Asplund--at last.GUNNAR ASPLUND Erik Gunnar Asplund (22 September 1885 – 20 October 1940) was a Swedish architect, mostly known as a representative of Swedish neo-classical architecture of the 1920s, and during the last decade of his life as a major proponent of the modernist style which got its By Peter Blundell Jones Peter Blundell Jones AA Dipl MA (Cantab) is a British architect, historian, academic and critic. He trained as an architect at the Architectural Association school, London and has held academic positions at the University of Cambridge and London South Bank University. . London: Phaidon. 2006. [pounds sterling]45 ([pounds sterling]36 special offer) This book does much to redress the lack of attention given to Gunnar Asplund who, following his death in 1940, was described by Alvar Aalto as 'the greatest among architects'. Three years later, the SAR (Segmentation And Reassembly) The protocol that converts data to cells for transmission over an ATM network. It is the lower part of the ATM Adaption Layer (AAL), which is responsible for the entire operation. See AAL. SAR - segmentation and reassembly (the National Association of Swedish Architects This is a list of Swedish architects including in many cases foreign-born architects who have worked in Sweden. : Top - 0–9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A
The only other English language monograph on Asplund is Eric de Mare's slender Gunnar Asplund: a great modern architect published in London in 1955. It, too, is a period piece. And, after that, nothing--until Stuart Wrede's study of the psychological aspects of Asplund's work, The Architecture of Erik Gunnar Asplund, published in 1980. Since then, there have been a number of books in the form of essays and/or studies of selected buildings. Two notable exceptions to this format have been Christina Engfors' E. G. Asplund: architect, friend and colleague--a brilliant collection of interviews with people who worked with Asplund--and the sections on Asplund's buildings in Edward Ford's Details of Modern Architecture, Volume 2. Hence the significance of this book--the first full-length critical study of Asplund and his work. Based on extensive research (Blundell Jones first started writing about Asplund, in The Architects' Journal, nearly twenty years TWENTY YEARS. The lapse of twenty years raises a presumption of certain facts, and after such a time, the party against whom the presumption has been raised, will be required to prove a negative to establish his rights. 2. ago), it is also the first to consider the development of such long-gestated projects as the Gothenburg Law Courts and the Woodland Cemetery For other uses, see Woodland (disambiguation). A woodland cemetery is a cemetery where the original landscape with existing trees has been given much influence on the landscape architecture of the cemetery, and where the graves are fitted in among the trees. in the context of the architect's other contemporaneous projects, the changing discourse and a related theme. For example, the intermediate stages of the Law Courts' development are linked to the unbuilt Gotaplatsen and Royal Chancellery schemes, under the theme of 'The City as Context'. And the Lister Courthouse, Skandia Cinema and Stockholm City Library are considered together with Asplund's use of the Classical tradition, under the theme of 'Rites of Passage'. One of the most interesting results of this approach is to demonstrate the extraordinary closeness between Asplund and his collaborator at the Woodland Cemetery, Sigurd Lewerentz Sigurd Lewerentz (b. Sandö, Sweden, 1885, d. 1975). He was an architect, but initially trained as a mechanical engineer at the Chalmers University of Technology in Gothenburg (1905–8). Later he took up an architectural apprenticeship in Germany. . Blundell Jones points to Asplund's first scheme for the Little Chapel as a precursor of the Chapel of Resurrection and suggests that his contribution to the design of the Cemetery landscape was as significant as that of Lewerentz. A recurring theme throughout this book is the balance that Asplund sought between the specifics of function and those of the site. As one would expect from an author who can now fairly claim to be the principal historian of 'the Other Tradition' (as Colin St John Wilson Sir Colin Alexander St John ("Sandy") Wilson, FRIBA, RA, (14 March 1922 – 14 May 2007) was a British architect, lecturer and author. He spent over 30 years progressing the project to build a new British Library in London, originally planned to be built in Bloomsbury and now has called it), this theme is elegantly and clearly developed in describing the evolution of the built forms. What one regrets is the relative paucity of illustration and discussion of the details that are so much a part of Asplund's buildings and which, through the way they cast light, respond to touch or weather over time, contribute so much to the reactions they evoke in us. This well written and beautifully illustrated book is worth every penny of its [pounds sterling]45 price tag (and is currently on offer at an amazing [pounds sterling]36). It would have been even better value for an extra [pounds sterling]10 and an even more complete picture of an architect who influenced not only Aalto but also Rafael Moneo and James Stirling and whose buildings have stood the test of time as few others have. |
|
||||||||||||||||||||
Printer friendly
Cite/link
Email
Feedback
Reader Opinion