics are : The Other Middle Ages (2002).

Borra, Antonello. In IQ 40.155-56 (2003): 113. Francesca Gaymonat, ed.: Questioni filosofiche in volgare mediano dei primi pri·mi  
n.
A plural of primo.
 del Trecento tre·cen·to  
n.
The 14th century, especially with reference to Italian art and literature.



[Italian, from (mil) trecento, (one thousand) three hundred : tre, three
 (2000).

Cervigni, Dino S. In AdI 21 (2003): 517-20. Francesco Bruni: La citta divisa. Le parti e il bene comune da Dante a Guicciardini (2003).

Di Scipio, Giuseppe. In RenQ 56.3 (2003): 758-60. Alison Cornish and Dana E. Stewart, eds.: Sparks and Seeds: Medieval Literature Medieval literature is a broad subject, encompassing essentially all written works available in Europe and beyond during the Middle Ages (encompassing the one thousand years from the fall of the Western Roman Empire ca.  and Its Afterlife. Essays in Honor of John Freccero (2000).

Fasolini, Diego. In AdI 21 (2003): 530-32. Maria Luisa Ardizzone: Guido Cavalcanti: The Other Middle Ages (2002).

Monga, Luigi. In ITAL 80.2 (2003): 245-48. Francesco Petrarca: Petrarch's Guide to the Holy Land. Itinerary to the Sepulcher to Our Lord Jesus Christ Jesus Christ: see Jesus.

Jesus Christ

40 days after Resurrection, ascended into heaven. [N.T.: Acts 1:1–11]

See : Ascension


Jesus Christ

kind to the poor, forgiving to the sinful. [N.T.
 (2002).

Morgan, Leslie Zarker. In ITAL 80.3 (2003): 434-36. Gloria Allaire, ed. and trans.: Il Tristano Panciatichiano. Arthurian Archives VIII (2002).

Reale, Luigi M. In AdI 21 (2003): 524-26. Antonello Borra: Guittone d'Arezzo e le maschere del poeta. La lirica cortese tra ironia e palinodia (2000).

Roush, Sherry. In RenQ 56.2 (2003): 543 44. Warren Ginsberg: Chaucer's Italian Tradition (2002).

FIFTEENTH, SIXTEENTH, AND SEVENTEENTH CENTURIES

Books

Casoni, Guido. Della magia d'amore. Intro. Armando Maggi. Palermo: Sellerio, 2003.

Finucci, Valeria. The Manly Masquerade. Durham NC: Duke UP, 2003.

Gallucci, Margaret A. Benvenuto Cellini. Sexuality, Masculinity, and Artistic Identity in Renaissance Italy. New York New York, state, United States
New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of
: Palgrave Macmillan, 2003.

Guasco, Annibal. Discourse to Lady Lavinia His Daughter. Ed., trans., and intro. Peggy Osborn. Chicago: U of Chicago P, 2003.

Luzi, Mario. Earthly and Heavenly Journey of Simone Martini. Trans. Luigi Bonaffini. Intro. Barbara Carle. Kobenhavn: Green Integer, 2003.

Morata, Olympia. The Complete Writings of an Italian Heretic. Ed. and trans. Holt N. Parker. Chicago: U Chicago P, 2003.

Nogarola, Isotta. Complete Writings: Letterbook, Dialogues on Adam and Eve Adam and Eve

In the Judeo-Christian and Islamic traditions, the parents of the human race. Genesis gives two versions of their creation. In the first, God creates “male and female in his own image” on the sixth day.
, Orations. Ed. and trans. Margaret L. King and Diana Robin. Chicago: U Chicago P, 2003.

Pocock, J. G. A. The Machiavellian Moment. Florentine Political Thought and the Atlantic Republican Tradition. 2nd ed. Princeton: Princeton UP, 2003.

Ruggiero, Guido, and Laura Gianetti, eds. and trans. Five Comedies from the Italian Renaissance. Baltimore: Johns Hopkins UP, 2003.

Turra, Elisabetta Caminer. Selected Writings of an Eighteenth-Century Venetian Woman of Letters woman of letters
n. pl. women of letters
A woman who is devoted to literary or scholarly pursuits: "[Eva Le Gallienne] was ...
. Trans. Catherine M. Sama. Chicago: U Chicago P, 2003.

Waddington, Raymond. Aretino's Satyr satyr (sā`tər, săt`ər), in Greek mythology, part bestial, part human creature of the forests and mountains. Satyrs were usually represented as being very hairy and having the tails and ears of a horse and often the horns and legs of : Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art. Toronto: U of Toronto P, 2003.

Articles

Amaudo, Marco. "Il bestario di Machiavelli, tra emblematica e naturalismo." ITAL 80.3 (2003): 313-33.

Baldini, Cajsa C. "A Courtier or a Prince: Shakespeare's Richard II as a Dramatization dram·a·ti·za·tion  
n.
1. The act or art of dramatizing: the dramatization of a novel.

2. A work adapted for dramatic presentation:
 of Conflicting Paradigms of Political Craftsmanship." FI 37.1 (2003): 56-69.

Bideaux, Michel. "Les Voyageurs devant les societes coloniales (1500-1800): essai d'une problematique." AdI 21 (2003): 255-68.

Bonanno, Richard. "Sculptural Form and the Love Theme in Michelangelo's Rime rime: see rhyme. ." IQ 40.155-56 (2003): 5-16.

Britton, Piers. '"Mio malinchonico, o vero.., mio pazzo': Michelangelo, Vasari, and the Problem of Artists' Melancholy in Sixteenth-Century Italy." SCJ 34.3 (2003): 653-76.

Cox, Ven'ginia. "Rhetoric and Humanism in Quattrocento quat·tro·cen·to  
n.
The 15th-century period of Italian art and literature.



[Italian, short for (mil) quattrocento, one thousand four hundred : quattro, four (from Latin
 Venice." RenQ 56.3 (2003): 652-94.

D'Antuono, Nancy L. "Il teatro in musica fra fonti spagnole e commedia dell' arte." Atti del convegno, Napoli, Centro di Musica Antica, 28-29 settembre 2001. Ed. Alessandro Lattanzi and Paolo Giovanni Maione. Napoli: Editoriale Scientifica, 2003. 213-35.

