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Alternative Strings--the New Curriculum.


Alternative Strings--The New Curriculum, by Julie Lyonn Lieberman. Amadeus Press, LLC (Logical Link Control) See "LANs" under data link protocol.

LLC - Logical Link Control
 (512 Newark Pompton Tnpk., Pompton Plains, NJ 07444), 2004. 184pp. $24.95.

Did you know there are nearly thirty folk, jazz, rock and world styles of string playing that fail under the recently established term "alternative"? Julie Lyonn Lieberman, one of the foremost experts, performers and enthusiastic exponents of alternative (non-classical) string playing, goes to great lengths to educate us in her ambitious new book entitled en·ti·tle  
tr.v. en·ti·tled, en·ti·tling, en·ti·tles
1. To give a name or title to.

2. To furnish with a right or claim to something:
 Alternative Strings--The New Curriculum. Lieberman contends that we are in danger of losing present and future generations of string students due to lack of interest and enthusiasm in the "same old" classical education. This book is designed as both as1 inspiration and basic reference guide for teachers who wish to invigorate in·vig·or·ate  
tr.v. in·vig·or·at·ed, in·vig·or·at·ing, in·vig·or·ates
To impart vigor, strength, or vitality to; animate: "A few whiffs of the raw, strong scent of phlox invigorated her" 
 their string programs by exposing students to various jazz, rock and folk styles.

Whether the situation is quite as dire as Lieberman suggests is open to debate, but this alternative trend has gained undeniable momentum. In the first several chapters, prefaced by a list of bubbling student testimonials, Lieberman emphatically em·phat·ic  
adj.
1. Expressed or performed with emphasis: responded with an emphatic "no."

2. Forceful and definite in expression or action.

3.
 drives home the point that if we provide students opportunities to learn, improvise im·pro·vise  
v. im·pro·vised, im·pro·vis·ing, im·pro·vis·es

v.tr.
1. To invent, compose, or perform with little or no preparation.

2.
 and express themselves more freely through these more flexible playing styles, they ultimately will become more creative and engaged young musicians with an increased awareness and respect for a diversity of musical art forms.

There is an impressive amount of information in this well-organized book, which includes detailed descriptions of many alternative styles. Lieberman also describes many other string styles from around the world. Along with a description of each style, she includes profiles of prominent artists and listings of suggested recordings, videos, reference books and methods. Lieberman provides advice ranging from technical and bowing exercises to suggestions for instruments, equipment and amplification amplification /am·pli·fi·ca·tion/ (33000) (am?pli-fi-ka´shun) the process of making larger, such as the increase of an auditory stimulus, as a means of improving its perception.  methods, but you would need a more detailed and specialized book for all necessary information. An attached CD recording contains more verbal wisdom from prominent alternative performers. This book is a valuable resource and a "springboard" for teachers who want to pursue this new trend in string education. Reviewed by William Terwilliger, Columbia, South Carolina Columbia is the state capital and largest city of South Carolina. As of 2006, estimates for the population of the city proper is 122,819[1]. Columbia is the county seat of Richland County, but a small portion of the city extends into Lexington County. .
COPYRIGHT 2004 Music Teachers National Association, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2004, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Author:Terwilliger, William
Publication:American Music Teacher
Article Type:Book Review
Date:Oct 1, 2004
Words:349
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