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Articles
1-69 out of 69 article(s)
| Title |
Author |
Type |
Date |
Words |
| Residual stresses and thermoviscoelastic deformation of laminated film prepared for film insert molding. |
Kim, Sung Ho; Kim, Seong Yun; Lee, Seung Hwan; Youn, Jae Ryoun |
Report |
May 1, 2012 |
3819 |
| Aesthetics, opera, and alterity in Herzog's work. |
Eidt, Jacob-Ivan |
|
Mar 1, 2012 |
5987 |
| From recoil to ruination: Petropolis and the future of the Canadian landscape. |
Ginnan, Alexander |
Essay |
Jan 1, 2012 |
2270 |
| "I leave to several futures (not to all) my garden of forking paths": proto-interactivity in Late Fragment and the Tracey Fragments. |
Gruben, Patricia |
Essay |
Jan 1, 2012 |
4332 |
| Digitality and detournement: John Greyson's BDS videos and 14.3 seconds. |
Mackenzie, Scott |
Essay |
Jan 1, 2012 |
2078 |
| Defining family film takes more than a rating: context can be just as important as content. |
Pacatte, Rose |
|
May 27, 2011 |
1017 |
| And the bland shall not inherit the earth! |
Peters, Tom |
|
Jan 1, 2011 |
725 |
| Winslet in split from model beau; MOVIES. |
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Nov 22, 2010 |
136 |
| Analyzing those movies within movies. |
Gehring, Wes D. |
Column |
Nov 1, 2010 |
1755 |
| Erratum to: investigation of the effect of precoalescence or postcoalescence crosslinking on film formation, properties, and latex morphology. |
Joshi, Ravi G.; Provder, Theodore; Ziemer, Paul; Mao, Wenjing; Shen, Weidian; Jones, Frank N. |
Correction notice |
Jul 1, 2010 |
692 |
| Operating window for the peeling of polyimide film. |
Wang, Han-Yi; Liu, Ta-Jo; Liu, Shur-Fen; Jeng, Jhy-Long |
Report |
Jun 1, 2010 |
6401 |
| Isolation and characterization of a French bean hemagglutinin with antitumor, antifungal, and anti-HIV-1 reverse transcriptase activities and an exceptionally high yield. |
Lam, S.K.; Ng, T.B. |
Report |
May 1, 2010 |
3904 |
| Applying the paradigm: Shakespeare and world cinema. |
Burnett, Mark Thornton |
Essay |
Jan 1, 2010 |
3197 |
| KING GONE; Giant Kong model torched in Universal Studios blaze. |
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Jun 2, 2008 |
274 |
| King gone; GIANT KONG MODEL TORCHED IN UNIVERSAL STUDIOS BLAZE. |
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Jun 2, 2008 |
250 |
| "Darkness rumbling": Kozintsev's Karol Lier and the visual acoustics of nothing. |
Catania, Saviour |
Critical essay |
Apr 1, 2008 |
4023 |
| Stoppard's space men: Rosencrantz and Guildenstern on film. |
Nardo, Anna K. |
Critical essay |
Apr 1, 2008 |
4078 |
| Shrewsbury High student club sets its focus on films. |
|
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Feb 28, 2008 |
478 |
| I'll model career on films. |
|
|
Jan 26, 2008 |
176 |
| Through the looking glass: reflexivity, reciprocality, and defenestration in Hitchcock's Rear Window. |
Howe, Lawrence |
Essay |
Jan 1, 2008 |
10505 |
| Sensing an intellectual nemesis. |
Sperb, Jason |
|
Sep 22, 2007 |
8906 |
| The evolving impact of documentary film: sacrifice and the rise of issue-centered outreach (1). |
Whiteman, David |
|
Jun 22, 2007 |
6896 |
| The imagined city: toward a theory of urbanity in Canadian cinema. |
Melnyk, George |
|
Jun 22, 2007 |
5496 |
| US Consumer Spending on Digital Music, Movies & Television is Expected to Approach $7.8 Billion in 2010. |
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Jan 23, 2007 |
331 |
| A view from the classroom: Film & History conference. |
Schoenbaechler, Jessica |
|
Jan 1, 2007 |
1151 |
| Approaching the cinema of silence. |
Taylor, Greg |
Critical essay |
Jan 1, 2007 |
12016 |
| Sontag and cinephilia. |
Keathley, Christian |
Critical essay |
Jan 1, 2007 |
5186 |
| Sontag, Bresson, and the unfixable. |
Price, Brian |
Critical essay |
Jan 1, 2007 |
5491 |
| Creating reel change: maybe a single film can't change the world, but put a social action campaign behind it and you have the seeds of a movement. |
Jacobs, Donovan |
|
Nov 1, 2006 |
1491 |
| Mourning and Misfortune: 9/11 and the domestic terror of pedophilia. |
Tubrett, Dion |
|
Jun 22, 2006 |
6611 |
| The allure of amnesia. |
Atkinson, Roland |
|
Jun 1, 2006 |
1594 |
| The aesthetics of violence in recent Serbian cinema: masculinity in crisis. |
Kronja, Ivana |
|