Drysdall, Denis Denis, king of Portugal: see Diniz.  L. "Alciato and the Grammarians: The Law and the Humanities in the Parergon Pa`rer´gon

n. 1. See Parergy.
 iuris libri duodecim." RenQ 56.3 (2003): 695-722.

Ellis, Anthony. "The Old Man in a Medicean Context: Lorenzino, the Florentine 'New Brutus' and Aridosia." FI 37.1 (2003): 40-55.

Hester, Nathalie C. "Geographies of Belonging: Italian Travel Writing and Italian Identity in the Age of Early European Tourism." AdI 21 (2003): 287-300.

Maggi, Armando. "Il commento al 'se oscuro': la 'Dichiarazione' di Giuliano Goselini e la fine del sapere rinascimentale." IRLI IRLI Immigration Reform Law Institute (Washington, DC)  32.1 (2003): 11-28.

Marcato mar·ca·to   Music
adv. & adj.
With strong accentuation. Used chiefly as a direction.

n. pl. mar·ca·tos
A marcato passage or movement.
, Carla. "Aspetti linguistici dell'odeporica del Cinquecento cin·que·cen·to  
n.
The 16th century, especially in Italian art and literature.



[Italian, from (mil) cinquecento, (one thousand) five hundred : cinque, five (from Latin
." AdI 21 (2003): 223-32.

Monga, Luigi. "Mapping the Journey/Translating the World." AdI 21 (2003): 409-26.

Moureau, Francois. "Voyages anonymes et manuscrits: une strategie de communication 'reserve.'" AdI 21 (2003): 105-16.

Musacchio, Enrico. "Il poema epico ad una svolta: Trissino tra modello omerico e modello virgiliano." ITAL 80.3 (2003): 334-52.

Nauta, Lodi Lodi, city, Italy
Lodi (lô`dē), city (1991 pop. 42,250), Lombardy, N Italy, on the Adda River, near Milan. It is an important dairy and light industrial center.
. "William of Ockham and Lorenzo Valla: False Friends. Semantics and Ontological Reduction." RenQ 56.3 (2003): 613-51.

Olsen, Thomas G. "Poisoned Figs and Italian Sallet sal·let  
n.
A light, late medieval helmet with a brim flaring in the back, sometimes fitted with a visor.



[Middle English salet, from Old French sallade, from Old Spanish celada
: Nation, Diet, and the Early Modern English Early Modern English refers to the stage of the English language used from about the end of the Middle English period (the latter half of the 15th century) to 1650. Thus, the first edition of the King James Bible and the works of William Shakespeare both belong to the late phase  Traveler." AdI 21 (2003): 233-54.

Perocco, Daria. "'Mettere' il viaggio 'in carta': narrazione odeporica tra realta, utopia ed allegoria." AdI 21 (2003): 93-104.

Requemora, Sylvie. "Voyage et libertinage lib·er·tin·age  
n.
Libertinism.
, ou l'usage du genre viatique comme 'machine a denialser' dans la litterature francaise du XVI[I.sup.e] siecle." AdI 21 (2003): 117-36.

Rizzi, Nunizio. "La Veniexiana: un nuovo esempio di letteratum celestinesca?" ITAL 80.2 (2003): 147-65.

Salber, Arielle. "Ornamental Flourishes in Giordano Bruno's Geometry." SCJ 34.3 (2003): 729-46.

Salwa, Piotr. "La relazione di viaggio come strumento didascalico." AdI 21 (2003): 301-18.

Sherberg, Michael. "The Accademia Fiorentina and the Question of the Language: The Politics of Theory in Ducal du·cal  
adj.
Of or relating to a duke or duchy: a ducal estate.



[Middle English, from Old French, from Late Latin duc
 Florence." RenQ 56.1 (2003): 26-55.

Van den Abbeele, Georges. "Lethal Mobilities: Calvin and the Smart Bomb." AdI 21 (2003): 363-78.

Zatti, Sergio. "Viaggi sedentari." AdI 21 (2003): 57-70.

Zmora, Arie S. "Schooling in Renaissance Pistoia: Community and Civic Humanism in Small-Town Tuscany." SCJ 34.3 (2003): 761-77.

Reviews

Bassanese, Fiora A. In ITAL 80.3 (2003): 440-42. Elissa B. Weaver: Convent Theatre in Early Modern Italy: Spiritual Fun and Learning for Women (2002).

Benson, Sarah. In FI 37.1 (2003): 262-64. Janis Bell and Thomas Willette, eds.: Art History in the Age of Bellori: Scholarship and Cultural Politics in Seventeenth-Century Rome (2002).

Bornstein, Daniel. In RenQ 56.2 (2003): 449-50. Lauro Marlines: Strong Words: Writing and Social Strain in the Italian Renaissance (2001).

Botuck, Wendy S. In RenQ 56.3 (2003): 767-69. Shifra Baruchson-Arbib: La culture livresque des juifs d'Italie a la fin de la Renaissance (2001).

Brownlee, Marina. In RenQ 56.3 (2003): 829-30. Barbara Fuchs: Mimesis mimesis /mi·me·sis/ (mi-me´sis) the simulation of one disease by another.mimet´ic

mi·me·sis
n.
1. The appearance of symptoms of a disease not actually present, often caused by hysteria.
 and Empire. The New World, Islam and European Identities (2001).

Capponi, Niccolo. In RenQ 56.3 (2003): 769-71. Mario Del Treppo, ed.: Condottieri Condottieri (singular condottiero) were mercenary leaders employed by Italian city-states and seignories from the late Middle Ages until the mid-17th century.

Niccolò Machiavelli listed the "most noted" of the condottieri
 e uomini d'arme nell'Italia del Rinascimento (2001).

Cherchi, Paolo. In AdI 21 (2003): 546-48. Marco Santoro: Libri edizioni biblioteche tra Cinque e Seicento sei·cen·to  
n.
The 17th century with reference to Italian literature and art.



[Italian, from (mil)seicento, (one thousand) six hundred : sei, six (from Latin sex
. Con un percorso bibliografico (2002).

Corsi, Sergio. In AdI 21 (2003): 544-46. Giovanni Andrea Gilio: Dialogo del letterato cortigiano. A cura di Paolo Cherchi (2002).

D'Amico, Stefano. In SCJ 34.3 (2003): 885-86. Carolyn James: The Letters of Giovanni Sabadino Degli Arienti Giovanni Sabadino degli Arienti, ( Bologna 1445 - Bologna 1510). Italian humanist, author and poet; he worked as a secretry for Count Andrea Bentivoglio. His most famous work Novelle Porretane (1483) is a collection of sixty-one tales in imitation of Boccacio's  (1481-1510) (2002).

