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Annual bibliography of film studies--2010.

One of the special features of Post Script that we think speaks to its special place in the world of film criticism is this Annual Bibliography of Film Studies. Now in its 29th year, the Annual Bibliography catalogues the most important film commentary, charts the main currents in English-language criticism, and calls attention to new venues for criticism. This year I want to give special note to two of those new venues. One is the Journal of Screenwriting, another in the line of new journals published by Intellect Press, this one uniquely dedicated to exploring the possible methodologies and approaches to studying the scriptwriting form. The other is the resurrected Movie, a venerable effort that began under the late Ian Cameron in 1962 and continued in publication until 2000. It was one of the first English-language journals to advance the auteur principle, and its entries were always marked by rigorous close-readings of films. Both promise to add significantly to the critical discourse.

Another of the Bibliography's offerings is its annual tracking of critical trends. One of the most obvious measures of such trends is the subject matter of journal special issues each year. Among the more noteworthy such issues for 2010, I would point to: the Animation number devoted to the work of Stan VanDerBeek, Film Criticism's double issue on new Romanian Cinema, Film History's number on "Cinema During the Great War," Framework's dossier on transnational women's film history, Science Fiction Film and Television's number on Science Fiction and Music, the Studies in Australasian Cinema's special Baz Luhrmann number, Studies in Documentary Film's reflexive study of documentaries about filmmakers, Velvet Light Trap's celebrity issue, and Post Script's own issues on Vittorio Storaro and on Native American and Indigenous Film. The point that might be underscored here is the very variety of these numbers, for they suggest the enormous richness of current critical activity. Additionally, it is worth noting the usual shifts in critical fashion reflected by the sheer numbers of articles as they cluster in our traditional bibliographic categories.

While the total number of articles is down somewhat over the record number included in last year's Annual Bibliography, there are a few pronounced gains and losses that merit comment. The number of entries in the "Criticism" category more than doubled, and "Video" showed nearly a fifty percent increase. While the "International" category still logged the highest number of entries, it did show a small decline, but the largest negative shifts appear in the areas of "Directors," "Documentary," "Technical," and "Theory." In the case of both "Directors" and "Documentary," that shift continues their decline from 2008 and suggests a marked turn away from critical interest in these areas.

The format employed for the Annual Bibliography remains essentially unchanged from previous years. It is organized around a series of headings that have, almost since this work's inception, proven serviceable for categorizing the majority of film and television scholarship. Each English-language film article receives a single full citation, based on the current MLA style, and many of the entries are also cross-referenced to one or more additional categories. Where necessary, entries have received a brief annotation, and except for the cases of the "Actors/ Actresses" and "Directors" categories, the entries are alphabetized according to the authors' last names. The table of "Periodicals Indexed" that follows--and that continues to expand--contains abbreviations for all of the journals cited in the article listings. And as usual, we invite any suggestions our readers might have for streamlining the format, adding additional journals, or employing other categories, while we also solicit titles of entries for next year's edition.

As in past years, I have been fortunate to be able to call on several colleagues for help in producing this research tool. For their aid in turning up missing journal issues and in assisting in the cataloguing process, I especially want to thank our Editorial Assistant and colleague Lauren Glen, as well as my co-editor Gerald Duchovnay. Without such collaboration, the Bibliography could not be produced in a timely fashion.

PERIODICALS INDEXED

Adaptation--Ad

American Imago--AI

Animation--An

Arizona Quarterly--ArQ

Asian Cinema--AC

Boundary 2--B2

Canadian Journal of Film Studies--CJFS

Canadian Review of

American Studies--CRAS

Cineaste--Cin

Cinema Journal--CJ

College Literature--CL

Communication Quarterly--CQ

Creative Screenwriting--CS

Critical Inquiry--CI

Critical Studies in

Media Communication--CSMC

Criticism--Crit

Cultural Critique--CC

Cultural Studies--CS

Discourse--Dis

Extrapolation--Ex

Film & History--F&H

Film Comment--FC

Film Criticism--FCr

Film History--FH

Filmint--Ft

Film Quarterly--FQ

Framework--Fr

Georgia Review--GR

German Quarterly--GQ

Historical Journal of Film,

Radio, and Television--HJFRTV

Journal of Adaptation in

Film and Performance--JAFP

Journal of Aesthetics and Art Criticism--JAAC

Journal of African Cinemas--JAfC

Journal of American Culture--JAC

Journal of American Studies--JAS

Journal of Chinese Cinemas--JCC

Journal of Communication--JoC

Journal of Film and Video--JFV

Journal of Japanese and Korean Cinem-JJKC

Journal of Popular Culture--JPC

Journal of Popular

Film and Television--JPFT

Journal of Screenwriting JoS

Literature/Film Quarterly--LFQ

Michigan Quarterly Review--MQR

Midwest Quarterly--MQ

Mosaic--Mo

Movie: A Journal of Film Criticism--Mov

Narrative--Nar

New Cinemas--NC

New German Critique--NGC

New Literary History--NLH

October--Oct

PMLA--PMLA

Post Script--PS

Postmodern Culture--PC

Quarterly Review of Film and Video--QRFV

Radical History Review--RHR

Raritan--Rar

Representations--Rep

Science Fiction Film and Television--SFFTV

Screen--Sc

Sight and Sound--SS

South Atlantic Review--SAR

Southern Quarterly--SoQ

Southwest Review--SWR

Studies in Australasian Cinema--SAC

Studies in Documentary Film--SDF

Studies in European Cinema--SEC

Studies in French Cinema--SFC

Studies in Hispanic Cinema--SHC

Studies in Popular Culture--SPC

Studies in Russian

and Soviet Cinema--SRSC

Studies in South Asian Film and Media--SSAFM

SubStance--Sub

Velvet Light Trap--VLT

Western Humanities Review--WHR

ACTORS/ACTRESSES

1. Clooney, G.--James, Nick. "Shadow of a Gunman." SS 20.12 (2010): 28-32. On George Clooney's character Jack in The American.

2. Cruise, T.--DeAngelis, Michael. "Tom Cruise, the 'Couch Incident,' and the Limits of Public Elation." VLT 65 (2010): 42-43.

3. Cyrus, M.--Kincaid, James. "Hannah Montana's Bare, Unprotected Back: Miley Cyrus's Vanity Fair Outing." VLT 65 (2010): 5-6.

4. Dai, L. L.--Hu, Brian. "Star Discourse and the Cosmopolitan Chinese: Linda Lin Dai Takes on the World." JCC 4.3 (2010): 183-210.

5. Darrieux, D.--OMayne, Judith. "Danielle Darrieux, French Female Stardom, and the Occupation." SFC 10.2 (2010): 169-84.

6. Gleason, J.--Sheehan, Steven T. "'Pow! Right in the Kisser': Ralph Kramden, Jackie Gleason, and the Emergence of the Frustrated Working-Class Man." JPC 43.3 (2010): 564-82.

7. Hayek, S.--Shaw, Deborah. "Transforming the National Body: Salma Hayek and Frida." QRFV 27.4 (2010): 299-313.

8. Hopper, D.--King, Noel. "At Least a Witness to Myself: On Watching The American Dreamer After Learning of the Death of Dennis Hopper." SDF 4.2 (2010): 109-18.

9. Huppert, I.--Dupont, Joan. "Still Waters." FC 46.6 (2010): 34-38, 40-41. Interview with French actress Isabelle Hupport.

10. Jackson, M.--Gates, Racquel J. "Reclaiming the Freak: Michael Jackson and the Spectacle of Identity." VLT 65 (2010): 3-4.

11. Kinski, K.--Horrocks, Adrian. "Klaus Kinski: The Outsider, Decadent and Libertine Reduced to the Status of Playing Genre Villains." Ft 8.2 (2010): 37-48.

12. Monroe, M.--Sonnet, Esther. "Girl in the Canoe: History, Teleology and the Work of Star Construction in the Early Roles of Marilyn Monroe." Sc 51.1 (2010): 54-70.

13. Railsback, S.--Hartley, Mark. "Steve Railsback Interviewed." SAC 4.1 (2010): 81-86.

14. Verhoeven, Deb. "It Was an Experience That Totally Blew Up in My Face: Steve Railsback and Turkey Shoot." SAC 4.1 (2010): 73-80. Looks at Railsback's work on the horror film.

15. Ringwald, M.--Bleach, Anthony C. "Postfeminist Cliques?: Class, Postfeminism, and the Molly Ringwald-John Hughes Films." CJ 49.3 (2010): 24-44.

16. Rourke, M.--Walsh, Keri. "Why Does Mickey Rourke Give Pleasure?" CI37.1 (2010): 131-62.

17. Schwarzenegger, A.--Thimsen, A. Freya. "Populist Celebrity in the Election Campaigns of Jesse Ventura and Arnold Schwarzenegger." VLT 65 (2010): 44-57.

18. Spears, B.--Luckett, Moya. "Toxic: The Implosion of Britney Spears's Star Image." VLT 65 (2010): 39-41.

19. Valentino, R.--Slater, Thomas J. "June Mathis's Valentino Scripts: Images of Male 'Becoming' After the Great War." CJ 50.1 (2010): 99-120.

20. Wayne, J.--Rawlins, Justin Owen. "This is(n't) John Wayne: The Miscasting and Performance of Whiteness in The Conqueror." QRFV 27.1 (2010): 14-26.

21. Misc.--Gates, Philippa. "Acting His Age?: The Resurrection of the '80s Action Heroes and Their Aging Stars." QRFV 27.4 (2010): 276-89.

22. King, Barry. "Stardom, Celebrity, and the Money Form." VLT 65 (2010): 7-19.

23. Jaikumar, Priya. "Slumdog Celebrities." VLT 65 (2010): 22-24. On child actors in India.

24. Negra, Diana. "Brangelina: The Fertile Valley of Celebrity." VLT 65 (2010): 60-61.

Also see the following entries: 69, 84, 172, 177, 286.

ANIMATION

25. Anon. "'I Knew I Should've Taken That Left Turn at Albuquerque': The Warner Bros. Cartoon Down Under." SAC 4.3 (2010): 267-82.

26. Bartlett, Mark. "Statements on VanDerBeek from Artists, Filmmakers, TV Producers, Historians, and Scientists." An 5.2 (2010): 197-222. A collection of comments on the work of the experimental animator.

27. --. "Strategic Canonization and the Audio-Vision-ary Pragmatics of Stan VanDerBeek's Culture: Intercom." An 5.2 (2010): 149-72.

28. --. "Violence Sonata, Simulcast at WGBH, Boston, MA, Channels 2 and 44, 12 January 1970." An 5.2 (2010): 121-48. On Stan VanDerBeek's experimental efforts.

29. Blackledge, Olga. "Violence, Chases and the Construction of Bodies in American and Soviet Animated Series." An 5.1 (2010): 41-56.

30. Buchan, Suzanne. "'A Curious Chapter in the Manual of Animation': Stan VanDerBeek's Animated Spatial Politics." An 5.2 (2010): 173-96.

31. Ellis, Jonathan. "The Art of Anime: Freeze-frames and Moving Pictures in Miyazaki Hayao's Kiki's Delivery Service." JJKC 2.1 (2010): 21-34.

32. Feyersinger, Erwin. "Diegetic Short Circuits: Metalepsis in Animation." An 5.3 (2010): 279-94.

33. Hernandez, Maria Lorenzo. "A Film of One's Own: The Animated Self-Portraits of Young Contemporary Female Animators." An 5.1 (2010): 73-90.

34. Kirkland, Ewan. "The Politics of Powerpuff: Putting the 'Girl' into 'Girl Power.'" An 5.1 (2010): 9-24.

35. Krueger, Rex. "Aaron McGruder's The Boondocks and Its Translation from Comic Strip to Animated Series." An 5.3 (2010): 313-30.

36. Lester, Neal A. "Disney's The Princess and the Frog: The Pride, the Pressure, and the Politics of Being a First." JAC 33.4 (2010): 294-308.

37. Metz, Walter. "Down Kerouac's Road to Pixar's Up." FCr 35.1 (2010): 60-81.

38. Morton, Drew. "Sketching Under the Influence? Winsor McCay and the Question of Aesthetic Convergence Between Comic Strips and Film." An 5.3 (2010): 295-312

39. Neuhaus, Jessamyn. "Marge Simpson, Blue-Haired Housewife: Defining Domesticity on The Simpsons." JPC 43.4 (2010): 761-81.

40. Oakes, Brian. "Building Films for Business: Jamison Handy and the Industrial Animation of the Jam Handy Organization." FH 22.1 (2010): 95-107.

41. Pallant, Chris. "Disney-Formalism: Rethinking 'Classic Disney.'" An 5.3 (2010): 341-52.

42. --. "Neo-Disney: Recent Developments in Disney Feature Animation." NC 8.2 (2010): 103-17.

43. Patterson, Zabet. "Poemfields and the Materiality of the Computational Screen." An 5.2 (2010): 243-62.

44. Sperb, Jason. "Reassuring Convergence: Online Fandom, Race, and Disney's Notorious Song of the South." CJ 49.4 (2010): 25-45.

45. Stults, Chris. "Collective Unconscious." FC 46.3 (2010): 58-60, 62-63. Looks at narrative structure in the work of collage animator and experimentalist Lewis Klahr.

46. Telotte, J. P. "Disney's Alice Comedies: A Life of Illusion and the Illusion of Life." An 5.3 (2010): 331-40.

47. --. "Disney's Cows, the Mouse, and the Modernist Moment." Sc 51.3 (2010): 219-31.

48. --. "Man and Superman: The Fleischer Studio Negotiates the Real." QRFV 27.4 (2010): 290-98.

49. Uroskie, Andrew. "From Pictorial Collage to Intermedia Assemblage: Variations V (1965) and the Cagean Origins of VanDerBeek's Expanded Cinema." An 5.2 (2010): 223-41.

50. Walden, Elizabeth. "Heavy as a Feather: On Agnieszka Woznicka's Birdy, Object Animation, and the Moral Gravity of Things." An 5.1 (2010): 57-71.

Also see the following entry: 349.

CENSORSHIP

51. Bose, Nandana. "The Central Board of Film Certification Correspondence Files (1992-2002): A Discursive Rhetoric of Moral Panic, 'Public' Protest, and Political Pressure." CJ 49.3 (2010): 67-87. Examines censorship actions in India.

52. Chen, Jian. "Sex Without Friction: the Limits of Multi-Mediated Human Subjectivity in Cheang Shu Lea's Tech-Porn." PC 20.2 (2010): np.

53. Erickson, Mary P. "'In the Interest of the Moral Life of Our City': The Beginning of Motion Picture Censorship in Portland, Oregon." FH 22.2 (2010): 148-69.

54. Lenk, Sabine. "Censoring Films in Dusseldorf During the First World War." FH 22.4 (2010): 426-39.

Also see the following entry: 527.

CRITICISM (includes Bibliographies)

55. Atkinson, Michael. "Diamonds in the Rough." SS 20.2 (2010): 41-42. Surveys American films of the last decade and argues the decade has seen only momentary crests of brilliance.

56. Bordwell, David. "Big Appetites, Small Portions." FH22.3 (2010): 257-64. On the problem of getting film books properly reviewed.

57. Brunick, Paul. "The Living and the Dead." FC 46.4 (2010): 36-39. The first of a two-part series discusses the practice of film criticism in 2010.

58. --. "We Have the Technology." FC 46.5 (2010): 34-37. The second of a two-part series discussing film criticism in 2010.

59. Imanjaya, Ekky. "Publications on Indonesian Cinema." AC 21.2 (2010): 163-74.

60. James, Nick. "Syndromes of a New Century." SS 20.2 (2010): 34-35, 37-38. A round table discussion of the SS editors lists and discusses the characteristics of the most important films in the first decade of the 21st century.

