11 a.m. Aubade. v Cleb at 33.
11 a.m. Aubade: V. Cleb at 33
Eyecandy leaves V. Cleb's screen door open
lets every fruit fly in the county in. In jean shorts,
in an arms-tore-out sweatshirt, Eyecandy
shinnies down the mountain
past Cleb's oxeyes, his blowup
pool, the flowering satellite
dish. Past one grocery cart, twenty-four tulip
branches. Through a hundred you were here honeybees.
Cleb ass-drags up, grips the particleboard TV stand.
Through the screen, Cleb
blows. He hotboxes his filterless.
Eyecandy her clove, the stub she pockets.
The joint the fishers she passes pass. Who drop
one then two
dynamite bottles in
the lagoon dump. Who eye--You sweet--the purple mouth
on the back of her neck.
Eyecandy bites her thumb
stabs it into the bottleneck of
this
very
second--
Never put a chicken-shit Mayday note in a pint of Boone's. Any
drunk fuck might
save you.
Cleb drunk-chicken-breakfasts at his card table.
Eyecandy kneels at an open basement
window at the head of the hollow,
her mouth an O against half-strung
venetian blinds.
To the blackjack boy--shrunken arm rocking in the socket,
shrunken hand curved, the good one deals
she hollers--You best count Cleb in.
Wads of Washingtons rubberbanded to his thigh, Cleb
karate kicks in his side yard. He war
cries--Kiai.
BLAM
Sky high go
the baby fish
swim bladders
BLAM
Gut-deep wade
those fishers
Eyecandy's brass hoops
the last of a lemon icebox
on a kitchenette counter.
Cleb kung fu-fingers the mountain echoes--
"Likewise wiseass."
Cleb kung fu-fingers the mountain
the mountain just forgets. Forgotten too--Eyecandy's brass hoops, a
lemon
icebox on Cleb's kitchenette counter. Hush.
Hush. Yonder dynamite fishers on their backs asleep in lowfog.
Shh. Yonder
Jack o' Lantern mushrooms on a felled trunk like lights on a barge.
How fishers
conjure brook trout in the middle of the late morning lagoon dump.
V. Cleb cries. In his side yard, there in thin boxers, karate
kicks.
Eyecandy with the blackjack boy. The blackjack boy--cinder block
arm curls
in a flooded basement, cash strapped to his thigh, spade in his
chest pocket.
Eyecandy through the rusted bars painted over. Put her inside. Put
her lips, a
smear of coral, on his dick. Put her inside. She slips him a
slip--You ought count
Cleb in.
No, find her tiptoe under a burned attic
window frame at the foot of
the hollow. Say something.
Eyecandy's mouth's no more than a line.
A little prayer. Unstrung
behind venetian blinds, Cleb makes a finger steeple
on the card table--She put
a chicken-shit Mayday note in
a pint of Boone's. Any
drunk fuck may fuck
her. Listen. Any
drunk fucking fuck.
Balancing stick in hand,
Eyecandy paces a felled trunk, almost
takes a spill. She pulls
her thumb from the bottle
neck of this very second. Look
at all this spill out around her-fishers calling
Sooie to the purple mouth on the back of her neck, lagoon dump
spilling,
clover going
yellowyellow
gone.
Fishers pull one
then two dud
dynamite bottles from the lagoon dump.
One holds his breath, passes the roach. Eyecandy hotboxes
her clove. Cleb his filterless.
Through the screen Cleb counts a
hundred you don't know shit honeybees,
an upside-down-one
wheel-spinning grocery cart. The
countless
tulip branches.
In jean shorts, in Cleb's armstore-out
sweatshirt, Eyecandy
climbs the mountain to Cleb's oxeyes, his blowup
pool, flowering satellite dish. Cleb
grips the particleboard TV stand--steady,
boy--crashes back
on the floor mattress. Eyecandy leaves
V. Cleb's screen door open--
COPYRIGHT 2009 Witness
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Copyright 2009 Gale, Cengage Learning. All rights reserved.
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