Davies, Jonathan. In RenQ 56.3 (2003): 757-58. Paul F. Grendler: The Universities of the Italian Renaissance (2002).

Davies, Martin. In RenQ 56.1 (2003): 161-62. Gemma Donati: Pietro Odo da Montopoli e la Biblioteca di Niccolo V, con osservazioni sul 'De orthographia' di Tortelli (2000).

Dempsey, Charles. In RenQ 56.2 (2003): 454-56. David Rosand: Myths of Venice: The Figuration fig·u·ra·tion  
n.
1. The act of forming something into a particular shape.

2. A shape, form, or outline.

3. The act of representing with figures.

4. A figurative representation.

5.
 of a State (2001).

di Maria, Salvatore. In ITAL 80.3 (2003): 436-39. Alessandro Pontremoli, ed.: La lingua e le lingue di Machiavelli. Atti del Convegno Internazionale di studi Torino, 2-4 dicembre 1999 (2001).

Feldman, Martha. In RenQ 56.1 (2003): 182-84. Jane A. Bernstein: Music Printing in Renaissance Venice: The Scotto Press (1539-1572) (1998). Print Culture and Music in Sixteenth-Century Venice (2001).

Ferraro, Bruno. In AdI 21 (2003): 541-42. Diane Cole Ahl, ed.: The Cambridge Companion to Masaccio (2002).

Ferraro, Bruno. In AdI 21 (2003): 542-44. Charles Burroughs: The Italian Renaissance Palace Facade. Structures of Authority, Surfaces of Sense (2002).

Godfrey, Aaron. In FI 37.1 (2003): 259-62. Diane Cole Ahl, ed.: The Cambridge Companion to Masaccio (2002). Jeryldene M. Wood, ed.: The Cambridge Companion to Piero della Francesca Piero della Francesca (pyĕ`rō dĕl`lä fränchās`kä), c.1420–1492, major Italian Renaissance painter, b. Borgo San Sepolcro.  (2002).

Godman, Peter. In RenQ 56.3 (2003): 764-65. Gigliola Fragnito, ed.: Church, Censorship and Culture in Early Modern Italy (2001).

Goldish, Matt. In RenQ 56.2 (2003): 483-84. Kenneth R. Stow: Theater of Acculturation acculturation, culture changes resulting from contact among various societies over time. Contact may have distinct results, such as the borrowing of certain traits by one culture from another, or the relative fusion of separate cultures. : The Roman Ghetto in the Sixteenth-Century (2001).

Heindl, Jennifer A. In RenQ 56.2 (2003): 456-57. Thomas James Dandelet: Spanish Rome, 1500-1700 (2001).

Joost-Gaugier, Christiane. In SCJ 34.3 (2003): 918-20. John Addington Symonds: The Life of Michelangelo Buonarotti (2002).

Jurdjevic, Mark. In SCJ 34.3 (2003): 888-90. John A. Marino: The Short Oxford History of Italy United in 1861, Italy has significantly contributed to the cultural and social development of the entire Mediterranean area, deeply influencing European culture as well. Important cultures and civilizations have existed there since prehistoric times. : Early Modern Italy 1550-1796 (2002).

Kennedy, William J. In RenQ 56.3 (2003): 911-13. Lee Piepho: Holofernes' Mantuan man·tu·a  
n.
A woman's garment of the 17th and 18th centuries consisting of a bodice and full skirt cut from a single length of fabric, with the skirt designed to part in front to reveal a contrasting underskirt.
: Italian Humanism in Early Modern England (2001).

Kerr, Rosalind. In AdI 21 (2003): 548-51. Francesco Cotticelli, Anne Goodrich Heck, and Thomas E Heck, trans, and eds.: The Commedia dell' Arte in Naples: A Bilingual Edition of the 176 Casamarciano Scenarios/La commedia dell' arte a Napoli: Edizione bilingue dei 176 scenari Casamarciano (2001).

Kuehn, Thomas. In SCJ 34.3 (2003): 910-11. Douglas Biow: Doctors, Ambassadors, Secretaries: Humanism and Professions in Renaissance Italy (2002).

Magnanini, Suzanne. In RenQ 56.2 (2003): 468-69. Mariantonietta Acocella: L'asino d'oro nel Rinascimento: dai volgarizzamenti alle raffigurazioni pittoriche (2001).

Massi, Norberto. In RenQ 56.3 (2003): 831-32. Michael Jeanneret: Perpetual Motion: Transforming Shapes in the Renaissance from da Vinci da Vinci Surgery A surgical robot for performing certain surgeries–eg, mitral valve repair and laparoscopic procedures–eg, cholecystectomy and gastric ulcer repair. See Laparoscopic surgery, Robotics, Surgical robot.  to Montaigne (2001).

McIver, Katherine A. In RenQ 56.3 (2003): 765-67. Sara F. Matthews-Grieco and Sabina Brevaglieri, eds.: Monaca moglie serva cortigiana: vitae immagine delle donne tra Rinascimento e Controriforma (2001).

Milano-Appel, Anne. In FI 37.1 (2003): 254-56. Keala Jewel, ed.: Monsters in the Italian Literary Imagination (2001).

Monfasani, John. In RenQ 56.3 (2003): 762-64. Remo L. Guidi: Il dibattito sull'uomo nel Quattrocento: indagini e dibattiti (1999).

Moskowitz,Anita F. In FI 37.1 (2003): 256-59. Michael W. Cole: Cellini and the Principles of Sculpture (2002).

Moyer, Ann E. In RenQ 56.1 (2003): 179-80. Warren Kirkendale: Emilio de' Cavalieri Emilio de' Cavalieri (c. 1550–March 11, 1602) was an Italian composer, producer, organist, diplomat, choreographer and dancer at the end of the Renaissance era. His work, along with that of other composers active in Rome, Florence and Venice, was critical in defining the  'gentiluomo romano': His Life and Letters, His Role as Superintendent of AU the Arts at the Medici Medici, Italian family
Medici (mĕ`dĭchē, Ital. mā`dēchē), Italian family that directed the destinies of Florence from the 15th cent. until 1737.
 Court, and His Musical Compositions (2001)

O'Neil, Mary R. In AdI 21 (2003): 551-53. Armando Maggi: Satan's Rhetoric: A Study of Renaissance Demonology de·mon·ol·o·gy  
n.
1. The study of demons.