61. Lent, John A. "Recent Publications on Asian Cinema." AC 21.2 (2010): 339-50.

62. Naremore, James. "Films of the Year, 2009." FQ 63.4 (2010): 18-32.

63. Robe, Christopher. "The Good Right: The Spanish Civil War and U.S. Left Film Criticism." Fr 51.1 (2010): 79-107.

64. Romney, Jonathan. "In Search of Lost Time." SS 20.2 (2010): 43-44. The writer explores the current embrace of "slow cinema" by critics and film festivals.

65. Slide, Anthony. "A Publishing Phenomenon That Begins and Ends with Scarecrow Press." FH 22.3 (2010): 298-308. On the contribution to film scholarship of presses like Scarecrow, Garland, and Greenwood.

66. Telotte, J. P. "Annual Bibliography of Film Studies--2009." PS 30.1 (2010):

66-98.

Also see the following entries: 557, 616, 655.

DIGITAL MEDIA

67. Allison, Tanine. "The World War II Video Game, Adaptation, and Postmodern History." LFQ 38.3 (2010): 183-93.

68. Aslinger, Ben. "Video Games for the 'Next Billion': The Launch of the Zeebo Console." VLT 66 (2010): 15-25.

69. Bode, Lisa. "No Longer Themselves?: Framing Digitally Enabled Posthumous 'Performance.'" CJ 49.4 (2010): 46-70.

70. Bubb, Jeremy. "From Three Acts to Three Screens: The Signficance of the Role of Writing in a New Media Film Project." JoS 1.2 (2010): 357-74.

71. Daly, Kristen. "Cinema 3.0: The Interactive-Image." CJ50.1 (2010): 81-98. Examines ways in which the cinema is taking on the characteristics of new media.

72. Gomez-Calderon, Maria Jose. "'My Name is Beowulf': An Anglo-Saxon Hero on the Internet." JPC 43.5 (2010): 988-1003. Includes a discussion of the character's portrayal on film and television.

73. Jackson, Kathy Merlock. "A Celebration That Defined a Generation: Grant Park, New Media, and Barack Obama's Historic Victory of the US Presidency." JAC 33.1 (2010): 40-51.

74. Lang, Anouk. "'The Status is Not Quo!': Pursuing Resolution in Web-Disseminated Serial Narrative." Nar 18.3 (2010): 367-81. Examines the workings of Joss Whedon's Dr. Horrible's Sing-Along Blog.

75. Moore, Michael Ryan. "Adaptation and New Media." Ad 3.2 (2010): 179-92.

76. Whissel, Kristen. "The Digital Multitude." CJ 49.4 (2010): 90-110. Looks at the use of digital technology to create crowds and replicate images.

Also see the following entries: 43, 44, 135, 344, 347, 349, 660, 697.

DIRECTORS

77. Almodovar, P.--Ohi, Kevin. "Voyeuristo and Annunciation in Almodovar's Talk to Her." Crit 51.4 (2010): 521-57. Altman, R.--See entry under Vidor, K.

78. Arnold, J--Wiesenfeldt, Gerhard. "Dystopian Genesis: The Scientist's Role in Society, According to Jack Arnold." F&H 40.1 (2010): 58-74.

79. Ashby, H.--Haspel, Paul. "Being There in the Nation's Capital: Hal Ashby's Subversive Take on the Washington, D.C., Movie." PS 30.1 (2010): 3-20.

80. Bergman, I.--Lomillos, Miguel. "Artistic Testament or Final Exorcism?: Passion and Tragedy in Bergman's Saraband." Fr 51.2 (2010): 248-72.

81. Bigelow, K. Benson-Allott, Caetlin. "Undoing Violence: Politics, Genre, and Duration in Kathryn Bigelow's Cinema." FQ 64.2 (2010): 33-43.

82. Breillat, C.--Taubin, Amy. "Blood Sisters." FC 46.2 (2010): 41-44. Interview with filmmaker Catherine Breillat on her film Barbe Bleue.

83. Bresson, R.--Balsom, Erika. "'One Single Mystcry of Persons and Objects': The Erotics of Fragmentation in Au Hasard, Balthazar." CJFS 19.1 (2010): np.

84. Bunuel, L.--Jones, Julie. "A Dialog with Sele Luis Bunuel's Dramatization of Identity in Four Characters Played by Fernando Rey." Cin 35.4 (2010): 32-37.

85. Burton, T.--Newman, Kim. "Go Ask Alice." SS 20.4 (2010): 32-4. The writer charts the connections between Tim Burton's and Lewis Carroll's imaginary worlds.

86. Riley, Brian Patrick. "'It's Man Devouring Man, My Dear': Adapting Sweeney Todd for the Screen." LFQ 38.3 (2010): 205-16.

87. Cameron, J.--Seegart, Alf. "Till We Have [Inter]Faces: The Cybercultural Ecologics of Avatar." WHR 64.2 (2010): 112-31.

88. Capra, E--McBride, Joseph. "Capra Before He Became 'Capraesque.'" SS 20.12 (2010): 44-47, 49. On the early work of Frank Capra.

89. Coen Bros.--Klinger, Barbara. "Becoming Cult: The Big Lebowski, Replay Culture and Male Fans." Sc 51.1 (2010): 1-20.

90. McCarthy, Margaret. "They were Threatening Castration, Man: Germans in The Big Lebowski." JPC 43.5 (2010): 1048-64.

91. Coppola, F.F.--Reed, Thomas L., Jr. "'Belle et le Vampire': Focus and Fidelity in Bram Stoker's Dracula." LFQ 38.4 (2010): 289-310.

92. Roddick, Nick. "Back to Basics." SS 20.7 (2010): 28-30. On Francis Ford Coppola's turn away from the Hollywood studio system.

93. Coppola, S.--Hovland, Ceri. "We felt that if we kept looking hard enough, we might begin to understand how they were feeling and who they were: Point of View and Performance in The Virgin Suicides." JAFP 3.3 (2010): 259-70.

94. Kennedy, Todd. "Off with Hollywood's Head: Sofia Coppola as Feminine Auteur." FCr 35.1 (2010): 37-59.

95. Rapold, Nicolas. "Living in the Limelight." FC 46.6 (2010): 30-33. Interview with Sofia Copolla.

96. Cuaron, A.--Amago, Samuel. "Ethics, Aesthetics and the Future in Alfonso Cuaron's Children of Men." Dis 32.2 (2010): 212-35.

97. Dante, J.--Charity, Tom. "The Niceties." SS 20.10 (2010): 26-27. On filmmaker Joe Dante.

98. Dash, J.--Martin, Michael T. "'I Do Exist': From 'Black Insurgent' to Negotiating the Hollywood Divide--A Conversation with Julie Dash." CJ 49.2 (2010): 1-16.

99. DeMille, C.B.--Morey, Anne. "A New Eroticism or Merely a New Woman?: Cecil B. DeMille's Adaptation of Alice Duer Miller's Manslaughter." Fr 51.2 (2010): 388-403.

Demy, J.--See entry under Varda, A.

100. Denis, C.--Ratner, Megan. "Moving Toward the Unknown Other: An Interview with Claire Denis." Cin 36.1 (2010): 36-40.

101. Dziga-Vertov.--Power, Nina. "Vertov's World." FQ 63.4 (2010): 65-69.

102. Egoyan, A.--Wilson, Emma. "Desire and Technology: An Interview with Atom Egoyan." FQ 64.1 (2010): 29-37.

Eisenstein, S.--See entry under Kurosawa, A.

103. Endfield, C.--Neve, Brian. "Inflation (1943) and the Blacklist: The Disrupted Film Career of Cy Endfield." HJFRTV 30.4 (2010): 515-28.

104. Fassbinder, R.W.--Chirico, David. "In a Month of Thirteen Films: A Fassbinder Diary." SEC 7.1 (2010): 37-50.

105. Mazierska, Ewa. "Escape into a Different Person, Escape into a Different Reality: Despair by Vladimir Nabokov and Rainer Werner Fassbinder." JAFP 3.1 (2010): 29-42.

106. Fellini, F.--Marshall, Lee. "Vicious Appetites." SS 20.5 (2010): 28-31. On misinterpretations of Fellini's La dolce vita.

107. Fincher, D.--Allen, Valerie. "Se7en: Medieval Justice, Modern Justice." JPC 43.6 (2010): 1150-72.

108. Ford, J.--Bosworth, David. "Saving the Appearances: John Ford's Rescripting of the American Mythos." GR 64.2 (2010): 293-319.

109. Cassano, Graham. "'The Last of the World's Afflicted Race of Humans Who Believe in Freedom': Race, Colonial Whiteness and Imperialista in John Ford and Dudley Nichols's The Hurricane." JAS 44.1 (2010): 117-36.

110. Godard, J.-L.--Mazierska, Ewa. "Searching for Alternatives: The Evolution of the Motif of Work in Jean-Luc Godard's Cinema in the Years 1972-1982." SEC 7.3 (2010): 209-20.

111. Greengrass, P.--Greenlaw, Duncan. "'Until Justice is Done': Authenticity and Memory in Paul Greengrass's Bloody Sunday and United 93." CJFS 19.2 (2010): np.

112. Smith, Gavin. "Chaos Theory." FC 46.2 (2010): 26-33. Interview with Paul Greengrass regarding his film Green Zone.

113. Griffith, D. W.--Fusco, Katherine. "Taking Naturalism to the Moving Picture Show: Frank Norris, D. W. Griffith, and Naturalist Editing." Ad 3.2 (2010): 155-78.

114. Lennig, Arthur. "'There is a tragedy going on here which I will tell you later': D. W. Griffith and Abraham Lincoln." FH 22.1 (2010): 41-72.

115. Stokes, Melvyn. "Race, Politics, and Censorship: D. W. Griffith's The Birth of a Nation in France, 1916-1923." CJ 50.1 (2010): 19-38.

116. Haggis, P.--Foundas, Scott. "Tipping Points." FC 46.6 (2010): 26-29. On spectator manipulation in Paul Haggis' The Next Three Days.

117. Haneke, M.--Aston, James. "The (Un) Spectacle of the Real: Forwarding an Active Spectator in Michael Haneke's Le temps du loup/Time of the Wolf (2003)." SEC 7.2 (2010): 109-22.

118. Stewart, Garrett. "Pre-War Trauma: Haneke's The White Ribbon." FQ 63.4 (2010): 40-47.

119. Williams, James S. "Aberrations of Beauty: Violence and Cinematic Resistance in Haneke's The White Ribbon." FQ 63.4 (2010): 48-55.

120. Harlan, V.--Jones, Kent. "Truth or Consequences." FC 46.3 (2010): 49-53. On three films from different moments in history that highlight Veit Harlan's legacy.

121. Haynes, T.--Bennett, Chad. "Flaming the Fans: Shame and the Aesthetics of Queer Fandom in Todd Haynes's Velvet Goldmine." CJ 49.2 (2010): 17-39.

122. Smith, Jacob. "A Town Called Riddle: Excavating Todd Haynes's I'm Not There." Sc 51.1 (2010): 71-78.

123. Herzog, W.--Tyree, J. M. "Treme vs. The Bad Lieutenant." FQ 64.1 (2010): 23-28.

124. Hitchcock, A.--Cavallero, Jonathan J. "Hitchcock and Race: Is the Wrong Man a White Man?" JFV 62.4 (2010): 3-14.

125. Daniel-Richard, Debra. "The Dance of Suspense: Sound and Silence in North by Northwest." JFV 62.3 (2010): 53-60.

126. Genter, Robert. "'We Ali Go a Little Mad Sometimes': Alfred Hitchcock, American Psychoanalysis, and the Construction of the Cold War Psychopath." CRAS 40.2 (2010): 133-62.

127. Kendrick, James. "Disturbing New Pathways: Psycho and the Priming of the Audience." JPFT 38.1 (2010): 2-9.

128. Mackenzie, Gina M, and Daniel T. O'Hara. "The Vision of Voice in James and Hitchcock." B2 37.3 (2010): 16777.

129. Matthews, Kristin L. "Reading, Guidance, and Cold War Consensus in Alfred Hitchcock's Rope." JPC 43.4 (2010): 738-60.

130. Miller, D. A. "Hitchcock's Hidden Pictures." CI 37.1 (2010): 106-30.

131. Holofcener, N.--Spines, Christine. "Pursuits of Happiness." FC 46.2 (2010): 35-38. On recent work of Nicole Holofcener.

132. Hopper, D. Atkinson, Michael. "You Wanna Go for a Ride?" SS 20.8 (2010): 27-29. On actor/director Dennis Hopper. Hughes, J.--See entry in Actors/Actresses under Ringwald, M.

133. Jarmusch, J.--James, Nick. "Mystery Training." SS 20.1 (2010): 14-15, 17. On the surrealist influence on Jarmusch's latest film The Limits of Control.

134. Keiller, P.--Power, Nina. "Ghost of the Fields: An Interview with Patrick Keiller." FQ 64.2 (2010): 44-49.

135. Kiarostami, A.--Krzych, Scott. "Auto-Motivations: Digital Cinema and Kiarostami's Relational Aesthetics." VLT 66 (2010): 26-35.

136. Martin, Adrian. "The Wind Will Carry Him." SS 20.9 (2010): 39-41. On Iranian filmmaker Abbas Kiarostami.

137. Kubrick, S.--Giovannelli, Alessandro. "Cognitive Value and Imaginative Identification: The Case of Kubrick's Eyes Wide Shut." JAAC 68.4 (2010): 355-66.

138. Kolker, Robert. "Rage for Order: Kubrick's Fearful Symmetry." Rar 30.1 (2010): 50-67.

139. Ransom, Amy J. "Opening Eyes Wide Shut: Gente, Reception, and Kubrick's Last Film." JFV 62.4 (2010): 31-46.

140. Rieder, John. "The Return to the Frontier in the Extraordinary Voyage: Verne's The Mysterious Island and Kubrick's 2001: A Space Odyssey.'" Ex 51.2 (2010): 201-15.

141. Urbainczyk, Theresa. "Spartacus: A Hero Turns 50." Ft 8.3 (2010): 7-13.

142. Kurosawa, A.--DeLannoy, Yuna. "Revisiting Kurosawa Akira's The Idiot: A Comparison with Sergei Eisenstein." JJKC 2.1 (2010): 3-20.

143. Galbraith, Stuart, IV. "Misadventures in Hollywood." SS 20.7 (2010): 40-41. On Kurosawa's foray into Hollywood filmmaking.

144. Jacoby, Alexander. "Disputed Territories." SS 20.7 (2010): 38-40. On Kurosawa's attitude toward the post-war Allied occupation of Japan in two films.

145. Solovieva, Olga V. "The Erase Grave of Dersu Uzala: Kurosawa's Cinema of Memory and Mourning." JJKC 2.1 (2010): 63-80.

146. LaBute, N.--Keetley, Dawn. "Bodies and Morals: Hawthorne's 'The Birthmark' and Neil LaBute's The Shape of Things." LFQ 38.1 (2010): 16-28.

147. Lean, D.--Smith, Adrian. "The Dawn of the Jet Age in Austerity Britain: David Lean's The Sound Barrier (1952)." HJFRTV 30.4 (2010): 487-514.

148. Lee, S.--Harrison-Kahan, Lori. "Inside Inside Man: Spike Lee and Post-9/11 Entertainment." CJ 50.1 (2010): 39-58.

149. Leigh, M.--Cardullo, Bert. "'Making People Think is What It's All About': An Interview with Mike Leigh." CJ 50.1 (2010): 1-18.

150. Leone, S.--McClain, William. "Western, Go Home! Sergio Leone and the 'Death of the Western' in American Film Criticism." JFV 62.1-2 (2010): 52-66.

151. Linklater, R.--Harrod, Mary. "The Aesthetics of Pastiche in the Work of Richard Linklater." Sc 51.1 (2010): 21-37.

152. Mann, Douglas. "Buddhists, Existentialists, and Situationists: Waking up in Waking Life." JFV 62.4 (2010): 15-30.

153. Luhrmann, B.--Conor, Liz. "A Nation So Ill-Begotten: Racialized Childhood and Conceptions of National Belonging in Xavier Herbert's Poor Fellow My Country and Baz Luhrmann's Australia." SAC 4.2 (2010): 97-114.

