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In 2002, skateboarding pioneer Stacy Peralta made his feature debut with the documentary Dogtown And The Z-Boys, a valentine to the kids who revolutionised the sport.

It won awards and brought a wider audience to talents such as Jay Adams, Tony Alva and Peralta himself, who rose to fame with their acrobatics acrobatics

Art of jumping, tumbling, and balancing. The art is of ancient origin; acrobats performed leaps, somersaults, and vaults at Egyptian and Greek events. Acrobatic feats were featured in the commedia dell'arte theatre in Europe and in jingxi (“Peking
.

Peralta penned the screenplay to Lords of Dogtown, this dramatisation n. 1. same as dramatization.

Noun 1. dramatisation - conversion into dramatic form; "the play was a dramatization of a short story"
dramatization
 of the rise to fame of the legendary Z-Boys, teenage surfers in 70s California, who pioneered a revolutionary form of skateboarding at the treacherous Pacific Ocean Park Pacific Ocean Park was a twenty-eight acre (110,000 m²), nautical-themed amusement park built on a pier at Santa Monica, California which was intended to compete with Disneyland.

"POP," as it was soon nicknamed, was a joint venture between CBS and Santa Anita Park.
 pier. Most come from broken homes; money is tight and some have to work to help their parents pay the bills.

As fame and fortune come, friendships are tested to the limit, threatening to destroy the legacy of the Z-Boys.

Lords fails to capture the same sense of excitement and daring as the documentary. It's a little too polished and if you haven't seen Dogtown And The Z-Boys, this film lacks context.

That said, director Catherine Hardwicke teases excellent performances from the three leads.
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Publication:The Journal (Newcastle, England)
Date:Sep 16, 2005
Words:173
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