2. Belief in or worship of demons.

3. A list or catalog of one's enemies:
 (2001).

Pesca, Carmela. In ITAL 80.2 (2003): 249-50. Giambattista Della Porta Giambattista della Porta (1535?1-1615), also known as Giovan Battista Della Porta, was an Italian scholar, polymath and playwright who lived in Naples at the time of the Scientific Revolution and Reformation. : The Sister (2000).

Pierce, Robert A. In SCJ 34.3 (2003): 805-08. Gregory Hanlon, ed.: Early Modern Italy: A Comprehensive Bibliography of Works in English and French (2002).

Possanza, Mark. In RenQ 56.2 (2003): 460-62. Matteo Venier: Per una storia del testo di Virgilio nella prima et& del libro a stampa (1469-1519) (2001).

Prunster, Nicole. In RenQ 56.3 (2003): 760-62. Salvatore Di Maria: The Italian Tragedy in the Renaissance (2002).

Ruggiero, Laura Giannetti. In AdI 21 (2003): 553-55. Giulia Bigolina: Urania Urania (yrā`nēə): see Aphrodite; Muses.

Urania

muse of astrology. [Gk. Myth.
. A cura di Valeria Finucci (2002).

Simonetta, Marcello. In AdI 21 (2003): 537-38. Riccardo Fubini: Humanism and Secularization from Petrarch to Valla (2003).

Smarr, Janet Lavarie. In ITAL 80.2 (2003): 248-49. Carolyn James: The Letters of Giovanni Sabadino degli Arienti (1481-1510) (2002).

Springer, Carolyn. In AdI 21 (2003): 538-41. Jeryldene M. Wood, ed.: The Cambridge Companion to Piero della Francesca (2002).

Stampino, Mafia Galli. In AdI 21 (2003): 555-57. Janis Bell and Thomas Willette, eds.: Art History in the Age of Bellori: Scholarship and Cultural Politics in Seventeenth-Century Rome (2002).

Triff, Kristin A. In RenQ 56.2 (2003): 481-83. Stefanie Walker and Fredrick Hammond, eds.: Life and the Arts in the Baroque Palaces of Rome: Ambiente Barocco (1999).

Vettori, Alessandro. In IQ 40.155-56 (2003): 113-14. Antonio Lanza: Freschi e minii del Due, Tree Quattrocento. Saggi di letteratura italiana antica (2002).

Volpato, Giancarlo. In ITAL 80.2 (2003): 251-54. Marco Santoro: Libri edizioni biblioteche tra Cinque e Seicento: con un percorso bibliografico (2000).

Ward, Michael T. In ITAL 80.3 (2003): 439-40. Gino Belloni and Riccardo Drusi, eds.: Vincenzo Borghini. Filologia e invenzione nella Firenze di Cosimo I (2002).

Watt, Mary A. In RenQ 56.2 (2003): 466-68. Giuseppe Mazzotta: Cosmopoiesis. The Renaissance Experiment (2001).

EIGHTEENTH AND NINETEENTH CENTURIES

Books

Costa, Gustavo. Malebranche e Roma. Documenti dell' archivio della Congregazione per la Dottrina della Fede. Firenze: Olschki, 2003.

Deigan, Federica Brunori, ed. and trans. Alessandro Manzoni's The Count of Cannagnola and Adelchi. Baltimore: Johns Hopkins UP, 2003.

Articles

Brix, Michel. "Voyages romantiques." AdI 21 (2003): 183-96.

Costa, Gustavo. "Il risveglio dell'attenzione alla cultura italiana." Storia della letteratura italiana 12 (2002): 529-77.

Costa, Gustavo. "Lorenzo Da Ponte Lorenzo Da Ponte, born Emanuele Conegliano (March 10 1749 – August 17 1838) to Geremia Conegliano and Ghella Pincherle. He was an Italian librettist and poet born in Ceneda (now Vittorio Veneto).  da Ceneda a New York: 'Un'anima poetica ed italiana? (con The Hermit hermit [Gr.,=desert], one who lives in solitude, especially from ascetic motives. Hermits are known in many cultures. Permanent solitude was common in ancient Christian asceticism; St. Anthony of Egypt and St. Simeon Stylites were noted hermits.  di James Beattie nella traduzione dapontiana)." Le metamorfosi di Venezia. Da capitale di stato a citta del mondo (2001): 225-73.

Costa, Gustavo. "Il Vico desanctisiano alia luce dei documenti del S. Uffizio." Sylva syl·va  
n.
Variant of silva.

Noun 1. sylva - the forest trees growing in a country or region
silva

timberland, woodland, forest, timber - land that is covered with trees and shrubs
. Studi in onore di Nino Borsellino: 479-98.

Costa, Gustavo. "Vico e l'Inquisizione." Nouvelles de la republique des lettres 2 (1999): 93-124.

Costa-Zalessow, Natalia. "Le Fantasie poetiche di Virginia Bazzani Cavazzoni." EL 27.2 (2002): 55-75.

Costa-Zalessow, Natalia. "La condanna all'Indice della Semplicita ingannata di Atcangela Tarabotti alla luce di manoscritti inediti" Nouvelles de la republique des lettres 1 (2002): 97-113.

Crotti, Ilaria. "Margini del viaggio: tra Goldoni e Marivaux." AdI 21 (2003): 137-60.

Del Negro, Piero. "Carlo Goldoni and Venetian Freemasonry Freemasonry, teachings and practices of the secret fraternal order officially known as the Free and Accepted Masons, or Ancient Free and Accepted Masons. Organizational Structure
." ITAL 80.2 (2003): 166-74.

Luzzi, Joseph. "Literary Lion: Alfieri's Prince, Dante, and the Romantic Self." ITAL 80.2 (2003): 175-94.

Maczak, Antoni. "Gentlemen's Europe: Nineteenth-Century 'Handbook for Travelers.'" AdI 21 (2003): 347-52.

Mastellone, Salvo. "The 'Social Philosophy' of John Stuart Mill and the 'Educative Democracy' of Giuseppe Mazzini." IQ 40.155-56 (2003): 63-80.

