2003 Dance Magazine Awards. .The forty-sixth DANCE MAGAZINE AWARDS, held on April 21 in New York City New York City: see New York, city. New York City City (pop., 2000: 8,008,278), southeastern New York, at the mouth of the Hudson River. The largest city in the U.S. , honor five outstanding members of the dance community for their contributions to the field. Recipients are: William Forsythe, Susan Jaffe, Charles and Stephanie Reinhart, and Jock Soto. The awards are selected by an internal committee chaired by noted critic Clive Barnes. Roslyne Stern, publisher emeritus of DANCE MAGAZINE, is chair of the awards event. A list of prior recipients and more detailed biographies are available at www.dancemagazine.com. WILLIAM FORSYTHE Choreographer William Forsythe's work has profoundly affected the contemporary dance repertoire. As an American working in the European scene, he has integrated a demanding language of dance into an intensely modern aesthetic that is exciting to dancers and audiences. [] Originally from New York, Forsythe trained at Jacksonville University in Florida, studied and performed with The Joffrey Ballet before joining the Stuttgart Ballet in 1973, where he was principal choreographer from 1977 to 1979. He began freelance choreography in 1980 and has directed Ballett Frankfurt since 1984. Called a genius of the '80s, Forsythe choreographed more than thirty-five ballets in fifteen years. A classicist clas·si·cist n. 1. One versed in the classics; a classical scholar. 2. An adherent of classicism. 3. An advocate of the study of ancient Greek and Latin. Noun 1. , but using his now signature approach, which is intensely musical, intellectual, and adds many other disciplines to the dance, Forsythe has explored limits of tradition and body mechanics. Several of his ballets have become the new standards of companies throughout the world. Forsythe has announced that he is leaving Frankfurt in 2004. SUSAN JAFFE Susan Jaffe joined American Ballet Theatre American Ballet Theatre, one of the foremost international dance companies of the 20th cent. It was founded in 1937 as the Mordkin Ballet and reorganized as the Ballet Theatre in 1940 under the direction of Lucia Chase and Rich Pleasant. in 1980 at the invitation of Mikhail Baryshnikov and became one of the leading ballerinas of our time. Born in Washington, D.C., she began her dance training there and performed with the Maryland Youth Ballet before joining ABT II in 1978. In a mythic rise, she was plucked from the corps for the 1980 season opening night to dance opposite recently defected Russian Alexander Godunov in a pas de deux pas de deux (French; “step for two”) Dance for two performers. A characteristic part of classical ballet, it includes an adagio, or slow dance, by the ballerina and her partner; solo variations by the male dancer and then the ballerina; and a coda, or from Le Corsaire. She was promoted to soloist in 1981 and to principal in 1983. [] Jaffe is seen as representative of an entire generation of new ballerinas, having mastered equally the classical and contemporary repertoires. But beyond technique, she consistently invested her roles with an elegance and sweetness--or wickedness, as needed--that conveyed a real humanity to her audiences. [] After twenty-two critically praised years with American Ballet Theatre, Jaffe retired from performing in 2002; she now teaches and acts as advisor to the chairman and the president of the Board of Governing Trustees at ABT. She hosts Dance New York, the weekly TV show co-produced by DANCE MAGAZINE and WNYE-TV Channel 25. [] Jaffe has chosen writer Elizabeth Kaye as her presenter. CHARLES AND STEPHANIE REINHART Charles L. and Stephanie Reinhart excelled--Charles as a manager of modern dance companies and Stephanie as an arts administrator for the National Endowment for the Arts National Endowment for the Arts (NEA) Independent agency of the U.S. government that supports the creation, dissemination, and performance of the arts. It was created by the U.S. , and both as seekers of little-known companies in far corners of the world. But as co-directors of the American Dance Festival The American Dance Festival is a six-week summer festival of modern dance performances, and a school for dance currently held at Duke University in Durham, North Carolina. and as co-artistic directors for dance at the John F. Kennedy Center for the Performing Arts The John F. Kennedy Center for the Performing Arts, the name by which it is known, (or, as named on the building itself, the John F. Kennedy Memorial Center for the Performing Arts but, locally called the The Kennedy Center , they brought those organizations, and their audiences, to new heights of understanding of dance. [] A graduate of Rutgers University, Charles served as a military historian in Korea 1952-54, and later studied foreign policy at University of Copenhagen The University of Copenhagen (Danish: Københavns Universitet) is the oldest and largest university and research institution in Denmark. . In the 1960s, he worked with the State Department's Cultural Presentation Program, and later, with the NEA. In 1968, he became director of ADF (1) (Application Development Facility) An IBM programmer-oriented mainframe application generator that runs under IMS. (2) (Automatic Document Feeder) A paper stacker that feeds one sheet of paper at a time into the unit. , and for 1974, added the directorship of Jacob's Pillow Dance Festival Jacob's Pillow Dance Festival, summer dance concert series held annually near Lee, Mass., in the Berkshires. The site, originally an 18th-century farm, was purchased by the American modern dancer Ted Shawn in 1930, and three years later it became the home of his Men . In 1996, he became co-artistic director for dance with Stephanie, whose credits included an honors degree from the University of Wisconsin, a fellowship from George Washington University George Washington University, at Washington, D.C.; coeducational; chartered 1821 as Columbian College (one of the first nonsectarian colleges), opened 1822, became a university in 1873, renamed 1904. ; Harvard's Summer Institute in Arts Administration, and almost ten years with the NEA. The Reinharts received a 2002 Emmy as co-executive producers of Free to Dance: The African-American Presence in Modern Dance. [] This is the first time a DANCE MAGAZINE Award has been presented posthumously (see page 85). JOCK SOTO A member of New York City Ballet New York City Ballet, one of the foremost American dance companies of the 20th cent. It was founded by Lincoln Kirstein and George Balanchine as the Ballet Society in 1946. since he was 16, Jock Soto was promoted to principal dancer with the company in 1985. Half Navajo and half Puerto Rican, Soto was born in New Mexico and raised in Arizona, where he began his ballet education from local teachers at age 5. The sight of Edward Villella dancing "Rubies" in a television production of Jewels was his inspiration to begin dancing, and he came to the School of American Ballet The School of American Ballet is located in New York City, in Lincoln Center. It is considered one of the most prestigious and notable ballet schools in the United States and teaches some of the most talented young dancers in the country. at age 12 to further develop his talents. These days, Soto not only performs full seasons but teaches both boys' and men's classes at SAB. With his compact, muscular body, Soto has become a role model of possibilities for a whole generation of male dancers. The ultimate dependable partner, he is also known for his sensitivity and responsiveness to those with whom he dances. [] Mr. Soto will be presented his award by former New York City Ballet principal dancer Heather Watts. |
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