Articles from African American Review (June 22, 2003)
1-53 out of 53 article(s)
Title  |
Author |
Type |
Words |
| "Hunting is Not Those Heads": the Jones/Baraka Critic as Taxidermist. |
Heithaus, Joseph |
Critical Essay |
2475 |
| "Pat your foot and turn the corner": Amiri Baraka, the Black Arts Movement, and the poetics of a popular avant-garde. |
Smethurst, James |
|
6133 |
| "Progressive lit.": Amiri Baraka, Bruce Andrews, and the politics of the lyric "I". |
Lease, Joseph |
Critical Essay |
5417 |
| Amiri Baraka analyzes how he writes. |
Salaam, Kalamu ya |
Interview |
16362 |
| Annetta B. Gomez-Jefferson. The Sage of Tawawa: Reverdy Cassius Ransom, 1861-1959. |
Fleissner, Robert F. |
Book Review |
766 |
| Arnold Rampersad, ed. The Collected Works of Langston Hughes. |
Gibson, Donald B. |
Book Review |
970 |
| Arnold Rampersad, et al., eds. The Collected Works of Langston Hughes. |
|
Book Review |
225 |
| Baraka's Billie Holiday as a blues poet of black longing. |
Griffin, Farah Jasmine |
|
4880 |
| Baraka's bohemian blues. |
Gennari, John |
Critical Essay |
4284 |
| Daryl Cumber Dance, ed. Honey, Hush!: An Anthology of African American Women's Humor. |
Doyle, Mary Ellen |
Book Review |
959 |
| David Brion Davis. In the Image of God: Religion, Moral Values, and Our Heritage of Slavery. |
Pinn, Anthony B. |
Book Review |
1423 |
| Deborah Willis and Carla Williams. The Black Female Body: A Photographic History. |
Cooks, Bridget R. |
Book Review |
799 |
| Evolution or revolution in black theater: a look at the cultural nationalist agenda in select plays by Amiri Baraka. |
Shannon, Sandra G. |
|
10416 |
| Fashion this, from the Irony of the world. |
Baraka, Amiri |
Poem |
1770 |
| Frank Marshall Davis. Black Moods: Collected Poems. |
Miller, James A. |
Book Review |
709 |
| Fugitive fictions. |
Nielsen, Aldon |
Critical Essay |
6378 |
| Georgina Hickey. Hope and Danger in the New South City: Working-Class Women and Urban Development in Atlanta, 1890-1940. |
Asante, Molefi Kete |
Book Review |
722 |
| Gerald R. Butters, Jr. Black Manhood on the Silent Screen. |
St. Jean, Shawn |
Book Review |
1081 |
| Herbert Woodward Martin and Ronald Primeau, eds. In His Own Voice: The Dramatic and Other Uncollected Works of Paul Laurence Dunbar. |
Bruce, Dickson D., Jr. |
Book Review |
850 |
| Houston A. Baker, Jr. Turning South Again: Re-Thinking Modernism/Re-Reading Booker T. |
|
Book Review |
127 |
| In the tradition: Amiri Baraka, black liberation, and avant-garde praxis in the U.S. |
Kim, Daniel Won-gu |
Critical Essay |
11467 |
| Iyunolu Folayan Osagie. The Amistad Revolt: Memory, Slavery, and the Politics of Identity in the United States and Sierra Leone. |
Badejo, Diedre L. |
Book Review |
2182 |
| Jack L. Daniel and Omari C. Daniel. We Fish: the Journey to Fatherhood. |
Tener, Robert L. |
Book Review |
1228 |
| James O. and Lois E. Horton. Hard Road to Freedom: The Story of African America. |
Trotter, Joe W. |
Book Review |
627 |
| Keith Clark. Black Manhood in James Baldwin, Ernest J. Gaines, and August Wilson. |
Miller, D. Quentin |
Book Review |
995 |
| LeRoi Jones, Larry Neal, and The Cricket: jazz and poets' Black Fire. |
Funkhouser, Christopher |
Biography |
4093 |
| LeRoi Jones/Amiri Baraka and the limits of open form. |
Lee, Ben |
Critical Essay |
9937 |
| Martin Duberman. Left Out, the Politics of Exclusion: Essays, 1964-2002. |
Butler, Robert J. |
Book Review |
779 |
| Matthew Pratt Guterl. The Color of Race in America, 1900-1940. |
Young, Cynthia |
Book Review |
1228 |
| Michael Syrotinksi. Singular Performances: Reinscribing the Subject in Francophone African Writing. |
Samuels, Robert |
Book Review |
1174 |
| Nancy Bunge, ed. Conversations with Clarence Major. |
Klinkowitz, Jerome |
Book Review |
934 |
| Nicole King. C. L. R. James and Creolization: Circles of Influence. |
Buhle, Paul |
Book Review |
554 |
| On the sound of water: Amiri Baraka's "Black Art". |
Brennan, Sherry |
Critical Essay |
8692 |
| Other works received. |
|
|
5990 |
| Paula J. Massood. Black City Cinema: African American Urban Experiences in Film. |
King, Lovalerie |
Book Review |
1454 |
| Percival L. Everett. Erasure. |
Bell, Bernard W. |
Book Review |
1734 |
| Philip Bryant. Sermon on a Perfect Spring Day. |
Butts, Anthony |
Book Review |
734 |
| Politics, process & (jazz) performance: Amiri Baraka's "It's Nation Time". |
Jones, Meta DuEwa |
Critical Essay |
3907 |
| Robert W. Croft. A Zora Neale Hurston Companion. |
Maekawa, Yuji |
Book Review |
1378 |
| Shane White. Stories of Freedom in Black New York. |
Hauptman, Lauren |
Book Review |
1477 |
| Somebody blew off Baraka. |
Nielsen, Aldon Lynn |
Editorial |
2662 |
| Somebody Blew Up America. |
Baraka, Amiri |
Poem |
1199 |
| Sometimes funny, but most times deadly serious: Amiri Baraka as political satirist. |
Davidson, Jiton Sharmayne |
Critical Essay |
4137 |
| The character of consciousness. |
Thomas, Lorenzo |
|
975 |
| The logic of retribution: Amiri Baraka's Dutchman. |
Kumar, Nita N. |
|
5250 |
| The McVouty Bible. |
Baraka, Amiri |
Poem |
955 |
| The paradox of experience: black art and black idiom in the work of Amiri Baraka. |
Roney, Patrick |
Critical Essay |
13163 |
| The space machine: Baraka and science fiction. |
Youngquist, Paul |
Critical Essay |
6615 |
| Theresa Leininger-Miller. New Negro Artists in Paris: African American Painters and Sculptors in the City of Light, 1922-1934. |
Kirschke, Amy Helene |
Book Review |
1123 |
| Ula Yvette Taylor. The Veiled Garvey: The Life and Times of Amy Jacques Garvey. |
Martin, Tony |
Book Review |
842 |
| Whoosh! |
Baraka, Amiri |
Poem |
519 |
| William B. Gould, IV. Diary of a Contraband: The Civil War Passage of a Black Sailor. |
Blake, Susan L. |
Book Review |
1234 |
| William Seraile. Bruce Grit: The Black Nationalist Writings of John Edward Bruce. |
Gruesser, John C. |
Book Review |
1563 |
| |