Mondada, Lorenza. "Relations de voyage et archeologie des pratiques d'enquete en sciences sociales: comment rapporter la voix de l'Autre." AdI 21 (2003): 319-46.

Ragusa, Olga. "Alessandro Manzoni and Developments in the Historical Novel." The Cambridge Companion to the Italian Novel (2003): 42-60.

Savoia, Francesca. (Review article) "Per i bicentenari di Vittoria Alfieri (1749-1803): recenti percorsi di ricerca." ITAL 80.4 (2003): 550-59.

Reviews

Del Puppo, Dario. In ITAL 80.2 (2003): 254-55. Pseudo-Omero and Giacomo Leopardi: Batracomiomachia e Paralipomeni (1999).

Pagano, Tullio. In ITAL 802. (2003): 255-57. Pierluigi Pellini: Naturalismo e Verismo ve·ris·mo  
n.
1. Verism.

2. An artistic movement of the late 19th century, originating in Italy and influential especially in grand opera, marked by the use of rural characters and common, everyday themes often treated in a
 (1998).

Pagano, Tullio. In ITAL 80.3 (2003): 442-44. Massimo Riva: Malinconie del moderno. Critica dell'incivilimento e disagio della nazionalita nella letteratura italiana del XIX secolo (2001).

Possiedi, Paolo. In FI 37.1 (2003): 264-66.Alfredo Luzi, ed.: Microcosmi leopardiani, biografie, cultura, societa. Vol. 1, Vol. 2 (2000).

Rambelli, Paolo. In AdI 21 (2003): 559-61. Alfredo Luzi, ed.: Microcosmi leopardiani. Biografie, cultura, societa (2001).

Rambelli, Paolo. In AdI 21 (2003): 587-59. Enrico Palandri: La deriva romantica. Ipotesi sulla letteratura a sulla scrittura (2002).

Schmidt, Arnold A. In AdI 21 (2003): 557-59. Rebecca Messbarger: The Century of Women: Representations of Women in Eighteenth-Century Italian Public Discourse (2002).

TWENTIETH-CENTURY LITERATURE

Books

Bolongaro, Eugenio. Italo Calvino and the Compass of Literature. Toronto: U of Toronto P, 2003.

Campana, Dino. Canti orfici. Orphic Songs. Trans. Luigi Bonaffini. Boca Raton, FL: Bordighera, 2003.

Farronato, Cristina. Eco's Chaosmos: From the Middle Ages to Postmodernity. Toronto: U Toronto P, 2003.

Fogu, Claudia. The Historic Imaginery: Politics of History in Fascist Italy. Toronto: U Toronto P, 2003.

Ginzburg, Natalia. It's Hard to Talk about Yourself. Trans. Louise Quirke. Chicago: U Chicago P, 2003.

Leake, Elizabeth. The Reinvention of Ignazio Silone. Toronto: U Toronto P, 2003.

Maggiari, Massimo, ed. The Waters of Hermes II/Le acque de Ermes II. Proceedings of a Festival of Italian Poetry and Esoteric Studies. La Spezia: Agora agora (ăg`ərə) [Gr.,=market], in ancient Greece, the public square or marketplace of a city. In early Greek history the agora was primarily used as a place for public assembly; later it functioned mainly as a center of commerce.  Edizioni, 2003.

Pinkus, Karen. The Montesi Scandal. The Death of Wilma Montesi and the Birth of the Paparazzi pa·pa·raz·zo  
n. pl. pa·pa·raz·zi
A freelance photographer who doggedly pursues celebrities to take candid pictures for sale to magazines and newspapers.
 in Fellini's Rome. Chicago: U of Chicago P, 2003.

Rizi, Fabio Fernando. Benedetto Croce and Italian Fascism. Toronto: U of Toronto P, 2003.

Svevo, Italo. Zeno's Conscience. Trans. William Weaver. New York: Knopf, 2003.

Tamburri, Anthony J. Semiotics semiotics or semiology, discipline deriving from the American logician C. S. Peirce and the French linguist Ferdinand de Saussure. It has come to mean generally the study of any cultural product (e.g., a text) as a formal system of signs.  of Re-Reading: Guido Gozzano, Aldo Palazzeschi, and Italo Calvino. Madison, NJ: Farleigh Dickinson UP, 2003.

Vitti, Antonio, ed. Incontri con il cinema italiano. Caltanissetta-Roma: Salvatore Sciascia, 2003.

Articles

Cachey, Theodore J., Jr. "The End of the Journey from Gilgamesh to Le citte invisibili." AdI 21 (2003): 71-92.

Bertone, Manuela. "The Italian Novel in Search of Identity: History versus Reality--Lampedusa and Pasolini." The Cambridge Companion to the Italian Novel (2003): 136-50.

Biagini, Elisa. "L'ossessione del linguaggio: le prime opere di Ketty La Rocca." ItC 19.1 (2001): 111-26.

Bini, Daniela. "Women of the South and the Art of Carlo Levi." FI 37.1 (2003): 103-20.

Bondanella, Peter. "Italo Calvino and Umberto Eco: Postmodern Masters." The Cambridge Companion to the Italian Novel (2003): 168-81.

Brendler, Andrea, and Francesco Iodice. "Intervista a Dacia Maraini sui nomi." IQ 40.155-56 (2003): 81-90.

Cannon, Joann. "Memory and Testimony in Primo Levi and Giorgio Bassani." The Cambridge Companion to the Italian Novel (2003): 125-35.

Capozzi, Rocco. "The New Italian Novel" The Cambridge Companion to the Italian Novel (2003): 214-32.

Caputo, Rolando. "Literary Cineastes: The Italian Novel and the Cinema." The Cambridge Companion to the Italian Novel (2003): 182-96.

Carsaniga, Giovanni. "Literary Realism in Italy: Verga, Capuana, and Verismo." The Cambridge Companion to the Italian Novel (2003): 61-74.

Cavigioli, Rita. "Sorelle nel tempo: Ritratti di donne che invecchiano insieme in Di buonafamiglia di I. Bossi Fedrigotti." IQ 40.155-56 (2003): 37-48.

Ceserani, Remo, and Pierluigi Pellini. "The Belated Development of a Theory of the Novel in Italian Literary Culture." The Cambridge Companion to the Italian Novel (2003): 1-19.

Chang, Natasha V. "Moravia's Indifferent Bodies: Fascism and Femininity in Gli indifferenti." ITAL 80.2 (2003): 209-28.