154. Haag, Oliver. "Tasteless, Romantic and Full of History: The German Reception of Australia and Rabbit-Proof Fence." SAC 4.2 (2010): 115-30.

155. Jayamanne, Laleen. "The Drover's Wives and Camp Couture: Baz Lurhmann's Preposterous National Epic." SAC 4.2 (2010): 131-44. Looks at Lurhmann's camp aesthetic and its place in his Australia.

156. Kevin, Catherine. "Solving the Problem of the Motherless Indigenous Child in Jedda and Australia: White Maternal Desire in the Australian Epic Before and After Bringing Them Home." SAC 4.2 (2010): 145-58.

157. Morton, John. "Redeeming the Bastard Child: Exploring Legitimacy and Contradiction in Australia." SAC 4.2 (2010): 159-72.

158. Stadler, Jane, and Peta Mitchell. "Never-Never Land; Affective Landscapes, the Touristic Gaze and Heterotopic Space in Australia." SAC 4.2 (2010): 173-86.

159. Lynch, D.--Hume, Kiel. "Politicizing Lynch/Lynching Politics: Reification in Blue Velvet and Wild at Heart." QRFV 27.3 (2010): 219-28.

160. Mallick, T.--Rhym, John. "The Paradigmatic Shift in the Critical Reception of Terrence Malick's Badlands and the Emergence of a Heideggerian Cinema." QRFV 27.4 (2010): 255-66.

161. Mann, M.--Arnett, Robert. "The American City as Non-Place: Architecture and Narrative in the Crime Films of Michael Mann." QRFV 27.1 (2010): 44-53.

162. Micheaux, O.--Green, J. Ronald. "Sophistication under Construction: Oscar Micheaux's Infamous Sound Films." Fr 51.1 (2010): 151-63.

163. Moore, M.--Spence, Louise. "Working-Class Hero: Michael Moore's Authorial Voice and Persona." IPC 43.2 (2010): 368-80.

164. Nolan, C.--Gallego, Carlos. "Coordinating Contemporaneity: (Post)Modernity, 9/11, and the Dialectical Imagery of Memento." CC 75 (2010): 31-64.

165. Taubin, Amy. "Dream Work." FC 46.4 (2010): 30-35. Interview with Christopher Nolan regarding his film Inception.

166. Oshima, N.--Nowell-Smith, Geoffrey. "Oshima Revisited." FQ 64.2 (2010): 19-23. Career overview.

167. Pasolini, P.--Casarino, Cesare. "The Southern Answer: Pasolini, Universalism, Decolonization." CI 36.4 (2010): 673-96.

168. Porter, S.--Mayer, Sophie. "Across the Great Divide." SS 20.1 (2010): 42-45. On the films of Sally Porter.

169. Powell, M.--Fuller, Graham. "Fear in the Mirror." SS 20.12 (2010): 24-26. On voyeurism in Powell's Peeping Tom.

170. Rafelson, B.--Thompson, David. "One for the Road." SS 20.9 (2010): 3234. On Bob Rafelson's films Five Easy Pieces (1970) and The King of Marvin Gardens (1972).

171. Reed, C.--Craig, Siobhan. "The Third Man and the Wilder Side of Rubble." QRFV 27.3 (2010): 193-209.

172. Reitman, J.--James, Nick. "No Place Like Home." SS 20.2 (2010): 30-33. On writer-director Reitman's Up in the Air, with a focus on the character Ryan Bingham, played by George Clooney.

173. Renais, A.--Crowdus, Gary, and Richard Porton. "An Auteur in Spite of Himself: An Interview with Alain Resnais." Cin 35.3 (2010): 6-9.

174. Reynolds, Anthony. "Toward a Sovereign Cinema: Georges Bataille's Hiroshima mon amour." LFQ 38.4 (2010): 311-22.

175. Romney, Jonathan. "The Enigma of Alain Resnais." SS 20.7 (2010): 44-45. On Resnais' Wild Grass.

176. Renoir, J.--Bowles, Brett. "Becoming a Franco-American: Jean Renoir, the Second World War, and A Salute to France." SFC 10.2 (2010): 111-24.

177. Richardson, T.--Gaunson, Stephen. "International Outlaws: Tony Richardson, Mick Jagger and Ned Kelly." SAC 4.3 (2010): 255-66.

178. Rohmer, E.--Grosoli, Marco. "Rohmer's Les amours d'Astre et de Celadon as a Systematical Synthesis for Bazin's Space-Based Adaptation Theory." JAFP 3.2 (2010): 115-28.

179. Rossellini, R.--Luzzi, Joseph. "Rossellini's Cinema of Poetry: Voyage to Italy." Ad 3.2 (2010): 61-81.

180. Sayles, J.--Barrera, Cordelia. "Border Theory and the Politics of Place, Space, and Memory in John Sayles's Lone Star." QRFV 27.3 (2010): 210-18.

181. Scorsese, M.--Fuller, Graham. "Island of Lost Souls." SS 20.4 (2010): 16-20. On Scorsese's Shutter Island and its homage to classical cinema.

182. Haenni, Sabine. "Geographies of Desire: Postsocial Urban Space and Historical Revision in the Films of Martin Scorsese." JFV 62.1-2 (2010): 67-85.

183. Pierce, Nev. "Rooting for the Bad Guys: A Look Back at Goodfellas." CS 17.6 (2010): 41-45. Screenwriter Nicholas Pileggi recalls his work on this film.

184. Shyamalan, M. N.--Pomerance, Murray. "What Ever is Happening to M. Night Shyamalan: Meditation on an 'Infection' Film." Ft 8.1 (2010): 34-46.

185. Siodmak, R.--Schlotterbeck, Jesse. "Killing Noir?: The Adaptation of Robert Siodmak's The Killers to Radio." JAFP 3.1 (2010): 59-70.

186. Skolimowski, J.--Radovic, Rajko. "Master of Ambiguity: A Conversation with Jerzy Skolimowski." Ft 8.5 (2010): 23-28.

187. Sternberg, J. v.--Baxter, John. "Berlin Year Zero: The Making of The Blue Angel." Fr 51.1 (2010): 164-89.

188. Thompson, David. "Von Sternberg-Six Chapters in Search of an Auteur." SS 20.1 (2010): 38-41.

189. Stroheim, E.v.--Porter, Elliot Einzig. "'The Two Vons: The World War 1 Secret Government Investigation of Erich von Stroheim." FH 22.3 (2010): 329-46.

190. Szabo, I.--Gardiner, John. "Istvan Szabo's Taking Sides (2001) and the Denazification of Wilhelm Furtwangler." HJFRTV 30.1 (2010): 95-109.

191. Tarkovsky, A.--Foster, David. "Where Flowers Bloom But Have No Scent: The Cinematic Space of the Zone in Andrei Tarkovsky's Stalker." SRSC 4.3 (2010): 307-20.

192. Slevin, Tom. "Existence, Ethics and Death in Andrei Tarkovsky's Cinema: The Cultural Philosophy of Solaris." Ft 8.2 (2010): 49-62.

193. Toumeur, J. Pippin, Robert. "Philosophical Film: Trapped by Oneself in Jacques Tourneur's Out of the Past." NLH 41.3 (2010): 517-48.

194. Trier, L. von--Ogden, Benjamim "How Lars von Trier Sees the World: Postmodernism and Globalization in The Five Obstructions." QRFV 27.1 (2010): 54-68.

195. Perkins, Claire. "In Treatment: The Five Obstructions." SDF 4.2 (2010): 149-58.

196. Tykwer, T.--Roth, Elaine. "The Pursuit of Subjectivity: An Interview with Tom Tykwer." QRFV27.3 (2010): 169-77.

197. Varda, A.--Conway, Kelley. "Varda at Work: Les Plages d'Agns." SFC 10.2 (2010): 125-40.

198. Danks, Adrian. "Living Cinema: The Demy Films of Agnes Varda." SDF 4.2 (2010): 159-72.

199. Vidor, K.--Hrezo, Margaret, and William E. Hrezo. "The Politics of the 'Open' Self: America in the Cinemas of King Vidor and Robert Altman." SPC 32.2 (2010): 67-84.

200. Visconti, L.--Bolongaro, Eugenio. "Representing the Un(re)presentable: Homosexuality in Luchino Visconti's Rocco and His Brolhers." SEC 7.3 (2010): 221-34.

201. Welles, O.--Barnett, Vincent L. "Cutting Koerners: Floyd Odlum, the Atlas Corporation and the Dismissal of Orson Welles from RKO." FH 22.2 (2010): 182-98.

202. Wilder, B.--Bathrick, David. "Billy Wilder's Cold War Berlin." NGC 110 (2010): 31-47.

203. Winterbottom, M.--Fuller, Graham. "The Brutal Truth." FC 46.3 (2010): 3437. On The Killer Inside Me.

204. McGill, Hannah. "Inside Out." SS 20.6 (2010): 40-42. On Winterbottom's adaptation of The Killer Inside Me.

Also see the following entries: 15, 210, 219, 228, 239, 321,399, 412, 416, 419, 440, 452, 479, 489, 493, 498, 546, 554, 560, 599, 611, 625, 641, 654.

DOCUMENTARY

205. Abel, Richard. "Charge and Countercharge: 'Documentary' War Pictures in the USA, 1914-1916." FH 22.4 (2010): 366-88.

206. Austin, Thomas. "Damaged Bodies in Documentary: Black Sun and The Fog of Truth." SDF 4.1 (2010): 51-64.

207. Berman, Wendi. "Documentary Filmmaking: Re-Manufacturing Memory." SoQ 47.2 (2010): 122-31. Examines the nature of first-person documentary.

208. Boser, Ursula. "Preserving the Wall's Ambivalence: Language, Structure, and History in Jurgen Bottcher's Die Mauer." SDF 4.1 (2010): 79-90.

209. Butter, Michael, and Lisa Retterath. "From Alerting the World to Stabilizing Its Own Community: The Shifting Cultural Work of the Loose Change Films." CRAS 40.1 (2010): 25-40.

210. Combs, Richard. "To Hell and Back." FC 46.6 (2010): 50-52. On the documentary film Henri-Georges Clouzot's Inferno.

211. Cook, John R. "Don't Forget to Look into the Camera!: Peter Watkins' Approach to Acting with Facts." SDF 4.3 (2010): 227-40.

212. Cooper, Sarah. "Looking Back, Looking Onwards: Selflessness, Ethics, and French Documentary." SFC 10.1 (2010): 57-68.

213. Crowdus, Gary. "First Thing We Do, Let's Jail All the Wall Street Bankers!: An Interview with Charles Ferguson." Cin 36.1 (2010): 41-45. Focuses on the documentarian's new film Inside Job.

214. Garcia, Maria. "La Danse and the Rhythms of Institutions: An Interview with Frederick Wiseman." Cin 35.2 (2010): 12-16.

215. Gauthier, Jennifer L. "Dismantling the Master's House: The Feminist Fourth Cinema Documentaries of Alanis Obomsawin and Loretta Todd." PS 29.3 (2010): 27-43.

216. --. "Speaking Back with Similar Voices: The Dialogic Cinema of Zacharias Kunuk and Pierre Perrault." QRFV 27.2 (2010): 108-20.

217. Gershon, Ilana, and Joshua Malitsky. "Actor-Network Theory and Documentary Studies." SDF 4.1 (2010): 65-78.

218. Houri, Walid el, and Dima Saber. "Filming Resistance." RHR 106 (2010): 70-85. On recording scenes of the Arab-Israeli conflict.

219. Hoyle, Brian. "Derek: Portrait of a Saint." SDF 4.2 (2010): 137-48. Looks at Isaac Julien's documentary about director Derek Jarman.

220. Hughson, John. "The Friendly Games-The 'Official' IOC Film of the 1956 Melbourne Olympics as Historical Record." HJFRTV 30.4 (2010): 529-42.

221. Lybarger, Dan. "The Most Dangerous Man in America: An Interview with Rick Goldsmith." Cin 35.3 (2010): 37-40.

222. --. "War Criimes and History Lessons: An Interview with Sandra Schulberg and Josh Waletzky." Cin 36.1 (2010): 2831. Considers the history of the official Nuremberg trial documentary that has recently become available.

223. MacDonald, Scott. "Avant-Doc: Eight Intersections." FQ 64.2 (2010): 5057. Examines eight ways in which documentary and avant-garde styles intersect.

224. --. "Indonesia in Motion: An Interview with Leonard Retel Helmrich." FQ 63.3 (2010): 35-41.

225. Martins, Marilia. "The Garbage Man: An Interview with Eduardo Coutinho." Fr 51.1 (2010): 129-33.

226. McElroy, Ruth, and Stephen Lacey. "Real Performance: Ordinary People and the Problem of Acting in Constructed Documentaries." SDF 4.3 (2010): 253-66.

227. Nash, Kate. "Exploring Power and Trust in Documentary: A Study of Tom Zubrycki's Molly and Mobarak." SDF 4.1 (2010): 21-34.

228. Prager, Brad. "On Blank's Screen: Les Blank's Werner Herzog Eats His Shoe and the Gravity of the Director's Subject." SDF 4.2 (2010): 119-36.

229. Ricciardelli, Lucia. "Documentary Filmmaking in the Postmodern Age: Errol Morris and The Fog of Truth." SDF 4.1 (2010): 35-50.

230. Sayad, Cecilia. "Flesh for the Author: Filmic Presence in the Documentaries of Eduardo Coutinho." Fr 51.1 (2010): 134-50.

231. Shuqin, Cui. "Alternative Visions and Representation: Independent Documentary Filmmaking in Contemporary China." SDF 4.1 (2010): 3-20.

232. Sutherland, Heather. "Embedded Actors as Markers of Authenticity: Acting the Real in Troubles Docudramas." SDF 4.3 (2010): 267-82.

233. Wagner, Terry. "America's Civil Rights Revolution: Three Documentaries about Emmett Till's Murder in Mississippi (1955)." HJFRTV 30.2 (2010): 187-201.

Also see the following entries: 8, 195, 198, 295, 305, 361,446, 671.

FILM AND ALLIED ARTS (includes Film and Literature)

234. Balfour, Ian. "Adapting to the Image and Resisting It: On Filming Literature and a Possible World for Literary Studies." PMLA 125.4 (2010): 968-76.

235. Barnett, Vincent L. "The Commercial Effects of the Adaptation of Novels into Films in the United Kingdom, 19101940." JAFP 3.1 (2010): 5-28.

236. Bonifazio, Paolo. "Feminism, Postmodernism, Intertextuality: We Want Roses Too." LFQ 38.3 (2010): 171-82.

237. Burke, Andrew. "Music, Memory and Modern Life: Saint Etienne's London." Sc 51.2 (2010): 103-17.

238. Burry, Alexander. "From Prison to Paradise: Michael Blakemore's Transposition of Uncle Vanya." LFQ 38.2 (2010): 84-97.

239. Cardullo, Bert. "Theater and Film, or 'Adolphe Appia and Me': A Discussion with Hans-Jurgen Syberberg." LFQ 38.1 (2010): 5-15.

240. Cartmell, Deborah. "Pride and Prejudice and the Adaptation Genre." JAFP 3.3 (2010): 227-44.

241. Collard, Christophe. "Adaptive Collaboration, Collaborative Adaptation: Filming the Mamet Canon." Ad 3.2 (2010): 82-98.

242. Come, Jonah. "In the Blink of a Speaking Eye: On Vision and Language in The Diving Bell and the Butterfly." LFQ 38.3 (2010): 217-29. On the novel's adaptation to film.

243. Donaldson-Evans, Mary. "The Colonization of Madame Bovary: Hindi Cinema's Maya Memsaab." Ad 3.1 (2010): 21-35.

244. Ehrlich, Linda C., and Celia Martinez Garcia. "Erice's Songs: Nature as Music/Music as Nature." Fr 51.2 (2010): 199-247.

245. Enfield, Jon. "'A True Picture of Facts': Cinematic Realism in Dreiser's An American Tragedy." ArQ 66.3 (2010): 45-69.

