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Articles
1-74 out of 74 article(s)
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Author |
Type |
Date |
Words |
| Cult cinema: a critical symposium: featuring Joe Bob Briggs, J. Hoberman, Damien Love, Tim Lucas, Danny Peary, Jeffrey Sconce and Peter Stanfield: as the marginal goes mainstream, critical connoisseurs debate the frenzied life, near death, and rejuvenation of cult cinema. |
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Dec 22, 2008 |
8197 |
| KING GONE; Giant Kong model torched in Universal Studios blaze. |
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Jun 2, 2008 |
274 |
| King gone; GIANT KONG MODEL TORCHED IN UNIVERSAL STUDIOS BLAZE. |
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Jun 2, 2008 |
250 |
| Shrewsbury High student club sets its focus on films. |
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Feb 28, 2008 |
478 |
| I'll model career on films. |
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Jan 26, 2008 |
176 |
| US Consumer Spending on Digital Music, Movies & Television is Expected to Approach $7.8 Billion in 2010. |
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Jan 23, 2007 |
331 |
| Creating reel change: maybe a single film can't change the world, but put a social action campaign behind it and you have the seeds of a movement. |
Jacobs, Donovan |
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Nov 1, 2006 |
1491 |
| Mourning and Misfortune: 9/11 and the domestic terror of pedophilia. |
Tubrett, Dion |
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Jun 22, 2006 |
6611 |
| The allure of amnesia. |
Atkinson, Roland |
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Jun 1, 2006 |
1594 |
| Home box office. |
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Nov 7, 2005 |
537 |
| Learning curve: what it's like to be disabled. |
McGowan, Jo |
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Oct 21, 2005 |
909 |
| 'Never Again,' that time: a recent movie spotlights Rwanda. |
Daniels, Anthony |
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Apr 11, 2005 |
1696 |
| The art of war: even in a digital age, fight choreography means knowing where the blows fall. |
Bloom, Julie |
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Feb 1, 2005 |
1358 |
| Krystyna Janda: the contradictions of Polish stardom *. |
Ostrowska, Elzbieta |
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Jan 1, 2005 |
11347 |
| Dancing the impossible choreography for the camera. |
Kraus, Lisa |
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Jan 1, 2005 |
1138 |
| Close up on choreography for the camera. |
Petesch, Carley |
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Jan 1, 2005 |
562 |
| Suggestive intimacies: an interview with Patrice Leconte. |
Lucia, Cynthia |
Interview |
Sep 22, 2004 |
5981 |
| Upholding the Palestinian image in Israeli cinema: an interview with Mohammad Bakri. |
Assadi, Ginger |
Interview |
Sep 22, 2004 |
3637 |
| San Diego sees Arnold run: local setting is crucial to movie, even though Canada beckons with cheaper costs. |
Lewis, Connie |
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Aug 23, 2004 |
746 |
| Home movies and personal documentaries: an interview with Ross McElwee. |
Rhu, Lawrence F. |
Interview |
Jun 22, 2004 |
7828 |
| The pleasures of melancholy: an interview with Guy Maddin. |
Losier, Marie; Porton, Richard |
Interview |
Jun 22, 2004 |
8977 |
| Iconic Nicole. |
Salzberg, Mark |
Letter to the Editor |
Jun 22, 2004 |
176 |
| "I didn't see any anti-semitism": why many Christians don't have a problem with the Passion of the Christ. |
Boys, Mary C. |
Critical Essay |
Mar 22, 2004 |
2889 |
| Mel Gibson's alter ego: a male Passion for violence. |
Krondorfer, Bjorn |
Critical Essay |
Mar 22, 2004 |
2485 |
| Hospitable vision: some notes on the ethics of seeing film. |
Plate, Brent S. |
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Mar 22, 2004 |
4289 |
| If only you could see what I've seen with your eyes: destabilized spectatorship and creation's chaos in blade runner. |
Tiitsman, Jenna |
Critical Essay |
Mar 22, 2004 |
6375 |
| Tarantino's incarnational theology: Reservoir Dogs, crucifixions and spectacular violence (1). |
Brintnall, Kent L. |
Critical Essay |
Mar 22, 2004 |
4147 |
| Filmmaking as spiritual practice and ministry. |
Alston, Macky |
Critical Essay |
Mar 22, 2004 |
2436 |
| You got served. |
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Brief Article |
Feb 1, 2004 |
66 |
| The Prince and me. |
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Brief Article |
Feb 1, 2004 |
58 |
| International perspectives on the art of film making. |
Taylor, Gary |
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Dec 1, 2003 |
3465 |
| Vancouver International Film Festival (9/25-10/10/03). |
Drewery, Dale |
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Dec 1, 2003 |
996 |
| True confession, sort of: Capturing the Friedmans and the dilemma of theatrical documentary. |
Arthur, Paul |
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Sep 22, 2003 |
4090 |
| Can Hitchcock be saved from Hitchcock studies? |
Belton, John |
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Sep 22, 2003 |
