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Mexico prehispanico, El antiguo mundo indigena (Indigenous World) (1929)

Diego Rivera Fresco, Mexico City Mexico City
 Spanish Ciudad de México

City (pop., 2000: city, 8,605,239; 2003 metro. area est., 18,660,000), capital of Mexico. Located at an elevation of 7,350 ft (2,240 m), it is officially coterminous with the Federal District, which occupies 571 sq mi
, National Palace, North Wall

Printed with permission from Banco de Mexico Diego Rivera and Frida Kahlo Frida Kahlo[1](July 6, 1907 – July 13, 1954) was a Mexican painter, who has achieved great international popularity. She painted using vibrant colors in a style that was influenced by indigenous cultures of Mexico as well as European influences that include  Museums Trust; Avenue Cinco de Mayo Cinco de Mayo

(Spanish; “Fifth of May”)

Mexican holiday commemorating the Mexican victory over the French at Puebla in 1862. The French army, better-equipped and far larger than the Mexican army, had been sent by Napoleon III to conquer Mexico.
 No. 2, Col. Centro; Del Cuauhtemoc, 06059, Mexico.

Along with colonial conquest, infectious diseases forever changed the Aztec world in the 16th century. These diseases included smallpox and an indigenous highly lethal hemorrhagic fever hemorrhagic fever (hĕm'ərăj`ĭk), any of a group of viral diseases characterized by sudden onset, muscle and joint pain, fever, bleeding, and shock from loss of blood.  known as "cocoliztli." Tree-ring data suggest that the 16th-century cocoliztli epidemics occurred during extreme drought conditions, which may have contributed to the staggering demographic collapse of early colonial Mexico.

Until the colonial uprising of 1910, the indigenous people of Mexico had been oppressed op·press  
tr.v. op·pressed, op·press·ing, op·press·es
1. To keep down by severe and unjust use of force or authority: a people who were oppressed by tyranny.

2.
, their individualism and Aztec origins discouraged. Diego Rivera's mural at the National Palace in Mexico City celebrates Aztec origins, promotes a Mexican identity, and promotes the reforms of the 1910 uprising.

The mural depicts Mexico's mythical and precolonial pre·co·lo·ni·al or pre-co·lo·ni·al  
adj.
Of, relating to, or being the period of time before colonization of a region or territory.
 past. The bright orange sun against the blue sky and the erupting volcano are life symbols of Mexican ancestors. Quetzalcoatl, mythical creator of the world, appears in three forms: star, god, and human. At first, Quetzalcoatl, who was created by serpents, sails through space as a star that accompanies the sun at night. Then, he assumes human form and comes to earth to teach the Aztec people as their king and patriarch; he sheds his blood to give them life. Finally, having completed his earthly mission, he returns to the sky. Upon leaving earth, Quetzalcoatl assumes the form of the morning star Tlahuizcalpantecuhtli, which appears near the sun at sunrise. Quetzalcoatl's journey signifies the continuous cycle of life.

Abstracted from http://www.mexconnect.com/mex_/travel/ jcummings/diegomural3.html.
COPYRIGHT 2002 U.S. National Center for Infectious Diseases
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2002, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Publication:Emerging Infectious Diseases
Article Type:Brief Article
Date:Apr 1, 2002
Words:280
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