246. Falk, Quentin. "Mod Man Out." SS 20.12 (2010): 41-42. On the most recent adaptation of Graham Greene's novel Brighton Rock.

247. Ferreira, Carolin Overhoff. "Noninscription and Dictatorship in Noncanonical Adaptations--A Bee in the Rain (1972) and The Dauphin (2001) by Fernando Lopes." Ad 3.2 (2010): 112-31.

248. Fretz, Lauren E. "Surrealism Sous-L'Eau: Science and Surrealism in the Early Films and Writings of Jean Painleve." F&H 40.2 (2010): 45-65.

249. Friedman, Michael D. "Shakespeare and the Catholic Revenger: V for Vendetta." LFQ 38.2 (2010): 117-33.

250. Gentry, Ric. "Vittorio Storaro on Caravaggio, an Artist of Light and Shadow, with Director Angelo Longoni." PS 29.2 (2010): 8-17.

251. Gurel, Perin. "A Natural Little Girl: Reproduction and Naturalism in The Bad Seed as Novel, Play, and Film." Ad 3.2 (2010): 132-54.

252. Hayward, Philip, and Natalie Lewandowski. "Sounds of The Silent Star: The Context, Score and Thematics of the 1960 Film Adaptation of Stanlislaw Lem's Novel Astronauci." SFFTV 3.2 (2010): 183-200.

253. Hefner, Brooks E. "'Any Chance to Be Unrefined': Film Narrative Modes in Anita Loos's Fiction." PMLA 125.1 (2010): 107-20.

254. Holt, Shari Hodges. "'Please, Sir, I Want Some More': Clive Donner's Marxist Adaptation of Oliver Twist." LFQ 38.4 (2010): 254-68.

255. Illan, Antonio Martinez. "Gogol's 'The Overcoat' on the Russian Screen." LFQ 38.2 (2010): 134-46.

256. Jones, Kristin. "Childhood's End." FC 46.5 (2010): 32-33. On the adaptation of the novel Never Let Me Go.

257. Kazimierczak, Karolina. "Adapting Shakespeare for Star Trek and Star Trek for Shakespeare: The Klingon Hamlet and the Spaces of Translation." SPC 32.2 (2010): 35-56.

258. Keller, Sarah. "'Once Wasn't Enough for You': Beckett, Technology; and Preservation." LFQ 38.3 (2010): 230-43.

259. Kennelly, Sean. "Adapting Sideways: Turning Your Script into a Novel." CS 17.5 (2010): 49-51.

260. Khoury, Yvette K. "The Taming of the (Arab-Islamic) Shrew: Fatin 'Abdel Wahab Re-frames Shakespeare's Comedy for the Egyptian Screen." LFQ 38.2 (2010): 147-62.

261. Levi, Pavel. "Cinema by Other Means." Oct 131 (2010): 51-68. Looks at the use of cinematic elements and techniques in various artistic media in the 1920s and 1930s.

262. Lowe, Victoria. "'Stages of Performance': Adaptation and lntermediality in Theatre of Blood (1973)." Ad 3.2 (2010): 99-111.

263. Maxey, Ruth. "Tom Perrotta in Conversation about Literary Adaptation." LFQ 38.4 (2010): 269-76.

264. McMahon, Gary. "Writers in Cinema." Ft 8.4 (2010): 7-18.

265. Mead-Willis, Sarah. "'Negotiating with the Dead': Jane Eyre in the Postmodern." LFQ 38.1 (2010): 29-38.

266. Morrow, Jonathan. "An Interview with Ian McEwan." LFQ 38.1 (2010): 39-46. The British writer talks about film adaptations of his work.

267. O'Connor, Laura. "The Corpse on Hellboy's Back: Translating a Graphic Image." JPC 43.3 (2010): 540-63. Looks at the adaptation of Hellboy from comics to film.

268. Pujol, Anton. "The Cinema of Ventura Pons: Theatricality as a Minoritarian Device." JAFP 3.2 (2010): 171-84. Examines Pons' approach to adapting drama to the screen.

269. Raitt, George. "Still Lusting After Fidelity." LFQ 38.1 (2010): 47-58.

270. Rodimtseva, Irina V. "On the Hollywood Chain Gang: The Screen Version of Robert E. Burns' I am a Fugitive from a Georgia Chain Gang! and Penal Reform of the 1930s-1940s." ArQ 66.3 (2010): 123-46.

271. Ruprecht, Ludia. "Virtuoso Servitude and (De)Mobilization in Robert Walser, W. G. Sebald, and the Brothers Quay." GQ 83.1 (2010): 58-76.

272. Sinker, Mark. "Alice Through the Lens." SS 20.4 (2010): 35-38. On film adaptations of Lewis Carroll's heroine Alice.

273. Sohi, Bahzad Ghaderi, and Adineh Khojastehpour. "Beginning in the End: Poetry of Greek Tragedy in Theo Angelopoulos's Ulysses' Gaze and The Weeping Meadow." LFQ 38.1 (2010): 59-72.

274. Thornell, Kristel. "Film Adaptations of Emma between Agency and Submission." Mo 43.3 (2010): 17-33.

275. Walters, Ben. "The Trouble with Perfume." FQ 63.4 (2010): 14-17. On the adaptation of the Christopher Isherwood novella to the film A Single Man.

Also see the following entries: 37, 38, 75, 85, 86, 91, 99, 105, 113, 128, 140, 142, 146, 153, 185, 203, 204, 310, 316, 335, 378, 645, 669, 694, 696, 713, 714.

FILM HISTORY (includes Film Preservation)

276. Afra, Kia. "'Seventeen Happy Days' in Hollywood: Selig Polyscope's Promotional Campaign for the Movie Special of July 1915." FH 22.2 (2910): 199-218.

277. Blahova, Jindriska. "A Merry Twinkle in Stalin's Eye: Eric Johnston, Hollywood, and Eastern Europe." FH 22.3 (2010): 347-59.

278. Burrows, Elaine. "A Historical Overview of NFTVA/BFI Collection Development with Regard to Gender and Nation Questions." Fr 51.2 (2010): 343-49.

279. Burrows, Jon, and Richard Brown. "Financing the Edwardian Cinema Boom, 1909-1914." HJFRTV 30.1 (2010): 1-20.

280. Cooper, Mark Garrett. "Tackling Universal Women as a Research Problem: What Historiographic Sources Do and Don't Tell Us about "Gender' in the Silent Motion Picture Studio." Fr 51.2 (2010): 334-42.

281. Cowan, Michael. "Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer's Kipho Film." Oct 131 (2010): 23-50.

282. Dall'Asta, Monica. "On Frieda Klug, Pearl White, and Other Traveling Women Film Pioneers." Fr 51.2 (2010): 310-23.

283. Dibbets, Karel, and Wouter Groot. "Which Battle of the Somme?: War and Neutrality in Dutch Cinemas, 19141918." FH 22.4 (2010): 440-52.

284. Dixon, Bryony. "Women's Film History Project: Issues of Transnationalism." Fr 51.2 (2010): 304-09.

285. Farmer, Richard. "Exploiting a Universal Nostalgia for Steak and Onions: The Ministry of Information and the Promotion of World of Plenty (1943)." HJFRTV 30.2 (2010): 169-85.

286. Fleeger, Jennifer. "How to Say Things with Songs: Al Jolson, Vitaphone Technology, and the Rhetoric of Warner Bros. in 1929." QRFV 27.1 (2010): 27-43.

287. Frost, Jennifer. "Dissent and Consent in the 'Good War': Hedda Hopper, Hollywood Gossip, and World War II Isolationism." FH 22.2 (2010): 170-81.

288. Gaines, Jane M. "World Women: Still Circulating Silent Era Film Prints." Fr 51.2 (2010): 283-303.

289. Graham, Cooper C. "The Kaiser and the Cameraman: W. H. Durborough on the Eastern Front, 1915." FH 22.1 (2010): 22-40.

290. --, and Ron van Dopperen. "Edwin F. Weigle: Cameraman for the Chicago Tribune." FH 22.4 (2010): 389-407.

291. Hagin, Boaz. "Killed Because of Lousy Ratings: The Hollywood History of Snuff." JPFT 38.1 (2010): 44-51.

292. Hoyt, Eric. "Hollywood and the Income Tax, 1929-1955." FH 22.1 (2010): 5-21.

293. Kemper, Thomas. "The Lost Feldman Files and the Loss of Direction at the AFI: A Personal Reflection on Archives." FH 22.3 (2010): 309-12.

294. Lester, Peter. "Sweet Sixteen Goes to War: Hollywood, the NAAF, and 16mm Film Exhibition in Canada during World War II." CJFS 19.1 (2010): np.

295. Marsh, Bill. "Visual Education in the United States and the 'Fly Pest' Campaign of 1910." HJFRTV 30.1 (2010): 21-36.

296. Morrissey, Priska, and Julie Smith. "Out of the Shadows: The Impact of the First World War on the Status of Studio Cameramen in France." FH 22.4 (2010): 479-87.

297. Rainey, Lawrence. "Popular Literature, Silent Film, and the Perils of Genre: Chickie (1923-1925)." LFQ 38.4 (2010): 277-88.

298. Raymond, Marc. "Politics, Authorship and History: The Production, Reception and Marginalization of Street Scenes 1970." FH 22.2 (2010): 133-47.

299. Sandon, Emma. "Women, Empire, and British Cinema History." Fr 51.2 (2010): 324-33.

300. Sargeant, Amy. "The Return of Mata Hari: A Woman Redeemed (Sinclair Hill, 1927)." HJFRTV 30.1 (2010): 37-54.

301. Stamp, Shelley. "'Exit Flapper, Enter Woman,' or Lois Weber in Jazz Age Hollywood." Fr 51.2 (2010): 358-87.

302. Stollery, Martin. "Transformation and Enhancement: Film Editors and Theatrical Adaptations in British Cinema of the 1930s and 1940s." Ad 3.1 (2010): 1-20.

303. Sullivan, Sara. "Child Audiences in America's Nickelodeons, 1900-1915: The Keith / Albee Managers' Reports." HJFRTV 30.2 (2010): 155-68.

304. Velden, Andre van der. "Spectacles of Conspicuous Consumption: Picture Palaces, War Profiteers, and the Social Dynamics of Moviegoing in the Netherlands, 1914-1922." FH 22.4 (2010): 453-62.

305. Veray, Laurent. "1914-1918, the First Media War of the Twentieth Century: The Example of French Newsreels." FH 22.4 (2010): 408-25.

306. Williams, Tami. "Toward the Development of a Modem 'Impressionist' Cinema: Germaine Dulac's La Belle Dame sans merci (1921) and the Deconstruction of the Femme Fatale Archetype." Fr 51.2 (2010): 404-19.

307. Willis, Andrew. "Cinema Curation as Practice and Research: The Visible Secrets Project as a Model for Collaboration between Art Cinemas and Academics." Sc 51.2 (2010): 161-67.

Also see the following entries: 19, 40, 53, 54, 63, 99, 113, 114, 115, 162, 187, 189, 201, 205, 302, 325, 374, 409, 415, 447, 531, 534, 569, 650.

GENRE

308. Baschiera, Stefano, and Francesco Di Chiara. "Once Upon a Time in Italy: Transnational Features of Genre Production, 1960s-1970s." Ft 8.6 (2010): 30-39.

309. Bishop, Kyle William. "The Idle Proletariat: Dawn of the Dead, Consumer Ideology, and the Loss of Productive Labor." JPC 43.2 (2010): 234-48.

310. Blouin, Michael J. "Auditory Ambivalence: Music in the Western from High Noon to Brokeback Mountain." JPC 43.6 (2010): 1173-88.

311. Braudy, Leo. "Near Dark: An Appreciation." FQ 64.2 (2010): 29-32.

312. Brower, Sue. "'They's Kill Us if They Knew': Transgression and the Western." JFV 62.4 (2010): 47-57.

313. Clines, Peter. "Getting Back in the Game." CS 17.6 (2010): 28-35. On creating the sequel to TRON.

314. Cohen, Hubert I. "Red River and The Searchers: Deception in the Modern Western." FCr 35.1 (2010): 82-102.

315. Cohen, Paula Marantz. "What Have Clothes Got to Do with It?: Romantic Comedy and the Female Gaze." SWR 95.1-2 (2010): 78-88.

316. Coyle, Rebecca. "Point of Audition: Sound and Music in Cloverfield." SFFTV 3.2 (2010): 217-38.

317. Dedman, Stephen. "'Murder in the Air': The Quest for the Death Ray." Ex 51.1 (2010): 113-33. Examines the motif of the "death ray" in science fiction film and culture.

318. Evans, Mark. "Straining the Future: Battlefield Earth, Space Jazz and the Sounds of Scientology." SFFTV 3.2 (2010): 201-16.

319. Fischer, Lucy. "City of Women: Busby Berkeley, Architecture, and Urban Space." CJ 49.4 (2010): 111-30. On the use of women as architectural effects in musicals.

320. Fisher, Kevin. "Information Feedback Loops and Two Tales of the Posthuman in Forbidden Planet." SFFTV 3.1 (2010): 19-36.

321. Fritzsche, Sonja. "A Natural and Artificial Homeland: East German Science-Fiction Film Responds to Kubrick and Tarkovsky." F&H 40.2 (2010): 80-101.

322. Hantke, Steffen. "Bush's America and the Return of Cold War Science Fiction: Alien Invasion in Invasion, Threshold, and Surface." JPFT 38.3 (2010): 143-51.

323. --. "The Military Horror Film: Speculations on a Hybrid Genre." JPC 43.4 (2010): 701-19.

324. --. "The Return of the Giant Creature: Cloverfield and Political Opposition to the War on Terror." Ex 51.2 (2010): 235-57.

325. Hochscherf, Tobias. "Nazis on the Ranch? Revisiting the Popular German Western Der Kaiser von Kalifornien (1936) and the International Aspirations of Third Reich Cinema." PS 30.1 (2010): 35-54.

326. Huebner, Andrew J. "Lost in Space: Technology and Turbulence in Futuristic Cinema of the 1950s." F&H 40.2 (2010): 6-26.

327. Jancovich, Mark. "'Two Ways of Looking': The Critical Reception of 1940s Horror." CJ 49.3 (2010): 45-66.

328. Leonard, Garry. "Monsters and Mortgages: The Horror Movie as Prime Economic Indicator." Ft 8.1 (2010): 11-17.

329. Lizardi, Ryan. "'Re-Imagining' Hegemony and Misogyny in the Contemporary Slasher Remake." JPFT 38.3 (2010): 113-21.

330. Lowenstein, Adam. "Alone on Elm Street." FQ 64.1 (2010): 18-22. Explores the issue of remakes and adaptation in the contemporary horror film.

331. --. "Living Dead: Fearful Attractions of Film." Rep 110 (2010): 105-28. Examines the image of the zombie in contemporary horror film.

332. McKenna, A. T. "Harlow's Bridle, or How Avoiding Sex and Engaging the Competition Can Lead to Failure." JPFT 38.1 (2010): 34-43. Looks at the failure of this biopic.

333. North, Daniel. "Evidence of Things Not Quite Seen: Cloverfield's Obstructed Spectacle." F&H 40.1 (2010): 75-92.

334. Osteen, Mark. "Framed: Forging Identities in Film Noir." JFV 62.3 (2010): 17-35.

335. Phu, Thy. "Horrifying Adaptations: Ringu, The Ring, and the Cultural Contexts of Copying." JAFP 3.1 (2010): 43-58.

336. Reyes, Carlos V. "Film Noir's Dark Secret, or What Does the Hysteric Want?" CJFS 19.1 (2010): np.

337. Roberts, Ian F. "Oppenheimer's Heir: Morbius and Atomic Technology in Forbidden Planet." JPFT 38.4 (2010): 170-75.

338. Sanchez-Escalonilla, Antonio. "Hollywood and the Rhetoric of Panic: The Popular Genres of Action and Fantasy in the Wake of the 9/11 Attacks." JPFT 38.1 (2010): 10-20.

