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Articles
1-55 out of 55 article(s)
| Title |
Author |
Type |
Date |
Words |
| Cult cinema: a critical symposium: featuring Joe Bob Briggs, J. Hoberman, Damien Love, Tim Lucas, Danny Peary, Jeffrey Sconce and Peter Stanfield: as the marginal goes mainstream, critical connoisseurs debate the frenzied life, near death, and rejuvenation of cult cinema. |
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Dec 22, 2008 |
8197 |
| KING GONE; Giant Kong model torched in Universal Studios blaze. |
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Jun 2, 2008 |
274 |
| King gone; GIANT KONG MODEL TORCHED IN UNIVERSAL STUDIOS BLAZE. |
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Jun 2, 2008 |
250 |
| "Darkness rumbling": Kozintsev's Karol Lier and the visual acoustics of nothing. |
Catania, Saviour |
Critical essay |
Apr 1, 2008 |
4023 |
| Stoppard's space men: Rosencrantz and Guildenstern on film. |
Nardo, Anna K. |
Critical essay |
Apr 1, 2008 |
4078 |
| Shrewsbury High student club sets its focus on films. |
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Feb 28, 2008 |
478 |
| I'll model career on films. |
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Jan 26, 2008 |
176 |
| The imagined city: toward a theory of urbanity in Canadian cinema. |
Melnyk, George |
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Jun 22, 2007 |
5496 |
| US Consumer Spending on Digital Music, Movies & Television is Expected to Approach $7.8 Billion in 2010. |
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Jan 23, 2007 |
331 |
| MPAA ratings, black holes, and my film: an interview with Kirby Dick. |
West, Joan M.; West, Dennis |
Interview |
Dec 22, 2006 |
6512 |
| Creating reel change: maybe a single film can't change the world, but put a social action campaign behind it and you have the seeds of a movement. |
Jacobs, Donovan |
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Nov 1, 2006 |
1491 |
| Mourning and Misfortune: 9/11 and the domestic terror of pedophilia. |
Tubrett, Dion |
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Jun 22, 2006 |
6611 |
| The allure of amnesia. |
Atkinson, Roland |
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Jun 1, 2006 |
1594 |
| Home box office. |
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Nov 7, 2005 |
537 |
| Learning curve: what it's like to be disabled. |
McGowan, Jo |
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Oct 21, 2005 |
909 |
| An overview of film production incentives. |
Harrison, Haskel D.; Gnuschke, John E. |
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Sep 22, 2005 |
5593 |
| Disney rewrites Carib history. |
Swift, Richard |
Brief Article |
Jun 1, 2005 |
171 |
| 'Never Again,' that time: a recent movie spotlights Rwanda. |
Daniels, Anthony |
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Apr 11, 2005 |
1696 |
| The art of war: even in a digital age, fight choreography means knowing where the blows fall. |
Bloom, Julie |
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Feb 1, 2005 |
1358 |
| Dancing the impossible choreography for the camera. |
Kraus, Lisa |
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Jan 1, 2005 |
1138 |
| Close up on choreography for the camera. |
Petesch, Carley |
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Jan 1, 2005 |
562 |
| Krystyna Janda: the contradictions of Polish stardom *. |
Ostrowska, Elzbieta |
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Jan 1, 2005 |
11347 |
| Suggestive intimacies: an interview with Patrice Leconte. |
Lucia, Cynthia |
Interview |
Sep 22, 2004 |
5981 |
| Upholding the Palestinian image in Israeli cinema: an interview with Mohammad Bakri. |
Assadi, Ginger |
Interview |
Sep 22, 2004 |
3637 |
| San Diego sees Arnold run: local setting is crucial to movie, even though Canada beckons with cheaper costs. |
Lewis, Connie |
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Aug 23, 2004 |
746 |
| Redford's 'Motorcycle Diaries' offers new look at Che's life. |
Echevarria, Vito |
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Aug 1, 2004 |
388 |