Ciccarelli, Andrea. "Frontier, Exile, and Migration in the Contemporary Italian Novel." The Cambridge Companion to the Italian Novel (2003): 197-213. De Vivo, Alberto. "Ecocriticism: una nuova epistemologia?" IQ 40.155-56 (2003): 49-62.

Dombroski, Robert. "The Foundations of Italian Modernism: Pirandello, Svevo, Gadda." The Cambridge Companion to the Italian Novel (2003): 89-103.

Druker, Jonathan. "Authoritative Testimony and Authoritarian Discourse in Primo Levi's Se questo e un uomo." ItC 19.1 (2001): 41-52.

Fomi, Pier Massimo. "Luoghi comum e pseudo-venta nella poesia di Luciano Erba." IRLI 32.1 (2003): 75-80.

Francese, Joseph. "Tabucchi's Fragments of Lovers' Discourses." ITAL 80.3 (2003): 389-402.

Francese, Joseph. "Eco's Poetics of 'The Model Reader.'" FI 37.1 (2003): 161-83.

Gala, Candelas. "Identity and Writing: A Lacanian Reading of Alba de Cespedes' Quaderno proibito and Dacia Maraini's Donna in guerra." FI 37.1 (2003): 147-60.

Geerts, Walter, and Kirsten Wolfs. "La fallacia dell'autenticith (con osservazioni sull'Olanda di Arbasino." AdI 21 (2003): 379-92.

Giannini, Stefano. "Un'agra salita. Lettura di 'Autostrada della Cisa' di Vittorio Sereni." IQ 40.155-56 (2003): 27-36.

Guida, Patrizia. "L'eclissi del cittadino in Pianissimo di Camillo Sbarbaro.'" ItC 19.1 (2001): 53-66.

Heyer-Caput, Margherita. "Arte e storia come 'poiesis' al femminile ne L'invenzione della verita di Marta Morazzoni." ItC 19.1 (2001): 67-84.

Johnson, John R. L. "The Social Context of Literary Production in Post-war Friuli: Authors, Readers, and the Transformation of the Cultural Field." ItC 19.1 (2001): 85-110.

Klopp, Charles. "Reconsidering Romano Bilenchi." ITAL 80.3 (2003): 428-32.

Kwa, Shiamin. "Symmetry and the Quest for Justice in Leonardo Sciascia's Il Consiglio d'Egitto." ITAL 80.3 (2003): 353-70.

Laviosa, Flavia. "Archibugi's Cinematic Representations of the Socio-Cultural Changes in the Italian Family." ITAL 80.4 (2003): 540-49.

Mastrogianakos, John. "Embedded Narratives of Subversion in Luciano Bianciardi's La vita agra." FI 37.1 (2003): 121-46.

Natale, Giuseppe. "II Compagno: Between Naturalism and Symbolism." IQ 40.155-56 (2003): 17-26.

Panella, Ginseppe. "Pier Paolo Pasolini: dal cinema di poesia ai film sul mito." Gradiva 22 (2002): 38-49.

Parmeggiani, Francesca. "Lo sguardo rivolto al passato: storia e storie nel cinema dei Taviani (1971-1984)." ITAL 80.3 (2003): 403-21.

Perella, Nicolas J. "Popular Fiction between Italian Unification and World War I." The Cambridge Companion to the Italian Novel (2003): 75-88.

Pietralunga, Mark. "Recent Studies on Fenoglio." ITAL 80.3 (2003): 422-27.

Pilz, Kerstin. "Reconceptualising Thought and Space: Labyrinths and Cities in Calvino's Fiction." ITAL 80.2 (2003): 229-42.

Pinotti, Gianna. "Giano bifronte come anti-icona dell'essere in Abbandonato dall'Angelo di Piero Bigongiari." Gradiva 22 (2002): 50-58.

Re, Lucia. "Neorealist Narrative: Experience and Experiment." The Cambridge Companion to the Italian Novel (2003): 104-24.

Renga renga

Japanese linked-verse poetry in which two or more poets supply alternating sections of a poem. The form began with the composition of a traditional five-line poem (tanka) by two people.
, Dana. "Looking Out: Calvino's Vision of the 'Economic Miracle.'" ITAL 80.3 (2003): 371-88.

Rorandelli, Tristana. "Nascita e morte della massaia di Paola Masino e la questione del corpo matemo nel fascismo." FI 37.1 (2003): 70-102.

Rorato, Laura. "Canone inverso: The Voices of Memory and the Silence of (Hi)story. An Anatomy of the Postmodern Condition." ItC 19.1 (2001): 127-38.

Smith, Jonathan. "Psychoanalysis, Deconstruction, Hodoeporics: Tabucchi." AdI 21 (2003): 197-222.

Vagni, Fabrizio. "Una memoria d'ombra: ricordo di mio padre (con cinque inediti di Francesco Vagni)." Gradiva 22 (2002): 59-68.

Wood, Sharon. "Feminist Writing in the Twentieth Century." The Cambridge Companion to the Italian Novel (2003): 151-67.

Reviews

Antonucci, Daniela Bisello. In IQ 40.155-56 (2003): 123-24. Franco Zangrilli: Le maschere del vecchio (2002).

Bartoloni, Paolo. In AdI 21 (2003): 582-85. Franco Ricci: Painting with Words. Writing with Pictures: Word and Image in the Work of Italo Calvino (2001).

Binetti, Vincenzo. In ITAL 80.2 (2003): 261-63. Jennifer Bums: Fragments of impegno: Interpretations of Commitment in Contemporary Italian Narrative, 1980-2000 (2001).

Boglione, Riccardo. In AdI 21 (2003): 595-97. Grazia Menechella: Il felice vanverare. Ironia e parodia nell'opera narrativa di Giorgio Manganelli (2002).

Bolongaro, Eugenio. In AdI 21 (2003): 578-80. Flavia Brizio-Skov: Antonio Tabucchi: navigazioni in un arcipelago narrativo (2002).

Bourchard, Norma. In AdI 21 (2003): 566-69. Franco Zangrilli, ed.: La Ciociaria tra letteratura e cinema (2002).

Bullaro, Grace Russo. In FI 37.1 (2003): 270-72. Carlo Testa: Masters of Two Arts: Re-creation of European Literatures in Italian Cinema (2002).

