Animation Design Legend Maurice Noble Dies; Created the sets for many Warner Bros. classic cartoons.

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LA CRESCENTA, Calif.--(ENTERTAINMENT WIRE)--May 23, 2001

Maurice J. Noble, co-director of the Academy Award winning animated short subject "Dot and the Line" and many other cartoon classics, died Friday, May 18, 2001. He was 91 years old.

His unique and innovative use of color and design are apparent in landmark Disney films such as "Snow White and the Seven Dwarfs," "Bambi," and "Dumbo." His work on more than 60 Warner Bros. cartoons featuring characters such as Bugs Bunny and the Road Runner helped create a new look and approach to animation that continues to influence designers today.

Noble is widely recognized as the premier animation designer in the history of animation. Animation design or layout design provides the "sets" upon which animated characters perform. It is a deceptively difficult job. In Noble's case, the role became even more complex when his involvement extended into almost every aspect of a film's production; from providing inspirational concepts and staging ideas to color-coordinating the animated characters with the finished production backgrounds.

Each new animated film presented Noble an opportunity to explore an unusually distinctive art form, and he consistently strived to develop highly imaginative and interesting settings to support and enhance every production. In addition to designing, Noble also developed the stories for and co-directed many Warner Bros. Cartoons.

Noble was born in Spooner, Minnesota, moving to California at an early age. Educated at Chouinard Art Institute (precursor to the California Institute of the Arts), he began his career in advertising, where he notably designed the "Red Door" for the Elizabeth Arden Company. Noble discovered his true calling at the Walt Disney Company. "Dumbo" (1941) showcases his inventive understanding of color and design in its famous "pink elephant" sequence.

During World War II, Noble was a member of the Frank Capra U.S. Army Signal Corp Unit, creating animated films for the Armed Forces; among the most memorable, the "Private Snafu" series. It was during this period that he met his future collaborators Ted Geisel (better known as Dr. Seuss) and Chuck Jones.

After the war, Noble entered into a creative partnership with Chuck Jones that would continue, off and on, for nearly 50 years. Some of the more famous animated short subjects he designed include "Duck Dodgers in the 24th-and-a-half Century," "Bully for Bugs," "Duck Amuck" and "What's Opera, Doc?" The latter two are the only animated films inducted into the National Film Registry. "The Dot and the Line," which Noble co-directed with Chuck Jones, was recognized with the Academy Award for Best Short Animated Subject.

In the 1960s Noble's collaboration with Chuck Jones continued at MGM where they produced many Dr. Seuss classics including "The Cat in the Hat," "Horton Hears a Who," and the original animated adaptation of "How the Grinch Stole Christmas."

Noble briefly left animation in the 1970s to focus on producing a series of hand-pulled, limited edition serigraphs (silk screens). These serigraphs became collectible in their own right.

In the 1990s, Noble returned to animation and contributed designs to Chuck Jones Film Productions and Warner Bros. He also formed his own studio, Maurice Noble Productions. During this time, he mentored a new generation of animation designers who work in studios as diverse as Cartoon Network, DreamWorks, Pixar, Warner Bros. and the Walt Disney Company. He was a popular guest speaker at universities and software, television and film companies.

In 1993, Noble was honored for contributions to the Disney Studio in a ceremony at Fantasia Court at Disney World, where his signature and handprints were placed in cement. He received the Annie Award in 1987 from the International Animation Society for creative excellence in the field of animation.

His longtime collaborator, four-time Oscar winner Chuck Jones, said: "Maurice Noble excited, moved, and stimulated us all. He approached each filmic problem with his unique history and viewpoint. Maurice had the confidence and knowledge to create a world where animation could flourish, and never intruded on the orderly advance of the story. He enhanced every film, and provided inspiration and creativity to the team. He never showed off, but he did show up every layout man or art director I have ever known by his honesty, his devotion to his craft, and above all, his commitment to the film at hand. Without him, a great many of my films could not have been made."

Noble is survived by his wife Marjorie, two children, and a grandson. His life will be celebrated in a memorial service in June. His complete filmography is available at www.nobletales.com.

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