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Ancient ``Idols'' Poised to Mesmerize Manhattan after Successful Showing in Geneva; Tribune de Geneve Calls Collection ``Sumptuous''.


NEW YORK -- Phoenix Ancient Art's Dazzling Devotionals Invoke the Dawn of History

Phoenix Ancient Art, one of the world's leading dealers in rare and exquisite antiquities from Western civilizations, today announced that its exposition, "Idols," and Mediterranean Cult Objects will be unveiled at its New York City New York City: see New York, city.
New York City

City (pop., 2000: 8,008,278), southeastern New York, at the mouth of the Hudson River. The largest city in the U.S.
 gallery on December 9, 2004, and will remain on view until January 27, 2005. Admittance Admittance

The ratio of the current to the voltage in an alternating-current circuit. In terms of complex current I and voltage V, the admittance of a circuit is given by Eq. (1), and is related to the impedance of the circuit Z by Eq. (2).
 to the exposition is open to the public during this time from Tuesday through Friday, from 10:00 a.m. to 6:00 p.m., and on Mondays and Saturdays from 1:00 p.m. to 5:00 p.m. The gallery is located at 47 E. 66th Street.

The exhibit is coming to New York after an extremely successful showing in Phoenix Ancient Art's gallery in Geneva Geneva, canton and city, Switzerland
Geneva (jənē`və), Fr. Genève, canton (1990 pop. 373,019), 109 sq mi (282 sq km), SW Switzerland, surrounding the southwest tip of the Lake of Geneva.
, Switzerland, from October 1- 29 of this year. Etienne Dumont noted in the Tribune de Geneve of October 1, 2004, "The kinship with the quest of modern art is striking. That elongated e·lon·gate  
tr. & intr.v. e·lon·gat·ed, e·lon·gat·ing, e·lon·gates
To make or grow longer.

adj. or elongated
1. Made longer; extended.

2. Having more length than width; slender.
 head evokes some Modigliani sculptures; that other one, with the arched eyebrows, is reminiscent of Paul Klee. For that matter, the collectors are often the same people."

The objects--which hail from modern-day Syria, Sardinia, Turkey, Northern Greece, the Balkans, the Cycladic Islands, Egypt and the Iberian Peninsula--span the millennia of prehistory prehistory, period of human evolution before writing was invented and records kept. The term was coined by Daniel Wilson in 1851. It is followed by protohistory, the period for which we have some records but must still rely largely on archaeological evidence to  through the Ancient Bronze Age, from 6,000 B.C. to 2,000 B.C. While some pieces are schematic and abstracted, others are anthropomorphic Having the characteristics of a human being. For example, an anthropomorphic robot has a head, arms and legs.  and even wildly voluptuous. They are fashioned from a wide array of materials, including terra cotta cot·ta  
n. pl. cot·tae or cot·tas
A short surplice.



[Medieval Latin, of Germanic origin.]
, white marble and gold.

"The fact that these works of art can still resonate with us after thousands of years is astounding a·stound  
tr.v. a·stound·ed, a·stound·ing, a·stounds
To astonish and bewilder. See Synonyms at surprise.



[From Middle English astoned, past participle of astonen,
, especially given the fact that they were created by technologically primitive and often pre-literate societies," said Hicham Aboutaam, Phoenix Ancient Art's co-founder.

"The sculptures and figurines that fascinated our ancestors at the dawn of civilization served some sort of devotional purpose, and they continue to captivate us even today as objects of pure beauty and as testimony to human history. In that sense, they inspire and enrich us spiritually," he added.

In Geneva, visitors were struck by the artistic sophistication so·phis·ti·cate  
v. so·phis·ti·cat·ed, so·phis·ti·cat·ing, so·phis·ti·cates

v.tr.
1. To cause to become less natural, especially to make less naive and more worldly.

2.
 of the pieces, many of which are surprisingly current in their aesthetic. Ali Aboutaam, Phoenix Ancient Art, president and co-founder, described the exhibition as consisting of "powerful forms, mainly in stone, created by deeply religious people in search of their god. Starting in the 7th millennium B.C., they unknowingly perhaps created the essence of Western Civilization, which echoes up to modern day art."

Given that the creators of these archaic objects left no written records as to their designated purpose, the term "idol" is used as a scholarly convention. It is widely believed, however, that they were used in funerary fu·ner·ar·y  
adj.
Of or suitable for a funeral or burial.



[Latin fner
, magico-religious and/or fertility rites and rituals.

The objects vary in appearance and construction materials, which correlate with their culture and place of origin. For example, many pieces from modern Turkey and northern Syria use a wide variety of materials and are concerned with the wealth of the harvest, the flocks and the society's women. The female statuettes tend to be rounded, even obese, and are termed "steatopygic," meaning "of large buttocks buttocks /but·tocks/ (but´oks) the two fleshy prominences formed by the gluteal muscles on the lower part of the back. " and document the importance of women in this society.

Pieces from Northern Greece and the Balkans tend to include objects fashioned from sheet gold and suggest a hierarchical society dominated by princes. Their use of copper suggests contacts with central and eastern Mediterranean cultures. Artifacts from the Iberian Peninsula tend to be anthropomorphic and display incised incised /in·cised/ (in-sizd´) cut; made by cutting.  decoration indicating hair, eyes and undulating lines that some scholars have interpreted to be tattoos.

The works of art at this exposition cover a wide price range, from $950 to a select number of pieces valued at several million dollars. Contact Phoenix Ancient Art at (212) 258-5458.

ABOUT PHOENIX ANCIENT ART

With galleries in New York City and Geneva, Switzerland, Phoenix Ancient Art is one of the world's leading dealers in rare and exquisite antiquities from cultures that make up the essence of Western Civilization. Its works of art have been purchased by world-class museums around the world, as well as by private individuals. Formally incorporated in 1995, Phoenix Ancient Art in a second-generation family business that was founded by Sleiman Aboutaam in 1968 and continues today under the leadership of his sons, Hicham and Ali. For further information, please visit: www.phoenixancientart.com.

Editor's Note: To view and download photos, go to: http://www.phoenixancientart.com/idols/index.html
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