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BE THEIR GUEST DISNEY ON ICE RETURNS WITH A 'BEAUTY'.


Byline: Janet Zimmerman Staff Writer

SUCCESS IS IN the details, and no one knows that better than the folks who produce Disney on Ice.

When ``Beauty and the Beast'' opened in Winnipeg a few weeks ago - the 144th staging of the show this season - the production was still being fine-tuned.

Disney on Ice has cornered the market on costumed ice shows, drawing more than 120 million people since its inception 21 years ago.

It skates into L.A. Thursday with the ``Beauty and the Beast Beauty and the Beast is a traditional fairy tale (type 425C -- search for a lost husband -- in the Aarne-Thompson classification). The first published version of the fairy tale was a meandering rendition by Madame Gabrielle-Suzanne Barbot de Villeneuve, published in ,'' show. Produced by Feld Entertainment, ``Beauty'' tours six or seven shows a year simultaneously in the United States United States, officially United States of America, republic (2005 est. pop. 295,734,000), 3,539,227 sq mi (9,166,598 sq km), North America. The United States is the world's third largest country in population and the fourth largest country in area.  and abroad. Feld is a Disney licensee, which allows the company to use Disney songs, storylines and the Disney name.

``To the consumer, we are Disney ... and that's part of the appeal,'' said Heather Lockhart, director of brand marketing for Feld Entertainment's ice shows.

Home video hasn't hurt any either.

An ice show based on a movie that is not yet out on video won't do as well as one that is, Lockhart said. A show that also has a television tie-in does even better.

``There's something about having that repetition that generates more interest and more appeal,'' she said.

After ``Toy Story 2'' was released to the home market, interest in seeing a Disney on Ice version shot up 10 percent, Lockhart said.

That makes it a natural for children, who long to see their favorite characters up close, sing the songs and watch the story unfold for the umpteenth time.

Disney on Ice has succeeded in a tough business, said Peter Martell, executive director of the Ice Skating Institute The Ice Skating Institute (formerly the Ice Skating Institute of America) is a trade association for ice rinks, and also an international governing body for recreational figure skating. , a Dallas-based trade association for ice arena owners and operators.

A night at the ice show can be expensive and inconvenient, since many of the venues are located in downtown areas away from the suburbs, he said.

``The ice skating ice skating, gliding along an ice surface on keellike runners known as ice skates. Skating as a Sport


Skating, besides being an important form of winter recreation and the essential skill in the game of ice hockey (see hockey, ice) has developed
 show business has gotten tougher,'' said Martell, who worked for a division of the now-defunct Ice Capades The Ice Capades was a traveling entertainment show featuring theatrical performances involving ice skating.

Ice Capades was founded in 1940 in Hershey, Pennsylvania by John H.
. ``There are so many other forms of entertainment competing for the entertainment dollar.''

Disney on Ice sees its main competition not as other ice shows, but children's musical theatrical productions taken from television such as ``Blue's Clues Blue's Clues is a children's show about a dog named Blue. It features live action one on one on paper-cutout animation. The series follows a dog named Blue through her everyday life, providing small children with fun and education. The show airs on both Nick Jr. and Noggin.  Live'' and ``Sesame Street Live Sesame Street Live is the live touring show based on the children's television show Sesame Street.

Produced by Minneapolis-based VEE Corporation, the show opened on September 17, 1980, with a production of Sesame Street Live "Missing Bird Mystery" playing at the Met
.''

Disney shows aren't so much about ice skating as they are about bringing the magic of the stories to life.

Before the Disney shows, Feld Entertainment staged Ice Follies Shipstads & Johnson Ice Follies was a touring ice show featuring elaborate production numbers, similar in concept to Ice Capades. It was founded in 1937 by Eddie Shipstad, Roy Shipstad, and Oscar Johnson, who also skated in the show.  and Holiday on Ice, which were figure skating figure skating

Sport in which ice skaters, singly or in pairs, perform various jumps, spins, and footwork. The figure skate blade has a special serrated toe pick, or toe rake, at the front.
 exhibitions by top skating talent.

But when television began airing skating competitions regularly, that formula lost its appeal, said Jerry Bilik, the musical and theatrical director of Disney on Ice.

Those exhibitions were similar to the shows featuring Olympic medalists such as Stars on Ice and Champions on Ice, which draw large crowds interested in watching the world's top skaters.

