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A noteworthy project.


The fall concert at Hofstra University Hofstra University (hŏf`strə, hôf`–), at Hempstead, N.Y.; coeducational. Founded as a division of New York Univ. in 1935, it became independent in 1940, and its name was changed to Hofstra College.  brought past to present, preserving modern dance history with the Jean Erdman Dance Notation Project.

Nancy Allison, a New York New York, state, United States
New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of
 dancer, choreographer, and educator, staged three of Erdman's early works on Hofstra dancers: Daughters of the Lonesome lone·some  
adj.
1.
a. Dejected because of a lack of companionship. See Synonyms at alone.

b. Producing such dejection: a lonesome hour at the bar.

2.
 Isle (1945), which she had performed with Erdman in 1977; and two solos, Hamadryad hamadryad, in zoology
hamadryad, in zoology: see cobra.
 (1948), and Creature on a Journey (1943) that Allison had performed and widely toured. "I fell in love with the repertoire from my first experience of it," Allison says. She also performed the solos in Dance & Myth: The World of Jean Erdman, a documentary she produced.

Erdman, 90, now lives in Hawaii, where she had begun her dance training, studying ancient hula, tap, and Isadora Duncan technique. She attended Sarah Lawrence College Sarah Lawrence College, at Bronxville, N.Y.; primarily for women; chartered 1926, opened 1928 as Sarah Lawrence College for Women; renamed 1947. It is noted for its creative arts program. , met Martha Graham, and went on to create lead roles in many of Graham's works from 1938 to 1943, including "One Who Speaks" in Letter to the World. She formed her own company in 1944 and worked with artists like Louis Horst, John Cage, and Merce Cunningham, and her husband, mythologist Joseph Campbell.

Allison felt it was time to pass on the dances. "It became clear to me that if I didn't do it soon, I wouldn't be able to dance them well enough to show the next generation," she says. During the staging process, certified labanotators observed rehearsals, then created movement scores, which will be available at the Dance Notation Bureau.
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Title Annotation:ACROSS THE FLOOR
Author:Macel, Emily
Publication:Dance Magazine
Date:Jan 1, 2007
Words:241
Previous Article:All eyes on Juilliard.(ACROSS THE FLOOR)
Next Article:You know them from So You Think You Can Dance.(Look Who's Teaching)



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