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A tree house of my own: I decided to present an exciting and fun architectural challenge to my fourth and fifth graders. I asked the students to create a tree house that reflected their own interests and personalities, a tree house of their own.


The world of architecture offers so many exciting opportunties for humans to create dwellings that interact with the environment. From first grade through fifth, students in our community study how people live around the world. Students enjoy learning about different dwellings and how they are constructed.

I decided to present an exciting and fun architectural challenge to my fourth and fifth graders. I asked the students to create a tree house that reflected their own interests and personalities--a tree house of their own. I knew that this could be a lesson in which students could incorporate the familiar elements of art The elements of art are a set of techniques which describe ways of presenting artwork. They are combined with the principles of art in the production of art. [1]  and principles of design. Students could let their imaginations flow and incorporate their ideas into the world around them.

Tree Houses in History, Art, and Literature

Throughout history, people have been fascinated with tree houses. The Romans made tree seats. During the Italian Renaissance, the Medicis built an extravagant tree house that housed fountains, a marble table, seats, and two spiraling marble staircases on opposite sides of the tree. Some of the most famous tree houses exist in the imaginations of authors and artists. One of the most famous fictional tree houses of all was created by writer Johann David Wyss: the home of the Swiss Family Robinson Swiss Family Robinson

family shipwrecked on a deserted island. [Br. Lit.: Swiss Family Robinson]

See : Castaway


Swiss Family Robinson

shipwrecked family carves hospitable life from wilderness. [Children’s Lit.
. A.A. Milne's Winnie the Pooh and his friends visited Owl's tree house in the Hundred Acre Wood The Hundred Acre Wood (also spelled as '"100 Aker Wood," Hundred-Acre Wood, and 100 Acre Wood; also known as simply The Wood') is the fictional land inhabited by Winnie-the-Pooh and his friends in the Winnie-the-Pooh series of children's stories by author A.A. . In the triptych The Garden of Earthly Delights Earthly Delights may refer to:
  • Earthly Delights, a record label founded in 1986.
  • Earthly Delights, a 1983 text adventure game for the Apple II.
It may also refer to The Garden of Earthly Delights, a work of art by Dutch painter Hieronymus Bosch.
, Dutch artist Hieronymus Bosch Noun 1. Hieronymus Bosch - Dutch painter (1450-1516)
Bosch, Jerom Bos
 painted a figure that lived in a surreal tree house.

Getting Started

I began by asking my students if any of them had constructed a hut, fort, or tree house. Students excitedly shared experiences, and discussed construction problems and successes. We discussed dwellings of people who lived in different parts of the world. We brainstormed how and why certain cultures created homes and buildings with specific styles and materials. I showed pictures of buildings designed in a variety of architectural styles as well as paintings that depicted different forms of architecture throughout history. We discussed how the architect Frank Lloyd Wright Frank Lloyd Wright, Jr. (March 30,1890, Oak Park, Illinois – May 31, 1978, Santa Monica, California), commonly known as Lloyd Wright, was an American architect who did most of his work in Southern California.  created his buildings in harmony with nature.

I asked students to design and create a tree house that reflected their personal interests and personalities. The tree houses could be realistic, imaginary, or a combination of both. The final tree house projects were mixed-media compositions using a minimum of three different materials. The background should depict one of the four seasons and interact with nature in some way.

Students began their compositions by making preliminary sketches of their tree houses. They answered a variety of questions to initiate the thinking process such as, "How many trees will I need for my house?" "Is this a house of the past, present, or future?" "Is my house realistic or imaginary?" "What materials will I need to construct my tree house?" "Is my house architecturally sound?" "How many people can fit into my house?"

Constructing the Tree Houses

After the preliminary sketches were made, students received a 12 x 18" (31 x 46 cm) piece of construction paper. Several students chose black to depict their tree houses at night; others chose white in order to create a watercolor wash in the background. For the tree trunks and branches, students used pieces of 6 x 18" (15 x 46 cm) paper in different shades of Noun 1. shades of - something that reminds you of someone or something; "aren't there shades of 1948 here?"
reminder - an experience that causes you to remember something
 gray and brown. I recommended 3 x 12" (8 x 31 cm) pieces of green and white paper for the ground. I showed students how to tear the paper slowly to create the rough, irregular texture of the bark and ground.

