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Anthony Goicolea.


Sets the art world on its ear with disturbing provocative images--of himself

Of all the contemporary artists and writers who have turned their attention to the experiences of boys, few combine emotion and audacity like photographer Anthony Goicolea Anthony Goicolea (born 1971) is a New York-based fine art photographer, born in Atlanta, Georgia.

Goicolea's photographs frequently deal with issues of androgyny, homosexuality, and child sexuality.
. Creating meticulously staged photomurals, he attempts to document the "hazy, bizarre boundary between boyhood and manhood."

One of Goicolea's most startling star·tle  
v. star·tled, star·tling, star·tles

v.tr.
1. To cause to make a quick involuntary movement or start.

2. To alarm, frighten, or surprise suddenly. See Synonyms at frighten.
 tactics is his repeated use of his own face. Wigs, body doubles For the actor's stand-ins, see .

The Body Doubles are DC Comics lesbian villains created by Andy Lanning, Dan Abnett and Jackson Guice.

They first appeared in Resurrection Man #1.
, and computer effects enable him to appear as several different characters in a given tableau, always looking uncannily like a boy on the edge of puberty (in fact, he's 29). This lets him "take narcissistic nar·cis·sism   also nar·cism
n.
1. Excessive love or admiration of oneself. See Synonyms at conceit.

2. A psychological condition characterized by self-preoccupation, lack of empathy, and unconscious deficits in
 fantasies one step further" while nodding cheekily at society's fascination with recent breakthroughs in genetic cloning.

If the preternatural knowingness of Goicolea's boys recalls that of creepy Danny in Stanley Kubrick's The Shining, so much the better. He seeks to evoke fairy tales This is a list of fairy tales, the dates of their earliest known printed version, the author and, if known, the collection of tales in which it was published. It should be noted, however, that not all stories listed below would be categorized as fairy tales by a strict definition  in all their innocence and horror, infusing patently artificial scenes with elements that tug at the viewer's emotions. In this way, he says, "scenes that would normally be considered threatening, dangerous, or repulsive are revealed to be more complex than they initially appear."
COPYRIGHT 2001 Liberation Publications, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2001, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Title Annotation:photographer
Author:E.L.
Publication:The Advocate (The national gay & lesbian newsmagazine)
Article Type:Brief Article
Geographic Code:1USA
Date:Aug 14, 2001
Words:192
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