Mar 22, 2006 |
7924 |
| Convergence and divergence in the movie review: Bonnie and Clyde. |
Leggett, B.J. |
|
Dec 22, 2005 |
9172 |
| Australian and New Zealand cinema. |
Conrich, Ian |
|
Dec 22, 2005 |
2668 |
| Impaired and ill at ease: New Zealand's cinematics of disability. |
Smith, Angela Marie |
|
Dec 22, 2005 |
10421 |
| Learning curve: what it's like to be disabled. |
McGowan, Jo |
|
Oct 21, 2005 |
909 |
| An overview of film production incentives. |
Harrison, Haskel D.; Gnuschke, John E. |
|
Sep 22, 2005 |
5593 |
| The world according to Bergman: a new film by Sweden's famed writer-director invites study of his long career. |
Giles, Patrick |
|
Aug 12, 2005 |
1162 |
| Disney rewrites Carib history. |
Swift, Richard |
Brief Article |
Jun 1, 2005 |
171 |
| The art of war: even in a digital age, fight choreography means knowing where the blows fall. |
Bloom, Julie |
|
Feb 1, 2005 |
1358 |
| Dancing the impossible choreography for the camera. |
Kraus, Lisa |
|
Jan 1, 2005 |
1138 |
| Close up on choreography for the camera. |
Petesch, Carley |
|
Jan 1, 2005 |
562 |
| Krystyna Janda: the contradictions of Polish stardom *. |
Ostrowska, Elzbieta |
|
Jan 1, 2005 |
11347 |
| Redford's 'Motorcycle Diaries' offers new look at Che's life. |
Echevarria, Vito |
|
Aug 1, 2004 |
388 |
| Iconic Nicole. |
Salzberg, Mark |
Letter to the Editor |
Jun 22, 2004 |
176 |
| "I didn't see any anti-semitism": why many Christians don't have a problem with the Passion of the Christ. |
Boys, Mary C. |
Critical Essay |
Mar 22, 2004 |
2889 |
| Mel Gibson's alter ego: a male Passion for violence. |
Krondorfer, Bjorn |
Critical Essay |
Mar 22, 2004 |
2485 |
| Hospitable vision: some notes on the ethics of seeing film. |
Plate, Brent S. |
|
Mar 22, 2004 |
4289 |
| If only you could see what I've seen with your eyes: destabilized spectatorship and creation's chaos in blade runner. |
Tiitsman, Jenna |
Critical Essay |
Mar 22, 2004 |
6375 |
| Tarantino's incarnational theology: Reservoir Dogs, crucifixions and spectacular violence (1). |
Brintnall, Kent L. |
Critical Essay |
Mar 22, 2004 |
4147 |
| Filmmaking as spiritual practice and ministry. |
Alston, Macky |
Critical Essay |
Mar 22, 2004 |
2436 |
| In good company: legendary director Robert Altmans's The Company shows the sweat, tears, and bloody feet that turn dance into art at the Joffrey Ballet. |
Hohenadel, Kristin |
|
Dec 1, 2003 |
1136 |
| International perspectives on the art of film making. |
Taylor, Gary |
|
Dec 1, 2003 |
3465 |
| Vancouver International Film Festival (9/25-10/10/03). |
Drewery, Dale |
|
Dec 1, 2003 |
996 |
| The Kent files: basking in the glow of a long-overdue, cross-country tour, Larry Kent, the man behind four sexually frank films of the 1960s, looks back on his outstanding body of work. |
Hays, Matthew |
Interview |
Jun 1, 2003 |
2629 |
| Introduction, Pt. II: serial killer film and television. |
Schneider, Steven Jay |
|
Jan 1, 2003 |
2115 |
| Horror beyond the camera: cultural sources of violence in Hitchcock's mid-century America. |
Hemmeter, Thomas |
|
Jan 1, 2003 |
6584 |
| The greek studio system (1950-1970). |
Constantinidis, Stratos E. |
|
Dec 22, 2002 |
8745 |
| Female presence and male absence:recent films by greek women. |
Apostolidis, Persephone Tselentis |
|
Dec 22, 2002 |
6223 |
| Gender and the modern body: men, women, and machines in Vertov's man with a movie camera. |
Latteier, Pearl |
|
Sep 22, 2002 |
6523 |
| Tous les matins du monde: Roland barthes and the culture of musicianship. |
Pagan, Nicholas O. |
|
Sep 22, 2002 |
5707 |
| Recreating Jane Austen's world on film. |
Solender, Elsa |
|
Jan 1, 2002 |
7895 |
| Reading in the dark: cognitivism, Film Theory, and radical interpretation. |
Vescio, Bryan |
|
Dec 22, 2001 |
9812 |
| The intimate screen: Dogme and Beyond. |
Sippl, Diane |
|
Sep 22, 2001 |
7160 |
| After 18 years, Froehlich leaves RFT. |
Posorske, Alex |
|
May 1, 2001 |
1195 |
| Tick ... tick ... tick. |
Stuart, Jan |
Brief Article |
Jan 16, 2001 |
501 |
| THIRD ANNUAL GAY GUIDE TO THE Oscars. |
STOCKWELL, ANNE |
|
Mar 30, 1999 |
1505 |
| Hysteria and the helio-trope: on bodies, gender and the photograph. |
Bowen, Dore |
|
Jan 1, 1999 |
7582 |
| Terror at the movies. |
Chang, Maria L. |
|
Mar 11, 1998 |
1421 |
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