Printer Friendly
The Free Library
14,709,470 articles and books
Member login
User name  
Password 
 
Join us Forgot password?

Bach: Famous Transcriptions.


Bach: Famous Transcriptions. Leopold Stokowski, Symphony Orchestra. EM17243-5-57758-0-1 (2-disc set).

Leopold Stokowski was a mere lad in his seventies when he made these recordings of Bach transcriptions in 1957-58 with his handpicked Symphony Orchestra. His own orchestral arrangements of works originally written either for solo organ or small baroque ensembles are probably still an acquired taste, but they've been around for so long and have become so well known, a lot of us take them for granted as being entirely "Bach."

This two-disc set contains a seventy-minute CD of eleven of his famous Bach arrangements, plus a DVD DVD: see digital versatile disc.
DVD
 in full digital video disc or digital versatile disc

Type of optical disc. The DVD represents the second generation of compact-disc (CD) technology.
 of a 1972 performance of Debussy's Prelude a l'apres-midi d'unfaune, recorded live with the London Symphony Orchestra The London Symphony Orchestra (LSO) is one of the major orchestras of the United Kingdom. Since 1982, the LSO has been based in London's Barbican Centre. History  at the Royal Festival Hall The Royal Festival Hall is a concert, dance and talks venue within Southbank Centre in London, England. It is situated on the South Bank of the River Thames, not far from Hungerford Bridge. , London. More about that in a minute, but first, a brief look at the Bach, which begins with the Passacaglia passacaglia: see chaconne and passacaglia.  and Fugue in C minor, continues with things like the "Little" Fugue in G minor, the "Air on the G String The Air on the G String is an adaptation of Johann Sebastian Bach's famous Air. The air is usually played slowly and freely, and features an intertwining harmony and melody. History
The original piece is part of Bach's Orchestral Suite No.
" from the Orchestral Suite No. 3, the "Preludio" from the Violin Partita par·ti·ta  
n. Music
1. An instrumental piece composed of a series of variations, as a suite.

2. One of the variations contained in such a piece.
 No. 3 among others, and, of course, the celebrated Toccata and Fugue Toccata and Fugue may refer to several classical compositions

By Johann Sebastian Bach
  • Toccata and Fugue in D minor, BWV 565 - the best known "Toccata and Fugue", for organ
  • Toccata and Fugue in D minor, BWV 538 - aka Dorian
 in D minor to close the show.

I prefer the old man doing the slower Bach items, Stokowski displaying a marvelous sensitivity and eloquence in the gentler music, although there is no denying that the big moments in the Toccatas come across with an excitement that is quite inspiring, too. Best of all, the sound, nearly a half a century old, is everything one could want it to be--deep, firm, solid, and robust, a tad compartmentalized com·part·men·tal·ize  
tr.v. com·part·men·tal·ized, com·part·men·tal·iz·ing, com·part·men·tal·iz·es
To separate into distinct parts, categories, or compartments: "You learn . . .
 perhaps, but well spread out across the stereo stage. I prefer this sound to Stokowski's later Phase-4 recordings for Decca, now also available on CD (in a five-disc box). EMI's late fifties' sound is less bright and better focused than Decca's. In fact, EMI's old sound is better than a lot of what passes for modern digital recording.

The accompanying DVD contains the Debussy; it's done in color but in monaural See monophonic.  sound. Still, it's fun to watch Stokowski at ninety counting the beats and waving his arms about, without baton as was his practice from about 1929 onward. Interestingly, the booklet note says he returned to London to conduct the London Philharmonic, but the listing on the DVD says he's leading the London Symphony Orchestra. Take your pick. Also on the DVD, and of equal importance, is a promo for EMI's Archive series of DVDs, containing one or two-minute audio-video clips from over two dozen performances by great artists of the twentieth century. Name the performer, and he or she is probably here, from soloists to singers to conductors. But, unfortunately, though they are individually tracked, there is no menu selection for them and no listings in the booklet. They are fascinating to watch, but if you want to find something in a hurry, you'll have to type up a listing of track selections for yourself. Oh, well....
COPYRIGHT 2005 Sensible Sound
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2005, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

 Reader Opinion

Title:

Comment:



 

Article Details
Printer friendly Cite/link Email Feedback
Publication:Sensible Sound
Article Type:Sound Recording Review
Date:Jan 1, 2005
Words:489
Previous Article:Scoping software.
Next Article:Beethoven: Piano Concerto No. 1; Piano Sonata No. 22.(Sound Recording Review)
Topics:



Related Articles
Bach at Zwolle. Michael Murray, organ. Telarc CD-80385.(Review)
Symphonies Concertantes, Vol. 5.
The Ultimate 2001 Album.
Toshio Hosokawa: In die Tiefe der Zeit; Duo for Violin and Cello; Winter Bird.(Sound Recording Review)
Telemann, Georg Philipp: Don Quixote; La Lyra; Overture in D.(Sound Recording Review)
Bach, J.S.: Cello Suites.(Sound Recording Review)
Original Masters: Leopold Stokowski, the Decca Recordings 1965-1972.(Sound Recording Review)
Scoping software.(Sound Recording Review)
More not than jazz.(Berio: Orchestral transciritpions)(Milhaud: La Creation du monde, Le Boeuf sur le toit, Suite provencale)(Prokofieff: Lieutenant...
Mussorgsky-Stokowski: Transcriptions. Pictures at an Exhibition; Boris Godunov; Night on Bare Mountain.(Sound recording review)

Terms of use | Copyright © 2009 Farlex, Inc. | Feedback | For webmasters | Submit articles