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Before civil rights.


When, in 1457, Balanchine choreographed Agon to the syncopated syn·co·pate  
tr.v. syn·co·pat·ed, syn·co·pat·ing, syn·co·pates
1. Grammar To shorten (a word) by syncope.

2. Music To modify (rhythm) by syncopation.
 irregular beat of Stravinsky, it was a triumph of etched modernism. The ballet achieved something else, too: It challenged an American social taboo. Contributing to the wild geometry of the central pas de deux pas de deux

(French; “step for two”)

Dance for two performers. A characteristic part of classical ballet, it includes an adagio, or slow dance, by the ballerina and her partner; solo variations by the male dancer and then the ballerina; and a coda, or
 was the contrast between Arthur Mitchell's dark skin and Diana Adams' pale skin. Mitchell, who famously went on to create Dance Theatre of Harlem Dance Theatre of Harlem, the first black classical ballet company. The group was founded in Harlem, New York City, by Arthur Mitchell, then of the New York City Ballet, the first black principal dancer of a classical company of international standing. , has coached the ballet many times. In a rare opportunity for New Yorkers to see DTH's rendition of Agon, it will be performed in the New York City Center
This article is about the New York concert hall. For the shopping mall, see Columbus City Center.
New York City Center, historically known as City Center of Music and Drama[1], and also known as
 Fall fin Dance Festival on September 28. See "Dance Matters," page 19.
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Title Annotation:New York Notebook; Agon
Author:Perron, Wendy
Publication:Dance Magazine
Article Type:Brief Article
Geographic Code:1U2NY
Date:Oct 1, 2004
Words:108
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