Balkan Cinema resources.Recommended Reading Alagjozovski, R. "Postmodernism in the Macedonian Film," MovEast 9, 2004, Budapest: Hungarian National Film Archive. Available at www.filmintezet.hu/uj/kiadvanyok/moveast/moveast_9/alagjozovski.htm Bjelic, Duan and Savic, Obrad. Editors: Balkan as Metaphor: Between Globalisation and Fragmentation. Cambridge: MIT MIT - Massachusetts Institute of Technology Press, 2002; new edition 2005. Cernat, M. A Concise History of the Romanian Film. Translated by Andrei Bantas. Bucharest: Editura Stiintifica si enciclopedica, 1982. De Hadeln, Moritz, Editor. Romania: The Documentary Films 1898-1990. Nyon: Festival International du film documentaire, 1990. Durgnat, Raymond. WR: Mysteries of the Organism. London: British Film Institute, 1999. Elsaesser, Thomas. "Our Balkanist Gaze: About Memory's No Man's Land." In European Cinema: Face to Face with Hollywood. Amsterdam: Amsterdam University Press, pp. 356-73, 2005. Georgakas, Dan and Horton, Andrew, Editors. Special issue on Greek Cinema, Film Criticism, XXVII, 2:1, 2002. Gocic, G. The Cinema of Emir Kusturica: Notes from the Underground. London: Wallflower wallflower, Mediterranean perennial (Cheiranthus cheiri) of the family Cruciferae (mustard family), particularly popular in Europe, where it flourishes on old walls. Press, 2001. Goulding, Daniel J., Editor. Post New-Wave Cinema in the Soviet Union and Eastern Europe Eastern Europe The countries of eastern Europe, especially those that were allied with the USSR in the Warsaw Pact, which was established in 1955 and dissolved in 1991. . Bloomington: Indiana University Press Indiana University Press, also known as IU Press, is a publishing house at Indiana University that engages in academic publishing, specializing in the humanities and social sciences. It was founded in 1950. Its headquarters are located in Bloomington, Indiana. , 1989. Holloway, Ron. The Bulgarian Cinema. Rutherford, N.J.: Fairleigh Dickinson University Fairleigh Dickinson University, at Florham-Madison and Teaneck-Hackensack, N.J.; coeducational; incorporated and opened 1942 as a junior college, became a four-year college in 1948 and a university in 1956. Press, 1986. --Macedonian Film: A History of Macedonian Cinema, 1905-1996. --Kino: German Film. Special issue with Cinematheque cin·e·ma·theque n. A small movie theater showing classic or avant-garde films. [French cinémathèque, blend of cinéma, cinema; see cinema, and bibliothèque, of Macedonia, 1996. Horton, Andrew. The Films of Theo Angelopoulos: A Cinema of Contemplation. Princeton, NJ: Princeton University Princeton University, at Princeton, N.J.; coeducational; chartered 1746, opened 1747, rechartered 1748, called the College of New Jersey until 1896. Schools and Research Facilities Press, 1997. --Editor. The Last Modernist: The Films of Theo Angelopoulos. Westport, CT: Praeger, 1997. Horton, Andrew J., Editor. The Celluloid Tinderbox tin·der·box n. 1. A metal box for holding tinder. 2. A potentially explosive place or situation: referred to the crowded prison as a tinderbox of suppressed violence. : Yugoslav Screen Reflections of a Turbulent Decade. London: Central Europe Review, pp. 62-89, 2000. Available at www.mirhouse.com/ce-review/Yugofilm.pdf Iordanova, Dina, Editor. Cinema of the Balkans. London: Wallflower Press, 2006. --Cinema of Flames: Balkan Film, Culture and the Media. London: British Film Institute, 2001. Koliodimos, D., Editor. The Greek Filmography film·og·ra·phy n. pl. film·og·ra·phies A comprehensive list of movies in a particular category, as of those by a given director or in a specific genre. , 1914 Through 1996. New York New York, state, United States New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of : McFarland & Company, 1999. Lako, N. "The Birth of Balkan Cinematographic Art in an Albanian Colonial Period," MovEast 9, 2004. Budapest: Hungarian National Film Archive. Available at www.filmintezet.hu/uj/kiadvanyok/moveast /moveast_9/lako_albanian.htm Levi, P. Disintegration in Frames: Aesthetics and Ideology in the Yugoslav and Post-Yugoslav Cinema. Stanford: Stanford University Press, 2007. Liehm, Mira and Liehm, Antonin J. The Most Important Art: Soviet and East European Film After 1945. Berkeley and Los Angeles: University of California Press "UC Press" redirects here, but this is also an abbreviation for University of Chicago Press University of California Press, also known as UC Press, is a publishing house associated with the University of California that engages in academic publishing. , 1977. Mercouri, Melina. I Was Born Greek. New York: Dell, 1973. MovEast 6. Bulgarian Cinema of the 1990s. Budapest: Hungarian National Film Archive, 2001. Papadimitriou, Lydia. The Greek Film Musical: A Critical and Cultural History. Jefferson, NC and London: McFarland and Company, 2006. Ravetto-Biagiolli, Kriss. "Reframing reframing (rē·frāˑ·ming), n the revisiting and reconstruction of a patient's view of an experience to imbue it with a different usually more positive meaning in the Europe's Double Border," in Imre, A., Editor. East European Cinemas. New York: Routledge, pp. 179-197, 2005. Stoil, M. J. Balkan Cinema: Evolution after the Revolution. Ann Arbor: University of Michigan (body, education) University of Michigan - A large cosmopolitan university in the Midwest USA. Over 50000 students are enrolled at the University of Michigan's three campuses. The students come from 50 states and over 100 foreign countries. , 1982. Taylor, Richard, Graffy, Julian, Wood, Nancy and Iordanova, Dina, Editors. BFI's Companion to Eastern European and Russian Cinema. London: British Film Institute, 2000. Todorova, Maria. Imagining the Balkans. New York: Oxford University Press, 1997. Tutui, M. Manakia Bros BROS Brothers BROS Benefits and Retirement Operations Section (King County, Washington) BROS Barnes and Richmond Operatic Society (London, UK) . or the Moving Balkans, Bucharest: Romanian Film Archive (In Romanian and English), 2004. --A History of Romanian Cinema. Bucharest: National Center of Cinema (In Romanian and English), 2004. Recommended Websites Belgrade Fest: www.fest.org.yu/ BG Media: www.gobgmedia.com/home_page.html Centrul National al Cinematografiei--Romania: www.cncinema.abt.ro/ Cinema.bg: www.cinema.bg Cinematheque of Macedonia: makedonija.at/kinoteka/ goEast--Festival of Central and Eastern European Film Wiesbaden, Germany: www.filmfestival-goeast.de/engl/01.htm Goran Paskaljevic: www.paskaljevic.com/main/index.html Greek Film Centre: www.gfc.gr/ Istanbul International Film Festival, Turkey:www.iksv.org/film/english/ Kinoeye: www.kinoeye.org Macedonian Cinema Information Centre: www.maccinema.com/e_kinoteka.asp Matthieu Dhennin's Emir Kusturica: www.dhennin.com/kusturica/ Milcho Manchevski: www.manchevski.com.mk/ To read more about Balkan Cinema. visit our website at www.cineaste cin·e·aste also cin·e·ast or cin·é·aste n. 1. A film or movie enthusiast. 2. A person involved in filmmaking. .com An Inner Exodus: The Many Diasporas of Balkan Cinema by Gareth Jones What do Balkan filmmakers who leave their home countries gain from the often traumatic process of relocation? Jones poses this and other questions to several emigre directors, hailing from Bosnia, Macedonia, and Albania, who went on to address the difficulties of uprooting in their films. He adds that exodus takes many shapes. The former Yugoslavia, he writes, is a particularly poignant example of an "inner diaspora," "a diaspora of the soul by which the country has taken leave of its inhabitants
The game is based loosely on the concepts from SameGame. , not the opposite, suggesting an unhappy model for diasporas yet unimagined." Is There a Balkan Cinema?: A Filmmakers' and Critics' Symposium Organized by Andrew James Horton with Dan Georgakas and Angelike Contis The notion of Balkan cinema and whether or not such an entity can be said to exist has been debated in the region in recent years. To address this question, we surveyed a number of directors and critics active in the region. We asked three questions of each respondent and asked him or her to reply in either an essay or question- and-answer format. We asked film directors the following three questions: 1) To what degree can we speak of Balkan cinema as well as the cinemas of specific Balkan countries? 2) What is the single most important issue that makes the biggest professional difference in your life as a Balkan filmmaker? 3) What five Balkan films would you select for wide international distribution? We asked film critics the following questions: l) To what degree can we speak of Balkan cinema? 2) What do you like best about the cinema of this region? And 3) What five Balkan films would you select for wide international distribution? Contributors, in alphabetical order, include Kujtim Cashku, Nuri Bilge bilge n. 1. Nautical a. The rounded portion of a ship's hull, forming a transition between the bottom and the sides. b. The lowest inner part of a ship's hull. 2. Bilge water. 3. Ceylan, Constantine Giannaris, Damjan Kozole, Dusan Makavejev, Milcho Manchevski, Corneliu Porumboiu, Goran Radovanovic, Pantelis Voulgaris, Sophia Zornitsa, Lorenzo Codelli, Yusuf Guven, Ronald Holloway, Dimitris Kerkinos and Deborah Young. |
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