``It's a totally different audience,'' said Lynn Plage plage (pläzh): see chromosphere. , director of media relations for Champions on Ice, which will feature the Utah Olympic competitors in July shows in Long Beach and Anaheim. ``This is a show that's more adult driven and appeals to those who are interested in the athletics and entertainment.''

With the Disney production, the skating is used to emphasize the emotion, Bilik said.

``The physical movements of the skaters, if you put them in the right order, act like a close-up in a film. If it comes at the right point in the music and story, it has a dramatic effect,'' he said.

It's nine months from planning to premiere of a Disney on Ice show, which can cost upward of more than; above.

See also: Upward
 $8 million to produce.

Other shows now touring are ``Toy Story,'' ``Toy Story 2,`` ``Disney on Ice Classics,'' ``100 Years of Disney Magic'' and ``Jungle Adventures,'' which made its Southland run in December and January.

Bilik said ``Beauty and the Beast'' was an easy show to coordinate because it was a musical to begin with, scored by Howard Ashman and Alan Menken.

The classic tale, which was released as a movie by Disney in 1991, is about enchantment and love between a beautiful young girl and a hideous beast. The movie is the only animated film to be nominated for a best- picture Academy Award.

The challenge for Bilik came not in choreography, but in animating tea cups, chandeliers and other objects.

``To (get the audience to) believe that Cogsworth and Lumiere are essentially humans, it's very, very complicated,'' he said.

Bilik even donned the 50-plus-pound Beast costume to figure out how to change the Beast into a prince in real time, ``on the ice in front of 10,000 people.''

It was done, but Bilik refuses to say how. He doesn't want to ruin the surprise for the audience.

Bilik and producer Kenneth Feld, who also produces Siegfried and Roy and Ringling Bros BROS Brothers
BROS Benefits and Retirement Operations Section (King County, Washington)
BROS Barnes and Richmond Operatic Society (London, UK) 
. and Barnum & Bailey Circus, are hypersensitive hy·per·sen·si·tive
adj.
Responding excessively to the stimulus of a foreign agent, such as an allergen; abnormally sensitive.



hy
 to the audience's reactions.

``If we see a rustling on the other side of the arena, we start sweating. It's very consciously designed to keep people enthralled en·thrall  
tr.v. en·thralled, en·thrall·ing, en·thralls
1. To hold spellbound; captivate: The magic show enthralled the audience.

2. To enslave.
,'' Bilik said.

``That's the secret weapon, the time control, the pacing. There's something near the end of two hours that's a surprise. It's the same with the circus: You don't know Don't know (DK, DKed)

"Don't know the trade." A Street expression used whenever one party lacks knowledge of a trade or receives conflicting instructions from the other party.
 what's coming next.''

DISNEY ON ICE PRODUCTION OF 'BEAUTY AND THE BEAST'

Where and when: Great Western Forum, Inglewood, Thursday through March 17; Arrowhead Pond of Anaheim, March 20-24.

Tickets: Forum: $10 to $20 general admission, $32 for VIP seats; Arrowhead Pond: $10 to $21 general admission, $35 VIP, $50 front row seats.

Information: Ticketmaster, (213) 480-3232 or (714) 740-2000; www.disneyonice.com.

CAPTION(S):

7 photos

Photo:

(1 -- cover -- color) MICE CAPADES

Disney on Ice brings kids' favorite characters out of cold storage

(2 -- cover -- color) ``Beauty and the Beast''

(3 -- cover -- color) Tarzan in ``Jungle Adventures''

(4 -- color) Belle and the Beast (in his human incarnation) enjoy a happy ending in the Disney on Ice production of ``Beauty and the Beast,'' which comes to the Southland this month.

(5 -- 6 -- color) A Tavern Barrel Jumper, left, gives the ice show a dose of acrobatics acrobatics

Art of jumping, tumbling, and balancing. The art is of ancient origin; acrobats performed leaps, somersaults, and vaults at Egyptian and Greek events. Acrobatic feats were featured in the commedia dell'arte theatre in Europe and in jingxi (“Peking
. Disney on Ice has five other productions running across the country, including ``Jungle Adventures,'' above, featuring Kaa the snake.
COPYRIGHT 2002 Daily News
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2002, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Publication:Daily News (Los Angeles, CA)
Date:Mar 9, 2002
Words:1026
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