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Articles
1-53 out of 53 article(s)
| Title |
Author |
Type |
Date |
Words |
| Advice for dancers. |
Hamilton, Linda |
|
Aug 1, 2011 |
881 |
| Living from the core. |
Stephens, Margaret |
Viewpoint essay |
Mar 18, 2011 |
918 |
| Ask Dr. Cory. |
|
|
Mar 1, 2011 |
600 |
| From movie studio to dance studio: Emily Blunt learns the ways of Cedar Lake. |
Hanlon, Khara |
Cover story |
Sep 1, 2010 |
1509 |
| The feet. |
Kay, Lauren |
|
Sep 1, 2010 |
658 |
| So there's this swan ... why choreographers keep tweaking the classics. |
Carman, Joseph |
|
Apr 1, 2010 |
1591 |
| Past/present, stars/etoiles. |
Perron, Wendy |
Brief article |
Mar 1, 2010 |
92 |
| Why I dance. |
Riewe, Tamara |
Viewpoint essay |
Mar 1, 2010 |
717 |
| Are we overdosing on Balanchine? 12 leaders in the field respond to a controversy. |
Burke, Siobhan; Crabb, Michael; Hanlon, Khara; Johnson, Tamara; Luccioni, Denise; Mattingly, Kate; P |
|
Jan 1, 2010 |
3394 |
| From studio to stage: why students flock to Chautauqua. |
Wozny, Nancy |
|
Jan 1, 2010 |
807 |
| Why I dance. |
Erickson, Julia |
Essay |
Dec 1, 2009 |
746 |
| Favour and patronage: dancers in the court ballets of early seventeenth-century France. |
Kettering, Sharon |
Report |
Dec 22, 2008 |
12703 |
| To emote or not to emote: Balanchine's Agon has no acting in it. The dancers just have to dance. |
Barnes, Clive |
|
Mar 1, 2008 |
769 |
| Enchanted by Cuba: Dance Magazine's editor in chief, Wendy Perron, travels to Havana for its International Ballet Festival. |
Perron, Wendy |
Editorial |
Mar 1, 2007 |
1596 |
| Liturqy of love. |
|
Brief article |
Mar 1, 2007 |
122 |
| Advice for dancers: former New York City Ballet dancer Linda Hamilton, Ph.D., is a lecturer, a psychologist in private practice, and the author of Advice for Dancers (Jossey-Bass). She has been offering advice to Dance Magazine readers since 1992. |
Hamilton, Linda |
|
Mar 1, 2007 |
767 |
| Once a dancer, you're a dancer for life. |
Killacky, John R. |
|
Nov 1, 2006 |
1189 |
| Orlando Ballet School at the Patel Conservatory. |
Macel, Emily |
Brief article |
Nov 1, 2006 |
85 |
| Attitudes. |
Barnes, Clive |
|
Oct 1, 2006 |
823 |
| A fine line: when (and why) to talk with students about "the dancer" body. |
Carman, Joseph |
|
Jul 1, 2006 |
979 |
| Comedy Central: taking on "something stupid" in Tharp's Nine Sinatra Songs. |
Kurtz, Sandra |
|
Jul 1, 2006 |
598 |
| Put the pressure on: healing techniques. |
Alfaro, Nancy |
|
Jun 1, 2006 |
687 |
| The legends: they made magic. |
Ulrich, Allan |
|
May 1, 2006 |
635 |
| Comedy central. |
Zimmer, Elizabeth |
|
Jan 1, 2006 |
1518 |
| Inside the Prix de Lausanne: where you don't have to win to be a winner. |
Kunikova, Elena |
|
Jan 1, 2006 |
1505 |
| Competitive edge: does taking a company summer intensive mean a better shot at a job? |
Carman, Joseph |
|
Jan 1, 2006 |
877 |
| Teacher's wisdom: Betty Jones. |
Egan, Carol |
Interview |
Apr 1, 2005 |
905 |
| Advice for dancers: former New York City Ballet dancer Linda Hamilton, Ph.D., is a lecturer, a psychologist in private practice, and the author of Advice for Dancers (Jossey-Bass). She has been offering advice to Dance Magazine readers since 1992. |
Hamilton, Linda |
|
Nov 1, 2004 |
839 |
| Curtain up. |
Perron, Wendy |
Editorial |
Oct 1, 2004 |
379 |
| Attitudes. |
Barnes, Clive |
|
Sep 1, 2004 |
810 |
| Curtain up. |
Perron, Wendy |
|
Sep 1, 2004 |
377 |
| La Scala Ballet. |
Poletti, Silvia |
|
Sep 1, 2004 |
369 |
| Classic ailey. (New York). |
Howard, Theresa |
Brief Article |
Aug 1, 2003 |
110 |
| Nijinska in action. |
Kent, Allegra |
|
Aug 1, 2002 |
1332 |
| Hail to the corps: growing up in the New York City ballet. |
Garafola, Lynn |
Interview |
Dec 1, 2001 |
1685 |
| New classics for old. (Attitudes). |
Barnes, Clive |
Brief Article |
Nov 1, 2001 |
1041 |
| ADVICE FOR DANCERS. |
Hamilton, Linda |
Brief Article |
Sep 1, 2000 |
870 |
| DANCE BOOKS. |
Giffin, Glenn |
Bibliography |
Dec 1, 1999 |
1278 |
| PNB OPENS SEASON WITH MOMENTUM. |
West, Martha Ullman |
Brief Article |
Sep 1, 1999 |
394 |
| NYC BALLET COMPETITION IN 2000. |
Dionne, Alexandria |
Brief Article |
Sep 1, 1999 |
362 |
| DIABLO FOCUSES ON NEW WORKS. |
Felciano, Rita |
|
Sep 1, 1999 |
365 |
| Standing tall. |
Gastineau, Janine |
Cover Story |
Sep 1, 1998 |
2142 |
| Paris Opera Ballet school workshop at New York University. |
Horosko, Marian |
|
Mar 1, 1998 |
1281 |
| Glissade en descendant. |
|
|
Oct 1, 1997 |
266 |
| Kickoff: community. |
Philp, Richard |
Editorial |
Apr 1, 1997 |
901 |
| After the fall: reflections of injured classical ballet dancers. |
Macchi, Rosemarie; Crossman, Jane |
|
Aug 1, 1996 |
4228 |
| Francis Patrelle: going his own way. |
Garafola, Lynn |
Interview |
Mar 1, 1996 |
2535 |
| The Balanchine legacy. |
Horosko, Marian |
Column |
Dec 1, 1995 |
1007 |
| Balanchine at your video store. |
Thom, Rose Ann |
|
Dec 1, 1995 |
903 |
| Dispelling the common myths: pointe and the young dancer. |
Barringer, Janice |
|
Nov 1, 1995 |
866 |
| Clementine Porcupine takes ballet lessons. |
Cardwell-Casey, Lorri |
|
Apr 1, 1995 |
281 |
| I take ballet lessons. My teacher won't let me dance on my toes until I'm ten years old. Why? |
SerVaas, Cory |
|
Mar 1, 1995 |
215 |
| My daughter really wants to take ballet, but she is only four years old. |
SerVaas, Cory |
|
Jul 1, 1994 |
241 |
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