339. Schweninger, Lee. "Factor Fiction? (Genre) Border Crossing in American Indian Film." PS 29.3 (2010): 95-105.

340. Semlyen, Nick de. "Commanding Respect: A Look Back at Commando." CS 17.5 (2010): 52-53.

341. Shin, Mina. "Making a Samurai Western: Japan and the White Samurai Fantasy in The Last Samurai." JPC 43.5 (2010): 1065-80.

342. Subramanian, Janani. "Alienating Identification: Black Identity in The Brother from Another Planet and I Am Legend." SFFTV 3.1 (2010): 37-56.

343. Telotte, J. P. "Science Fiction as 'True-Life Adventure': Disney and the Case of 20,000 Leagues Under the Sea." F&H 40.2 (2010): 66-79.

344. --. "The Space of Today and the World of Tomorrow: Hybrid Film and Sky Captain and the World of Tomorrow." FCr 35.1 (2010): 24-36.

345. Zarzosa, Agustin. "Melodrama and the Modes of the World." Dis 32.2 (2010): 236-55. Explores the nature of melodrama by approaching it from the vantage of Peter Brooks' notion of "mode."

Also see the following entries: 14, 21, 74, 78, 81, 87, 91, 150, 185, 193, 252, 262, 267, 291, 297, 454, 458, 503, 504, 509, 520, 535, 545, 575, 585, 589, 600, 626, 632, 639, 667, 669, 676, 678, 700, 720, 723, 724.

INDEPENDENT AND EXPERIMENTAL

346. Abel, Marco. "Underground Film Germany in the Age of Control Societies: The Cologne Group." QRFV 27.1 (2010): 89-107.

347. Butler, Alison. "A Deictic Turn: Space and Location in Contemporary Gallery Film and Video Installation." Sc 51.4 (2010): 305-23.

348. Carson, Diane. "Let's Not Compromise: An Interview with Independent Film Producer Maggie Renzi." JFV 62.1-2 (2010): 86-95.

349. Castello-Branco, Patricia. "Pure Sensations? From Abstract Film to Digital Images." An 5.1 (2010): 25-40.

350. Crimp, Douglas. "Spacious." Oct 132 (2010): 5-24. Discussion of the use of space in Warhol's films.

351. Estrada, Gabriel S. "Two-Spirit Film Criticism: Fancydancing with Imitates Dog, Desjarlais, and Alexie." PS 29.3 (2010): 106-18.

352. Foster, Gwendolyn Audrey. "Self-Stylization and Performativity in the Work of Yoko Ono, Yayoi Kusama, and Mariko Mori." QRFV 27.4 (2010): 267-75.

353. Foster, Hal. "Test Subjects." Oct 132 (2010): 30-42. Examines Warhol's methods of self-presentation in his films and other art.

354. Handler, Amy R. "Waiting for Armageddon: An Interview with Filmmaker Kate Davis." Ft 8.4 (2010): 32-41.

355. Hearne, Joanna. "Remembering Smoke Signals: Interviews with Chris Eyre and Sherman Alexie." PS 29.3 (2010): 119-35.

356. Machiorlatti, Jennifer A. "Indigenous Women in Film and Video: Three Generations of Storytellers and an Interview with Emerging Filmmaker Sally Kewayosh." PS 29.3 (2010): 13-26.

357. Osterweil, Ara. "Queer Coupling, or the Stain of the Bearded Woman." Fr 51.1 (2010): 33-60. Looks at the work of the underground filmmaker Barbara Rubin.

358. Sedillot, Catherine Laurent. "Why Make Movies? Some Atikamekw Answers." PS 29.3 (2010): 70-82. Looks at independent work by indigenous filmmakers.

359. Taunton, Carla. "Indigenous (Re)memory and Resistance: Video Works by Dana Claxton." PS 29.3 (2010): 44-57.

360. Uhlin, Graig. "TV, Time, and the Films of Andy Warhol." CJ 49.3 (2010): 1-23.

361. Verevis, Constantine. "Moldy Art: The Exotic World of Jack Smith." SDF 4.2 (2010): 173-85.

362. Weingart, Brigitte. "'That Screen Magnetism': Warhol's Glamour." Oct 132 (2010): 443-70.

363. White, Kenneth. "Urban Unknown: Chantal Akerman in New York City." Sc 51.4 (2010): 365-78.

Also see the following entries: 26, 27, 28, 30, 45, 49, 223, 261, 281, 339, 366, 481.

INDUSTRY/EXHIBITION

364. Derin, Seyhan. "No Money, No Movie." SEC 7.1 (2010): 25-30.

365. Fan, Victor. "New York Chinatown Theatres under the Hong Kong Circuit System." FH 22.1 (2010): 108-26.

366. Hick, Jochen. "The Influence of TV and Film Funding on Current European (Low Budget) Art House Film." SEC 7.1 (2010): 31-36.

367. Hilderbrand, Lucas. "The Art of Distribution: Video on Demand." FQ 64.2 (2010): 24-28.

368. Leggott, James, and Tobias Hochscherf. "Working Title Films: From Mid-Atlantic to the Heart of Europe?" Ft 8.6 (2010): 8-20.

369. Overpeck, Deron. "Subversion, Desperation and Captivity: Pre-film Advertising in American Film Exhibition Since 1977." FH 22.2 (2010): 219-34.

370. Perren, Alisa. "Business as Usual: Conglomerate-Sized Challenges for Film and Television in the Digital Arena." JPFT 38.2 (2010): 72-78.

371. Rapfogel, Jared. "Repertory Film Programming." Cin 35.2 (2010): 38-53.

372. Roddick, Nick. "The Medium is the Message." SS 20.2 (2010): 44, 46. On how advances in technology have changed the business of filmmaking.

373. Sterritt, David. "New Lives on DVD for Nontheatrical Films." Cin 35.3 (2010): 22-27.

374. Thorsen, Isak. "'Nordisk Films Kompagni Will Now Become the Biggest in the World.'" FH 22.4 (2010): 463-78.

Also see the following entries: 276, 279, 292, 294, 303, 304, 376, 423, 435, 476, 488, 606, 623, 633, 644, 716.

INTERNATIONAL (includes Film Festivals)

375. Abel, Marco. "Failing to Connect: Iterations of Desire in Oskar Roehler's Postromance Films." NGC 109 (2010): 75-98.

376. Abrams, Shirley. "The Pilgrims of Cinema." Cin 35.2 (2010): 30-33. On traveling theater in the early Indian film industry.

377. Adesokan, Akin. "Abderrahmane Sissako and the Poetics of Engaged Expatriation." Sc 52.1 (2010): 143-60.

378. Ama, Michihiro. "Transcending Death in Departures: A Case Study of Film, Literature, and Buddhism in Modern Japan." JJKC 2.1 (2010): 35-50.

379. Anon. "'The World is Out of Control: Nimrod Antal's Kontroll (2003) as a Socio-Political Critique of Powerless Individuals in a Postmodern World." SEC 7.3 (2010): 235-45.

380. Archer, Neil. "The Rhetoric of the Transnational: Interpretation and Identity in Gela and Temur Babluani's L'Heritage." NC 8.1 (2010): 3-14.

381. Austin, Guy. "Against Amnesia: Representations of Memory in Algerian Cinema." JAfC 2.1 (2010): 27-36.

382. Ba, Saer Maty. "Affective Power/ Formal Knowledge: Diaspora, African Cinema and Film Festivals Outside Africa." Ft 8.5 (2010): 54-69.

383. Badt, Karin. "Interview with Cristian Mungiu." FCr 34.2-3 (2010): 106-08. Interview with one of the key figures in the new Romanian cinema.

384. Balaisis, Nicholas. "Cuba, Cinema, and the Post-revolutionary Public Sphere." CJFS 19.2 (2010): np.

385. Banerjee, Bidisha. "Identity at the Margins: Queer Diasporic Film and the Exploitation of Same-Sex Desire in Deepa Mehta's Fire." SSAFM 2.1 (2010): 19-40.

386. Barker, Thomas. "Historical Inheritance and Film Nasional in Post-Reformasi Indonesian Cinema." AC 21.2 (2010): 7-24.

387. Beck, Richard. "Tears in the Neighborhood." FQ 64.1 (2010): 53-55. Looks at films offered at the Tribeca Film Festival.

388. Behlil, Melis. "Better Late than Never? The Role of Policy in the Turkish Cinematic Revival." Ft 8.6 (2010): 21-29.

389. Bevan, Jake. "Welcome to Panmunjeom: Encounters with the North in Contemporary South Korean Cinema." NC 8.1 (2010): 45-57.

390. Bingham, Adam. "Stories Written in Sunlight and Water: The Cinema of Yoshida Yoshishige: Part 2--Independence and Independent." AC 21.2 (2010): 268-84.

391. Bisschoff, Lizelle. "Visions of Female Emancipation: Three Recent Films from West Africa." JAfC 2.1 (2010): 37-48.

392. Bong, Joon-ho. "Scene by Scene, Shot by Shot." SS 20.9 (2010): 26-28. The writer / director discusses five key scenes from his new film Mother (2010).

393. Botz-Bornstein, Thorsten. "Anti-Freudianism Korean Style: Kim Ki-duk's Dream." JJKC 2.1 (2010): 51-62.

394. Brooke, Michael. "Out of the Past." SS 20.9 (2010): 30-31. On Czech director Frantisek Vlacil's body of work.

395. Cameron, Allan. "The Locals and the Global: Transnational Currents in Contemporary New Zealand Horror." SAC 4.1 (2010): 55-72.

396. Cardullo, Bert. "The Cinema of Resistance: An Interview with Jean-Pierre and Luc Dardenne." SEC 7.3 (2010): 177-92.

397. Carklin, Michael. "Images of Childhood in Southern Africa: A Study of Three Films." JAfC 2.2 (2010): 137-50.

398. Carson, Diane. "Learning from History in The Lives of Others: An Interview with Writer / Director Henckel von Donnersmarck." JFV 62.1-2 (2010): 13-22.

399. Celik, Ipek A. "'I Wanted You to Be Present': Guilt and the History of Violence in Michael Haneke's Cache." CJ 50.1 (2010): 59-80.

400. Chan, Brenda. "Gamblers and Tricksters: The Forgotten Gambling Films of the 1970s." JCC 4.2 (2010): 89-104.

401. Chan, Felicia, and Valentina Vitali. "Revisiting the 'Realism' of the Cosmetics of Hunger: Cidade de Deus and Onibus 174." NC 8.1 (2010): 15-30.

402. Chattopdhyay, Saayan. "Performative Bengali Masculinity: The Rhetoric of Becoming in Bengali Popular Cinema of the 1950s." SSAFM 2.1 (2010): 3-18.

403. Chion, Michel. "No Man's France." SFC 10.3 (2010): 251-56. Report on a recent roundtable discussion on problematic use of the French language in film.

404. Chung, Hye Seung. "Beyond 'Extreme': Rereading Kim Ki-duk's Cinema of Ressentiment." JFV 62.1-2 (2010): 96-111.

405. Cieplak, Piotr A. "The Rwandan Genocide and the Bestiality of Representation in 100 Days (2001) and Shooting Dogs (2005)." JAfC 2.1 (2010): 49-64.

406. Corless, Kieron. "Lexicon of the Law." SS 20.10 (2010): 40-42. Discusses a distinctly bleak, absurdist style in new Romanian cinema.

407. Crowdus, Gary. "The Farewell Affair: An Interview with Christian Carion." Cin 35.4 (2010): 26-31. Focuses on the French director's newest film.

408. Danielson, Shane. "The Politics of National Cinema." SS 20.2 (2010): 40-41.

409. Dapena, Gerard. "Goyescas: Picturing Defiance and Consent in Early Francoist Cinema." Fr 51.1 (2010): 108-28.

410. --. "'Rumbas, Tangos, Boleros and Cupis: Performing and Crossing Musical Borders in Una Cubana en Espaa (1951)." SHC (7.1 (2010): 9-22.

411. Deshpande, Shekhar. "Anthology Films in European Cinema: New Frontiers of Collective Identities." SEC 7.1 (2010): 77-87.

412. Dipio, Dominica. "Gender Wars Around Religion and Tradition in Sembene Ousmane's Moolaade." JAfC 2.2 (2010): 121-36.

413. Engelen, Leen, and Roel Vande Winkel. "Made in Flanders (Redux): Film Production, Government Funding and Television Participation in Flanders, Belgium." Ft 8.6 (2010): 50-59.

414. Etkind, Alexander. "The Tale of Two Turns: Khrustalev, My Car! And the Cinematic Memory of the Soviet Past." SRSC 4.1 (2010): 45-64.

415. Ezra, Elizabeth, and Martine Beugnet. "Traces of the Modern: An Alternative History of French Cinema." SFC 10.1 (2010): 11-38.

416. Falkowska, Janina. "The Myth of the Father: Melancholia in the Films of Andrzej Wajda from Poland, Michael Haneke from Austria anal Aleksandr Sokurov from Russia." SEC 7.1 (2010): 67-76.

417. Filimon, Monica. "In Short(s) about the New Romanian Cinema." FCr 34.2-3 (2010): 81-95.

418. Fisher, Alexander. "Funding, Ideology, and the Aesthetics of the Development Film in Postcolonial Zimbabwe." JAfC 2.2 (2010): 111-20.

419. Fisher, Mark. "Solidarity not Identification: Straub-Huillet's Radical Cinema." FQ 64.1 (2010): 46-52.

420. Flinn, Margaret C. "Jean-Louis's Moments of Jean-Jacques." SFC 10.2 (2010): 141-54.

421. Forrest, David. "Better Things (Duane Hopkins, 2008) and New British Realism." NC 8.1 (2010): 31-43.

422. Fowler, Catherine. "Cinema That Stays at Home: The Inexportable Films of Belgium's Gaston Schoukens, Edith Kiel, and Jan Vanderheyden." Sc 51.3 (2010): 256-71.

423. Fu, W. Wayne, and Clarice Sim. "Examining International Country-to-Country Flow of Theatrical Films." JoC 60.1 (2010): 120-43.

424. Garavelli, Clara. "Post-Crisis Argentine Films: De-localizing Daily Life Through the Lens of Jorge Gaggero." SHC 7.1 (2010): 35-46.

425. Giukin, Lenutsa. "Radu Mihaileanu, a New Cinematic Humanism." FCr 34.23 (2010): 67-80.

426. Goldsmith, Ben. "Outward-Looking Australian Cinema." SAC 4.3 (2010): 199-214.

427. Goscilo, Helena. "Between the Sword and the Scales, or Celluloid Justice." SRSC 4.2 (2010): 137-46. Examines the theme of retribution in recent Russian cinema.

428. Gramling, David. "On the Other Side of Monolingualism: Fatih Akin's Linguistic Turn(s)." GQ 83.3 (2010): 353-72.

429. Guano, Emanuela. "Social Immobility and the Poetics of Contentment in Paolo Virz's Caterina in the Big City." SEC 7.2 (2010): 149-62.

430. Guest, Haden. "Darkness Visible." FC 46.6 (2010): 42-45. Analysis of French director Philippe Grandrieux's narrative style.

431. Hake, Sabine. "Art and Exploitation: On the Fascist Imaginary in 1970s Italian Cinema." SEC 7.1 (2010): 11-20.

432. Hashamova, Yana. "(Re)negotiating Identities: Representations of Muslim Minorities in Bulgarian Film." Ft 8.3 (2010): 49-61.

433. Hassan, Omar. "Real Queer Arabs: The Tension between Colonialism and Homosexuality in Egyptian Cinema." Ft 8.1 (2010): 18-25.

434. Hasted, Nick. "Maestros and Mobsters." SS 20.5 (2010): 24-27. On contemporary Italian cinema.

435. Hedling, Olof. "A Film-friendly Town? Assessing a Decade at a Small Swedish Production Centre." Ft 8.6 (2010): 7078.

436. Heeren, Katinka van. "Reverberations of Kantata Takwa." AC 21.2 (2010): 92-113.

437. Herrero, Carmen. "Edgy Art Cinema: Cinephilia and Genre Negotiations in Recent Spanish Rural Thrillers." SEC 7.2 (2010): 123-34.

