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Arts Diary: THEATRE The Importance of Being Earnest, Royal Exchange, Manchester.


Byline: MALCOLM HANDLEY

OSCAR (Open System for CommunicAtion in Realtime) AOL's internal project name for AOL Instant Messenger (AIM). The core functions of OSCAR, known as the Basic OSCAR Services (BOS), include Login/Logoff, Locate (find out about other AIM users), Instant Message  Wilde's classic ``trivial comedy for serious people'' has been around so long -- and so frequently -- it is in danger of falling victim of the love-it-or-hate it syndrome.

Perhaps more than most plays The Importance of Being Earnest is so familiar almost everyone has a favourite line or favourite quote and, perhaps uniquely, an almost universally recognisable phrase. Who cannot recall the astonished response: ``A hand-bag!''? Of course, this creates its own problems as actors race and stumble toward the tried and trusted and audiences, collectively, will the action along to their own pace.

Director Braham Murray ensures those obstacles are cleared with a sharp, pacey and enjoyable production, which enjoys a slightly subversive, modern thread without losing any of the wit or period elegance.

Part of the enduring charm of the play is its totally improbable plot which -- for those who have not visited this planet recently -- asks us to accept that two beautiful young women could only fall in love with men called Earnest.

Gabrielle Drake Gabrielle Drake (born 30 March, 1944) is a British actress who was born in Lahore, Pakistan and lived in several Far East countries (including Burma where her brother, the late singer/songwriter Nick Drake, was born).  gives a light and bright performance as Lady Bracknell, even managing to manoeuvre her way smartly around the Edith Evans Dame Edith Mary Evans DBE (8 February 1888–14 October 1976) was an Academy Award nominated and Golden Globe award winning actress.

Born in London, the daughter of Edward Evans, a civil servant, and his wife, Caroline Ellen Foster.
 ``handbag'' hurdle -- while the rest of the cast enjoy every witty word of Wilde's timeless dialogue.

Anna Hewson's Gwendolen has a delightfully modern thread and, while Laura Rees risks being a tad too girlie girl·ie also girl·y  
adj. Informal
Featuring minimally clothed or naked women typically in pornographic contexts: girlie magazines.
 in a move aimed at giving the usually subservient Cecily a little more believable intrigue, she manages to add a seductive freshness to proceedings.

With solid performances from Joanna David as Miss Prism, along with Ian Shaw and Jamie De Courcey as the would be Earnests, this production is likely to set a new standard for Wilde classics.

It is an old and familiar favourite, but delivered with such pace and freshness that this is one piece of trivial nonsense guaranteed to ensure Wilde and his wit remains timeless.

It is also certain to bring a whole new audience to a splendidly sublime and hugely enjoyable piece.
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Title Annotation:Features
Publication:Daily Post (Liverpool, England)
Date:Jul 15, 2004
Words:332
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