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BELA'S BANJO BACK IN THE FLECKTONES MIX.


Byline: - Fred Shuster

Banjo-playing bandleader Bela Fleck doesn't spend time off in predictable ways.

When he put his longtime jazz-fusion group the Flecktones on hold last year for the first time since 1990, it was ostensibly os·ten·si·ble  
adj.
Represented or appearing as such; ostensive: His ostensible purpose was charity, but his real goal was popularity.
 to relax and perhaps study music composition. He ended up traveling through Africa with a film crew in search of the roots of the banjo banjo, stringed musical instrument, with a body resembling a tambourine. The banjo consists of a hoop over which a skin membrane is stretched; it has a long, often fretted neck and four to nine strings, which are plucked with a pick or the fingers. , headlining Carnegie Hall Carnegie Hall

Concert hall in New York, N.Y., U.S. It was endowed by the industrialist Andrew Carnegie at the insistence of the conductor Walter Damrosch (1862–1950).
 in a jazz-fusion outfit with Stanley Clarke, playing casuals in China with his girlfriend, going on the road with a bluegrass bluegrass, any species of the large and widely distributed genus Poa, chiefly range and pasture grasses of economic importance in temperate and cool regions. In general, bluegrasses are perennial with fine-leaved foliage that is bluish green in some species.  trio and, eventually, making a new Flecktones record.

``I was originally going to go back to school,'' Fleck said. ``I wanted to take advantage of a year off the road. But I kept thinking about Africa and how much I wanted to explore where the instrument came from. So, I thought, this is the time to do it.''

Back on familiar ground, Fleck spearheaded the Flecktones' new back-to-basics album, ``The Hidden Land,'' which starts off with a Bach fugue fugue (fyg) [Ital.,=flight], in music, a form of composition in which the basic principle is imitative counterpoint of several voices. , delves into swing and ends up somewhere south of Pat Metheny. The four-piece Flecktones appear Saturday at the Wiltern in Los Angeles as part of the Acoustic Planet Tour Vol. II, also featuring the Yonder yon·der  
adv.
In or at that indicated place: the house over yonder.

adj.
Being at an indicated distance, usually within sight: "Yonder hills," he said, pointing.
 Mountain String Band and Keller Williams.

``Acoustic Planet is a phrase I much prefer to Americana, which is constantly used simply for music that doesn't fit into the mainstream,'' said Fleck, 47, who was born in New York New York, state, United States
New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of
 and named for Hungarian composer Bela Bartok. ``I'm put in that niche, but I also do jazz-oriented stuff, world music and classical. That's my favorite way to be -- to exist in as many worlds as I can.''

Since their debut, the Flecktones have managed to blend a wide variety of styles on their largely all-instrumental records to worldwide acclaim and full concert halls.

``We thought we were doing uncommercial un·com·mer·cial  
adj.
1. Not engaged in or involving trade or commerce.

2. Not in accord with the spirit or methods of commerce.

3. Uneconomical.

Adj. 1.
, weird music -- but we were embraced right away,'' Fleck recalls. ``Warners signed us, we had a VH1 video in heavy rotation at the same time as Tracy Chapman, we were on Johnny Carson a bunch of times. And we ended up at Carnegie Hall our first year out.''

BELA FLECK & THE FLECKTONES

Where: Wiltern, 3790 Wilshire Blvd., Los Angeles.

When: 7:30 p.m. Saturday.

Tickets: $35.50-$42.50. (213) 480-3232; ticketmaster.com.

CAPTION(S):

photo

Photo:

(2) Bela Fleck and the Flecktones are back on the road to promote a new album after a rare yearlong layoff.
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Publication:Daily News (Los Angeles, CA)
Date:Jun 23, 2006
Words:405
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