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Adieu Amanda.


The retirement of Amanda McKerrow from American Ballet Theatre American Ballet Theatre, one of the foremost international dance companies of the 20th cent. It was founded in 1937 as the Mordkin Ballet and reorganized as the Ballet Theatre in 1940 under the direction of Lucia Chase and Rich Pleasant.  marks a punctuation point in the history of the company she has adorned for 23 years. She is one of the last dancers who partnered Mikhail Baryshnikov Noun 1. Mikhail Baryshnikov - Russian dancer and choreographer who migrated to the United States (born in 1948)
Baryshnikov
 during his artistic directorship. McKerrow's dancing combines the lyrically romantic--making her one of our natural Giselles--and a marked dramatic power in Romeo and Juliet Romeo and Juliet

star-crossed lovers die as teenagers. [Br. Lit.: Romeo and Juliet]

See : Death, Premature


Romeo and Juliet

archetypal star-crossed lovers. [Br. Lit.
 and the Antony Tudor repertoire.

Born in Albuquerque, New Mexico “Albuquerque” redirects here. For other uses, see Albuquerque (disambiguation).
Albuquerque (pronounced [ˈæl.bə.kɚ.kiː], Spanish: [al.βu.
, she started her training at the Twinbrook School of Ballet at age 7. But her primary teacher was Mary Day of The Washington School of Ballet, and in 1979 she was taken into Day's Washington Ballet as an apprentice. She became a full company member a year later, and in Moscow in 1981 she became the first American to win a Gold Medal in the International Ballet Competition. Following this success Mikhail Baryshnikov invited her to join ABT ABT About
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; she was appointed a soloist in 1983, received a Princess Grace Foundation Fellowship in 1986, and a year later was made a principal dancer. Although appearing as a guest artist all over the world, her career has been anchored to ABT.

Married to another Washington Ballet alumnus ALUMNUS, civil law. A child which one has nursed; a foster child. Dig. 40, 2, 14. , the former ABT soloist John Gardner, her successes with the company have included all the major classics, notably the title role of Giselle--in which she makes her final appearance with ABT at the Metropolitan Opera House on July 14--but also in other full-evening works, such as Kenneth MacMillan's Romeo and Juliet and his Manon; plus Fokine's Les Sylphides, Petrouchka, and Le Spectre de la Rose Le Spectre de la Rose is a ballet of the Ballets Russes based on a choreographic poem by Théophile Gautier. The music, by Carl Maria von Weber, was taken from his short piece Invitation to the Dance. ; Ashton's The Dream; and Tudor's Pillar of Fire and The Leaves Are Fading.

It was staging, with Gardner, The Leaves Are Fading that renewed her association with The Washington Ballet. But this year she leaves to become ballet mistress of Ballet Pacifica, in Irvine, California, where her colleague and sometime partner, ABT principal dancer Ethan Stiefel, has recently been appointed the company's artistic director and Gardner is the artistic associate. For many years McKerrow has shown a great flair for coaching and teaching, and this new phase in her career would appear to be a perfect fit.
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Title Annotation:RETIREMENT; Amanda McKerrow
Author:Barnes, Clive
Publication:Dance Magazine
Geographic Code:1U2NY
Date:Aug 1, 2005
Words:357
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