To organize materials efficiently, I used shallow, cardboard soft-drink boxes. Five boxes were set out in the room: one held different sizes of construction paper; another tissue paper, multicolored foil papers, aluminum foil Noun 1. aluminum foil - foil made of aluminum
aluminium foil, tin foil

foil - a piece of thin and flexible sheet metal; "the photographic film was wrapped in foil"
, and corrugated cardboard Noun 1. corrugated cardboard - cardboard with corrugations (can be glued to flat cardboard on one or both sides)
corrugated board

cardboard, composition board - a stiff moderately thick paper

corrugated cardboard n
. A third box held toothpicks and small, thin wood pieces in a variety of shapes; the fourth had yarn, jute, and twine twine: see cordage. ; the fifth contained buttons, beads, and other items students could use to enhance the texture of the tree houses. Students used glue for the adhesive and markers and oil pastels for details.

As the students started to construct the houses, ideas snowballed. Each student was engaged in the technical details that personalized per·son·al·ize  
tr.v. per·son·al·ized, per·son·al·iz·ing, per·son·al·iz·es
1. To take (a general remark or characterization) in a personal manner.

2. To attribute human or personal qualities to; personify.
 each house. Some of the houses had two buildings, some were in the shape of castles, and others exhibited complicated designs of the future. Students worked with over-lapping, folding, twisting, knotting, cutting, and tearing to create desired effects The damage or casualties to the enemy or materiel that a commander desires to achieve from a nuclear weapon detonation. Damage effects on materiel are classified as light, moderate, or severe. Casualty effects on personnel may be immediate, prompt, or delayed. . Several students chose to give a three-dimensional effect to their houses, designing porches and decks that folded out from the paper and windows and door that opened. Most students used more than the three required materials and combined materials for special effects special effects, in motion pictures, cinematographic techniques that create illusions in the audience's minds as well as the illusions created using these techniques. . The results were stunning compositions that exhibited thought, imagination, and expressive use of the elements of art and principles of design into solid architectural compositions. When students finished the tree houses, we displayed them around our school. Parents and teachers raved about how the students had created the mood of fun and fantasy through clever use of color not of the white race; - commonly meaning, esp. in the United States, of negro blood, pure or mixed.

See also: Color
, design, and materials.

Assessing the Work

Students shared their work with each other, discussing techniques, materials, and sources for their ideas. Some students elaborated on specific purposes for certain parts of the houses and told stories about their tree houses. Students assessed how they effectively used line, shape, color, texture, space, balance, harmony, and unity in their compositions.

Extending the Lesson to Other Subjects

One of my goals in teaching art is to integrate art with the regular classroom experience as much as possible. Sometimes I will work with the classroom teachers to correlate an integrated lesson; other times I will pass on suggestions that can be developed in other subject areas from my initial art lesson. Classroom teachers could use this lesson to: extend students understanding of math through studying measurement, proportion, space relationships, and calculating size; or extend their creativity in the form of writing stories and poetry about the tree houses. Students could research countries and cultures of the world where tree houses are used as permanent dwellings for a social studies lesson.

NATIONAL STANDARD

Students use visual structures and functions of art to communicate ideas.

Resources

Casanave, S. "Tree Houses Take a Bough",, Smithsonian, August, 1997, pp. 94-103.

Nash, E., Frank Lloyd Wright Force of Nature, 1996. New York New York, state, United States
New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of
, NY: Smithmark Publishers.

Betty Morgan is an art teacher at the John Eliot John Eliot may be:
  • John Eliot (statesman) (Sir John), 17th century politician
  • John Eliot (missionary), 17th century Puritan minister & missionary
  • John Eliot, Ph.D. (performance psychologist, writer)
See also: John Elliott
 School and the Hillside School in Needham, Massachusetts Needham is a town in Norfolk County, Massachusetts, United States. History
Needham was first settled in 1680 and officially incorporated in 1711. Originally part of the Dedham Grant, Needham split from Dedham and was named after the village of Needham Market in Suffolk,
.
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No portion of this article can be reproduced without the express written permission from the copyright holder.
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Author:Morgan, Betty
Publication:School Arts
Geographic Code:1USA
Date:Jan 1, 2002
Words:1073
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