5729 |
| The sincerest form of flattery: a brief history of the mockumentary. |
Doherty, Thomas |
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Sep 22, 2003 |
3071 |
| My Big Fat Greek gripes. |
Georgakas, Dan |
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Sep 22, 2003 |
1942 |
| The Kent files: basking in the glow of a long-overdue, cross-country tour, Larry Kent, the man behind four sexually frank films of the 1960s, looks back on his outstanding body of work. |
Hays, Matthew |
Interview |
Jun 1, 2003 |
2629 |
| Cribbing Cleopatra, or How to Turn an Acclaimed Novel Into a Bad TV Movie. (Cinema Studies). |
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Brief Article |
Mar 22, 2002 |
165 |
| A living wage opening. (On The Line). |
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Brief Article |
Mar 1, 2002 |
69 |
| Big gay twists: they're b-a-a-ack--those wacky, wonderful supporting characters who turn out to be gay in the last reel. Thanks, Hollywood! We feel included! (Film). |
White, Dave |
Brief Article |
Jan 22, 2002 |
513 |
| Lesbian Images in the Classic Film Era: Beth Mauldin talks with a lesbian film documentarian. (Interview). |
Hammer, Barbara |
Interview |
Nov 1, 2001 |
2505 |
| The intimate screen: Dogme and Beyond. |
Sippl, Diane |
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Sep 22, 2001 |
7160 |
| The truth in L.I.E. |
Steele, Bruce C. |
Brief Article |
Sep 11, 2001 |
802 |
| Lord of the Cannes. |
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Brief Article |
Jul 3, 2001 |
382 |
| SUMMER MOVIE PREVIEW. |
KILDAY, GREGG |
Movie Review |
Jun 5, 2001 |
2591 |
| Art for Money's Sake. |
Young, Michael |
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Jun 1, 2001 |
970 |
| After 18 years, Froehlich leaves RFT. |
Posorske, Alex |
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May 1, 2001 |
1195 |
| Tick ... tick ... tick. |
Stuart, Jan |
Brief Article |
Jan 16, 2001 |
501 |
| FESTIVAL PRESERVES OTHERWISE FLEETING FOOTWORK. |
Iwasaki, Scott |
Brief Article |
Jan 1, 2001 |
757 |
| Using Popular Movies in Psychotherapy. |
HESLEY, JOHN W. |
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Jan 1, 2001 |
2368 |
| Positive Images & the Coming Out Film: THE ART AND POLITICS OF GAY AND LESBIAN CINEMA. |
Bronski, Michael |
Critical Essay |
Dec 22, 2000 |
6793 |
| ONE KISS LEADS ... TO ANOTHER. |
DURALDE, ALONSO |
Brief Article |
Aug 15, 2000 |
736 |
| SHARP SHOOTERS. |
RICH, B. RUBY |
Brief Article |
Aug 15, 2000 |
594 |
| Hollywood's Missing Movies. |
Billingsley, Kenneth Lloyd |
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Jun 1, 2000 |
5429 |
| Beauty and the box office. |
Ball, Alan |
Brief Article |
Mar 28, 2000 |
764 |
| Cupid goes to the movies. |
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Brief Article |
Feb 29, 2000 |
142 |
| THIRD ANNUAL GAY GUIDE TO THE Oscars. |
STOCKWELL, ANNE |
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Mar 30, 1999 |
1505 |
| Those bad-tempered, redhaired Celts. |
Gray, Michael |
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Mar 22, 1999 |
1192 |
| Opposite attracts. |
Natale, Richard |
Interview |
Jan 19, 1999 |
918 |
| Maiden USA: representing teenage girls in the '90s. |
Sweeney, Kathleen |
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Jan 1, 1999 |
8242 |
| Hysteria and the helio-trope: on bodies, gender and the photograph. |
Bowen, Dore |
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Jan 1, 1999 |
7582 |
| Big bad Brits (and other myths). |
Foreman, Jonathan |
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Apr 20, 1998 |
1869 |
| As gay as it gets. |
Vilanch, Bruce |
Brief Article |
Mar 17, 1998 |
744 |
| Terror at the movies. |
Chang, Maria L. |
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Mar 11, 1998 |
1421 |
| Capturing the ephemeral art. |
Thom, Rose Anne |
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Nov 1, 1997 |
1443 |
| The last time he saw Paris: an interview with Cedric Klapisch. |
Lucia, Cynthia |
Interview |
Jan 1, 1997 |
5530 |
| Porn again: 'The People vs. Larry Flynt:' an interview with Milos Foreman (film director)(Interview) |
Porton, Richard |
Interview |
Sep 22, 1996 |
5336 |
| So many alternatives: the alternative AIDS video movement. |
Juhasz, Alexandra |
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Jan 1, 1995 |
2903 |
| Taking a chance on love. |
McCormick, Patrick |
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Nov 1, 1994 |
1830 |
| Cinema verite and the criminal element: a perspective. |
Murphy, John W. |
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Dec 22, 1993 |
2197 |
| Identity politics at face value: an interview with Scott McGehee and David Siegel. |
Grundmann, Roy |
Interview |
Jun 22, 1993 |
2869 |
| No blacks or whites; the making of Luis Bunuel's 'The Young One.' |
Conrad, Randall |
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Jun 22, 1993 |
5884 |
| What, me work? |
Relyea, Lane |
Interview |
Apr 1, 1993 |
3525 |
| Black supremacy and anti-semitism: religion in Malcolm X. |
Lester, Julius |
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Sep 22, 1992 |
1055 |
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