438. Hong, Guo-Juin. "Historiography of Absence: Taiwan Cinema Before New Cinema 1982." JCC 4.1 (2010): 5-14.

439. Horng, Menghsin. "Domestic Dislocations: Healthy Realism, Stardom, and the Cinematic Projection of Home in Postwar Taiwan." JCC 4.1 (2010): 2744.

440. Horton, Andrew. "The Master of Slow Cinema." Cin 36.1 (2010): 23-27. Considers the style of Greek director Theo Angelopoulos.

441. Hughes, John. "The (Heterogeneous) Voice of Indonesia Calling." SAC 4.3 (2010): 283-300.

442. Hurley, Andrew W. "Hansjurgen Pohland's Tobby (1961-62): Jazz, Cinema-Verite, and the Beginnings of Young German Cinema." SEC 7.3 (2010): 193208.

443. Ieta, Rodica. "The New Romanian Cinema: A Realism of Impressions." FCr 34.2-3 (2010): 22-36.

444. Indiana, Gary. "La Force de L'Imagination." FC 46.2 (2010): 4650. On the career of Swiss filmmaker Daniel Schmid.

445. Ionita, Maria. "Niki and Dante: Aging and Death in Contemporary Romanian Cinema." FCr 34.2-3 (2010): 37-50.

446. Irawanto, Budi. "Contemporary Indonesian Independent Documentaries in the Yogyakarta Documentary Film Festival: Notes from the Juror's Seat." AC 21.2 (2010): 150-62.

447. James, Nick. "Britain's Secret Brazilian." SS 20.8 (2010): 32-36. On director Alberto Cavalcanti's contribution to British filmmaking in the 1930s and 1940s.

448. Jayasena, Nalin. "Where Have All the Tamils Gone?: Ethnicity and the Body in the Films of Prasanna Vithanage." QRFV 27.2 (2010): 121-32.

449. Jesionowski, Joyce. "Speaking Bach: Strategies of Alienation and Intimacy in Straub-Huillet's Chronik der Anna Magdelena Bach / Chronicle of Anna Magdalena Bach (1968)." SEC 7.1 (2010): 61-66.

450. Jiang, Jing. "Entertainment, Empowerment, and Education in Big Shot's Funeral." AC 21.2 (2010): 301-14.

451. Jorza, Diana Roxana. "A Neorealist Melodrama's Problematic Contention with Hollywood: Calle Mayor." SHC 7.2 (2010): 117-32.

452. Kenny, Glenn. "This Can't End Well." FC 46.6 (2010): 46-49. Describes the New Humanism as depicted in Alejandro Gonzalez Inarritu's films.

453. Khoo, Gaik Cheng. "Spotlight on the Films of Indonesian Filmmaker Edwin." AC 21.2 (2010): 135-49.

454. Khoo, Olivia. "Tokyo Drifting: Toei Corporation's The Drifting Avenger and the Internationalization of the Australian Western." SAC 4.3 (2010): 231-42.

455. Kline, T. Jefferson. "Freud's Family Romance with Princess Marie: Benot Jacquot Resurrects the Childhood Seduction Theory." SFC 10.2 (2010): 155-68.

456. Knox-Voina, Jane. "The Kazakh New New Wave." SRSC 4.2 (2010): 195-202.

457. Langford, Michelle. "Practical Melodrama: From Recognition to Action in Tahmineh Milani's Fereshteh Trilogy." Sc 51.4 (2010): 341-64.

458. Larsson, Mariah. "Practice Makes Perfect? The Production of the Swedish Sex Film in the 1970s." Ft 8.6 (2010): 40-49.

459. Law, Fiona Yuk-wa. "Timely Festivity: Chinese New Year Films in the 1950s-1960s." JCC 4.2 (2010): 105-26.

460. Lawrenson, Edward. "Anniversary Blues." FQ 63.4 (2010): 59-61. Overview of the Berlin Film Festival.

461. --. "Jobs Well Done." FQ 64.1 (2010): 56-58. Examines various films screened at the Cannes Film Festival.

462. Lin, Wenchi. "More Than Escapist Romantic Fantasies: Revisiting Qiong Yao Films of the 1970s." JCC 4.1 (2010): 45-50.

463. Liu, Xiao. "Small Videos, Huge Impact: Parody Videos in Post-Socialist China." JCC 4.3 (2010): 229-44.

464. Losada, Matt. "San Juan de la Cruz in Tactilvision: The Technological Mysticism of Jose Val del Omar's Triptico elemental de Espana." SHC 7.2 (2010): 101-16.

465. Lybarger, Dan. "From the Valley of Fire: An Interview with Tim Hetherington and Sebastian Junger." Cin 35.4 (2010): 38-41.

466. --. "The Knock No One Wants to Hear: An Interview with Oren Moverman." Cin 35.2 (2010): 54-57.

467. MacCabe, Colin. "An Amorous Catfish." FQ 64.1 (2010): 59-61. Overview of the Cannes Film Festival.

468. Maimunah. "Indonesian Queer Cinema and the Centrality of Heteronormative Family." AC 21.2 (2010): 114-34.

469. Majer-O'Sickey, Ingeborg. "European Cinema: Experiment, Mainstream, and Praxis." SEC 7.1 (2010): 5-10.

470. Makoveeva, Irina. "The Woman-Avenger on the Post-Soviet Screen." SRSC 4.2 (2010): 147-60.

471. Martin, Adrian. "Extraordinary Joe." SS 20.12 (2010): 16-19. On Thai director Apichatpong Weerasethakul's career.

472. --. "Oxploitation Compared to What?: A Challenge to Contemporary Australian Film Studies." SAC 4.1 (2010): 9-22.

473. Martinez, Michelle J. "Cinema Chicana: An Interview with Lourdes Portillo." JFV 62.1-2 (2010): 23-30.

474. McDonaugh, Maitland. "Never Mind the Buttocks." FC 46.4 (2010): 48-51. On Italian director Giovanni Brass.

475. Mes, Tom. "All Our Yesterdays." FC 46.5 (2010): 60-63. On Japanese director Masahiro Shinoda.

476. Mhando, Martin, and Laurian Kipeja. "Creative / Cultural Industries Financing in Africa: A Tanzanian Film Value Chain Study." JAfC 2.1 (2010): 3-26.

477. Mhiripiri, Nhamo Anthony. "Thematic Concerns in the Emergent Zimbabwean Short Film Genre." JAfC 2.2 (2010): 91110.

478. Mihailescu, Calin-Andrei. "Re-Ro: Re-enacted Scripts in and around Alexandru Solomon's The Great Communist Bank Robbery." FCr 34.2-3 (2010): 96-105.

479. Moeller, Hans-Bernhard. "Bridges between New German Cinema and Today's Genderation of Political Filmmakers: An Interview with Michael Verhoeven." JFV 62.1-2 (2010): 3-12.

480. Monthieux, Maryline. "The Role of the Editor in European Cinema: Some Personal Reflections." SEC 7.1 (2010): 21-24.

481. Nesbit, Molly. "Wild Shanghai Grass." Oct 133 (2010): 75-105. Examines the work of the Chinese art film creator Yang Fudong.

482. Norris, Chris. "The Origin of the World." FC 46.5 (2010): 26-28, 30. On the humor in Argentine filmmaker Gaspar Noe's assaultive cinema.

483. O'Shaughnessy, Martin. "French Cinema and the Political." SFC 10.1 (2010): 39-56.

484. Olsson, Jan. "Nils Krok's Social Pathos and Paul Garbagni's Style: Ingeborg Holm as Object Lesson." FH 22.1 (2010): 73-94.

485. Ortells, Xavier. "Symptomatic Metafiction in Lou Ye's Suzhou River." AC 21.2 (2010): 285-300.

486. Oukaderova, Lida. "The Sense of Movement in Georgii Daneliia's Walking the Streets of Moscow." SRSC 4.1 (2010): 5-22.

487. Paramaditha, Intan. "Passing and Conversion Narratives: Ayat-Ayat Cinta and Muslim Performativity in Contemporary Indonesia." AC 21.2 (2010): 69-91.

488. Pardo, Alejandro. "City of Light, City of Shadows: The Difficult Take-off of a Spanish Film Studio." Ft 8.6 (2010): 60-69.

489. Petrovic, Paul. "'All Memories are Traces of Tears': Trauma and the Foreclosure of Testimony in Wong Kar Wai's 2046." AC 21.2 (2010): 217-33.

490. Petty, John E. "From Wooden Masks to Stone Statues: The Influence of Traditional Japanese Theater on Daimajin (1966)." AC 21.2 (2010): 199-216.

491. Pitman, Thea. "Policing the Borders of Chicano Cinema: The Critical Reception of Allison Anders's Mi vida loca/ My Crazy Life (1994) by the Chicano Community." NC 8.2 (2010): 71-86.

492. Porter, Lynnette. "The Cinematic and Historic Weight of Stone of Destiny." SPC 33.1 (2010): 53-78. Examines the controversial Scottish film.

493. Portis, Larry. "The Director Who Must (Not?) Be Forgotten: Elio Petri and the Legacy of Italian Political Cinema, Part 1." Ft 8.2 (2010): 17-29. "Part 2." Ft 8.4 (2010): 42-50.

494. Porton, Richard. "A Death in the Family: An Interview with Mia Hansen-Love." Cin 35.3 (2010): 10-14.

495. --. "Demystifying Carlos: An Interview with Olivier Assayas." Cin 36.1 (2010): 16-22.

496. --. "Language and Power: An Interview with Corneliu Porumboiu." Cin 35.2 (2010): 26-29.

497. --. "The Toronto International Film Festival at the Crossroads." Cin 36.1 (2010): 32-35.

498. Power, Nina. "Blood and Sugar: The Films of Dusan Makavejev." FQ 63.3 (2010): 42-51.

499. Pozefsky, Peter. "Childhood and the Representation of the History of Stalinism in Russian Cinema of the Transition Period." SRSC 4.1 (2010): 23-44.

500. Pummer, Claudia. "Les Passeurs: Inscriptions of War and Exile in Jean-Marie Straub and Daniele Huillet's Machorka-Muff (1962)." SEC 7.1 (2010): 51-60.

501. Rayns, Tony. "One More for the Road." SS 20.10 (2010): 30-32. On director Hong Sandsoo's work.

502. Rentschler, Eric. "The Place of Rubble in the Trummerfilm." NGC 110 (2010): 9-30.

503. Risner, Jonathan. "This City is Killing Me: The Circulation of Argentine Horror Cinema and Buenos Aires in Pablo Pars and Daniel de la Vega's Jennifer's Shadow (2004) and De la Vega's Death Knows Your Name." SHC 7.1 (2010): 2334.

504. Roberts, Andrew. "Playing to the Stalls." SS 20.1 (2010): 10-11. Looks at the history of British B film and its contribution to various exploitation movies and British rock 'n' roll films.

505. Rodriguez, Jose M. Ramos, and Antoni Castells-Talens. "The Training of Indigenous Videomakers by the Mexican State: Negotiation, Politics, and Media." PS 29.3 (2010): 83-94.

506. Romney, Jonathan. "Hard Men." FC 46.4 (2010): 26-29. On the films of Danish director Nicolas Winding Refn, includes interview with Refn.

507. Rosenbaum, Jonathan. "South by Southwest, 2010." FQ 63.4 (2010): 5658. On the South by Southwest film festival.

508. Roy, Anjali Gera. "Bhakti and Ashiqi: The Syncretic Heritage of Hindi Cinema." SSAFM 2.1 (2010): 41-56.

509. Ryan, Mark. "Australian Cinema's Dark Sun: The Boom in Australian Horror Film Production." SAC 4.1 (2010): 23-42.

510. Sadek, Isis. "A Serto of Migrants, Flight and Affect: Geneologies of Place and Image in Cinema Novo and Contemporary Brazilian Cinema." SHC 7.1 (2010): 59-72.

511. Salazkina, Masha. "Soviet-Indian Coproductions: Alibaba as Political Allegory." CJ 49.4 (2010): 71-89.

512. Sandomirskaia, Irina, Elena Kolikova, and Tatiana Alekseeva. "Eurasia as a Filmic Assemblage." SRSC 4.3 (2010): 321-44.

513. Sarkisova, Oksana. "Folk Songs in Soviet Orchestration: Vostokfilm's Song of Happiness and the Forging of the New Soviet Musician." SRSC 4.3 (2010): 261-82.

514. Sasono, Eric. "Islamic-themed Films in Contemporary Indonesia: Commodified Religion or Islamization?" AC 21.2 (2010): 48-68.

515. Schlipphacke, Heidi. "Melancholy Empress: Queering Empire in Ernst Marischka's Sissi Films." Sc 51.3 (2010): 232-55.

516. Schonherr, Ulrich. "Out of Tune: Music, Postwar Politics, and Edgar Reitz's Die Zweite Heimat." NGC 110 (2010): 10724.

517. Serban, Alexandru Leo. "Romanian Cinema: From Modernity to Neo-Realism." FCr 34.2-3 (2010): 2-21.

518. Setijadi-Dunn, Charlotte, and Thomas Barker. "Imagining 'Indonesia': Ethnic Chinese Film Producers in Pre-Independence Cinema." AC 21.2 (2010): 25-47.

519. Shiao-Ying, Shen. "A Morning in Taipei: Bai Jingrui's Frustrated Debut." JCC 4.1 (2010): 51-56.

520. Simpson, Catherine. "Australian Eco-Horror and Gaia's Revenge: Animals, Eco-Nationalism and the New Nature." SAC 4.1 (2010): 43-54.

521. Sklar, Robert. "Israel without Mythology: An Interview with Amos Gitai." Cin 35.4 (2010): 24-25.

522. --. "To Honor Your Country, Criticize It: Amos Gitai's Israeli Fiction Films." Cin 35.4 (2010): 19-23.

523. Smith, Paul Julian. "Festival Special: Morelia, Mexico." FQ 63.3 (2010): 1822.

524. Smorodinska, Tatiana. "Rule of Law vs. Russian Justice: Nikita Mikhalkov's 12." SRSC 4.2 (2010): 161-70.

525. Strukov, Vlad. "For All Who Draw the Sword Will Die by the Sword: The Symbolism of Filipp Iankovskii's The Sword Bearer." SRSC 4.2 (2010): 171-86.

526. Stubblefield, Thomas. "Two Kinds of Darkness: Jean-Luc Nancy and the Community of Cinema." CJFS 19.2 (2010): np.

527. Subero, Gustavo. "Gay Male Pornography and the re / de / construction of Postcolonial Identity in Mexico." NC 8.2 (2010): 119-36.

528. Tan, E. K. "Hong Kong Cinema and the Portrayal of the Nanyang Chinese in the 1950s and 1960s." JCC 4.2 (2010): 155-68.

529. Teo, Stephen. "The Missing Female Knight-Errant in Hong Kong Action Cinema, 1965-1971: Back in Critical Action." JCC 4.2 (2010): 143-54.

530. Teodorescu, Jeanine, and Anca Munteanu. "'Lazarescu, come forth!': Cristi Puiu and the Miracle of Romanian Cinema." FCr 34.2-3 (2010): 51-66.

531. Tierney, Dolores. "Emilio Fernandez 'in Hollywood': Mexico's Postwar Inter-American Cinema, La perla/The Pearl (1946) and The Fugitive (1948)." SHC 7.2 (2010): 81-100.

532. Tomanic-Trivundza, Ilija. "Slovene Film, National Identity and the Celluloid Hegemony of the Mythical Post-Independence Time." CS 24.5 (2010): 662-89.

533. Trumper, Camilo D. "Social Violence, Political Conflict, and Latin American Film." RHR 106 (2010): 109-36.

534. Vanderschelden, Isabelle. "The Beautiful People of Christophe Honor: New Wave Legacies and New Directions in French Auteur Cinema." SEC 7.2 (2010): 135-48.