Bullaro, Grace Russo. In AdI 21 (2003): 563-64. Gaetana Marrone: Lo sguardo e il labirinto: il cinema di Liliana Cavani (2003).

Buonanno, Elda. In FI 37.1 (2003): 282-84. Angela M. Jeannet: Under the Radiant Sun and the Crescent Moon: Italo Calvino's Storytelling (2000).

Butcher, John. In FI 37.1 (2003): 266-69. Luca Somigli and Rocco Capozzi, eds.: Dictionary of Literary Biography The Dictionary of Literary Biography (abbreviated DLB) is a monumental 338-volume encyclopedia published by Thomson-Gale. It is available both in print and online. The biographical material covered extends beyond novelists to include screenwriters, poets, and playwrights.  264: Italian Prose Writers 1900-1945 (2002).

Butcher, John. In FI 37.1 (2003): 275-78. Roberto Deidier, ed.: Sandro Penna: il viaggiatore insonne (2002).

Cardelli, Mascia. In FI 37.1 (2003): 287-88. Emesto G. Caserta: Trent'anni di critica italiana (2001).

D'Episcopo, Francesco. In Gradiva 22 (2002): 150-51. Alberto M. Moriconi: L'io ironico e irruente (2001).

Drucker, Jonathan. AtdI 21 (2003): 573-75. Frank Burker and Marguerite R. Waller, eds.: Federico Fellini: Contemporary Perspectives (2002).

Fanstini, Giuseppe. In IQ 40.155-56 (2003): 124-26. Franco Zangrilli: Il bestiario di Pirandello (2001).

Ferme, Valerio. In ITAL 80.3 (2003): 444-46. Anna Maria Torriglia: Broken Time, Fragmented Space: A Cultural Map for Postwar Italy (2002).

Guamieri, Giulia. In ITAL 80.2 (2003): 260-61. Grazia Menechella: Il felice vanverare. Ironia e parodia nell' opera narrativa di Giorgio Manganelli (2002).

Klopp, Charles. In ITAL 80.2 (2003): 267-68. Stanislao G. Pugliese: Desperate Inscriptions: Graffiti from the Nazi Prison in Rome 1943-1944 (2002).

Laberge, Yves. In AdI 21 (2003): 591-92. Michele Lagny: Luchino Visconti. Verites d'une legende (2002).

Laviosa, Flavia. In FI 37.1 (2003): 278-80. Sherley Lynn Postman and J. Jell Hernandez, eds.: Cinema and Multiculturalism: Selected Proceedings (2001).

Lazzaro-Weiss, Carol. In ITAL 80.2 (2003): 265-67. Graziella Parati and Ben Lawton, eds.: Italian Cultural Studies (2001).

Lazzaro-Weiss, Carol. In AdI 21 (2003): 571-73. John Gatt-Rutter, ed.: Studi d'italianistica nell'Africa Australe: Italian Studies in Southern Africa. Special Issue on Life Writing / Scrivere l'autobiografia (2002).

Lucamante, Stefania. In FI 37.1 (2003): 289-91. Giancarlo Lombardi: Rooms with a View: Feminist Diary Fiction 1952-1999 (2002).

Luciano, Bernadette. In AdI 21 (2003): 593-95. Anna Maria Torriglia: Broken Time. Fragmented Space: A Cultural Map for Postwar Italy (2002).

Marrone, Gaetana. In FI 37.1 (2003): 280-82. Millicent Marcus: After Fellini: National Cinema in the Postmodern Age (2002).

Mayer, Thomas F. In SCJ 34.3 (2003): 823-25. Stephen D. Bowd: Reform before the Reformation: Vincenzo Querini and the Religious Renaissance in Italy (2002).

Mazzoni, Cristina. In AdI 21 (2003): 608--09. Valeria Finucci: The Manly Masquerade: Masculinity, Paternity The state or condition of a father; the relationship of a father.

English and U.S. Common Law have recognized the importance of establishing the paternity of children.
, and Castration castration, removal of the sex glands of an animal, i.e., testes in the male, or ovaries and often the uterus in the female. Castration of the female animal is commonly referred to as spaying.  in the Italian Renaissance (2003).

McDonald, Michael P. In 1Q 40.155-56 (2003): 120-23. Robert S. C. Gordon: Primo Levi's Ordinary Virtues: From Testimony to Ethics (2001). Marco Belpoliti and Robert Gordon, eds.: The Voice of Memory: Primo Levi, Interviews 1961-1987.

McGowan, Nicoletta Di Ciolla. In AdI 21 (2003): 580-82. Stefania Lucamante, ed. and trans.: Italian Pulp Fiction. The New Narrative of the Giovani cannibali Writers (2001).

Monfasani, John. In RenQ 56.3 (2003): 814-16. Roland H. Bainton and Deho Cantimori: The Correspondence of Roland H. Bainton and Delio Cantimori 1932-1966: An Enduring Transatlantic Friendship between Two Historians of Religious Toleration (2002).

Patruno, Nicholas. In IQ 40.155-56 (2003): 114-17. Anthony G. Costantini and Franco Zangrilli, eds.: Studi in onore di Umberto Mariani: da Verga a Calvino (2000).

Peterson, Thomas E. In ITAL 80.2 (2003): 257--60. Luca Lenzini: Il poeta di nome Nome (nōm), city (1990 pop. 3,500), W Alaska, on the southern side of Seward Peninsula, on Norton Sound; founded c.1898, when gold was discovered on the beach there. It is the commercial, government, and supply center for NW Alaska, with an airport.  Fortini. Saggi e proposte di lettura (1999).

Sacca, Annalisa. In Gradiva 22 (2002): 140-42. Paola Bianco: Tra ermetismo e realismo (La poesia siciliana The siciliana or siciliano is a musical form often included as a movement within larger pieces of music starting in the Baroque period. It is in a slow 6/8 or 12/8 time with lilting rhythms making it somewhat resemble a slow jig, and is usually in a minor key. . Da Quasimodo a Cattail cattail or reed mace, any plant of the genus Typha, perennial herbs found in almost all open marshes. The cattail (also called club rush) has long narrow leaves, sometimes used for weaving chair seats, and a single tall stem bearing two  ad Alberti) (1999).

Stampino, Maria Galli. In 1TAL 80.2 (2003): 263-65. Giancarlo Lombardi: Rooms with a View. Feminist Diary Fiction, 1952-1999 (2002).

