'SECRET ' NOT QUITE A TREASURE, NOT QUITE ART.Byline: Bob Strauss Film Critic ``Joe Gould's Secret'' is a lovingly realized re-creation of New York's 1940s bohemian scene, based on articles about an exemplary eccentric that Joseph Mitchell
Joseph Mitchell (July 27, 1908 - May 24, 1996) was an American writer who wrote for The New Yorker. wrote for The New Yorker. And like much of that magazine's prose, the movie lovingly and meticulously overstays its welcome. So does Joe Gould, a homeless genius-in-his-own-mind who depends on the kindness of artists, club owners and assorted would-be scenesters for sustenance. The theatrical, motor-mouthed, emotional and unpredictable Joe, you see, has dedicated his existence to writing a massive ``Oral History of Our Time,'' made up of his encounters and conversations with ordinary men and women, written down from perfect memory in notebooks that Joe keeps stashed at friends' homes all over town. Those who indulge Gould seem uniformly buffaloed by this sometimes amusing, often obnoxious obsessive's grand plan and, at least in how the movie presents it, care for him out of awe more than pity - until, however one views him, he becomes too exasperating to take. Gould is played by the great British actor Ian Holm (``Brazil,'' ``Alien,'' the Emmy-nominated PBS PBS in full Public Broadcasting Service Private, nonprofit U.S. corporation of public television stations. PBS provides its member stations, which are supported by public funds and private contributions rather than by commercials, with educational, cultural, broadcast of ``King Lear''). Wrapped in multiple layers of raggedy rag·ged·y adj. rag·ged·i·er, rag·ged·i·est Tattered or worn-out; ragged. clothes and ever clutching a beat-up portfolio like a holy totem, Holm chews up and spits out the quirk-laden little Joe like a starving actor. It's what they call a tour de force performance, and it's so relentless that it sometimes leaves you feeling like Joe's patience-tested supporters. There are any number of times when the antic elfishness elf·ish also elv·ish adj. 1. Of or relating to elves. 2. Prankish; mischievous. elf ish·ly adv. gives way to true and moving expressions of the unstable character's fear and confusion. Still, you wish Holm would've gone easier on the arm-flapping. Stanley Tucci, who also directed, plays the other Joe: Mitchell, a polite and inquisitive Southern gentleman with a fascination for the city's lowlifes and losers. Mitchell is ever-so-slightly appalled when he can't get rid of Gould after the profile he writes gives the odd fellow the postwar equivalent of Warhol's 15 minutes. But he has genuine concern for the man, too, and as Mitchell grows to suspect that Gould harbors a secret more dire than his hand-to-mouth existence, the writer's own deceptively stable life - loving photographer wife (Hope Davis), two bright little girls, orderly apartment - looks more and more like a cover-up for something, too. But while the film treats us to too much of Gould, you never get the feeling that Mitchell's secrets are examined as they properly should be. Like he did in his filmmaking debut ``Big Night,'' which was co-directed with Campbell Scott Campbell Scott (born July 19 1961) is an American actor, director, producer, and voice artist. Scott was born in New York City, New York, the son of George C. Scott, an actor, director, and producer, and Colleen Dewhurst, a Canadian-born actress. , Tucci excels here at evoking the flavor of a specific, offbeat off·beat n. Music An unaccented beat in a measure. adj. Slang Not conforming to an ordinary type or pattern; unconventional: offbeat humor. setting: Greenwich Village Greenwich Village (grĕn`ĭch), residential district of lower Manhattan, New York City, extending S from 14th St. to Houston St. and W from Washington Square to the Hudson River. between the early century decades of socio-cultural radicalism and the passing parade Passing Parade, a.k.a. John Nesbitt's Passing Parade, was a long-running series of MGM short subjects which ran from 1938 to 1949. All of them were narrated by announcer John Nesbitt, and most of them featured the slow movement of Tchaikovsky's Symphony No. of modern countercultures that would soon be brought by bop and the beats. It's a time when having Gould make a scene in your cafe is, as one owner puts it, ``Good for business; a real bohemian for the tourists,'' and when a female artist like Alice Neel Alice Neel (January 28, 1900 – October 13, 1984) was an American portrait painter. Her paintings are notable for their expressionistic use of line and color, psychological acumen, and emotional intensity. , played by Susan Sarandon Susan Sarandon (born October 4, 1946) is an Academy Award-winning American actress. Biography Early life Sarandon, the eldest of nine children, was born Susan Abigail Tomalin , could still raise eyebrows with her nude paintings. It's all very carefully done and unfailingly civilized while maintaining it's own kind of underground grittiness. Even, sometimes, the film is witty. But a museum-piece quality gradually takes over ``Joe Gould's Secret''; not a mustiness, really, but the definite feeling that you've been staring too long at a display while life is taking place somewhere else. THE FACTS --The film: ``Joe Gould's Secret'' (R; language, nudity). --The stars: Ian Holm, Stanley Tucci, Hope Davis, Susan Sarandon, Patricia Clarkson Patricia Davies Clarkson (born December 29, 1959) is an Academy Award-nominated American actress. Biography Personal life Clarkson was born in New Orleans, Louisiana, the daughter of Jackie Clarkson (a prominent local New Orleans politician and councilwoman) . --Behind the scenes: Directed by Stanley Tucci. Written by Howard A. Rodman, based on the New Yorker articles by Joseph Mitchell. Produced by Charles Weinstock. Released by USA Films. --Running time: One hour, 48 minutes. --Playing: Sunset 5, West Hollywood; Westside Pavilion, West L.A. --Our rating: Two and one half stars CAPTION(S): photo, box Photo: Director Stanley Tucci, left, and Ian Holm star in ``Joe Gould's Secret.'' Box: THE FACTS (see text) |
|
||||||||||||||||||

ish·ly adv.
Printer friendly
Cite/link
Email
Feedback
Reader Opinion