535. Verevis, Constantine. "Dead on Arrival: The Fate of Australian Film Noir." SAC 4.3 (2010): 243-54.

536. Vincendeau, Ginette. "Between the Walls." SS 20.2 (2010): 16-18. On Jacques Audiard's reinvention of the male hero and French crime genre in A Prophet.

537. Wade, Diana. "Fighting the Mafia through the Cinema: An Interview with Marco Amenta." Cin 36.1 (2010): 4-9.

538. Waldron, Darren. "'Une mine d'or inepuisable': The Queer Pleasures of Francois Ozon's 8 Femmes/8 Women (2002)." SFC 10.1 (2010): 69-82.

539. Walsh, Mike. "From the Outback to the Background: Indian Films in Australia." SAC 4.3 (2010): 215-30.

540. Wang, George Chun Han. "King Hu and Run Run Shaw: The Clash of Two Cinema Legends." JCC 4.2 (2010): 12742.

541. Walters, Mark. "De-Heroicizing Heroic Bloodshed in Johnnie To's Election and Election 2." AC 21.2 (2010): 234-53.

542. Wayne, Mike, and Deirdre O'Neill. "Return to Third Cinema? The Case of Listen to Venezuela." Ft 8.1 (2010): 26-33.

543. Weber-Feve, Stacey. "Housework and Dance as Counterpoints in French-Tunisian Filmmaker Raja Amari's Satin Rouge." QRFV 27.1 (2010): 1-13.

544. West, Dennis. "In the Footsteps of Tomas Gutierrez Alea." Cin 35.2 (2010): 18-25.

545. Wheatley, Catherine. "Dangerous Liaisons." SS 20.6 (2010): 48-49. Examines Gotz Spielmann's thriller Revanche.

546. White, Rob. "Interview with Olivier Assayas." FQ 64.2 (2010): 74-77.

547. --. "Sad Times: An Interview with Elia Suleiman." FQ 64.1 (2010): 38-45.

548. Wicks, James. "Projecting a State That Does not Exist: Bai Jingrui's Jia zai Taibei/Home Sweet Home." JCC 4.1 (2010): 15-26.

549. Williams, Tony. "Song of the Stork into War Movies: Wayne Karlin's Retrospective Cinematic Techniques." AC 21.2 (2010): 175-98.

550. Wolf, Sergio. "No Turning Back." Trans., Mar Diestro-Dopido. SS 20.9 (2010): 14-17. Surveys recent trends in Latin American filmmaking.

551. Wong, Nicholas. "Saving Face: Unveiling or Covering Up Asian American Experiences." AC 21.2 (2010): 254-67.

552. Wu, Chia-Chi. "Queering Chinese-Language Cinemas: Stanley Kwan's Yang--Yin: Gender in Chinese Cinema." Sc 51.1 (2010): 38-53.

553. Young, Rob. "The Pattern Under the Plough." SS 20.8 (2010): 16-20, 22. An overview of British films of the 1960s and 1970s. 554. Zheng, Yi. "What Makes a Genre Blockbuster Good to Look at: Zhang Yimou's Transformative Modus Operandi in Hero." Ft 8.1 (2010): 47-63.

Also see the following entries: 4, 5, 9, 23, 25, 51, 59, 84, 120, 153, 154, 155, 156, 190, 191, 192, 224, 231, 243, 247, 252, 255, 260, 273, 281, 284, 299, 308, 325, 341, 346, 364, 368, 556, 572, 584, 597, 614, 628, 629, 634, 657, 669, 688, 691, 699, 711, 721, 726.

PEDAGOGY AND FILM STUDIES

555. Andersson, Lars Gustaf, and John Sundholm. "Film Workshops as Polyvocal Public Spheres: Minor Cinemas in Sweden." CJFS 19.2 (2010): np. 556. Gong, Haomin, and Li Fengliang. "New Horizons of Transnational Chinese-Language Film Studies: An Interview with Sheldon H. Lu." JCC 4.3 (2010): 245-63.

557. Mayne, Judith. "French Film Studies in the US." SFC 10.2 (2010): 91-94. Also see the following entry: 472.

SCREENWRITING

558. Barba, David. "Software Guide." CS 17.5 (2010): 41-43. Guide to the top screenwriting software on the market. 559. Batty, Craig. "The Physical and Emotional Threads of the Archetypal Hero's Journey: Proposing Common Terminology and Re-Examining the Narrative Model." JoS 1.2 (2010): 291-308.

560. Debruge, Peter. "Rock Solid Writing." CS 17.6 (2010): 20-27. On the collaboration of writer Simon Beaufoy and director Danny Boyle.

561. --. "Blue Valentine." CS 17.6 (2010): 46-51. Writer / director Derek Cianfrance describes the process of making this personal film.

562. Ganz, Adam. "Time, Space and Movement: Screenplay as Oral Narrative." JoS 1.2 (2010): 225-36.

563. Hendrickson, Paula. "Tools of the Trade." CS 17.5 (2010): 46-48. Survey of resources available to screenwriters.

564. Jacey, Helen. "The Hero and Heroine's Journey and the Writing of Loy." JoS 1.2 (2010): 309-24.

565. Kennelly, Sean. "John August." CS 17.5 (2010): 44-45. Looks at the popular website for screenwriters.

566. Nannicelli, Ted. "The Early Screenwriting Practice of Emest Lehman." JoS 1.2 (2010): 237-54.

567. Nelmes, Jill. "Collaboration and Control in the Development of Janet Green's Screenplay Victim." JoS 1.2 (2010): 255-72.

568. Selbo, Jule. "The Constructive Use of Film Gente for the Screenwriter: Mental Space of Film Genre--First Exploration." JoS 1.2 (2010): 273-90.

569. Talvio, Raija. "'First of all, the screenplay problem has to be solved'--The Public Debate on Screenwriting in 1930s Finland." JoS 1.2 (2010): 325-42.

570. Tieber, Claus. "The Way He Wrote: Dalton Trumbo and Sixteen Unused Pages for The Way We Were." Ft 8.4 (2010): 51-64.

Also see the following entries: 19, 70, 109, 183, 259, 266, 706.

SPECIAL TOPICS

571. Anon. "Osama is Great, Rambo the Third is His Prophet." Ft 8.3 (2010): 36-48.

572. Bazgan, Nicoleta. "Female Bodies in Paris: Iconic Urban Femininity and Parisian Journeys." SFC 10.2 (2010): 95-110.

573. Bennett, Bruce. "Framing Terror: Cinema, Docudrama, and the War on Terror." SDF 4.3 (2010): 209-26.

574. Blum, Ryan H. "Anxious Latitudes: Heterotopias, Subduction Zones, and the Historico-Spatial Configurations within Dead Man." CSMC 27.1 (2010): 55-66.

575. Bond, Richard E. "Piratical Americans: Representations of Piracy and Authority in Mid-Twentieth-Century Swashbucklers." JAC 33.4 (2010): 309-21.

576. Camino, Mercedes. "Good Luck with the Strike: Mining, Dancing and Stephen Daldry's Billy Elliot." Ft 8.5 (2010): 29-39.

577. Cardullo, Bert. "Through the Looking Glass: The American Art Cinema in an Age of Social Change." MQ 52.1 (2010): 86-102. Looks back at the influence of French and Italian films of the 1950s on American filmmaking in the 1960s.

578. Coderre, Laurence. "Counterattack: (Re) Contextualizing Propaganda." JCC 4.3 (2010): 211-28.

579. Cowan, Michael. "Moving Picture Puzzles: Training Urban Perception in the Weimar 'Rebus' Films." Sc 51.3 (2010): 197-218.

580. Cubitt, Sean. "The Sound of Sunlight." Sc 51.2 (2010): 118-28. Considers how sunlight has been given an aural presence in the cinema.

581. Dobson, Kit. "Derelicte and the Oppressed: Zoolander, Hollywood, and Representing Activism." CRAS 40.3 (2010): 309-26.

582. Dobryden, Paul. "Good Germans, Humane Automobiles: Redeeming Technological Modernity--In Those Days." F&H 40.1 (2010): 7-24.

583. Dodds, Klaus. "Jason Bourne: Gender, Geopolitics, and Contemporary Representations of National Security." JPFT 38.1 (2010): 21-33.

584. Dyer, Rebecca. "Representations of the Migrant Domestic Worker in Hoda Barakat's Harith Al-Miya and Danielle Arbid's Maarek Hob." CL 37.1 (2010): 11-37.

585. Eberl, Jason T. "I, Clone: How Cloning is (Mis)Portrayed in Contemporary Cinema." F&H 40.2 (2010): 27-44.

586. Ferriss, Suzanne, and Mallory Young. "Marie Antoinette: Fashion, Third-Wave Feminism, and Chick Culture." LFQ 38.2 (2010): 98-116.

587. Flory, Dan. "Cinematic Presupposition, Race, and Epistemological Twist Films." JAAC 68.4 (2010): 379-87.

588. Fowler, William. "Absent Authors: Folk in Artist Film." SS 20.8 (2010): 21. On the increasing presence of folk culture in art films.

589. Gaughan, Lisa. "It's No Time for Sound Bites: The Praxis of Travesty via the New Labour of Political Comedy." SDF 4.3 (2010): 241-52.

590. Glover, Jonathan. "Genocide, Human Rights, and the Politics of Memorialization: Hotel Rwanda and Africa's World War." SAR 75.2 (2010): 95-111.

591. Gonzalez, Octavio R. "Tracking the Bugchaser: Giving The Gift of HIV/ AIDS." CC 75 (2010): 82-113.

592. Grossman, Julie. "Fictions of Power: 'My Movie is Not a Movie.'" JPC 43.2 (2010): 271-85. Looks at recent films about filmmaking.

593. Halligan, Benjamin. "Sloths of Office: The Midlife Crisis of Hollywood's Democrats, Part 1." Ft 8.4 (2010): 19-31. "Part 2." Ft 8.5 (2010): 40-53.

594. Handler, Amy R. "If History Runs, Cinema Can't Keep Walking: An Interview with Tinto Brass." Ft 8.2 (2010): 30-36.

595. Haspel, Paul. "Agency Games in Cold War Washington: Politics and Gender in No Way Out." JPFT 38.3 (2010): 133-42.

596. Henderson, Carol E. "'King Kong Ain't Got Sh.'" JPC 43.6 (2010): 1207-21. On black images in film.

597. Hershfield, Joanne. "Women's Cinema and Contemporary Allegories of Violence in Mexico." Dis 32.2 (2010): 170-85.

598. Hiro, Molly. "'Tain't no tragedy unless you make it one': Imitation of Life, Melodrama, and the Mulatta." ArQ 66.4 (2010): 93-113.

599. Hollyfield, Jerod Ra'Del. "Driving Deadhead off the Big Road: Pre-interstate Representations of the American Trucker in Raoul Walsh's They Drive by Night and Jules Dassin's Thieves Highway." Ft 8.3 (2010): 21-35.

600. Jackson, Kimberly. "The Contagion of the Image in William Malone's Feardotcom." PS 30.1 (2010): 55-65.

601. Jackson, Tony E. "Televisual Realism: The Truman Show." Mo 43.3 (2010): 135-50.

602. Jacobs, Bo. "Atomic Kids: Duck and Cover and Atomic Alert Teach American Children How to Survive Atomic Attack." F&H 40.1 (2010): 25-44.

603. James, Nick. "Hearts of Darkness." SS 20.6 (2010): 32-34, 36. On screen representation of corrupt cops in postwar American cinema.

604. Keesey, Douglas. "Split Identification: Representations of Rape in Gaspar No's Irreversible and Catherine Breillat's A ma sur!/Fat Girl." SEC 7.2 (2010): 95-108.

605. King, Claire Sisco. "The Man Inside: Trauma, Gender, and the Nation in The Brave One." CSMC 27.2 (2010): 111-30.

606. Klinger, Barbara. "Contraband Cinema: Piracy, Titanic, and Central Asia." CJ 49.2 (2010): 106-24.

607. Knox, Simone. "Reading The Truman Show Inside Out." FCr 35.1 (2010): 1-23.

608. Kuhn, Annette. "Cinematic Experience, Film Space, and the Child's World." CJFS 19.2 (2010): np.

609. Laderman, Scott. "Burying Culpability: The Killing Fields (1984), US Foreign Policy, and the Political Limits of Film-Making in Reagan-Era America." HJFRTV 30.2 (2010): 203-20.

610. Larrieux, Stephanie. "The World, the Flesh, and the Devil: The Politics of Race, Gender, and Power in Post-Apocalyptic Hollywood Cinema." QRFV 27.2 (2010): 133-43.

611. Lee, Kun Jong. "Towards Interracial Understanding and Identification: Spike Lee's Do the Right Thing and Chang-rae Lee's Native Speaker." JAS 44.4 (2010): 741-57.

612. Lewis, Randolph. "The New Navajo Cinema: Cinema and Nation in the Indigenous Southwest." VLT 66 (2010): 50-61.

613. Lucia, Cynthia, and Richard Porton. "Gay Family Values: An Interview with Lisa Cholodenko." Cin 35.4 (2010): 14-18.

614. Mackey, Allison. "Make It Public! Border Pedagogy and the Transcultural Politics of Hope in Contemporary Cinematic Representations of Children." CL 37.2 (2010): 171-85.

615. Manning, Caitlin, and Julie Shackford-Bradley. "Global Subjects in Motion: Strategies for Representing Globalization in Film." JFV 62.3 (2010): 36-52.

616. Maule, Rosanna. "Women Filmmakers and Postfeminism in the Age of Multimedia Reproduction: A Virtual Archive for Women's Cinema." Fr 51.2 (2010): 350-53.

617. McClure, Michael Jay. "Queered Cinema: Film, Matter, and Matthew Barney." Dis 32.2 (2010): 150-69.

618. McMahon, Gary. "A Class Act." Ft 8.2 (2010): 7-16. Representations of class on film.

619. --. "Nixon vs. Nixon on Film." Ft 8.5 (2010): 7-22.

620. Middleton, Jason. "The Subject of Torture: Regarding the Pain of Americans in Hostel." CJ 49.4 (2010): 1-24.

621. Miller, Andrew C. "The American Dream Goes to College: The Cinematic Student Athletes of College Football." JPC 43.6 (2010): 1222-41.

622. Morrison, Aimee. "Newfangled Computers and Old-Fashioned Romantic Comedy: You've Got Mail's Futuristic Nostalgia." CJFS 19.1 (2010): np.

623. Morton, Erin, and Taryn Sirove. "Structuring Knowledges: Caching Inuit Architecture through Igloolik Isuma Productions." PS 29.3 (2010): 58-69.

624. Narine, Neil. "Global Trauma and the Cinematic Network Society." CSMC 27.3 (2010): 209-34.

625. Neroni, Hilary. "Documenting the Gaze: Psychoanalysis and Judith Helfand's Blue Vinyl and Agnes Varda's The Gleaners and I." QRFV 27.3 (2010): 178-92.

626. Ott, Brian L. "The Visceral Politics of V for Vendetta: On Political Affect in Cinema." CSMC 27.1 (2010): 39-54.

627. Owen, A. Susan, and Peter Ehrenhaus. "Communities of Memory, Entanglements, and Claims of the Past on the Present: Reading Race Trauma through The Green Mile." CSMC 27.2 (2010): 131-54.

628. Podalsky, Laura. "Migrant Feelings: Melodrama, Babel, and Affective Communities." SHC 7.1 (2010): 47-58.

629. Quart, Leonard. "Dramatizing Traumatic Memories of War: An Interview with Samuel Maoz." Cin 35.2 (2010): 34-37.

630. Quinn, Eithne. "'Tryin' to Get Over': Super Fly, Black Politics, and Post-Civil Rights Film Enterprise." CJ 49.2 (2010): 86-105.

