Beethoven: Triple Concerto; Schumann: Piano Concerto.Beethoven: Triple Concerto; Schumann: Piano Concerto. Martha Argerich Martha Argerich (born June 5, 1941) is an Argentine concert pianist. Her aversion to the press and publicity has resulted in her remaining out of the limelight for most of her career. She has given relatively few interviews. , piano; Renaud Capucon, violin; Mischa Maisky Mischa Maisky (born January 10, 1948 in Riga) is a celebrated cellist who won 6th Prize at the Moscow International Tchaikovsky Competition in 1966. Maisky began studies with Mstislav Rostropovich at the Moscow Conservatory whilst pursuing a concert career throughout the , cello. Alexandre Rabinovitch-Barakovsky, Orchestra della Svizzera italiana Orchestra della Svizzera Italiana is a Swiss orchestra based in Lugano, Switzeraland. History Orchestra della Svizzera Italiana (Orchestra of Italian Switzerland) (or OSI) is widely known in English with this Italian name on its many recordings, exists in its . EMI (ElectroMagnetic Interference) An electrical disturbance in a system due to natural phenomena, low-frequency waves from electromechanical devices or high-frequency waves (RFI) from chips and other electronic devices. Allowable limits are governed by the FCC. 7243-5-57773-2. I really, really dislike live recordings. I can fully understand and appreciate an artist's or a record company's desire to capture the spontaneity of the moment, but I have yet to hear more than a handful of live recordings that sounded any good from a technical standpoint. This Beethoven-Schumann disc with renowned pianist Martha Argerich and others is no exception. Recorded in 2002 and 2003 at the Lugano Festivals in two different venues, the sound that comes through first is that of the Beethoven, and it's pretty dismal. I did not know it was recorded live until I put on the disc, and the first thing I thought not ten seconds in was, "This is live." It was a disappointment, because Ms. Argerich and her companions are first-rate performers who produce first-rate performances. But that sound. The Beethoven begins with a big orchestral prelude, and here it's rendered as one big wash of diffuse proportions. It's cavernous cavernous /cav·er·nous/ (kav´er-nus) 1. pertaining to a hollow, or containing hollow spaces. 2. having a hollow sound, such as certain abnormal breath sounds. and blurry, and audience noise intrudes far too often. Then, when the soloists arrive, their instruments are much too close. They are the only clearly delineated sounds to be heard, true, but they are much too large to appear realistic or natural to the setting. Simply compare this recording to any recording you have on hand to hear the differences for yourself. I happened to have the old Rostropovich/Karajan/ BPO BPO Business Process Outsourcing BPO Benevolent & Protective Order (of Elks of the USA) BPO Benzoyl Peroxide BPO Business Process Optimization BPO Broker Price Opinions BPO Buffalo Philharmonic Orchestra (EMI) and Schiff/Masur/Leipzig GO (EMI) discs nearby. Both were far preferable sonically to this new release. The Triple Concerto's Largo Largo, town (1990 pop. 65,674), Pinellas co., W Fla., on the Pinellas peninsula and the Gulf Coast, across the bay from Tampa; settled 1853, inc. 1905. It is a packing, canning, and shipping center in a citrus fruit and fishing area. fares well because it most benefits from the soft, resonant sonics, and the Schumann Piano Concerto fares best of all because it's recorded in a better location, more flattering to the orchestra. But none of the sound is up to the standards of the playing, which is a shame; the interpretations are lyrical and romantic and would have been a pleasure to listen to. |
|
||||||||||||||||||
Printer friendly
Cite/link
Email
Feedback
Reader Opinion