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Attending to Women in Early Modern England.


No printed text can altogether replicate the intellectual excitement of a first-rate scholarly conference, but this fascinating volume recaptures much of the energy and scholarly depth of a symposium sponsored by the Center for Renaissance and Baroque Studies at the University of Maryland University of Maryland can refer to:
  • University of Maryland, College Park, a research-extensive and flagship university; when the term "University of Maryland" is used without any qualification, it generally refers to this school
 on 810 November 1990. On that memorable weekend over three hundred scholars - art historians, literary scholars, musicologists A musicologist is someone who studies musicology. An ethnomusicologist is someone who studies ethnomusicology; a zoomusicologist is someone who studies zoomusicology. , and historians from America and abroad - gathered to assess the current state of the new scholarship on early-modern Englishwomen; to consider how scholars trained in radically different disciplinary fields can work together to re-work the wider discipline of sixteenth- and seventeenth-century studies; and to discuss how the new research on women - and indeed the methodologies informing that research - might best be taught.

Participating in the Attending to Women symposium was in itself an experience in feminist pedagogy. Although the conference included four plenary sessions and an evening keynote speaker, its true center was a decentralized de·cen·tral·ize  
v. de·cen·tral·ized, de·cen·tral·iz·ing, de·cen·tral·iz·es

v.tr.
1. To distribute the administrative functions or powers of (a central authority) among several local authorities.
 series of twenty-six workshops, each led by three or four organizers whose task was not to display their own knowledge but to provide material and direction for discussions of topics such as witchcraft (Joan Larsen Klein, Carole Levin, and Barbara Rosen); religious writings (Judith Kegan Gardiner, Mary Ellen Lamb, Lynette McGrath, and Anne Lake Prescott); race and gender (Juliet Fleming, Kim Hall, and Wendy Wall); and women printers (Elaine Kalmar, Lyn Kent, Nati Krivatsy, and Nancy Klein Maguire). In this volume, lively summaries of those twenty-six discussions provide food for thought for readers unfortunate enough to have missed the workshops themselves. Each summary is accompanied by a brief and exceedingly helpful bibliography of related readings. The book as a whole closes with an extensive bibliography of primary and secondary materials "presented as a starting point Noun 1. starting point - earliest limiting point
terminus a quo

commencement, get-go, offset, outset, showtime, starting time, beginning, start, kickoff, first - the time at which something is supposed to begin; "they got an early start"; "she knew from the
 for persons preparing a course on gender in the English Renaissance The English Renaissance was a cultural and artistic movement in England dating from the early 16th century to the early 17th century. It is associated with the pan-European Renaissance that many cultural historians believe originated in northern Italy in the fourteenth century. " (360).

Attending to Women also prints the weekend's keynote speech keynote speech
n.
See keynote address.

Noun 1. keynote speech - a speech setting forth the keynote
keynote address

keynote - the principal theme in a speech or literary work
 and the position papers (and formal responses to them) presented in plenary sessions on Disciplinary Conventions and Interdisciplinary Perspectives; Structuring Public and Private Selves; Visible Women, Invisible Women; and Pedagogy. In the introduction to the volume, Betty Travitsky points to an aspect of the conference that she and the rest of the organizing committee evidently saw as a "problem": "the preponderance of literary scholars among the conferees." This preponderance, which perhaps reflects the actual demographics of scholars now working on early modern Englishwomen, Dr. Travitsky fears "may tilt work in the field - and perhaps tilted work at the conference - too strongly in the direction of literary study" (27). That tilt may be seen in the workshops mentioned above - and also in the wonderfully helpful excerpts of responses to a survey asking participants how they introduce women into traditional survey courses (319-35). But the tilt toward literary analysis is corrected in this book, as it was at the conference itself, by the strong voices of Nanette Salomon and Keith Moxey (art history) and Retha M. Warnicke, Susan Dwyer Amussen, Judith Bennett, and David Cressy (history), who spoke with and against literary scholars Margaret Hannay, Heather Dubrow, Margaret Ferguson, and Jean R. Brink in the plenary sessions, and by Lisa Jardine Lisa Jardine (born Lisa Anne Bronowski, April 12 1944) is a British historian of the early modern period. She is professor of Renaissance Studies at Queen Mary, University of London.

Jardine was educated at Cheltenham Ladies' College and Newnham College, Cambridge.
, whose keynote address keynote address
n.
An opening address, as at a political convention, that outlines the issues to be considered. Also called keynote speech.

Noun 1.
, "Unpicking the Tapestry: The Scholar of Women's History ''This article is about the history of women. For information on the field of historical study, see Gender history.

Women's history is the history of female human beings. Rights and equality
Women's rights refers to the social and human rights of women.
 as Penelope Among the Suitors," argued the need for a completely new historical narrative of early modern England and for a "new history in which women's and men's interventions in past time will weigh equally" (140).

The new historical narrative for which Professor Jardine argued in November 1990 is not yet altogether written, but evidence that it is being drafted can be seen in many places: in articles printed in recent issues of Renaissance Quarterly, new textbooks being published, new courses being taught, and new titles gracing Ph.D. dissertations. It was seen, too, at the University of Maryland in April 1994 when once again some three hundred scholars gathered for yet another extraordinary conference - this time on the happily expanded topic Attending to Women in Early Modern Europe The early modern period is a term used by historians to refer to the period in Western Europe and its first colonies which spans the two centuries between the Middle Ages and the Industrial Revolution. .

ELIZABETH H. HAGEMAN University of New Hampshire New Hampshire, one of the New England states of the NE United States. It is bordered by Massachusetts (S), Vermont, with the Connecticut R. forming the boundary (W), the Canadian province of Quebec (NW), and Maine and a short strip of the Atlantic Ocean (E).  
COPYRIGHT 1996 Renaissance Society of America
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1996, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Author:Hageman, Elizabeth H.
Publication:Renaissance Quarterly
Article Type:Book Review
Date:Dec 22, 1996
Words:667
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