631. Radovic, Rajko. "A Bandit Apart." Ft 8.3 (2010): 14-20.

632. Rushing, Robert A. "Blink: The Material Real in Cache, Mulholland Dr., and Doctor Who." PS 30.1 (2010): 21-34.

633. Russell, James. "Evangelical Audiences and 'Hollywood" Film: Promoting Fireproof." JAS 44.2 (2010): 391-407.

634. Sargeant, Amy. "Night and Fog and Benighted Ladies." Ad 3.1 (2010): 36-50. On the imagery and topography of London as presented in British and German films of the 1920s and 1930s.

635. Scott, James. "The Right Stuff at the Wrong Time: The Space of Nostalgia in the Conservative Ascendancy." F&H 40.1 (2010): 45-57.

636. Sharot, Stephen. "Class Rise as a Reward for Disinterested Love: Cross-Class Romance Films, 1915-28." JPC 43.3 (2010): 583-99.

637. Shaw, Tony. "The Russians are Coming, the Russians are Coming (1966): Reconsidering Hollywood's Cold War 'Turn' of the 1960s." FH 22.2 (2010): 235-50.

638. Spitz, Ellen Handler. "To Teach and to Treat: Meditations on The Miracle Worker." Al 67.1 (2010): 101-15.

639. Speed, Lesley. "Loose Cannons: White Masculinity and the Vulgar Teen Comedy Film." JPC 43.4 (2010): 820-41.

640. Stovall, Adam. "Sex, Drugs, and Facebook." CS 17.5 (2010): 32-34, 35-38. Background on the making of the film The Social Network.

641. Ward, James J. "Outlaw Motorcyclists They're Not: A Contrarian Reading of Joseph Losey's These are the Damned (1961) and Sidney Furie's The Leather Boys (1964)." JPC 43.2 (2010): 381-407.

642. White, Rob. "Three Types of Nothing." FQ 63.4 (2010): 4-6. Examines themes of contempt and apathy in several recent films.

643. Wilson, Julie A. "Star Testing: The Emerging Politics of Celebrity Gossip." VLT 65 (2010): 25-38.

644. York, Ashley Elaine. "From Chick Flicks to Millennial Blockbusters: Spinning Female-Driven Narratives into Franchises." JPC 43.1 (2010): 3-25.

645. Zemka, Sue. "The Death of Nancy 'Sikes,' 1838-1912." Rep 110 (2010):

29-57. Examines media images of violence in adaptations of Dickens' Oliver Twist.

Also see the following entries: 15, 17, 22, 39, 72, 78, 89, 126, 220, 232, 264, 270, 306, 338, 397, 400, 427, 433, 459, 520, 675, 681, 702, 715.

TECHNICAL

(includes Special Effects)

646. Dawson, Max. "Television Between Analog and Digital." JPFT 38.2 (2010): 95-100.

647. Gentry, Ric. "Vittorio Storaro, Cinematographer as Painter with Light and Motion." PS 29.2 (2010): 3-7.

648. --. "Vittorio Storaro on the Art of Cinematography, with Director Angelo Longoni, on Caravaggio." PS 29.2 (2010): 18-43.

649. Kehr, David. "3-D or not 3-D." FC 46.1 (2010): 60-67. On contemporary applications of the 3D process.

650. Krukones, James H. "Peacefully Coexisting on a Wide Screen: Kinopanorama vs. Cinerama, 1952-66." SRSC 4.3 (2010): 283-306.

651. Lieberman, Evan, and Kerry Hegarty. "Authors of the Image: Cinematographers Gabriel Figueroa and Gregg Toland." JFV 62.1-2 (2010): 31-51.

652. Smailova, Inna. "Three Generations of Kazakh Cinematographers." SRSC 4.2 (2010): 191-94.

653. Wagner, Brigitta B. "Vorschneider in Focus." FQ 63.4 (2010): 62-64. On the work of the cinematographer Reinhold Vorschneider.

654. Willem, Linda M. "Saura and Storaro: A Professional Friendship." PS 29.2 (2010): 111-17.

Also see the following entries: 76, 250, 286, 302, 372, 480, 673.

THEORY

655. Anderson, Paul Allen. "Agee after Cavell, Cavell after Agee." MQR 49.2 (2010): np. Looks at Cavell's responses to Agee's film criticism and its impact on his theoretical work.

656. Cardullo, Bert. "Divining the Real: The Film Theory and Criticism of Andre Bazin." MQ 51.2 (2010): 200-16.

657. Chen, Robert. "Bazin at Work: The Concept of Realism in Chinese-Language Films." JCC 4.1 (2010): 57-64.

658. de Baecque, Antoine. "Andre Bazin in Combat." Cin 36.1 (2010): 10-15. Examines Bazin's correspondence to trace out the development of his theories.

659. Frey, Mattias. "Cultural Problems of Classical Film Theory: Bela Balazs, Universal Language, and the Birth of National Cinema." Sc 51.4 (2010): 324-40.

660. Giralt, Gabriel E "Realism and Realistic Representation in the Digital Age." JFV 62.3 (2010): 3-16.

661. Knudsen, Erik. "Zen and the Art of Film Narrative: Towards a Transcendental Realism in Film." JoS 1.2 (2010): 343-56.

662. Oxman, Elena. "Sensing the Image: Roland Barthes and the Affect of the Visual." Sub 39.2 (2010): 71-90.

663. Van der Meulen, Sjoukje. "Between Benjamin and McLuhan: Vilem Flusser's Media Theory." NGC 110 (2010): 180-207.

664. Verevis, Constantine. "Screen Theory Goes to Australia." Fr 51.2 (2010): 420-37.

Also see the following entries: 71, 160, 248, 345.

VIDEO

665. Aday, Sean. "Chasing the Bad News: An Analysis of 2005 Iraq and Afghanistan War Coverage on NBC and Fox News Channel." JoC 60.1 (2010): 144-64.

666. Anderson, Paul Allen. "'The Game is the Game': Tautology and Allegory in The Wire." Crit 52.3-4 (2010): 373-98.

667. Attallah, Paul. "Television Discourse and Situation Comedy." CRAS 40.1 (2010): 1-24.

668. Avila-Saavedra, Guillermo. "A Fish Out of Water: New Articulations of U.S.-Latino Identity on Ugly Betty." CQ 58.2 (2010): 133-47.

669. Barron, Lee. "Proto-Electronica vs. Martial Marches: Doctor Who, Stingray, Thunderbirds and the Music of 1960s' British SF Television." SFFTV 3.2 (2010): 239-52.

670. Bell, Robert LeVertis. "'Precarious Lunch': Conviviality and Postlapsarian Nostalgia in The Wire's Fourth Season." Crit 52.3-4 (2010): 529-46.

671. Bignell, Jonathan. "Docudramatizing the Real: Developments in British TV Docudrama Since 1990." SDF 4.3 (2010): 195-208.

672. Brown, Adrienne. "Constrained Frequencies: The Wire and the Limits of Listening." Crit 52.3-4 (2010): 441-59.

673. Chamberlain, Daniel. "Television Interfaces." JPFT 38.2 (2010): 84-88.

674. Cloud, Dana. "The Irony Bribe and Reality Television: Investment and Detachment in The Bachelor." CSMC 27.5 (2010): 413-37.

675. Diffrient, David Scott. "The Cult Imaginary: Fringe Religions and Fan Cultures on American Television." HJFRTV 30.4 (2010): 463-85.

676. Dipaolo, Marc Edward. "Political Satire and British-American Relations in Five Decades of Doctor Who." JPC 43.5 (2010): 964-87.

677. Duquid, Mark. "That Was Then, This Is Now." SS 20.6 (2010): 50-54. On the current status of British television drama.

678. Elferen, Isabella van. "Music of Other Spheres: Diagonal Time and Metaphysics in Lost." SFFTV 3.2 (2010): 253-70.

679. Farber, Paul M. "The Last Rites of d'Angelo Barksdale: The Life and Afterlife of Photography in The Wire." Crit 52.3-4 (2010): 413-39.

680. Fuller, Graham. "The Bloody North." FC 46.1 (2010): 68-71. On the BBC's adaptation of The Red Riding Trilogy.

681. Fuller, Jennifer. "Dangerous Fictions: Race, History, King." CJ 49.2 (2010): 40-62.

682. Gillota, David. "Negotiating Jewishness: Curb Your Enthusiasm and the Schlemiel Tradition." JPFT 38.4 (2010): 152-61.

683. Godlewski, Lisa R., and Elizabeth M. Perse. "Audience Activity and Reality Television: Identification, Online Activity, and Satisfaction." CQ 58.2 (2010): 148-69.

684. Gray, Jonathan. "'Coming Up Next': Promos in the Future of Television and Television Studies." JPFT 38.2 (2010): 54-57.

685. Hill, Lisa. "Gender and Genre: Situating Desperate Housewives." JPFT 38.4 (2010): 162-69.

686. Holdsworth, Amy. "Televisual Memory." Sc 51.2 (2010): 129-42.

687. Hsu, Hua. "Walking in Someone Else's City: The Wire and the Limits of Empathy." Crit 52.3-4 (2010): 509-28.

688. Hu, Brian. "Korean TV Serials in the English-Language Diaspora: Translating Difference Online and Making It Racial." VLT 66 (2010): 36-49.

689. Jameson, Fredric. "Realism and Utopia in The Wire." Crit 52.3-4 (2010): 359-72.

690. Johnson, Victoria E. "The Persistence of Geographic Myth in a Convergent Era." JPFT 38.2 (2010): 58-65.

691. Jontes, Dejan. "Slovenian Sitcom and the Construction of Otherness." CS 24.5 (2010): 716-28.

692. Kompare, Derek. "Reruns 2.0: Revising Repetition for Multiplatform Television Distribution." JPFT 38.2 (2010): 79-83.

693. La Berge, Leigh Claire." Capitalist Realism and Serial Form: The Fifth Season of The Wire." Crit 52.3-4 (2010): 547-67.

694. Lippert, Julia. "Bennett's George III on the Small Screen: An Inquiry into Televisual Adaptations of the Past." JAFP 3.2 (2010): 141-56.

695. Lockett, Christopher. "Accidental History: Mass Culture and HBO's Rome." IPFT 38.3 (2010): 102-12.

696. Love, Chris. "Greek Gods in Baltimore: Greek Tragedy and The Wire." Crit 52.3-4 (2010): 487-507.

697. Mann, Denise. "Next Gen Web Workers: LG15's Industrial Self-Reflexivity on Steroids." JPFT 38.2 (2010): 89-94.

698. Marwick, Alice. "There's a Beautiful Girl Under All of This: Performing Hegemonic Femininity in Reality Television." CSMC 27.3 (2010): 251-66.

699. Matelski, Marilyn J. "As Our Worlds Turn: The Birth and Rebirth of Cuban Serial Drama." JPFT 38.4 (2010): 186-92.

700. McGuire, Ann, and David Buchbinder. "The Forensic Gothic: Knowledge, the Supernatural, and the Psychic Detective." CRAS 40.3 (2010): 289-307. Examines the recent spate of "forensic" television dramas.

701. Meddaugh, Priscilla Marie. "Bakhtin, Colbert, and the Center of Discourse: Is There No 'Truthiness' in Humor?" CSMC 27.4 (2010): 376-90.

702. Monk-Turner, Elizabeth, et al. "The Portrayal of Racial Minorities on Prime Time Television: A Replication of the Mastro and Greenberg Study a Decade Later." SPC 32.2 (2010): 101-14.

703. Morgan, Susan, et al. "A Kernal of Truth? The Impact of Television Storylines Exploiting Myths About Organ Donation on the Public's Willingness to Donate." JoC 60.4 (2010): 778-96.

704. Morreale, Joanne. "Lost, The Prisoner, and the End of the Story." JPFT 38.4 (2010): 176-85.

705. Muller, Floris, and Joke Hermes. "The Performance of Cultural Citizenship: Audiences and the Politics of Multicultural Television Drama." CSMC 27.2 (2010): 193-208.

706. Munso, Danny. "Don't Call It a Comeback." CS 17.6 (2010): 36-40. Describes the importance of the screenwriting to the success of the series Eastbound & Down.

707. Neal, Mark Anthony. "'A Man without a Country': The Boundaries of Legibility, Social Capital, and Cosmopolitan Masculinity." Crit 52.3-4 (2010): 399-411. On the television series The Wire.

708. Niederdeppe, Jeff, et al. "Does Local Television News Coverage Cultivate Fatalistic Beliefs About Cancer Prevention?" JoC 60.2 (2010): 230-53.

709. Olsen, Richard K., and Julie W. Morgan. "Desperate for Redemption? Desperate Housewives as Redemptive Media." JPC 43.2 (2010): 330-47.

710. Ouellette, Laurie. "Reality TV Gives Back: On the Civic Functions of Reality Entertainment." JPFT 38.2 (2010): 66-71.

711. Pastor-Gonzales, Victoria. "The Passion of Antonio Delgado: Religious Iconography in the Spanish TV Mini-Series Padre Coraje/Father Courage." SDF 4.3 (2010): 283-98.

712. Perlman, Allison. "Television Up in the Air: The Midwest Program on Airborne Television Instruction, 1959-1971." CSMC 27.5 (2010): 477-97.

713. Peterson, James Braxton. "The Depth of the Hole: Intertextuality and Tom Waits's 'Way Down in the Hole.'" Crit 52.3-4 (2010): 461-85. On the theme music for the series The Wire.

714. Poore, Benjamin. "I have been true to you, upon my guilty soul I have!': Negotiating Nancy, Hyperauthenticity and Hyperfidelity in the 2007 BBC Adaptation of Oliver Twist." JAFP 3.2 (2010): 157-70.

715. Ruggieri, Dominique G, and Elizabeth J. Leebron. "Situation Comedies Imitate Life: Jewish and Italian-American Women on Prime Time." JPC 43.6 (2010): 1266-81. 716. Santo, Avi. "Batman versus The Green Hornet: The Merchandisable TV Text and the Paradox of Licensing in the Classical Network Era." CJ 49.2 (2010): 63-85.

717. Saul, Roger. "The Survival of Biology: 'Lessons' on Race from The Oprah Winfrey Show." JPC 43.6 (2010): 1282-1301.

718. Schaub, Joseph Christopher. "The Wire: Big Brother is Not Watching You in Body-more, Murdaland." JPFT 38.3 (2010): 122-32.

719. Scott, David K., Mike Chanslor, and Jennifer Dixon. "FAIR and the PBS Newshour: Assessing Diversity and Elitism in News Sourcing." CQ 58.3 (2010): 319-40.

720. Sharp, Patrick. "Starbuck as' American Amazon': Captivity Narrative and the Colonial Imagination in Battlestar Galactica." SFFTV 3.1 (2010): 57-78.

721. Sienkiewicz, Matt. "Hard Questions: Public Goods and the Political Economy of the New Palestinian Televisual Public Sphere." VLT 66 (2010): 3-14.

722. Stovall, Adam. "Building an Empire." CS 17.5 (2010): 22-28, 30-31. Background on the making of the series Boardwalk Empire.

723. Strayer, Kirsten. "Reinventing the Inhuman: Avatars, Cylons, and Homo Sapiens in Contemporary Science Fiction Television Series." LFQ 38.3 (2010): 194-204.

724. Telotte, J. P. "In the Cinematic Zone of The Twilight Zone." SFFTV 3.1 (2010): 1-18.

725. Tyree, J. M. "No Fun: Debunking the 1960s in Mad Men and A Serious Man." FQ 63.4 (2010): 33-39.

726. Virino, Conception Cascajosa. "Narciso Ibanez Serrador, an Early Pioneer of Transnational Television." SHC 7.2 (2010): 133-46.

727. Weber, Brenda R., and Karolyn Steffens. "Genre Transvestites: Testosterone Tales and Feminine Textual Bodies on Fox's 24 and The Swan." JPC 43.4 (2010): 860-80.

728. Winslow, Luke. "Comforting the Comfortable: Extreme Makeover Home Edition's Ideological Conquest." CSMC 27.3 (2010): 267-90.

729. Zborowski, James. "The Rhetoric of The Wire." Mov 1 (2010): np.

Also see the following entries: 6, 35, 123, 322, 359, 360, 367, 370, 505, 601, 632, 646.

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Author:Telotte, J.P.
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