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A nice visual touch, but a bit too sweet?


Byline: BOB KEEFER The Register-Guard

"A French Experience," a show of Beverly Soasey's little boxes at the Karin Clarke Gallery through Dec. 28, presents us with one of those vexing esthetic es·thet·ic
adj.
Variant of aesthetic.
 questions:

Is her work merely sweet, or is it downright sticky? Is it nostalgic or maudlin maud·lin  
adj.
Effusively or tearfully sentimental: "displayed an almost maudlin concern for the welfare of animals" Aldous Huxley. See Synonyms at sentimental.
? Where is the line that separates Soasey's sometimes fluffy creations from a million Victoriana shops suffocating suf·fo·cate  
v. suf·fo·cat·ed, suf·fo·cat·ing, suf·fo·cates

v.tr.
1. To kill or destroy by preventing access of air or oxygen.

2. To impair the respiration of; asphyxiate.

3.
 in potpourri?

Certainly her materials pull her close to a dangerous edge. The old postcards, faded photographs, clock faces, doll parts and little silver spoons Silver Spoons is an American sitcom that aired on NBC from September 25, 1982 to May 11, 1986 and in first-run syndication from September 15, 1986 to March 4, 1987.  she uses to populate To plug in chips or components into a printed circuit board. A fully populated board is one that contains all the devices it can hold.  her wall boxes and freestanding creations are the stuff of a million bad antique displays.

Soasey accumulated the raw materials for this art on a recent trip to France, where she hung out at second-hand shops and the Paris flea market See computer flea market.

flea market

yard sale of used items at low prices. [Pop. Culture: Misc.]

See : Inexpensiveness
. She found old artists' supplies (funny how tubes of paint, if from France, can become art themselves), photographs, letters, postage stamps This is a list of postage stamps that are especially notable in some way.

The best-known stamps:
  • Treskilling Yellow (Sweden)
  • Penny Black (Britain)
  • Blue Penny (Mauritius)
  • Inverted Jenny (U.S.
 and even a little bird's nest.

Then she came home and started assembling. The resulting work, framed behind glass in boxes just deep enough to be three-dimensional, owes a clear debt to 20th century American visionary artist Joseph Cornell, whose strange and magical little boxes helped define the genre of assemblage.

But Cornell's work was often dark and challenging; Soasey's tends to be upbeat and a little sweet, like a flavored latte, though it also includes a deep undercurrent of sadness at times.

What elevates Soasey's work from the ordinary is its depth and complexity. These boxes of hers reward close viewing. The imagery, for example, often extends right off the back of the box and onto the insides of the frame, a subtle touch that invites a certain amount of head craning to enjoy.

Her assemblage is also extremely well designed. Soasey has a nearly perfect visual touch, which may account for the fact that her work has been selected by the jury for every Eugene Mayor's Art Show since 1992.

The boxes are joined at the gallery by a handful of whimsical whim·si·cal  
adj.
1. Determined by, arising from, or marked by whim or caprice. See Synonyms at arbitrary.

2. Erratic in behavior or degree of unpredictability: a whimsical personality.
 bird houses, which are basically smaller examples of her assemblage.

The Karin Clarke Gallery, 760 Willamette St., is open from 10 a.m. to 5:30 p.m. Tuesday through Saturday.

CAPTION(S):

Beverly Soasey assembled items she collected in France into framelike boxes, now on display at the Karin Clarke Gallery in Eugene.
COPYRIGHT 2002 The Register Guard
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2002, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Title Annotation:Review; Reviews
Publication:The Register-Guard (Eugene, OR)
Date:Dec 1, 2002
Words:392
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