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A STERLING RENDITION OF CLASSIC 'BOHEME'.


Byline: David Mermelstein Correspondent

TO THOSE WHO might contest the power of artists to transform the mundane into the sublime, we present Exhibit A: tenor Roberto Alagna and soprano Angela Gheorghiu's recent arrival in Herbert Ross' production of ``La Boheme,'' currently at the Los Angeles Opera The Los Angeles Opera is an opera company in Los Angeles, California, United States. The company's home base is the Dorothy Chandler Pavilion, part of the Los Angeles Music Center. .

Performances of Puccini's classic tearjerker tear·jerk·er  
n. Slang
A grossly sentimental story, drama, or performance.



tear-jerk
 of love found and lost too often range from the routine to the uninvolved un·in·volved  
adj.
Feeling or showing no interest or involvement; unconcerned: an uninvolved bystander.

Adj. 1.
. But not with Alagna and Gheorghiu, gifted operatic superstars as physically handsome as they are vocally ravishing rav·ish·ing  
adj.
Extremely attractive; entrancing.



ravish·ing·ly adv.
. In real life, they are also husband and wife, a not incidental bonus when it comes to playing star-crossed lovers and the like.

On Friday night, they assumed the leads - Rodolfo, a starving poet, and Mimi, a seamstress - in Ross' attractive and sensible staging (now directed by Stanley M. Garner). Gheorghiu makes her company debut in this production, and Alagna might as well be - his previous appearance a disappointing program of operatic excerpts.

The couple's claims on Mimi and Rodolfo are long-standing, so their mastery was no surprise, but their freshness was. Even in Mimi's climactic death scene, there was a sense of spontaneity, with Alagna producing devastating dev·as·tate  
tr.v. dev·as·tat·ed, dev·as·tat·ing, dev·as·tates
1. To lay waste; destroy.

2. To overwhelm; confound; stun: was devastated by the rude remark.
 sobs. They also added their own bits of stage business, enriching the production. And though the tenor's unassisted cartwheel in Act 4 smacked of showboating, it lent veracity to his portrayal.

And for the singing itself, Gheorghiu's rich and complex voice, which occasionally recalls Maria Callas', is the more technically reliable. But her husband's mellifluous mel·lif·lu·ous  
adj.
1. Flowing with sweetness or honey.

2. Smooth and sweet: "polite and cordial, with a mellifluous, well-educated voice" H.W. Crocker III.
 sound possesses warmth and some ringing high notes. Both are superb actors, he especially in comedy, making the pair among the most winning singers today.

Georgian soprano Eteri Lamoris, as the coquettish co·quette  
n.
A woman who makes teasing sexual or romantic overtures; a flirt.



[French, feminine of coquet, flirtatious man; see coquet.
 Musetta, was also new to the production. More significant, Emmanuel Villaume succeeded Lawrence Foster in the pit, conducting the orchestra as though he'd just discovered Puccini's score, lending it color and fizz.

Many not convinced of opera's appeal have legitimately wondered what they've been missing. The answer can be found at the Dorothy Chandler Pavilion The Dorothy Chandler Pavilion is one of the halls in the Los Angeles Music Center (which is one of the three largest performing arts centers in the United States). The Music Center's other halls include the Mark Taper Forum, Ahmanson Theatre, and Walt Disney Concert Hall.  for two more days, where star power has rarely been more eloquently expressed.

LA BOHEME - Four stars

Where: Dorothy Chandler Pavilion, 135 N. Grand Ave., Los Angeles.

When: 7:30 tonight and Dec. 17.

Tickets: $25 to $190. (213) 972-8001 or www.losangelesopera.com.

In a nutshell: Roberto Alagna and Angela Gheorghiu revivify Herbert Ross' familiar production, revealing the value of star power and Puccini's enduring pull.
COPYRIGHT 2004 Daily News
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Copyright 2004, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Publication:Daily News (Los Angeles, CA)
Date:Dec 14, 2004
Words:399
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