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A liberal arts degree: what does it offer the dancer?


In previous articles in this series we've talked about arts magnet high schools, resident high schools, and conservatory programs. Perhaps, however, you are one of those dancers who are pulled in two directions. You love dance, but you also enjoy and are good at your schoolwork. Or you have not yet really made the commitment to dance professionally; it is possible (but not at all certain) that you will. Or, you want to dance as much as possible, but you want an education as well. Perhaps your parents are insisting that you go to college. Don't despair. There are a number of terrific choices open to you.

At some liberal arts colleges It may never be fully completed or, depending on its its nature, it may be that it can never be completed. However, new and revised entries in the list are always welcome.

Liberal arts colleges
 dance study may account for as much as a third of the credit course work. And in most colleges a student takes three or four academic courses each semester se·mes·ter  
n.
One of two divisions of 15 to 18 weeks each of an academic year.



[German, from Latin (cursus) s
, which leaves time for extracurricular activities. If you are organized and determined, you can follow an intellectually enriching course of academic study and progress with your dancing as well. It will take planning, drive, and dedication, but most dancers are used to that!

There are many, many colleges that offer good opportunities for the young dancer--so many that it would be impossible to name them all. How do you determine which institution is right for you? What questions should you be asking?

First of all, try to find out exactly how much dance study is offered. Read the catalog of each college that interests you, but also speak with the people in the dance department. Ask how many technique classes are offered weekly, which techniques, and on what levels. Is choreography choreography

Art of creating and arranging dances. The word is derived from the Greek for “dance” and “write,” reflecting its early meaning as a written record of dances.
 taught? How about music, notation, and anatomy? Repertory REPERTORY. This word is nearly synonymous with inventory, and is so called because its contents are arranged in such order as to be easily found. Clef des Lois Rom. h.t.; Merl. Repertoire, h.t.
     2.
? Variations? Dance history? Acquaint yourself with the backgrounds of the faculty members. Find out about guest faculty, master classes, and visiting artists.

If the school doesn't offer everything that you need, find out what classes are available off campus. How is outside study regarded by the school administration? If at all possible, plan to visit prospective colleges and talk to some of the students. (Talking to Noun 1. talking to - a lengthy rebuke; "a good lecture was my father's idea of discipline"; "the teacher gave him a talking to"
lecture, speech

rebuke, reprehension, reprimand, reproof, reproval - an act or expression of criticism and censure; "he had to
 just one student is almost worse than talking to no one because you will get very singular point singular point
n.
See singularity.
 of view.)

College affords a great opportunity to become knowledgeable about your chosen art form and to widen your knowledge of many arts. If you've chosen the college route, you should expect to learn about everything that makes up the background of an artist--including art history, literature, languages, and writing. Think, for instance, of all of the stories of how the great impresario Serge serge 1  
n.
A twilled cloth of worsted or worsted and wool, often used for suits.



[Middle English sarge, from Old French, from Vulgar Latin *s
 Diaghilev educated his up-and-coming choreographers This is a list of choreographers A
  • Paula Abdul
  • Alvin Ailey
  • Richard Alston
  • Robert Alton
  • Gerald Arpino
  • Frederick Ashton
  • Fred Astaire
  • Lea Anderson
B
  • Jean Babilée
  • George Balanchine
, such as Nijinsky and Massine, by taking them to museums and teaching them about art. (Diaghilev, Nijinsky, and Massine are people you will learn about in college, if you're not already familiar with them.)

No school is right for everyone. Are you a city kid who hates greenery? Be sure to choose an urban environment. Conversely, are you a city kid who would love the opportunity to experience a new environment? It so, why not choose a small college with a rural campus? Is it time for you to test your talent in a more competitive situation? Then choose an institution with a large dance department. Do you need a lot of nurturing? Probably a small college is best. Is your interest in dance mainly avocational av·o·ca·tion  
n.
1. An activity taken up in addition to one's regular work or profession, usually for enjoyment; a hobby.

2. One's regular work or profession.

3. Archaic A distraction or diversion.
? Then a college with a good, strong dance club is what you are looking for Looking for

In the context of general equities, this describing a buy interest in which a dealer is asked to offer stock, often involving a capital commitment. Antithesis of in touch with.
. Are you professionally oriented? Find out what the alumni have gone on to do. Do you want to combine dance study with undergraduate premedical pre·med·i·cal
adj.
Preparing for or relating to the studies that prepare one for the study of medicine.
 work? Be sure that the course hours for each do not conflict.

The most important thing is to match your needs with the offerings of the college you choose. What is perfect for your best friend will not necessarily serve you well. College is a time for growing, maturing, and making new friends, as well as gaining knowledge. For many of us the college years are among the richest and most memorable years of our lives.
COPYRIGHT 1994 Dance Magazine, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1994, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Author:Topaz, Muriel
Publication:Dance Magazine
Date:Mar 1, 1994
Words:674
Previous Article:Gigging around: footloose and fancy free. (ballet dancers who seek work as guest performers with other companies)
Next Article:The real thing. (defining what is jazz dancing)
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