| Home movies and personal documentaries: an interview with Ross McElwee. |
Rhu, Lawrence F. |
Interview |
Jun 22, 2004 |
7828 |
| The pleasures of melancholy: an interview with Guy Maddin. |
Losier, Marie; Porton, Richard |
Interview |
Jun 22, 2004 |
8977 |
| Iconic Nicole. |
Salzberg, Mark |
Letter to the Editor |
Jun 22, 2004 |
176 |
| "I didn't see any anti-semitism": why many Christians don't have a problem with the Passion of the Christ. |
Boys, Mary C. |
Critical Essay |
Mar 22, 2004 |
2889 |
| Mel Gibson's alter ego: a male Passion for violence. |
Krondorfer, Bjorn |
Critical Essay |
Mar 22, 2004 |
2485 |
| Hospitable vision: some notes on the ethics of seeing film. |
Plate, Brent S. |
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Mar 22, 2004 |
4289 |
| If only you could see what I've seen with your eyes: destabilized spectatorship and creation's chaos in blade runner. |
Tiitsman, Jenna |
Critical Essay |
Mar 22, 2004 |
6375 |
| Tarantino's incarnational theology: Reservoir Dogs, crucifixions and spectacular violence (1). |
Brintnall, Kent L. |
Critical Essay |
Mar 22, 2004 |
4147 |
| Filmmaking as spiritual practice and ministry. |
Alston, Macky |
Critical Essay |
Mar 22, 2004 |
2436 |
| You got served. |
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Brief Article |
Feb 1, 2004 |
66 |
| The Prince and me. |
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Brief Article |
Feb 1, 2004 |
58 |
| In good company: legendary director Robert Altmans's The Company shows the sweat, tears, and bloody feet that turn dance into art at the Joffrey Ballet. |
Hohenadel, Kristin |
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Dec 1, 2003 |
1136 |
| International perspectives on the art of film making. |
Taylor, Gary |
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Dec 1, 2003 |
3465 |
| Vancouver International Film Festival (9/25-10/10/03). |
Drewery, Dale |
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Dec 1, 2003 |
996 |
| True confession, sort of: Capturing the Friedmans and the dilemma of theatrical documentary. |
Arthur, Paul |
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Sep 22, 2003 |
4090 |
| Can Hitchcock be saved from Hitchcock studies? |
Belton, John |
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Sep 22, 2003 |
5729 |
| The sincerest form of flattery: a brief history of the mockumentary. |
Doherty, Thomas |
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Sep 22, 2003 |
3071 |
| My Big Fat Greek gripes. |
Georgakas, Dan |
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Sep 22, 2003 |
1942 |
| The Kent files: basking in the glow of a long-overdue, cross-country tour, Larry Kent, the man behind four sexually frank films of the 1960s, looks back on his outstanding body of work. |
Hays, Matthew |
Interview |
Jun 1, 2003 |
2629 |
| A living wage opening. (On The Line). |
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Brief Article |
Mar 1, 2002 |
69 |
| Recreating Jane Austen's world on film. |
Solender, Elsa |
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Jan 1, 2002 |
7895 |
| The intimate screen: Dogme and Beyond. |
Sippl, Diane |
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Sep 22, 2001 |
7160 |
| After 18 years, Froehlich leaves RFT. |
Posorske, Alex |
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May 1, 2001 |
1195 |
| Tick ... tick ... tick. |
Stuart, Jan |
Brief Article |
Jan 16, 2001 |
501 |
| THIRD ANNUAL GAY GUIDE TO THE Oscars. |
STOCKWELL, ANNE |
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Mar 30, 1999 |
1505 |
| Those bad-tempered, redhaired Celts. |
Gray, Michael |
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Mar 22, 1999 |
1192 |
| Hysteria and the helio-trope: on bodies, gender and the photograph. |
Bowen, Dore |
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Jan 1, 1999 |
7582 |
| Terror at the movies. |
Chang, Maria L. |
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Mar 11, 1998 |
1421 |
| Porn again: 'The People vs. Larry Flynt:' an interview with Milos Foreman (film director)(Interview) |
Porton, Richard |
Interview |
Sep 22, 1996 |
5336 |
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