Arts Diary: Music: Manchester Camerata, Chester Cathedral.Byline: GLYN MON HUGHES ANY visit by the Manchester Camerata to these parts is, sadly, something of a rarity so, if a date is advertised, then it's a virtual must for the diary. It was good, therefore, to see that they took part in the increasingly successful series of classical concerts at Chester Cathedral Chester Cathedral is a Church of England cathedral, mother church for the Diocese of Chester, north-west England. It is a Grade I listed building.[1] History The cathedral is built on Anglo-Saxon foundations dating back to 907. , for which the mainstay is the BBC Philharmonic. What on paper looked like a fairly ordinary concert turned into a thrilling recital, spurred on, no doubt, by the energy and verve of conductor Douglas Boyd. The opening work, Beethoven's First Symphony, opened in a rather dull, clinical way but improved as it went along. The introduction was solid but the movement developed into a lively and fast interpretation. The Andante an·dan·te Music adv. & adj. Abbr. and. In a moderately slow tempo, usually considered to be slower than allegretto but faster than adagio. Used chiefly as a direction. n. An andante passage or movement. felt a little rushed at times while the final two movements were, again, bright and lively. Soloist Tracey Redfern acquit To set free, release or discharge as from an obligation, burden or accusation. To absolve one from an obligation or a liability; or to legally certify the innocence of one charged with a crime. acquit v. ted herself well in Haydn's E flat major Trumpet Concerto. Again, this was a poised and well-rounded performance. The opening of Beethoven's Overture: Coriolan sounded a little untidy but developed into a performance which was as subtle as it was dramatic. The final work - Haydn's last symphony: No 104, the London symphony - sparkled. The first movement provided a subtle combination of piano and forte passages. Most memorable was the highly vivacious minuet minuet (mĭny ĕt`), French dance, originally from Poitou, introduced at the court of Louis XIV in 1650. It became popular during the 17th and 18th cent. and the spirited
finale.
This was a welcome visit by a gifted ensemble. Let's hope they return to Chester soon. |
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