Trentin, Bijoy M. In AdI 21 (2003): 599-600. Elide e·lide  
tr.v. e·lid·ed, e·lid·ing, e·lides
1.
a. To omit or slur over (a syllable, for example) in pronunciation.

b. To strike out (something written).

2.
a.
 Casali: Le spie del cielo. Oroscopi, lunari e almanacehi nell'Italia moderna (2003).

Valentino, Russell. In AdI 21 (2003): 561-63. Elizabeth Schachter: Origin and Identity: Essays on Svevo and Trieste (2000).

Wright, Simona. In IQ 40.155-56 (2003): 117-20. Angela M. Jeannet: Under the Radiant Sun and the Crescent Moon. Italo Calvino's Storytelling (2000).

ITALIAN-AMERICAN LITERATURE

Books

Fontanella, Luigi. La parola transfuga. Scrittori italiani in America. Fiesole: Edizioni Cadmo, 2003.

Gardaphe, Fred L. Leaving Little Italy: Essaying Italian American Culture. Albany: SUNY SUNY - State University of New York  UP, 2003.

Messina, Elizabeth Giovanna, ed. In Our Own Voices. Multidisciplinary Perspectives on Italian and Italian American Women. Boca Raton, FL: Bordighera, 2003.

Articles

Cavallero, Jonathan James. "'Maybe Because You're Italian': The Depiction of Italian and Italian American Characters in the Films of Frank Capra." VIA 14.1 (2003): 15-34.

Guarnieri, Giulia. "Giuseppe Giacosa and America at the End of the Nineteenth Century: Architecture and Nature, a New Key to Interpretation?" VIA 14.1 (2003): 35-51.

Sensi-Isolani, Paola Alessandra. "What Is Italy? What Is Italian? The Construction and Consumption of Italy and Italians in Las Vegas." VIA 14.1 (2003): 1-14.

Reviews

Bonanno, Richard. In VIA 14.1 (2003): 120-23. Joe Pernice: Two Blind Pigeons (2001).

Bouchard, Norma. In ITAL 80.2 (2003): 269-71. Anna Camaiti Hostert and Anthony Julian Tamburri, eds.: Screening Ethnicity : Cinematographic Representations of Italian Americans in the United States (2002).

Giardina, Tony. In VIA 14.1 (2003): 115-17. Marisa Labozzetta: Stay with Me, Lella (1999).

Laberge, Yves. In AdI 21 (2003): 606-08. Anna Camaiti Hostert and Anthony Julian Tamburri, eds.: Screening Ethnicity. Cinematographic Representations of Italian Americans in the United States (2002).

Marrone, Gaetana. In VIA 14.1 (2003): 118-20. Ellen V. Nerenberg: Prison Terms: Representing Confinement During & After Italian Facism (2001).

Martino, John. In VIA 14.1 (2003): 123-25. Betty L. Santangelo: Lucky Corner: The Biography of Congressman Alfred E. Santangelo Alfred Edward Santangelo (June 4, 1912 - March 30, 1978) was a Democratic member of the United States House of Representatives from New York.

Santangelo was born in New York City.
 and the Rise of Italian Americans in Politics (1999).

PEDAGOGY

Book

Borra, Antonella, and Cristina Pausini. Italian Through Film: A Text for Italian Courses. New Javen: Yale UP, 2003.

Articles

Balboni, Paolo E. "La politica Politica is the undergraduate journal of the Department of Political Science at the University of California, Berkeley. Politica solicits original student essays on topics broadly political.  linguistica in Europa." ITAL 80.4 (2003): 509-17.

Diadori, Pierangela. "Doppiaggio, sottotitoli e fenomeni di code-switching e code-mixing: la traduzione dei testi mistilingui." ITAL 80.4 (2003): 529-39.

Rende, Lydia. "Scripta volant vo·lant  
adj.
1. Flying or capable of flying.

2. Moving quickly or nimbly; agile.

3. Heraldry Depicted with the wings extended as in flying.
, verba manent. Nuovi percorsi per la posta elettronica in servizio di un curriculum ISL ISL - Interface Specification Language. Xerox PARC. Interface description language used by the ILU (Inter-Language Unification) system. Includes descriptions of multiple inheritance, exceptions and garbage collection.

E-mail: Bill Janssen <janssen@parc.xerox.com>.
." ITAL 80.4 (2003): 518-28.

Reviews

Aski, Janice M. In ITAL 80A (2003): 561-62. Tom Means: Instant Italian Vocabulary Builder (2003).

Bancheri, Salvatore. In ITAL 80.4 (2003): 564-66. Marco Mezzadri: La frontiera presente. Internet nella didattica dell'italiano (2001).

Brancato, Dario. In ITAL 80.4 (2003): 576-78. Gianrenzo P. Clivio: Profilo di storia della letteratura in piemontese (2002).

Gatto, Vincenzo. In ITAL 80.4 (2003): 562-64. Marcel Danesi, Michael Lettieri, e Salvatore Bancheri: Con fantasia. Reviewing and Expanding Functional Italian Skills (2004).

Haller, Hermann W. In ITAL 80.4 (2003): 568-70. Ottavio Lurati: Per modo di dire.... Storia della lingua e antropologia nelle locuzioni italiane ed europee (2002).

Melzi, Robert C. In ITAL 80.4 (2003): 570-72. Pasquale Natella: La parola mafia (2002).

Nuessel, Frank. In 1TAL 80.4 (2003): 560-61. Doris Borrelli: Raddoppiamento Sintattico in Italian. A Synchronic syn·chron·ic  
adj.
1. Synchronous.

2. Of or relating to the study of phenomena, such as linguistic features, or of events of a particular time, without reference to their historical context.
 and Diachronic di·a·chron·ic
adj.
Of or concerned with phenomena as they change through time.
 Cross-Dialectal Study (2002).

Nuessel, Frank. In ITAL 80.4 (2003): 573-74. Giulio Lepschy: Mother Tongues and Other Reflections on the Italian Language (2002).

Vizmuller-Zocco, Jana. In ITAL 80.4 (2003): 566-68. Sandra Covino, ed.: La scrittura professionale. Ricerca, prassi, insegnamento (2001).

Vizmuller-Zocco, Jana. In 1TAL 80.4 (2003): 574-76. Anthony Mollica e Riccardo Campa, a cura di: L'Italia neUa lingua e nel pensiero (2002).
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