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A GUY THING.


A GUY THING LAR LUBOVITCH Lar Lubovitch was born April 9, 1943 in Chicago, Illinois. He is a choreographer and founded his own dance company, the Lar Lubovitch Dance Company in 1968. Based in New York City, he and the company have toured worldwide.  ORENSANZ CENTER FOR THE ARTS NEW YORK New York, state, United States
New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of
, NEW YORK NOVEMBER 28-DECEMBER 8, 2000

Just below Houston Street on Manhattan's Lower East Side, stands a picturesque, decaying former synagogue, which its owner, Angel Orensanz, rents as-is for productions. Searching for an alternative performance venue, Lar Lubovitch imported a dance floor, seating on risers, lighting and even space heaters to transform the space into a charming, intimate black-box theater. The costly facelift complements his new hour-long dance Men's Stories, which boasts a cast of nine stellar male soloists from several of New York's premier companies. In elegant Edwardian tailcoats by Ann Hould-Ward, they perform balletic group passages in perfect unison to Beethoven's third and fifth piano concertos, which are "ripped open" to insert music and sound collages by composer Scott Marshall for emotional, dramatic sections.

Lubovitch said he wanted this to be "his most personal dance" to date. His signature ebb-and-flow movement on an all-male cast, itself makes a statement about empathy, conflict and affection--sexual and otherwise--among men. He's a master at inventing swirling motion that virtually sweeps us into its kinetic path. Moves occur sequentially on different levels; dancers mask preparations, making lifts seem to spring from nowhere. The strong individual personalities and varied dance pedigrees of his cast members lend dimension to his vocabulary.

The solos and duets are, perhaps, autobiographical. Gerald Casel (Stephen Petronio Stephen Petronio is an artistic director, choreographer and dancer based in New York City.

Born in Newark, New Jersey, in 1956, he later received a B.A. degree from Hampshire College in Amherst, Massachusetts, where he began dancing in 1974.
 Company) whips his compact, muscular limbs to transfigured pop music; taped music in reverse accompanies fierce, wild-eyed Michael Thomas

For other people named Michael Thomas, see Michael Thomas (disambiguation).
Michael Lauriston Thomas (born August 24 1967) is an English former footballer.
 (Alvin Ailey Noun 1. Alvin Ailey - United States choreographer noted for his use of African elements (born in 1931)
Ailey
 Company). Scott Rink (Lubovitch Company) swivels his hips seductively. Jason McDole (David Parsons Company) is a gymnastic dynamo, arching his supple back in tumbling moves.

The song "Dream (when you're feeling blue)" backs a tender, arm-twining duet for Rink and McDole. At one point there's even a brawl--guy stuff. Throughout, Griff n. 1. Grasp; reach.
A vein of gold ore within one spade's griff.
- Holland.

2. (Weaving) An arrangement of parallel bars for lifting the hooked wires which raise the warp threads in a loom for weaving figured goods.
 Braun's (American Ballet Theatre American Ballet Theatre, one of the foremost international dance companies of the 20th cent. It was founded in 1937 as the Mordkin Ballet and reorganized as the Ballet Theatre in 1940 under the direction of Lucia Chase and Rich Pleasant. ) clarity of line and dynamic nuance is the quintessential embodiment of the movement. Philip Gardner (Feld Ballets/NY), Roger C. Jeffrey (Tharp!), Marc Mann (Bill T. Jones/Amie Zane Company) and newcomer Kevin Scarpin complete the cast.

Finally, a puppet look-alike strides in, shaking hands with the recumbent recumbent /re·cum·bent/ (re-kum´bent) lying down.

re·cum·bent
adj.
Lying down, especially in a position of comfort; reclining.
 men. Is the doll (manipulated by Thomas) a surrogate for the choreographer himself, symbolically acknowledging past mentors for creative inspiration, or thanking his cast for being surrogates for his revelations and confessions? Visually stunning and beautifully danced, the piece keeps its emotional secrets but provokes queries to resolve, as we each feel them.
COPYRIGHT 2001 Dance Magazine, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2001, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Title Annotation:Review
Author:SOLOMONS GUS JR.
Publication:Dance Magazine
Article Type:Dance Review
Date:Mar 1, 2001
Words:407
Previous Article:IT'S THE DICKENS.(Review)
Next Article:TWO WOMEN.(Review)
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